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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC3E9F it is the complementary color #43C160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC3E9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC3E9F shade: #C13E9A, #D250AD, #E362C0, #F474D3 and #FF86E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC3E9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC3E9F shade: #BC3E9F, #AB2C8C, #9A1A79, #890866 and #780053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC3E9F shade: #BB3E9F, #BB3E7D, #BB3E5B and #BB3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC3E9F shade: #BB3E9F, #B63EBB, #953EBB, #733EBB and #513EBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC3E9F shade matches the following richer shades: #BB3E9F, #D02AAA, #E416B4 and #F802BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC3E9F shade: #BB3E9F, #A75394, #936789, #7F7B7E and #6B8F73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC3E9F shade: #943EBB, #B53EBB, #BB3EA0, #BB3E7F and #BB3E5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC3E9F shade: #7E2A6A, #9C3484, #BB3E9F, #C85BAF and #D37ABE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC3E9F shade: #BC3E9F, #BB733E and #3EBBA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC3E9F shade: #BC3E9F, #A0BB3E and #3EA0BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC3E9F shade: #BC3E9F, #BB733E, #3EBB5A and #3E87BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC3E9F shade: #BC3E9F, #BB983E, #3EBB5A and #3E62BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 15 / 26

HEX #BC3E9F

RGB 188 62 159

HSL 313.81, 0.5%, 0.49%

LAB 47.8, 60.51, -26.34

 

Complementary color

CMYK 65 / 0 / 50 / 24

HEX #43C160

RGB 67 193 96

HSL 133.81, 0.5%, 0.51%

LAB 69.6, -55.15, 38.67

 

CMYK 0 / 68 / 20 / 24

HEX #C13E9A

RGB 193 62 154

HSL 317.86, 0.51%, 0.5%

LAB 48.41, 61.1, -22.37

 

CMYK 0 / 62 / 18 / 18

HEX #D250AD

RGB 210 80 173

HSL 317.08, 0.59%, 0.57%

LAB 54.51, 61.14, -23.93

 

CMYK 0 / 57 / 15 / 11

HEX #E362C0

RGB 227 98 192

HSL 316.28, 0.7%, 0.64%

LAB 60.67, 60.84, -25.18

 

CMYK 0 / 52 / 14 / 4

HEX #F474D3

RGB 244 116 211

HSL 315.47, 0.85%, 0.71%

LAB 66.84, 60.35, -26.21

 

CMYK 0 / 47 / 10 / 0

HEX #FF86E6

RGB 255 134 230

HSL 312.4, 1%, 0.76%

LAB 72.24, 57.99, -28.31

 

CMYK 0 / 67 / 15 / 26

HEX #BC3E9F

RGB 188 62 159

HSL 313.81, 0.5%, 0.49%

LAB 47.8, 60.51, -26.34

 

CMYK 0 / 74 / 18 / 33

HEX #AB2C8C

RGB 171 44 140

HSL 314.65, 0.59%, 0.42%

LAB 41.77, 59.96, -24.49

 

CMYK 0 / 83 / 21 / 40

HEX #9A1A79

RGB 154 26 121

HSL 315.47, 0.71%, 0.35%

LAB 35.96, 58.54, -22.01

 

CMYK 0 / 94 / 26 / 46

HEX #890866

RGB 137 8 102

HSL 316.28, 0.89%, 0.28%

LAB 30.52, 55.76, -18.62

 

CMYK 0 / 100 / 31 / 53

HEX #780053

RGB 120 0 83

HSL 318.5, 1%, 0.24%

LAB 25.62, 51.08, -14.01

 

CMYK 0 / 67 / 15 / 27

HEX #BB3E9F

RGB 187 62 159

HSL 313.44, 0.5%, 0.49%

LAB 47.64, 60.25, -26.61

 

CMYK 0 / 67 / 33 / 27

HEX #BB3E7D

RGB 187 62 125

HSL 329.76, 0.5%, 0.49%

LAB 46.3, 55.7, -8.19

 

CMYK 0 / 67 / 51 / 27

HEX #BB3E5B

RGB 187 62 91

HSL 346.08, 0.5%, 0.49%

LAB 45.31, 52.22, 11.23

 

CMYK 0 / 67 / 67 / 27

HEX #BB3E3E

RGB 187 62 62

HSL 0, 0.5%, 0.49%

LAB 44.74, 50.15, 28.15

 

CMYK 0 / 67 / 15 / 27

HEX #BB3E9F

RGB 187 62 159

HSL 313.44, 0.5%, 0.49%

LAB 47.64, 60.25, -26.61

 

CMYK 3 / 67 / 0 / 27

HEX #B63EBB

RGB 182 62 187

HSL 297.6, 0.5%, 0.49%

LAB 48.23, 63.51, -42.22

 

CMYK 20 / 67 / 0 / 27

HEX #953EBB

RGB 149 62 187

HSL 281.76, 0.5%, 0.49%

LAB 43.39, 55.96, -50.22

 

CMYK 39 / 67 / 0 / 27

HEX #733EBB

RGB 115 62 187

HSL 265.44, 0.5%, 0.49%

LAB 39.03, 48.65, -57.48

 

CMYK 57 / 67 / 0 / 27

HEX #513EBB

RGB 81 62 187

HSL 249.12, 0.5%, 0.49%

LAB 35.56, 42.35, -63.28

 

CMYK 0 / 67 / 15 / 27

HEX #BB3E9F

RGB 187 62 159

HSL 313.44, 0.5%, 0.49%

LAB 47.64, 60.25, -26.61

 

CMYK 0 / 80 / 18 / 18

HEX #D02AAA

RGB 208 42 170

HSL 313.73, 0.66%, 0.49%

LAB 49.46, 73.13, -30.02

 

CMYK 0 / 90 / 21 / 11

HEX #E416B4

RGB 228 22 180

HSL 313.98, 0.82%, 0.49%

LAB 52.25, 82.15, -31.28

 

CMYK 0 / 99 / 23 / 3

HEX #F802BF

RGB 248 2 191

HSL 313.9, 0.98%, 0.49%

LAB 55.85, 88.86, -31.79

 

CMYK 0 / 67 / 15 / 27

HEX #BB3E9F

RGB 187 62 159

HSL 313.44, 0.5%, 0.49%

LAB 47.64, 60.25, -26.61

 

CMYK 0 / 50 / 11 / 35

HEX #A75394

RGB 167 83 148

HSL 313.57, 0.34%, 0.49%

LAB 47.68, 43.2, -20.25

 

CMYK 0 / 30 / 7 / 42

HEX #936789

RGB 147 103 137

HSL 313.64, 0.18%, 0.49%

LAB 49.14, 23.39, -11.7

 

CMYK 0 / 3 / 1 / 50

HEX #7F7B7E

RGB 127 123 126

HSL 315, 0.02%, 0.49%

LAB 52.04, 2.11, -1.1

 

CMYK 25 / 0 / 20 / 44

HEX #6B8F73

RGB 107 143 115

HSL 133.33, 0.14%, 0.49%

LAB 56.1, -18.51, 10.89

 

CMYK 21 / 67 / 0 / 27

HEX #943EBB

RGB 148 62 187

HSL 281.28, 0.5%, 0.49%

LAB 43.25, 55.74, -50.45

 

CMYK 3 / 67 / 0 / 27

HEX #B53EBB

RGB 181 62 187

HSL 297.12, 0.5%, 0.49%

LAB 48.08, 63.27, -42.47

 

CMYK 0 / 67 / 14 / 27

HEX #BB3EA0

RGB 187 62 160

HSL 312.96, 0.5%, 0.49%

LAB 47.69, 60.39, -27.13

 

CMYK 0 / 67 / 32 / 27

HEX #BB3E7F

RGB 187 62 127

HSL 328.8, 0.5%, 0.49%

LAB 46.37, 55.94, -9.3

 

CMYK 0 / 67 / 50 / 27

HEX #BB3E5E

RGB 187 62 94

HSL 344.64, 0.5%, 0.49%

LAB 45.38, 52.48, 9.49

 

CMYK 0 / 67 / 16 / 51

HEX #7E2A6A

RGB 126 42 106

HSL 314.29, 0.5%, 0.33%

LAB 32.11, 43.71, -18.9

 

CMYK 0 / 67 / 15 / 39

HEX #9C3484

RGB 156 52 132

HSL 313.85, 0.5%, 0.41%

LAB 39.9, 51.94, -22.7

 

CMYK 0 / 67 / 15 / 27

HEX #BB3E9F

RGB 187 62 159

HSL 313.44, 0.5%, 0.49%

LAB 47.64, 60.25, -26.61

 

CMYK 0 / 55 / 13 / 22

HEX #C85BAF

RGB 200 91 175

HSL 313.76, 0.5%, 0.57%

LAB 54.92, 53.69, -24.57

 

CMYK 0 / 42 / 10 / 17

HEX #D37ABE

RGB 211 122 190

HSL 314.16, 0.5%, 0.65%

LAB 62.92, 44.03, -20.79

 

CMYK 0 / 67 / 15 / 26

HEX #BC3E9F

RGB 188 62 159

HSL 313.81, 0.5%, 0.49%

LAB 47.8, 60.51, -26.34

 

CMYK 0 / 39 / 67 / 27

HEX #BB733E

RGB 187 115 62

HSL 25.44, 0.5%, 0.49%

LAB 55.25, 23.56, 40.57

 

CMYK 67 / 0 / 12 / 27

HEX #3EBBA5

RGB 62 187 165

HSL 169.44, 0.5%, 0.49%

LAB 68.95, -39.34, 1.14

 

CMYK 0 / 67 / 15 / 26

HEX #BC3E9F

RGB 188 62 159

HSL 313.81, 0.5%, 0.49%

LAB 47.8, 60.51, -26.34

 

CMYK 14 / 0 / 67 / 27

HEX #A0BB3E

RGB 160 187 62

HSL 72.96, 0.5%, 0.49%

LAB 71.8, -26.54, 57.72

 

CMYK 67 / 14 / 0 / 27

HEX #3EA0BB

RGB 62 160 187

HSL 192.96, 0.5%, 0.49%

LAB 61.44, -19.86, -22.33

 

CMYK 0 / 67 / 15 / 26

HEX #BC3E9F

RGB 188 62 159

HSL 313.81, 0.5%, 0.49%

LAB 47.8, 60.51, -26.34

 

CMYK 0 / 39 / 67 / 27

HEX #BB733E

RGB 187 115 62

HSL 25.44, 0.5%, 0.49%

LAB 55.25, 23.56, 40.57

 

CMYK 67 / 0 / 52 / 27

HEX #3EBB5A

RGB 62 187 90

HSL 133.44, 0.5%, 0.49%

LAB 67.5, -54.8, 39.02

 

CMYK 67 / 28 / 0 / 27

HEX #3E87BB

RGB 62 135 187

HSL 204.96, 0.5%, 0.49%

LAB 53.96, -6.06, -33.89

 

CMYK 0 / 67 / 15 / 26

HEX #BC3E9F

RGB 188 62 159

HSL 313.81, 0.5%, 0.49%

LAB 47.8, 60.51, -26.34

 

CMYK 0 / 19 / 67 / 27

HEX #BB983E

RGB 187 152 62

HSL 43.2, 0.5%, 0.49%

LAB 64.46, 3.16, 50.7

 

CMYK 67 / 0 / 52 / 27

HEX #3EBB5A

RGB 62 187 90

HSL 133.44, 0.5%, 0.49%

LAB 67.5, -54.8, 39.02

 

CMYK 67 / 48 / 0 / 27

HEX #3E62BB

RGB 62 98 187

HSL 222.72, 0.5%, 0.49%

LAB 43.28, 16.61, -50.83

 

Description

Color code: HEX #BC3E9F | qconv.com Color code: HEX #BC3E9F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 62 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 62 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 15 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 15% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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