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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC3E5A it is the complementary color #43C1A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC3E5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC3E5A shade: #C13E55, #D25068, #E3627B, #F4748E and #FF86A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC3E5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC3E5A shade: #BC3E5A, #AB2C47, #9A1A34, #890821 and #78000E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC3E5A shade: #BB3E5A and #BB3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC3E5A shade: #BB3E5A, #BB3E7C, #BB3E9E, #B83EBB and #963EBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC3E5A shade matches the following richer shades: #BB3E5A, #D02A4F, #E41644 and #F80239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC3E5A shade: #BB3E5A, #A75365, #936771, #7F7B7C and #6B8F87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC3E5A shade: #BB3E9E, #BB3E7D, #BB3E5C, #BB433E and #BB643E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC3E5A shade: #7E2A3C, #9C344B, #BB3E5A, #C85B73 and #D37A8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC3E5A shade: #BC3E5A, #BBB73E and #3E8EBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC3E5A shade: #BC3E5A, #5CBB3E and #3E5CBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC3E5A shade: #BC3E5A, #BBB73E, #3EBB9E and #3E43BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC3E5A shade: #BC3E5A, #9ABB3E, #3EBB9E and #603EBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 52 / 26

HEX #BC3E5A

RGB 188 62 90

HSL 346.67, 0.5%, 0.49%

LAB 45.46, 52.45, 12.09

 

Complementary color

CMYK 65 / 0 / 15 / 24

HEX #43C1A5

RGB 67 193 165

HSL 166.67, 0.5%, 0.51%

LAB 70.91, -41.2, 3.98

 

CMYK 0 / 68 / 56 / 24

HEX #C13E55

RGB 193 62 85

HSL 349.47, 0.51%, 0.5%

LAB 46.23, 53.64, 16.35

 

CMYK 0 / 62 / 50 / 18

HEX #D25068

RGB 210 80 104

HSL 348.92, 0.59%, 0.57%

LAB 52.33, 53.12, 13.7

 

CMYK 0 / 57 / 46 / 11

HEX #E3627B

RGB 227 98 123

HSL 348.37, 0.7%, 0.64%

LAB 58.51, 52.37, 11.52

 

CMYK 0 / 52 / 42 / 4

HEX #F4748E

RGB 244 116 142

HSL 347.81, 0.85%, 0.71%

LAB 64.71, 51.51, 9.68

 

CMYK 0 / 47 / 37 / 0

HEX #FF86A1

RGB 255 134 161

HSL 346.61, 1%, 0.76%

LAB 70.09, 48.56, 6.83

 

CMYK 0 / 67 / 52 / 26

HEX #BC3E5A

RGB 188 62 90

HSL 346.67, 0.5%, 0.49%

LAB 45.46, 52.45, 12.09

 

CMYK 0 / 74 / 58 / 33

HEX #AB2C47

RGB 171 44 71

HSL 347.24, 0.59%, 0.42%

LAB 39.44, 52.55, 15.17

 

CMYK 0 / 83 / 66 / 40

HEX #9A1A34

RGB 154 26 52

HSL 347.81, 0.71%, 0.35%

LAB 33.68, 51.88, 19.11

 

CMYK 0 / 94 / 76 / 46

HEX #890821

RGB 137 8 33

HSL 348.37, 0.89%, 0.28%

LAB 28.38, 49.95, 24.13

 

CMYK 0 / 100 / 88 / 53

HEX #78000E

RGB 120 0 14

HSL 353, 1%, 0.24%

LAB 23.75, 46.16, 29.8

 

CMYK 0 / 67 / 52 / 27

HEX #BB3E5A

RGB 187 62 90

HSL 346.56, 0.5%, 0.49%

LAB 45.29, 52.13, 11.82

 

CMYK 0 / 67 / 67 / 27

HEX #BB3E3E

RGB 187 62 62

HSL 0, 0.5%, 0.49%

LAB 44.74, 50.15, 28.15

 

CMYK 0 / 67 / 52 / 27

HEX #BB3E5A

RGB 187 62 90

HSL 346.56, 0.5%, 0.49%

LAB 45.29, 52.13, 11.82

 

CMYK 0 / 67 / 34 / 27

HEX #BB3E7C

RGB 187 62 124

HSL 330.24, 0.5%, 0.49%

LAB 46.26, 55.58, -7.63

 

CMYK 0 / 67 / 16 / 27

HEX #BB3E9E

RGB 187 62 158

HSL 313.92, 0.5%, 0.49%

LAB 47.6, 60.1, -26.08

 

CMYK 2 / 67 / 0 / 27

HEX #B83EBB

RGB 184 62 187

HSL 298.56, 0.5%, 0.49%

LAB 48.54, 63.97, -41.71

 

CMYK 20 / 67 / 0 / 27

HEX #963EBB

RGB 150 62 187

HSL 282.24, 0.5%, 0.49%

LAB 43.53, 56.19, -49.99

 

CMYK 0 / 67 / 52 / 27

HEX #BB3E5A

RGB 187 62 90

HSL 346.56, 0.5%, 0.49%

LAB 45.29, 52.13, 11.82

 

CMYK 0 / 80 / 62 / 18

HEX #D02A4F

RGB 208 42 79

HSL 346.63, 0.66%, 0.49%

LAB 46.49, 64.35, 20.86

 

CMYK 0 / 90 / 70 / 11

HEX #E41644

RGB 228 22 68

HSL 346.6, 0.82%, 0.49%

LAB 48.87, 72.98, 31.38

 

CMYK 0 / 99 / 77 / 3

HEX #F80239

RGB 248 2 57

HSL 346.59, 0.98%, 0.49%

LAB 52.17, 79.2, 42.68

 

CMYK 0 / 67 / 52 / 27

HEX #BB3E5A

RGB 187 62 90

HSL 346.56, 0.5%, 0.49%

LAB 45.29, 52.13, 11.82

 

CMYK 0 / 50 / 40 / 35

HEX #A75365

RGB 167 83 101

HSL 347.14, 0.34%, 0.49%

LAB 46.1, 36.41, 5.77

 

CMYK 0 / 30 / 23 / 42

HEX #936771

RGB 147 103 113

HSL 346.36, 0.18%, 0.49%

LAB 48.38, 19.21, 1.49

 

CMYK 0 / 3 / 2 / 50

HEX #7F7B7C

RGB 127 123 124

HSL 345, 0.02%, 0.49%

LAB 51.99, 1.71, -0.01

 

CMYK 25 / 0 / 6 / 44

HEX #6B8F87

RGB 107 143 135

HSL 166.67, 0.14%, 0.49%

LAB 56.6, -14.28, 0.17

 

CMYK 0 / 67 / 16 / 27

HEX #BB3E9E

RGB 187 62 158

HSL 313.92, 0.5%, 0.49%

LAB 47.6, 60.1, -26.08

 

CMYK 0 / 67 / 33 / 27

HEX #BB3E7D

RGB 187 62 125

HSL 329.76, 0.5%, 0.49%

LAB 46.3, 55.7, -8.19

 

CMYK 0 / 67 / 51 / 27

HEX #BB3E5C

RGB 187 62 92

HSL 345.6, 0.5%, 0.49%

LAB 45.34, 52.3, 10.65

 

CMYK 0 / 64 / 67 / 27

HEX #BB433E

RGB 187 67 62

HSL 2.4, 0.5%, 0.49%

LAB 45.53, 48.01, 29.12

 

CMYK 0 / 47 / 67 / 27

HEX #BB643E

RGB 187 100 62

HSL 18.24, 0.5%, 0.49%

LAB 51.87, 31.71, 36.68

 

CMYK 0 / 67 / 52 / 51

HEX #7E2A3C

RGB 126 42 60

HSL 347.14, 0.5%, 0.33%

LAB 30.44, 37.79, 8.58

 

CMYK 0 / 67 / 52 / 39

HEX #9C344B

RGB 156 52 75

HSL 346.73, 0.5%, 0.41%

LAB 37.9, 44.94, 10.09

 

CMYK 0 / 67 / 52 / 27

HEX #BB3E5A

RGB 187 62 90

HSL 346.56, 0.5%, 0.49%

LAB 45.29, 52.13, 11.82

 

CMYK 0 / 55 / 43 / 22

HEX #C85B73

RGB 200 91 115

HSL 346.79, 0.5%, 0.57%

LAB 52.95, 45.7, 7.79

 

CMYK 0 / 42 / 33 / 17

HEX #D37A8E

RGB 211 122 142

HSL 346.52, 0.5%, 0.65%

LAB 61.41, 36.93, 4.37

 

CMYK 0 / 67 / 52 / 26

HEX #BC3E5A

RGB 188 62 90

HSL 346.67, 0.5%, 0.49%

LAB 45.46, 52.45, 12.09

 

CMYK 0 / 2 / 67 / 27

HEX #BBB73E

RGB 187 183 62

HSL 58.08, 0.5%, 0.49%

LAB 72.75, -13.23, 59.35

 

CMYK 67 / 24 / 0 / 27

HEX #3E8EBB

RGB 62 142 187

HSL 201.6, 0.5%, 0.49%

LAB 56.05, -10.06, -30.65

 

CMYK 0 / 67 / 52 / 26

HEX #BC3E5A

RGB 188 62 90

HSL 346.67, 0.5%, 0.49%

LAB 45.46, 52.45, 12.09

 

CMYK 51 / 0 / 67 / 27

HEX #5CBB3E

RGB 92 187 62

HSL 105.6, 0.5%, 0.49%

LAB 68.14, -50.86, 52.75

 

CMYK 67 / 51 / 0 / 27

HEX #3E5CBB

RGB 62 92 187

HSL 225.6, 0.5%, 0.49%

LAB 41.64, 20.46, -53.48

 

CMYK 0 / 67 / 52 / 26

HEX #BC3E5A

RGB 188 62 90

HSL 346.67, 0.5%, 0.49%

LAB 45.46, 52.45, 12.09

 

CMYK 0 / 2 / 67 / 27

HEX #BBB73E

RGB 187 183 62

HSL 58.08, 0.5%, 0.49%

LAB 72.75, -13.23, 59.35

 

CMYK 67 / 0 / 16 / 27

HEX #3EBB9E

RGB 62 187 158

HSL 166.08, 0.5%, 0.49%

LAB 68.78, -41.13, 4.72

 

CMYK 67 / 64 / 0 / 27

HEX #3E43BB

RGB 62 67 187

HSL 237.6, 0.5%, 0.49%

LAB 35.25, 36.45, -63.84

 

CMYK 0 / 67 / 52 / 26

HEX #BC3E5A

RGB 188 62 90

HSL 346.67, 0.5%, 0.49%

LAB 45.46, 52.45, 12.09

 

CMYK 18 / 0 / 67 / 27

HEX #9ABB3E

RGB 154 187 62

HSL 75.84, 0.5%, 0.49%

LAB 71.39, -28.97, 57.17

 

CMYK 67 / 0 / 16 / 27

HEX #3EBB9E

RGB 62 187 158

HSL 166.08, 0.5%, 0.49%

LAB 68.78, -41.13, 4.72

 

CMYK 49 / 67 / 0 / 27

HEX #603EBB

RGB 96 62 187

HSL 256.32, 0.5%, 0.49%

LAB 36.97, 44.96, -60.93

 

Description

Color code: HEX #BC3E5A | qconv.com Color code: HEX #BC3E5A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 62 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 62 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 52 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 52% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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