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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC4522 it is the complementary color #43BADD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC4522. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC4522 shade: #C1451D, #D25730, #E36943, #F47B56 and #FF8D69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC4522. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC4522 shade: #BC4522, #AB330F, #9A2100, #890F00 and #780000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC4522 shade: #BE4623 and #BE2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC4522 shade: #BE4623, #BE7023, #BE9923, #B8BE23 and #8EBE23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC4522 shade matches the following richer shades: #BE4623 and #D03C11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC4522 shade: #BE4623, #AB5035, #995A47, #876459 and #756E6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC4522 shade: #BE2354, #BE232B, #BE4423, #BE6E23 and #BE9723

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC4522 shade: #782C16, #9B391C, #BE4623, #D95731 and #E07353

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC4522 shade: #BC4522, #7DBE23 and #233FBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC4522 shade: #BC4522, #23BE44 and #4423BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC4522 shade: #BC4522, #7DBE23, #239CBE and #6323BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC4522 shade: #BC4522, #4FBE23, #239CBE and #9223BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 82 / 26

HEX #BC4522

RGB 188 69 34

HSL 13.64, 0.69%, 0.44%

LAB 45.72, 46.24, 44.69

 

Complementary color

CMYK 70 / 16 / 0 / 13

HEX #43BADD

RGB 67 186 221

HSL 193.64, 0.69%, 0.56%

LAB 70.55, -21.89, -27.17

 

CMYK 0 / 64 / 85 / 24

HEX #C1451D

RGB 193 69 29

HSL 14.63, 0.74%, 0.44%

LAB 46.56, 47.89, 48.08

 

CMYK 0 / 59 / 77 / 18

HEX #D25730

RGB 210 87 48

HSL 14.44, 0.64%, 0.51%

LAB 52.65, 46.46, 45.86

 

CMYK 0 / 54 / 70 / 11

HEX #E36943

RGB 227 105 67

HSL 14.25, 0.74%, 0.58%

LAB 58.83, 44.99, 43.53

 

CMYK 0 / 50 / 65 / 4

HEX #F47B56

RGB 244 123 86

HSL 14.05, 0.88%, 0.65%

LAB 65.02, 43.55, 41.33

 

CMYK 0 / 45 / 59 / 0

HEX #FF8D69

RGB 255 141 105

HSL 14.4, 1%, 0.71%

LAB 70.41, 39.92, 38.14

 

CMYK 0 / 63 / 82 / 26

HEX #BC4522

RGB 188 69 34

HSL 13.64, 0.69%, 0.44%

LAB 45.72, 46.24, 44.69

 

CMYK 0 / 70 / 91 / 33

HEX #AB330F

RGB 171 51 15

HSL 13.85, 0.84%, 0.36%

LAB 39.68, 47.47, 46.66

 

CMYK 0 / 79 / 100 / 40

HEX #9A2100

RGB 154 33 0

HSL 12.86, 1%, 0.3%

LAB 33.89, 48.18, 46.93

 

CMYK 0 / 89 / 100 / 46

HEX #890F00

RGB 137 15 0

HSL 6.57, 1%, 0.27%

LAB 28.54, 47.84, 41.48

 

CMYK 0 / 100 / 100 / 53

HEX #780000

RGB 120 0 0

HSL 0, 1%, 0.24%

LAB 23.65, 45.88, 35.59

 

CMYK 0 / 63 / 82 / 25

HEX #BE4623

RGB 190 70 35

HSL 13.55, 0.69%, 0.44%

LAB 46.24, 46.55, 44.82

 

CMYK 0 / 82 / 82 / 25

HEX #BE2323

RGB 190 35 35

HSL 0, 0.69%, 0.44%

LAB 41.64, 59.18, 40.41

 

CMYK 0 / 63 / 82 / 25

HEX #BE4623

RGB 190 70 35

HSL 13.55, 0.69%, 0.44%

LAB 46.24, 46.55, 44.82

 

CMYK 0 / 41 / 82 / 25

HEX #BE7023

RGB 190 112 35

HSL 29.81, 0.69%, 0.44%

LAB 54.72, 25.21, 52.66

 

CMYK 0 / 19 / 82 / 25

HEX #BE9923

RGB 190 153 35

HSL 45.68, 0.69%, 0.44%

LAB 64.84, 2.71, 61.67

 

CMYK 3 / 0 / 82 / 25

HEX #B8BE23

RGB 184 190 35

HSL 62.32, 0.69%, 0.44%

LAB 74.28, -19.23, 69.64

 

CMYK 25 / 0 / 82 / 25

HEX #8EBE23

RGB 142 190 35

HSL 78.58, 0.69%, 0.44%

LAB 71.35, -36.56, 65.95

 

CMYK 0 / 63 / 82 / 25

HEX #BE4623

RGB 190 70 35

HSL 13.55, 0.69%, 0.44%

LAB 46.24, 46.55, 44.82

 

CMYK 0 / 71 / 92 / 18

HEX #D03C11

RGB 208 60 17

HSL 13.51, 0.85%, 0.44%

LAB 47.86, 56.37, 54.9

 

CMYK 0 / 63 / 82 / 25

HEX #BE4623

RGB 190 70 35

HSL 13.55, 0.69%, 0.44%

LAB 46.24, 46.55, 44.82

 

CMYK 0 / 53 / 69 / 33

HEX #AB5035

RGB 171 80 53

HSL 13.73, 0.53%, 0.44%

LAB 45.15, 35.31, 33.22

 

CMYK 0 / 41 / 54 / 40

HEX #995A47

RGB 153 90 71

HSL 13.9, 0.37%, 0.44%

LAB 45, 23.84, 22.02

 

CMYK 0 / 26 / 34 / 47

HEX #876459

RGB 135 100 89

HSL 14.35, 0.21%, 0.44%

LAB 45.62, 12.5, 11.74

 

CMYK 0 / 6 / 9 / 54

HEX #756E6B

RGB 117 110 107

HSL 18, 0.04%, 0.44%

LAB 46.97, 2.14, 2.64

 

CMYK 0 / 82 / 56 / 25

HEX #BE2354

RGB 190 35 84

HSL 341.03, 0.69%, 0.44%

LAB 42.44, 61.62, 11.69

 

CMYK 0 / 82 / 77 / 25

HEX #BE232B

RGB 190 35 43

HSL 356.9, 0.69%, 0.44%

LAB 41.73, 59.44, 35.99

 

CMYK 0 / 64 / 82 / 25

HEX #BE4423

RGB 190 68 35

HSL 12.77, 0.69%, 0.44%

LAB 45.91, 47.43, 44.51

 

CMYK 0 / 42 / 82 / 25

HEX #BE6E23

RGB 190 110 35

HSL 29.03, 0.69%, 0.44%

LAB 54.26, 26.3, 52.25

 

CMYK 0 / 21 / 82 / 25

HEX #BE9723

RGB 190 151 35

HSL 44.9, 0.69%, 0.44%

LAB 64.32, 3.79, 61.22

 

CMYK 0 / 63 / 82 / 53

HEX #782C16

RGB 120 44 22

HSL 13.47, 0.69%, 0.28%

LAB 29.04, 32, 30.51

 

CMYK 0 / 63 / 82 / 39

HEX #9B391C

RGB 155 57 28

HSL 13.7, 0.69%, 0.36%

LAB 37.8, 39.43, 38.09

 

CMYK 0 / 63 / 82 / 25

HEX #BE4623

RGB 190 70 35

HSL 13.55, 0.69%, 0.44%

LAB 46.24, 46.55, 44.82

 

CMYK 0 / 60 / 77 / 15

HEX #D95731

RGB 217 87 49

HSL 13.57, 0.69%, 0.52%

LAB 53.8, 49.04, 46.89

 

CMYK 0 / 49 / 63 / 12

HEX #E07353

RGB 224 115 83

HSL 13.62, 0.69%, 0.6%

LAB 60.55, 39.8, 36.88

 

CMYK 0 / 63 / 82 / 26

HEX #BC4522

RGB 188 69 34

HSL 13.64, 0.69%, 0.44%

LAB 45.72, 46.24, 44.69

 

CMYK 34 / 0 / 82 / 25

HEX #7DBE23

RGB 125 190 35

HSL 85.16, 0.69%, 0.44%

LAB 70.39, -42.99, 64.73

 

CMYK 82 / 67 / 0 / 25

HEX #233FBE

RGB 35 63 190

HSL 229.16, 0.69%, 0.44%

LAB 33.2, 37.11, -69.03

 

CMYK 0 / 63 / 82 / 26

HEX #BC4522

RGB 188 69 34

HSL 13.64, 0.69%, 0.44%

LAB 45.72, 46.24, 44.69

 

CMYK 82 / 0 / 64 / 25

HEX #23BE44

RGB 35 190 68

HSL 132.77, 0.69%, 0.44%

LAB 67.73, -62.75, 49.37

 

CMYK 64 / 82 / 0 / 25

HEX #4423BE

RGB 68 35 190

HSL 252.77, 0.69%, 0.44%

LAB 29.78, 55.42, -74.59

 

CMYK 0 / 63 / 82 / 26

HEX #BC4522

RGB 188 69 34

HSL 13.64, 0.69%, 0.44%

LAB 45.72, 46.24, 44.69

 

CMYK 34 / 0 / 82 / 25

HEX #7DBE23

RGB 125 190 35

HSL 85.16, 0.69%, 0.44%

LAB 70.39, -42.99, 64.73

 

CMYK 82 / 18 / 0 / 25

HEX #239CBE

RGB 35 156 190

HSL 193.16, 0.69%, 0.44%

LAB 59.75, -20.11, -26.65

 

CMYK 48 / 82 / 0 / 25

HEX #6323BE

RGB 99 35 190

HSL 264.77, 0.69%, 0.44%

LAB 33.08, 58.91, -69.05

 

CMYK 0 / 63 / 82 / 26

HEX #BC4522

RGB 188 69 34

HSL 13.64, 0.69%, 0.44%

LAB 45.72, 46.24, 44.69

 

CMYK 58 / 0 / 82 / 25

HEX #4FBE23

RGB 79 190 35

HSL 102.97, 0.69%, 0.44%

LAB 68.47, -57.37, 62.27

 

CMYK 82 / 18 / 0 / 25

HEX #239CBE

RGB 35 156 190

HSL 193.16, 0.69%, 0.44%

LAB 59.75, -20.11, -26.65

 

CMYK 23 / 82 / 0 / 25

HEX #9223BE

RGB 146 35 190

HSL 282.97, 0.69%, 0.44%

LAB 39.63, 66.03, -58.07

 

Description

Color code: HEX #BC4522 | qconv.com Color code: HEX #BC4522 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 69 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 69 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 82 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 82% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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