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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC44DB it is the complementary color #43BB24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC44DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC44DB shade: #C144D6, #D256E9, #E368FC, #F47AFF and #FF8CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC44DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC44DB shade: #BC44DB, #AB32C8, #9A20B5, #890EA2 and #78008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC44DB shade: #BC43DB, #DB43D1, #DB43A8, #DB437F and #DB4356

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC44DB shade: #BC43DB, #9343DB, #6943DB and #4343DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC44DB shade matches the following richer shades: #BC43DB and #C630ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC44DB shade: #BC43DB, #B155C9, #A667B7, #9C79A5 and #918B92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC44DB shade: #6943DB, #9143DB, #BA43DB, #DB43D3 and #DB43AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC44DB shade: #8E20AB, #AB27CD, #BC43DB, #C865E2 and #D488E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC44DB shade: #BC44DB, #DB4345 and #43DB7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC44DB shade: #BC44DB, #DBBA43 and #43DBBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC44DB shade: #BC44DB, #DB4345, #64DB43 and #43DBD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC44DB shade: #BC44DB, #DB6E43, #64DB43 and #43B0DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 69 / 0 / 14

HEX #BC44DB

RGB 188 68 219

HSL 287.68, 0.68%, 0.56%

LAB 51.77, 68.28, -54.94

 

Complementary color

CMYK 64 / 0 / 81 / 27

HEX #43BB24

RGB 67 187 36

HSL 107.68, 0.68%, 0.44%

LAB 67.17, -59.12, 60.66

 

CMYK 10 / 68 / 0 / 16

HEX #C144D6

RGB 193 68 214

HSL 291.37, 0.64%, 0.55%

LAB 52.2, 68.44, -51.35

 

CMYK 10 / 63 / 0 / 9

HEX #D256E9

RGB 210 86 233

HSL 290.61, 0.77%, 0.63%

LAB 58.26, 68.47, -52.28

 

CMYK 10 / 59 / 0 / 1

HEX #E368FC

RGB 227 104 252

HSL 289.86, 0.96%, 0.7%

LAB 64.37, 68.2, -52.98

 

CMYK 4 / 52 / 0 / 0

HEX #F47AFF

RGB 244 122 255

HSL 295.04, 1%, 0.74%

LAB 69.73, 64.83, -46.01

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 14 / 69 / 0 / 14

HEX #BC44DB

RGB 188 68 219

HSL 287.68, 0.68%, 0.56%

LAB 51.77, 68.28, -54.94

 

CMYK 15 / 75 / 0 / 22

HEX #AB32C8

RGB 171 50 200

HSL 288.4, 0.6%, 0.49%

LAB 45.78, 67.81, -53.78

 

CMYK 15 / 82 / 0 / 29

HEX #9A20B5

RGB 154 32 181

HSL 289.13, 0.7%, 0.42%

LAB 39.98, 66.55, -52.14

 

CMYK 15 / 91 / 0 / 36

HEX #890EA2

RGB 137 14 162

HSL 289.86, 0.84%, 0.35%

LAB 34.48, 64.1, -49.81

 

CMYK 16 / 100 / 0 / 44

HEX #78008F

RGB 120 0 143

HSL 290.35, 1%, 0.28%

LAB 29.35, 60.16, -46.63

 

CMYK 14 / 69 / 0 / 14

HEX #BC43DB

RGB 188 67 219

HSL 287.76, 0.68%, 0.56%

LAB 51.63, 68.67, -55.15

 

CMYK 0 / 69 / 5 / 14

HEX #DB43D1

RGB 219 67 209

HSL 303.95, 0.68%, 0.56%

LAB 55.76, 73.7, -42.61

 

CMYK 0 / 69 / 23 / 14

HEX #DB43A8

RGB 219 67 168

HSL 320.13, 0.68%, 0.56%

LAB 53.92, 67.88, -21.79

 

CMYK 0 / 69 / 42 / 14

HEX #DB437F

RGB 219 67 127

HSL 336.32, 0.68%, 0.56%

LAB 52.52, 63.23, 0.4

 

CMYK 0 / 69 / 61 / 14

HEX #DB4356

RGB 219 67 86

HSL 352.5, 0.68%, 0.56%

LAB 51.55, 59.91, 23.65

 

CMYK 14 / 69 / 0 / 14

HEX #BC43DB

RGB 188 67 219

HSL 287.76, 0.68%, 0.56%

LAB 51.63, 68.67, -55.15

 

CMYK 33 / 69 / 0 / 14

HEX #9343DB

RGB 147 67 219

HSL 271.58, 0.68%, 0.56%

LAB 46.09, 60.37, -64.38

 

CMYK 52 / 69 / 0 / 14

HEX #6943DB

RGB 105 67 219

HSL 255, 0.68%, 0.56%

LAB 41.43, 52.91, -72.17

 

CMYK 69 / 69 / 0 / 14

HEX #4343DB

RGB 67 67 219

HSL 240, 0.68%, 0.56%

LAB 38.41, 47.76, -77.23

 

CMYK 14 / 69 / 0 / 14

HEX #BC43DB

RGB 188 67 219

HSL 287.76, 0.68%, 0.56%

LAB 51.63, 68.67, -55.15

 

CMYK 16 / 80 / 0 / 7

HEX #C630ED

RGB 198 48 237

HSL 287.62, 0.84%, 0.56%

LAB 52.1, 80, -64.5

 

CMYK 14 / 69 / 0 / 14

HEX #BC43DB

RGB 188 67 219

HSL 287.76, 0.68%, 0.56%

LAB 51.63, 68.67, -55.15

 

CMYK 12 / 58 / 0 / 21

HEX #B155C9

RGB 177 85 201

HSL 287.59, 0.52%, 0.56%

LAB 51.91, 54.86, -44.53

 

CMYK 9 / 44 / 0 / 28

HEX #A667B7

RGB 166 103 183

HSL 287.25, 0.36%, 0.56%

LAB 53.2, 38.82, -32.23

 

CMYK 5 / 27 / 0 / 35

HEX #9C79A5

RGB 156 121 165

HSL 287.73, 0.2%, 0.56%

LAB 55.54, 21.68, -18.3

 

CMYK 1 / 5 / 0 / 43

HEX #918B92

RGB 145 139 146

HSL 291.43, 0.03%, 0.56%

LAB 58.57, 3.58, -2.93

 

CMYK 52 / 69 / 0 / 14

HEX #6943DB

RGB 105 67 219

HSL 255, 0.68%, 0.56%

LAB 41.43, 52.91, -72.17

 

CMYK 34 / 69 / 0 / 14

HEX #9143DB

RGB 145 67 219

HSL 270.79, 0.68%, 0.56%

LAB 45.84, 59.98, -64.8

 

CMYK 15 / 69 / 0 / 14

HEX #BA43DB

RGB 186 67 219

HSL 286.97, 0.68%, 0.56%

LAB 51.35, 68.25, -55.63

 

CMYK 0 / 69 / 4 / 14

HEX #DB43D3

RGB 219 67 211

HSL 303.16, 0.68%, 0.56%

LAB 55.86, 74.01, -43.59

 

CMYK 0 / 69 / 22 / 14

HEX #DB43AB

RGB 219 67 171

HSL 318.95, 0.68%, 0.56%

LAB 54.04, 68.27, -23.36

 

CMYK 17 / 81 / 0 / 33

HEX #8E20AB

RGB 142 32 171

HSL 287.48, 0.68%, 0.4%

LAB 37.34, 62.54, -50.55

 

CMYK 17 / 81 / 0 / 20

HEX #AB27CD

RGB 171 39 205

HSL 287.71, 0.68%, 0.48%

LAB 44.97, 72.04, -57.99

 

CMYK 14 / 69 / 0 / 14

HEX #BC43DB

RGB 188 67 219

HSL 287.76, 0.68%, 0.56%

LAB 51.63, 68.67, -55.15

 

CMYK 12 / 55 / 0 / 11

HEX #C865E2

RGB 200 101 226

HSL 287.52, 0.68%, 0.64%

LAB 59.05, 57.97, -47.2

 

CMYK 9 / 41 / 0 / 9

HEX #D488E8

RGB 212 136 232

HSL 287.5, 0.68%, 0.72%

LAB 67.6, 44.68, -37.01

 

CMYK 14 / 69 / 0 / 14

HEX #BC44DB

RGB 188 68 219

HSL 287.68, 0.68%, 0.56%

LAB 51.77, 68.28, -54.94

 

CMYK 0 / 69 / 68 / 14

HEX #DB4345

RGB 219 67 69

HSL 359.21, 0.68%, 0.56%

LAB 51.27, 58.94, 33.31

 

CMYK 69 / 0 / 43 / 14

HEX #43DB7D

RGB 67 219 125

HSL 142.89, 0.68%, 0.56%

LAB 78.07, -60.03, 34.94

 

CMYK 14 / 69 / 0 / 14

HEX #BC44DB

RGB 188 68 219

HSL 287.68, 0.68%, 0.56%

LAB 51.77, 68.28, -54.94

 

CMYK 0 / 15 / 69 / 14

HEX #DBBA43

RGB 219 186 67

HSL 46.97, 0.68%, 0.56%

LAB 76.43, -0.81, 62.01

 

CMYK 69 / 0 / 15 / 14

HEX #43DBBA

RGB 67 219 186

HSL 166.97, 0.68%, 0.56%

LAB 79.27, -47.19, 4.77

 

CMYK 14 / 69 / 0 / 14

HEX #BC44DB

RGB 188 68 219

HSL 287.68, 0.68%, 0.56%

LAB 51.77, 68.28, -54.94

 

CMYK 0 / 69 / 68 / 14

HEX #DB4345

RGB 219 67 69

HSL 359.21, 0.68%, 0.56%

LAB 51.27, 58.94, 33.31

 

CMYK 54 / 0 / 69 / 14

HEX #64DB43

RGB 100 219 67

HSL 106.97, 0.68%, 0.56%

LAB 78.33, -60.22, 61.64

 

CMYK 69 / 0 / 1 / 14

HEX #43DBD9

RGB 67 219 217

HSL 179.21, 0.68%, 0.56%

LAB 80.1, -39.02, -10.54

 

CMYK 14 / 69 / 0 / 14

HEX #BC44DB

RGB 188 68 219

HSL 287.68, 0.68%, 0.56%

LAB 51.77, 68.28, -54.94

 

CMYK 0 / 50 / 69 / 14

HEX #DB6E43

RGB 219 110 67

HSL 16.97, 0.68%, 0.56%

LAB 58.62, 39.47, 42.97

 

CMYK 54 / 0 / 69 / 14

HEX #64DB43

RGB 100 219 67

HSL 106.97, 0.68%, 0.56%

LAB 78.33, -60.22, 61.64

 

CMYK 69 / 20 / 0 / 14

HEX #43B0DB

RGB 67 176 219

HSL 196.97, 0.68%, 0.56%

LAB 67.55, -17.32, -30.69

 

Description

Color code: HEX #BC44DB | qconv.com Color code: HEX #BC44DB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 68 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 68 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 69 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 69% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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