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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC41ED it is the complementary color #43BE12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC41ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC41ED shade: #C141E8, #D253FB, #E365FF, #F477FF and #FF89FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC41ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC41ED shade: #BC41ED, #AB2FDA, #9A1DC7, #890BB4 and #7800A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC41ED shade: #BC40ED, #EB40ED, #ED40C1, #ED4092 and #ED4063

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC41ED shade: #BC40ED, #8D40ED, #5E40ED and #4040ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC41ED shade matches the following richer shades: #BC40ED and #C32FFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC41ED shade: #BC40ED, #B551DC, #AD62CB, #A672BA and #9F83AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC41ED shade: #5D40ED, #8B40ED, #B940ED, #E740ED and #ED40C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC41ED shade: #9413C8, #AF1AEA, #BC40ED, #C965F1 and #D68BF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC41ED shade: #BC41ED, #ED4051 and #40ED74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC41ED shade: #BC41ED, #EDB940 and #40EDB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC41ED shade: #BC41ED, #ED4051, #74ED40 and #40EDDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC41ED shade: #BC41ED, #ED6240, #74ED40 and #40CBED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 73 / 0 / 7

HEX #BC41ED

RGB 188 65 237

HSL 282.91, 0.83%, 0.59%

LAB 52.49, 72.84, -63.94

 

Complementary color

CMYK 65 / 0 / 91 / 25

HEX #43BE12

RGB 67 190 18

HSL 102.91, 0.83%, 0.41%

LAB 68.07, -60.87, 65.51

 

CMYK 17 / 72 / 0 / 9

HEX #C141E8

RGB 193 65 232

HSL 285.99, 0.78%, 0.58%

LAB 52.89, 72.85, -60.46

 

CMYK 16 / 67 / 0 / 2

HEX #D253FB

RGB 210 83 251

HSL 285.36, 0.95%, 0.65%

LAB 58.84, 73.05, -61.38

 

CMYK 11 / 60 / 0 / 0

HEX #E365FF

RGB 227 101 255

HSL 289.09, 1%, 0.7%

LAB 64.05, 70.06, -55.15

 

CMYK 4 / 53 / 0 / 0

HEX #F477FF

RGB 244 119 255

HSL 295.15, 1%, 0.73%

LAB 69.22, 66.21, -46.83

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 21 / 73 / 0 / 7

HEX #BC41ED

RGB 188 65 237

HSL 282.91, 0.83%, 0.59%

LAB 52.49, 72.84, -63.94

 

CMYK 22 / 78 / 0 / 15

HEX #AB2FDA

RGB 171 47 218

HSL 283.51, 0.7%, 0.52%

LAB 46.65, 72.15, -62.74

 

CMYK 23 / 85 / 0 / 22

HEX #9A1DC7

RGB 154 29 199

HSL 284.12, 0.75%, 0.45%

LAB 41.01, 70.61, -61.04

 

CMYK 24 / 94 / 0 / 29

HEX #890BB4

RGB 137 11 180

HSL 284.73, 0.88%, 0.37%

LAB 35.7, 67.83, -58.62

 

CMYK 25 / 100 / 0 / 37

HEX #7800A1

RGB 120 0 161

HSL 284.72, 1%, 0.32%

LAB 30.8, 63.46, -55.32

 

CMYK 21 / 73 / 0 / 7

HEX #BC40ED

RGB 188 64 237

HSL 283.01, 0.83%, 0.59%

LAB 52.37, 73.2, -64.14

 

CMYK 1 / 73 / 0 / 7

HEX #EB40ED

RGB 235 64 237

HSL 299.31, 0.83%, 0.59%

LAB 59.38, 82.38, -52.52

 

CMYK 0 / 73 / 19 / 7

HEX #ED40C1

RGB 237 64 193

HSL 315.26, 0.83%, 0.59%

LAB 57.58, 76.5, -30.4

 

CMYK 0 / 73 / 38 / 7

HEX #ED4092

RGB 237 64 146

HSL 331.56, 0.83%, 0.59%

LAB 55.83, 71.05, -5.66

 

CMYK 0 / 73 / 58 / 7

HEX #ED4063

RGB 237 64 99

HSL 347.86, 0.83%, 0.59%

LAB 54.63, 67.14, 20.58

 

CMYK 21 / 73 / 0 / 7

HEX #BC40ED

RGB 188 64 237

HSL 283.01, 0.83%, 0.59%

LAB 52.37, 73.2, -64.14

 

CMYK 41 / 73 / 0 / 7

HEX #8D40ED

RGB 141 64 237

HSL 266.71, 0.83%, 0.59%

LAB 46.24, 64.84, -74.38

 

CMYK 60 / 73 / 0 / 7

HEX #5E40ED

RGB 94 64 237

HSL 250.4, 0.83%, 0.59%

LAB 41.47, 58.04, -82.37

 

CMYK 73 / 73 / 0 / 7

HEX #4040ED

RGB 64 64 237

HSL 240, 0.83%, 0.59%

LAB 39.36, 54.92, -85.92

 

CMYK 21 / 73 / 0 / 7

HEX #BC40ED

RGB 188 64 237

HSL 283.01, 0.83%, 0.59%

LAB 52.37, 73.2, -64.14

 

CMYK 23 / 81 / 0 / 0

HEX #C32FFE

RGB 195 47 254

HSL 282.9, 0.99%, 0.59%

LAB 52.72, 82.84, -73.03

 

CMYK 21 / 73 / 0 / 7

HEX #BC40ED

RGB 188 64 237

HSL 283.01, 0.83%, 0.59%

LAB 52.37, 73.2, -64.14

 

CMYK 18 / 63 / 0 / 14

HEX #B551DC

RGB 181 81 220

HSL 283.17, 0.67%, 0.59%

LAB 52.81, 61.49, -53.89

 

CMYK 15 / 52 / 0 / 20

HEX #AD62CB

RGB 173 98 203

HSL 282.86, 0.5%, 0.59%

LAB 53.95, 47.68, -42.47

 

CMYK 11 / 39 / 0 / 27

HEX #A672BA

RGB 166 114 186

HSL 283.33, 0.34%, 0.59%

LAB 55.77, 33.34, -29.95

 

CMYK 6 / 23 / 0 / 33

HEX #9F83AA

RGB 159 131 170

HSL 283.08, 0.19%, 0.59%

LAB 58.51, 18, -16.63

 

CMYK 61 / 73 / 0 / 7

HEX #5D40ED

RGB 93 64 237

HSL 250.06, 0.83%, 0.59%

LAB 41.39, 57.92, -82.51

 

CMYK 41 / 73 / 0 / 7

HEX #8B40ED

RGB 139 64 237

HSL 266.01, 0.83%, 0.59%

LAB 46, 64.52, -74.77

 

CMYK 22 / 73 / 0 / 7

HEX #B940ED

RGB 185 64 237

HSL 281.97, 0.83%, 0.59%

LAB 51.95, 72.63, -64.85

 

CMYK 3 / 73 / 0 / 7

HEX #E740ED

RGB 231 64 237

HSL 297.92, 0.83%, 0.59%

LAB 58.76, 81.58, -53.54

 

CMYK 0 / 73 / 17 / 7

HEX #ED40C5

RGB 237 64 197

HSL 313.87, 0.83%, 0.59%

LAB 57.75, 77.03, -32.42

 

CMYK 26 / 91 / 0 / 22

HEX #9413C8

RGB 148 19 200

HSL 282.76, 0.83%, 0.43%

LAB 39.47, 71.92, -64.18

 

CMYK 25 / 89 / 0 / 8

HEX #AF1AEA

RGB 175 26 234

HSL 282.98, 0.83%, 0.51%

LAB 46.7, 80.8, -71.73

 

CMYK 21 / 73 / 0 / 7

HEX #BC40ED

RGB 188 64 237

HSL 283.01, 0.83%, 0.59%

LAB 52.37, 73.2, -64.14

 

CMYK 17 / 58 / 0 / 5

HEX #C965F1

RGB 201 101 241

HSL 282.86, 0.83%, 0.67%

LAB 59.96, 61.19, -54.12

 

CMYK 12 / 43 / 0 / 4

HEX #D68BF4

RGB 214 139 244

HSL 282.86, 0.83%, 0.75%

LAB 68.96, 46.08, -41.46

 

CMYK 21 / 73 / 0 / 7

HEX #BC41ED

RGB 188 65 237

HSL 282.91, 0.83%, 0.59%

LAB 52.49, 72.84, -63.94

 

CMYK 0 / 73 / 66 / 7

HEX #ED4051

RGB 237 64 81

HSL 354.1, 0.83%, 0.59%

LAB 54.31, 66.08, 30.78

 

CMYK 73 / 0 / 51 / 7

HEX #40ED74

RGB 64 237 116

HSL 138.03, 0.83%, 0.59%

LAB 83.4, -68.19, 46.05

 

CMYK 21 / 73 / 0 / 7

HEX #BC41ED

RGB 188 65 237

HSL 282.91, 0.83%, 0.59%

LAB 52.49, 72.84, -63.94

 

CMYK 0 / 22 / 73 / 7

HEX #EDB940

RGB 237 185 64

HSL 41.97, 0.83%, 0.59%

LAB 77.92, 7.24, 65.27

 

CMYK 73 / 0 / 22 / 7

HEX #40EDB9

RGB 64 237 185

HSL 161.97, 0.83%, 0.59%

LAB 84.57, -55.21, 12.86

 

CMYK 21 / 73 / 0 / 7

HEX #BC41ED

RGB 188 65 237

HSL 282.91, 0.83%, 0.59%

LAB 52.49, 72.84, -63.94

 

CMYK 0 / 73 / 66 / 7

HEX #ED4051

RGB 237 64 81

HSL 354.1, 0.83%, 0.59%

LAB 54.31, 66.08, 30.78

 

CMYK 51 / 0 / 73 / 7

HEX #74ED40

RGB 116 237 64

HSL 101.97, 0.83%, 0.59%

LAB 84.3, -62.68, 68.95

 

CMYK 73 / 0 / 7 / 7

HEX #40EDDC

RGB 64 237 220

HSL 174.1, 0.83%, 0.59%

LAB 85.42, -46.53, -4.27

 

CMYK 21 / 73 / 0 / 7

HEX #BC41ED

RGB 188 65 237

HSL 282.91, 0.83%, 0.59%

LAB 52.49, 72.84, -63.94

 

CMYK 0 / 59 / 73 / 7

HEX #ED6240

RGB 237 98 64

HSL 11.79, 0.83%, 0.59%

LAB 59.08, 51.77, 45.8

 

CMYK 51 / 0 / 73 / 7

HEX #74ED40

RGB 116 237 64

HSL 101.97, 0.83%, 0.59%

LAB 84.3, -62.68, 68.95

 

CMYK 73 / 14 / 0 / 7

HEX #40CBED

RGB 64 203 237

HSL 191.79, 0.83%, 0.59%

LAB 76.02, -25.86, -27.44

 

Description

Color code: HEX #BC41ED | qconv.com Color code: HEX #BC41ED | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 65 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 65 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 73 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 73% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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