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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC4468 it is the complementary color #43BB97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC4468. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC4468 shade: #C14463, #D25676, #E36889, #F47A9C and #FF8CAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC4468. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC4468 shade: #BC4468, #AB3255, #9A2042, #890E2F and #78001C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC4468 shade: #BB4468, #BB4447 and #BB4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC4468 shade: #BB4468, #BB4488, #BB44A8, #AE44BB and #8E44BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC4468 shade matches the following richer shades: #BB4468, #D02F5F, #E51A57 and #F9064F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC4468 shade: #BB4468, #A75870, #926D78, #7E8180 and #699689

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC4468 shade: #BB44A7, #BB4487, #BB4468, #BB4448 and #BB6044

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC4468 shade: #7F2E46, #9D3957, #BB4468, #C66280 and #D18099

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC4468 shade: #BC4468, #BBAF44 and #4497BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC4468 shade: #BC4468, #68BB44 and #4468BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC4468 shade: #BC4468, #BBAF44, #44BB97 and #4450BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC4468 shade: #BC4468, #A3BB44, #44BB97 and #5C44BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 45 / 26

HEX #BC4468

RGB 188 68 104

HSL 342, 0.47%, 0.5%

LAB 46.74, 51.21, 5.31

 

Complementary color

CMYK 64 / 0 / 19 / 27

HEX #43BB97

RGB 67 187 151

HSL 162, 0.47%, 0.5%

LAB 68.73, -42.01, 8.5

 

CMYK 0 / 65 / 49 / 24

HEX #C14463

RGB 193 68 99

HSL 345.12, 0.5%, 0.51%

LAB 47.46, 52.33, 9.49

 

CMYK 0 / 59 / 44 / 18

HEX #D25676

RGB 210 86 118

HSL 344.52, 0.58%, 0.58%

LAB 53.67, 51.74, 7.25

 

CMYK 0 / 54 / 40 / 11

HEX #E36889

RGB 227 104 137

HSL 343.9, 0.69%, 0.65%

LAB 59.92, 50.98, 5.39

 

CMYK 0 / 50 / 36 / 4

HEX #F47A9C

RGB 244 122 156

HSL 343.28, 0.85%, 0.72%

LAB 66.18, 50.14, 3.82

 

CMYK 0 / 45 / 31 / 0

HEX #FF8CAF

RGB 255 140 175

HSL 341.74, 1%, 0.77%

LAB 71.63, 47.25, 1.23

 

CMYK 0 / 64 / 45 / 26

HEX #BC4468

RGB 188 68 104

HSL 342, 0.47%, 0.5%

LAB 46.74, 51.21, 5.31

 

CMYK 0 / 71 / 50 / 33

HEX #AB3255

RGB 171 50 85

HSL 342.64, 0.55%, 0.43%

LAB 40.57, 51.46, 7.89

 

CMYK 0 / 79 / 57 / 40

HEX #9A2042

RGB 154 32 66

HSL 343.28, 0.66%, 0.36%

LAB 34.59, 51.08, 11.23

 

CMYK 0 / 90 / 66 / 46

HEX #890E2F

RGB 137 14 47

HSL 343.9, 0.81%, 0.3%

LAB 29, 49.6, 15.63

 

CMYK 0 / 100 / 77 / 53

HEX #78001C

RGB 120 0 28

HSL 346, 1%, 0.24%

LAB 23.92, 46.63, 21.25

 

CMYK 0 / 64 / 44 / 27

HEX #BB4468

RGB 187 68 104

HSL 341.85, 0.47%, 0.5%

LAB 46.58, 50.89, 5.04

 

CMYK 0 / 64 / 62 / 27

HEX #BB4447

RGB 187 68 71

HSL 358.49, 0.47%, 0.5%

LAB 45.84, 48.13, 24.15

 

CMYK 0 / 64 / 64 / 27

HEX #BB4444

RGB 187 68 68

HSL 0, 0.47%, 0.5%

LAB 45.79, 47.93, 25.88

 

CMYK 0 / 64 / 44 / 27

HEX #BB4468

RGB 187 68 104

HSL 341.85, 0.47%, 0.5%

LAB 46.58, 50.89, 5.04

 

CMYK 0 / 64 / 27 / 27

HEX #BB4488

RGB 187 68 136

HSL 325.71, 0.47%, 0.5%

LAB 47.59, 54.59, -12.9

 

CMYK 0 / 64 / 10 / 27

HEX #BB44A8

RGB 187 68 168

HSL 309.58, 0.47%, 0.5%

LAB 48.92, 59.21, -29.95

 

CMYK 7 / 64 / 0 / 27

HEX #AE44BB

RGB 174 68 187

HSL 293.45, 0.47%, 0.5%

LAB 47.91, 59.17, -42.81

 

CMYK 24 / 64 / 0 / 27

HEX #8E44BB

RGB 142 68 187

HSL 277.31, 0.47%, 0.5%

LAB 43.47, 51.56, -50.15

 

CMYK 0 / 64 / 44 / 27

HEX #BB4468

RGB 187 68 104

HSL 341.85, 0.47%, 0.5%

LAB 46.58, 50.89, 5.04

 

CMYK 0 / 77 / 54 / 18

HEX #D02F5F

RGB 208 47 95

HSL 342.11, 0.63%, 0.5%

LAB 47.33, 64.02, 12.15

 

CMYK 0 / 89 / 62 / 10

HEX #E51A57

RGB 229 26 87

HSL 341.97, 0.8%, 0.5%

LAB 49.6, 73.58, 20.82

 

CMYK 0 / 98 / 68 / 2

HEX #F9064F

RGB 249 6 79

HSL 341.98, 0.95%, 0.5%

LAB 52.77, 79.97, 30.54

 

CMYK 0 / 64 / 44 / 27

HEX #BB4468

RGB 187 68 104

HSL 341.85, 0.47%, 0.5%

LAB 46.58, 50.89, 5.04

 

CMYK 0 / 47 / 33 / 35

HEX #A75870

RGB 167 88 112

HSL 341.77, 0.31%, 0.5%

LAB 47.45, 35.13, 1.05

 

CMYK 0 / 25 / 18 / 43

HEX #926D78

RGB 146 109 120

HSL 342.16, 0.15%, 0.5%

LAB 49.98, 16.48, -0.36

 

CMYK 2 / 0 / 1 / 49

HEX #7E8180

RGB 126 129 128

HSL 160, 0.01%, 0.5%

LAB 53.7, -1.31, 0.14

 

CMYK 30 / 0 / 9 / 41

HEX #699689

RGB 105 150 137

HSL 162.67, 0.18%, 0.5%

LAB 58.62, -18.2, 1.95

 

CMYK 0 / 64 / 11 / 27

HEX #BB44A7

RGB 187 68 167

HSL 310.08, 0.47%, 0.5%

LAB 48.87, 59.05, -29.43

 

CMYK 0 / 64 / 28 / 27

HEX #BB4487

RGB 187 68 135

HSL 326.22, 0.47%, 0.5%

LAB 47.56, 54.46, -12.36

 

CMYK 0 / 64 / 44 / 27

HEX #BB4468

RGB 187 68 104

HSL 341.85, 0.47%, 0.5%

LAB 46.58, 50.89, 5.04

 

CMYK 0 / 64 / 61 / 27

HEX #BB4448

RGB 187 68 72

HSL 357.98, 0.47%, 0.5%

LAB 45.86, 48.19, 23.57

 

CMYK 0 / 49 / 64 / 27

HEX #BB6044

RGB 187 96 68

HSL 14.12, 0.47%, 0.5%

LAB 51.09, 34.22, 32.44

 

CMYK 0 / 64 / 45 / 50

HEX #7F2E46

RGB 127 46 70

HSL 342.22, 0.47%, 0.34%

LAB 31.6, 37.28, 3.67

 

CMYK 0 / 64 / 45 / 38

HEX #9D3957

RGB 157 57 87

HSL 342, 0.47%, 0.42%

LAB 39.21, 44.22, 4.37

 

CMYK 0 / 64 / 44 / 27

HEX #BB4468

RGB 187 68 104

HSL 341.85, 0.47%, 0.5%

LAB 46.58, 50.89, 5.04

 

CMYK 0 / 51 / 35 / 22

HEX #C66280

RGB 198 98 128

HSL 342, 0.47%, 0.58%

LAB 54.34, 43, 2.06

 

CMYK 0 / 39 / 27 / 18

HEX #D18099

RGB 209 128 153

HSL 341.48, 0.47%, 0.66%

LAB 62.75, 34.49, -0.01

 

CMYK 0 / 64 / 45 / 26

HEX #BC4468

RGB 188 68 104

HSL 342, 0.47%, 0.5%

LAB 46.74, 51.21, 5.31

 

CMYK 0 / 6 / 64 / 27

HEX #BBAF44

RGB 187 175 68

HSL 53.95, 0.47%, 0.5%

LAB 70.62, -8.73, 54.64

 

CMYK 64 / 19 / 0 / 27

HEX #4497BB

RGB 68 151 187

HSL 198.15, 0.47%, 0.5%

LAB 58.93, -14.03, -26.17

 

CMYK 0 / 64 / 45 / 26

HEX #BC4468

RGB 188 68 104

HSL 342, 0.47%, 0.5%

LAB 46.74, 51.21, 5.31

 

CMYK 44 / 0 / 64 / 27

HEX #68BB44

RGB 104 187 68

HSL 101.85, 0.47%, 0.5%

LAB 68.68, -46.69, 50.96

 

CMYK 64 / 44 / 0 / 27

HEX #4468BB

RGB 68 104 187

HSL 221.85, 0.47%, 0.5%

LAB 45.24, 13.83, -47.67

 

CMYK 0 / 64 / 45 / 26

HEX #BC4468

RGB 188 68 104

HSL 342, 0.47%, 0.5%

LAB 46.74, 51.21, 5.31

 

CMYK 0 / 6 / 64 / 27

HEX #BBAF44

RGB 187 175 68

HSL 53.95, 0.47%, 0.5%

LAB 70.62, -8.73, 54.64

 

CMYK 64 / 0 / 19 / 27

HEX #44BB97

RGB 68 187 151

HSL 161.85, 0.47%, 0.5%

LAB 68.75, -41.83, 8.54

 

CMYK 64 / 57 / 0 / 27

HEX #4450BB

RGB 68 80 187

HSL 233.95, 0.47%, 0.5%

LAB 38.82, 29.16, -58.02

 

CMYK 0 / 64 / 45 / 26

HEX #BC4468

RGB 188 68 104

HSL 342, 0.47%, 0.5%

LAB 46.74, 51.21, 5.31

 

CMYK 13 / 0 / 64 / 27

HEX #A3BB44

RGB 163 187 68

HSL 72.1, 0.47%, 0.5%

LAB 72.06, -24.91, 55.6

 

CMYK 64 / 0 / 19 / 27

HEX #44BB97

RGB 68 187 151

HSL 161.85, 0.47%, 0.5%

LAB 68.75, -41.83, 8.54

 

CMYK 51 / 64 / 0 / 27

HEX #5C44BB

RGB 92 68 187

HSL 252.1, 0.47%, 0.5%

LAB 37.84, 40.82, -59.53

 

Description

Color code: HEX #BC4468 | qconv.com Color code: HEX #BC4468 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 68 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 68 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 45 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 45% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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