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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC40F9 it is the complementary color #43BF06. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC40F9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC40F9 shade: #C140F4, #D252FF, #E364FF, #F476FF and #FF88FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC40F9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC40F9 shade: #BC40F9, #AB2EE6, #9A1CD3, #890AC0 and #7800AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC40F9 shade: #BB3EF9, #EE3EF9, #F93ED2, #F93E9F and #F93E6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC40F9 shade: #BB3EF9, #893EF9, #573EF9 and #3E3EF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC40F9 shade matches the following richer shades: #BB3EF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC40F9 shade: #BB3EF9, #B64EE9, #B05ED9, #AB6EC9 and #A57EB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC40F9 shade: #573EF9, #893EF9, #BB3EF9, #ED3EF9 and #F93ED4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC40F9 shade: #9707DE, #AD16F8, #BB3EF9, #C966FA and #D78EFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC40F9 shade: #BC40F9, #F93E57 and #3EF970

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC40F9 shade: #BC40F9, #F9BB3E and #3EF9BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC40F9 shade: #BC40F9, #F93E57, #7CF93E and #3EF9E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC40F9 shade: #BC40F9, #F95D3E, #7CF93E and #3EDAF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 74 / 0 / 2

HEX #BC40F9

RGB 188 64 249

HSL 280.22, 0.94%, 0.61%

LAB 53.17, 75.54, -69.57

 

Complementary color

CMYK 65 / 0 / 97 / 25

HEX #43BF06

RGB 67 191 6

HSL 100.22, 0.94%, 0.39%

LAB 68.36, -61.47, 67.32

 

CMYK 21 / 74 / 0 / 4

HEX #C140F4

RGB 193 64 244

HSL 283, 0.89%, 0.6%

LAB 53.53, 75.47, -66.15

 

CMYK 18 / 68 / 0 / 0

HEX #D252FF

RGB 210 82 255

HSL 284.39, 1%, 0.66%

LAB 58.93, 74.2, -63.44

 

CMYK 11 / 61 / 0 / 0

HEX #E364FF

RGB 227 100 255

HSL 289.16, 1%, 0.7%

LAB 63.89, 70.5, -55.4

 

CMYK 4 / 54 / 0 / 0

HEX #F476FF

RGB 244 118 255

HSL 295.18, 1%, 0.73%

LAB 69.05, 66.67, -47.09

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 24 / 74 / 0 / 2

HEX #BC40F9

RGB 188 64 249

HSL 280.22, 0.94%, 0.61%

LAB 53.17, 75.54, -69.57

 

CMYK 26 / 80 / 0 / 10

HEX #AB2EE6

RGB 171 46 230

HSL 280.76, 0.79%, 0.54%

LAB 47.4, 74.77, -68.36

 

CMYK 27 / 87 / 0 / 17

HEX #9A1CD3

RGB 154 28 211

HSL 281.31, 0.77%, 0.47%

LAB 41.85, 73.12, -66.63

 

CMYK 29 / 95 / 0 / 25

HEX #890AC0

RGB 137 10 192

HSL 281.87, 0.9%, 0.4%

LAB 36.63, 70.23, -64.19

 

CMYK 31 / 100 / 0 / 32

HEX #7800AD

RGB 120 0 173

HSL 281.62, 1%, 0.34%

LAB 31.83, 65.76, -60.87

 

CMYK 25 / 75 / 0 / 2

HEX #BB3EF9

RGB 187 62 249

HSL 280.11, 0.94%, 0.61%

LAB 52.78, 76.06, -70.19

 

CMYK 4 / 75 / 0 / 2

HEX #EE3EF9

RGB 238 62 249

HSL 296.47, 0.94%, 0.61%

LAB 60.3, 85.43, -57.7

 

CMYK 0 / 75 / 16 / 2

HEX #F93ED2

RGB 249 62 210

HSL 312.51, 0.94%, 0.61%

LAB 60.1, 82.01, -36.02

 

CMYK 0 / 75 / 36 / 2

HEX #F93E9F

RGB 249 62 159

HSL 328.88, 0.94%, 0.61%

LAB 58.12, 76.04, -9.67

 

CMYK 0 / 75 / 56 / 2

HEX #F93E6D

RGB 249 62 109

HSL 344.92, 0.94%, 0.61%

LAB 56.77, 71.8, 17.9

 

CMYK 25 / 75 / 0 / 2

HEX #BB3EF9

RGB 187 62 249

HSL 280.11, 0.94%, 0.61%

LAB 52.78, 76.06, -70.19

 

CMYK 45 / 75 / 0 / 2

HEX #893EF9

RGB 137 62 249

HSL 264.06, 0.94%, 0.61%

LAB 46.45, 67.96, -80.79

 

CMYK 65 / 75 / 0 / 2

HEX #573EF9

RGB 87 62 249

HSL 248.02, 0.94%, 0.61%

LAB 41.71, 61.72, -88.76

 

CMYK 75 / 75 / 0 / 2

HEX #3E3EF9

RGB 62 62 249

HSL 240, 0.94%, 0.61%

LAB 40.1, 59.55, -91.47

 

CMYK 25 / 75 / 0 / 2

HEX #BB3EF9

RGB 187 62 249

HSL 280.11, 0.94%, 0.61%

LAB 52.78, 76.06, -70.19

 

CMYK 25 / 75 / 0 / 2

HEX #BB3EF9

RGB 187 62 249

HSL 280.11, 0.94%, 0.61%

LAB 52.78, 76.06, -70.19

 

CMYK 22 / 67 / 0 / 9

HEX #B64EE9

RGB 182 78 233

HSL 280.26, 0.78%, 0.61%

LAB 53.25, 65.67, -60.52

 

CMYK 19 / 57 / 0 / 15

HEX #B05ED9

RGB 176 94 217

HSL 280, 0.62%, 0.61%

LAB 54.29, 53.47, -49.88

 

CMYK 15 / 45 / 0 / 21

HEX #AB6EC9

RGB 171 110 201

HSL 280.22, 0.46%, 0.61%

LAB 56.11, 40.27, -37.94

 

CMYK 11 / 32 / 0 / 27

HEX #A57EB9

RGB 165 126 185

HSL 279.66, 0.3%, 0.61%

LAB 58.44, 26.02, -25.26

 

CMYK 65 / 75 / 0 / 2

HEX #573EF9

RGB 87 62 249

HSL 248.02, 0.94%, 0.61%

LAB 41.71, 61.72, -88.76

 

CMYK 45 / 75 / 0 / 2

HEX #893EF9

RGB 137 62 249

HSL 264.06, 0.94%, 0.61%

LAB 46.45, 67.96, -80.79

 

CMYK 25 / 75 / 0 / 2

HEX #BB3EF9

RGB 187 62 249

HSL 280.11, 0.94%, 0.61%

LAB 52.78, 76.06, -70.19

 

CMYK 5 / 75 / 0 / 2

HEX #ED3EF9

RGB 237 62 249

HSL 296.15, 0.94%, 0.61%

LAB 60.15, 85.24, -57.96

 

CMYK 0 / 75 / 15 / 2

HEX #F93ED4

RGB 249 62 212

HSL 311.87, 0.94%, 0.61%

LAB 60.19, 82.28, -37.02

 

CMYK 32 / 97 / 0 / 13

HEX #9707DE

RGB 151 7 222

HSL 280.19, 0.94%, 0.45%

LAB 41.22, 78.02, -73.99

 

CMYK 30 / 91 / 0 / 3

HEX #AD16F8

RGB 173 22 248

HSL 280.09, 0.94%, 0.53%

LAB 47.28, 83.78, -78.68

 

CMYK 25 / 75 / 0 / 2

HEX #BB3EF9

RGB 187 62 249

HSL 280.11, 0.94%, 0.61%

LAB 52.78, 76.06, -70.19

 

CMYK 20 / 59 / 0 / 2

HEX #C966FA

RGB 201 102 250

HSL 280.14, 0.94%, 0.69%

LAB 60.62, 62.55, -58.04

 

CMYK 15 / 44 / 0 / 1

HEX #D78EFC

RGB 215 142 252

HSL 279.82, 0.95%, 0.77%

LAB 70.05, 46.42, -44.12

 

CMYK 24 / 74 / 0 / 2

HEX #BC40F9

RGB 188 64 249

HSL 280.22, 0.94%, 0.61%

LAB 53.17, 75.54, -69.57

 

CMYK 0 / 75 / 65 / 2

HEX #F93E57

RGB 249 62 87

HSL 351.98, 0.94%, 0.61%

LAB 56.36, 70.48, 30.33

 

CMYK 75 / 0 / 55 / 2

HEX #3EF970

RGB 62 249 112

HSL 136.04, 0.94%, 0.61%

LAB 86.97, -72.97, 52.22

 

CMYK 24 / 74 / 0 / 2

HEX #BC40F9

RGB 188 64 249

HSL 280.22, 0.94%, 0.61%

LAB 53.17, 75.54, -69.57

 

CMYK 0 / 25 / 75 / 2

HEX #F9BB3E

RGB 249 187 62

HSL 40.11, 0.94%, 0.61%

LAB 79.63, 11.18, 68.12

 

CMYK 75 / 0 / 25 / 2

HEX #3EF9BB

RGB 62 249 187

HSL 160.11, 0.94%, 0.61%

LAB 88.14, -59.68, 16.86

 

CMYK 24 / 74 / 0 / 2

HEX #BC40F9

RGB 188 64 249

HSL 280.22, 0.94%, 0.61%

LAB 53.17, 75.54, -69.57

 

CMYK 0 / 75 / 65 / 2

HEX #F93E57

RGB 249 62 87

HSL 351.98, 0.94%, 0.61%

LAB 56.36, 70.48, 30.33

 

CMYK 50 / 0 / 75 / 2

HEX #7CF93E

RGB 124 249 62

HSL 100.11, 0.94%, 0.61%

LAB 88.15, -64.93, 73.47

 

CMYK 75 / 0 / 10 / 2

HEX #3EF9E0

RGB 62 249 224

HSL 171.98, 0.94%, 0.61%

LAB 89, -50.79, -1.11

 

CMYK 24 / 74 / 0 / 2

HEX #BC40F9

RGB 188 64 249

HSL 280.22, 0.94%, 0.61%

LAB 53.17, 75.54, -69.57

 

CMYK 0 / 63 / 75 / 2

HEX #F95D3E

RGB 249 93 62

HSL 9.95, 0.94%, 0.61%

LAB 60.17, 58.02, 48.58

 

CMYK 50 / 0 / 75 / 2

HEX #7CF93E

RGB 124 249 62

HSL 100.11, 0.94%, 0.61%

LAB 88.15, -64.93, 73.47

 

CMYK 75 / 12 / 0 / 2

HEX #3EDAF9

RGB 62 218 249

HSL 189.95, 0.94%, 0.61%

LAB 80.74, -29.74, -26.63

 

Description

Color code: HEX #BC40F9 | qconv.com Color code: HEX #BC40F9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 64 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 64 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 74 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 74% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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