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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC3C9D it is the complementary color #43C362. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC3C9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC3C9D shade: #C13C98, #D24EAB, #E360BE, #F472D1 and #FF84E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC3C9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC3C9D shade: #BC3C9D, #AB2A8A, #9A1877, #890664 and #780051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC3C9D shade: #BE3C9E, #BE3C7B, #BE3C58 and #BE3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC3C9D shade: #BE3C9E, #BA3CBE, #973CBE, #743CBE and #513CBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC3C9D shade matches the following richer shades: #BE3C9E, #D228A9 and #E614B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC3C9D shade: #BE3C9E, #AA5094, #95648A, #81797F and #6D8D75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC3C9D shade: #973CBE, #BA3CBE, #BE3CA0, #BE3C7D and #BE3C5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC3C9D shade: #7F286A, #9F3284, #BE3C9E, #CA59AF and #D478BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC3C9D shade: #BC3C9D, #BE743C and #3CBEA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC3C9D shade: #BC3C9D, #A0BE3C and #3CA0BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC3C9D shade: #BC3C9D, #BE743C, #3CBE5A and #3C86BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC3C9D shade: #BC3C9D, #BE9B3C, #3CBE5A and #3C5FBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 16 / 26

HEX #BC3C9D

RGB 188 60 157

HSL 314.53, 0.52%, 0.49%

LAB 47.44, 60.98, -25.71

 

Complementary color

CMYK 66 / 0 / 50 / 24

HEX #43C362

RGB 67 195 98

HSL 134.53, 0.52%, 0.51%

LAB 70.25, -55.59, 38.49

 

CMYK 0 / 69 / 21 / 24

HEX #C13C98

RGB 193 60 152

HSL 318.5, 0.53%, 0.5%

LAB 48.05, 61.58, -21.72

 

CMYK 0 / 63 / 19 / 18

HEX #D24EAB

RGB 210 78 171

HSL 317.73, 0.59%, 0.56%

LAB 54.12, 61.68, -23.36

 

CMYK 0 / 58 / 16 / 11

HEX #E360BE

RGB 227 96 190

HSL 316.95, 0.7%, 0.63%

LAB 60.26, 61.43, -24.67

 

CMYK 0 / 53 / 14 / 4

HEX #F472D1

RGB 244 114 209

HSL 316.15, 0.86%, 0.7%

LAB 66.42, 60.97, -25.74

 

CMYK 0 / 48 / 11 / 0

HEX #FF84E4

RGB 255 132 228

HSL 313.17, 1%, 0.76%

LAB 71.8, 58.64, -27.89

 

CMYK 0 / 68 / 16 / 26

HEX #BC3C9D

RGB 188 60 157

HSL 314.53, 0.52%, 0.49%

LAB 47.44, 60.98, -25.71

 

CMYK 0 / 75 / 19 / 33

HEX #AB2A8A

RGB 171 42 138

HSL 315.35, 0.61%, 0.42%

LAB 41.45, 60.33, -23.77

 

CMYK 0 / 84 / 23 / 40

HEX #9A1877

RGB 154 24 119

HSL 316.15, 0.73%, 0.35%

LAB 35.7, 58.76, -21.16

 

CMYK 0 / 96 / 27 / 46

HEX #890664

RGB 137 6 100

HSL 316.95, 0.92%, 0.28%

LAB 30.32, 55.82, -17.64

 

CMYK 0 / 100 / 33 / 53

HEX #780051

RGB 120 0 81

HSL 319.5, 1%, 0.24%

LAB 25.52, 50.84, -12.81

 

CMYK 0 / 68 / 17 / 25

HEX #BE3C9E

RGB 190 60 158

HSL 314.77, 0.52%, 0.49%

LAB 47.81, 61.64, -25.71

 

CMYK 0 / 68 / 35 / 25

HEX #BE3C7B

RGB 190 60 123

HSL 330.92, 0.52%, 0.49%

LAB 46.46, 57.13, -6.68

 

CMYK 0 / 68 / 54 / 25

HEX #BE3C58

RGB 190 60 88

HSL 347.08, 0.52%, 0.49%

LAB 45.47, 53.72, 13.39

 

CMYK 0 / 68 / 68 / 25

HEX #BE3C3C

RGB 190 60 60

HSL 0, 0.52%, 0.49%

LAB 44.95, 51.85, 29.71

 

CMYK 0 / 68 / 17 / 25

HEX #BE3C9E

RGB 190 60 158

HSL 314.77, 0.52%, 0.49%

LAB 47.81, 61.64, -25.71

 

CMYK 2 / 68 / 0 / 25

HEX #BA3CBE

RGB 186 60 190

HSL 298.15, 0.52%, 0.49%

LAB 48.75, 65.69, -43.11

 

CMYK 21 / 68 / 0 / 25

HEX #973CBE

RGB 151 60 190

HSL 282, 0.52%, 0.49%

LAB 43.55, 57.91, -51.71

 

CMYK 39 / 68 / 0 / 25

HEX #743CBE

RGB 116 60 190

HSL 265.85, 0.52%, 0.49%

LAB 39.01, 50.63, -59.28

 

CMYK 57 / 68 / 0 / 25

HEX #513CBE

RGB 81 60 190

HSL 249.69, 0.52%, 0.49%

LAB 35.4, 44.41, -65.31

 

CMYK 0 / 68 / 17 / 25

HEX #BE3C9E

RGB 190 60 158

HSL 314.77, 0.52%, 0.49%

LAB 47.81, 61.64, -25.71

 

CMYK 0 / 81 / 20 / 18

HEX #D228A9

RGB 210 40 169

HSL 314.47, 0.68%, 0.49%

LAB 49.6, 73.91, -29.19

 

CMYK 0 / 91 / 22 / 10

HEX #E614B3

RGB 230 20 179

HSL 314.57, 0.84%, 0.49%

LAB 52.48, 82.66, -30.3

 

CMYK 0 / 68 / 17 / 25

HEX #BE3C9E

RGB 190 60 158

HSL 314.77, 0.52%, 0.49%

LAB 47.81, 61.64, -25.71

 

CMYK 0 / 53 / 13 / 33

HEX #AA5094

RGB 170 80 148

HSL 314.67, 0.36%, 0.49%

LAB 47.52, 45.66, -20.45

 

CMYK 0 / 33 / 7 / 42

HEX #95648A

RGB 149 100 138

HSL 313.47, 0.2%, 0.49%

LAB 48.68, 26.02, -12.96

 

CMYK 0 / 6 / 2 / 49

HEX #81797F

RGB 129 121 127

HSL 315, 0.03%, 0.49%

LAB 51.69, 4.22, -2.18

 

CMYK 23 / 0 / 17 / 45

HEX #6D8D75

RGB 109 141 117

HSL 135, 0.13%, 0.49%

LAB 55.67, -16.35, 9.17

 

CMYK 21 / 68 / 0 / 25

HEX #973CBE

RGB 151 60 190

HSL 282, 0.52%, 0.49%

LAB 43.55, 57.91, -51.71

 

CMYK 2 / 68 / 0 / 25

HEX #BA3CBE

RGB 186 60 190

HSL 298.15, 0.52%, 0.49%

LAB 48.75, 65.69, -43.11

 

CMYK 0 / 68 / 16 / 25

HEX #BE3CA0

RGB 190 60 160

HSL 313.85, 0.52%, 0.49%

LAB 47.9, 61.93, -26.76

 

CMYK 0 / 68 / 34 / 25

HEX #BE3C7D

RGB 190 60 125

HSL 330, 0.52%, 0.49%

LAB 46.52, 57.36, -7.8

 

CMYK 0 / 68 / 53 / 25

HEX #BE3C5A

RGB 190 60 90

HSL 346.15, 0.52%, 0.49%

LAB 45.52, 53.88, 12.22

 

CMYK 0 / 69 / 17 / 50

HEX #7F286A

RGB 127 40 106

HSL 314.48, 0.52%, 0.33%

LAB 31.97, 44.86, -19.11

 

CMYK 0 / 69 / 17 / 38

HEX #9F3284

RGB 159 50 132

HSL 314.86, 0.52%, 0.41%

LAB 40.11, 53.56, -22.34

 

CMYK 0 / 68 / 17 / 25

HEX #BE3C9E

RGB 190 60 158

HSL 314.77, 0.52%, 0.49%

LAB 47.81, 61.64, -25.71

 

CMYK 0 / 56 / 13 / 21

HEX #CA59AF

RGB 202 89 175

HSL 314.34, 0.52%, 0.57%

LAB 54.86, 55.21, -24.65

 

CMYK 0 / 43 / 10 / 17

HEX #D478BE

RGB 212 120 190

HSL 314.35, 0.52%, 0.65%

LAB 62.63, 45.39, -21.21

 

CMYK 0 / 68 / 16 / 26

HEX #BC3C9D

RGB 188 60 157

HSL 314.53, 0.52%, 0.49%

LAB 47.44, 60.98, -25.71

 

CMYK 0 / 39 / 68 / 25

HEX #BE743C

RGB 190 116 60

HSL 25.85, 0.52%, 0.49%

LAB 55.85, 24.16, 42.37

 

CMYK 68 / 0 / 12 / 25

HEX #3CBEA8

RGB 60 190 168

HSL 169.85, 0.52%, 0.49%

LAB 69.91, -40.2, 0.87

 

CMYK 0 / 68 / 16 / 26

HEX #BC3C9D

RGB 188 60 157

HSL 314.53, 0.52%, 0.49%

LAB 47.44, 60.98, -25.71

 

CMYK 16 / 0 / 68 / 25

HEX #A0BE3C

RGB 160 190 60

HSL 73.85, 0.52%, 0.49%

LAB 72.65, -28.11, 59.38

 

CMYK 68 / 16 / 0 / 25

HEX #3CA0BE

RGB 60 160 190

HSL 193.85, 0.52%, 0.49%

LAB 61.5, -19.21, -23.93

 

CMYK 0 / 68 / 16 / 26

HEX #BC3C9D

RGB 188 60 157

HSL 314.53, 0.52%, 0.49%

LAB 47.44, 60.98, -25.71

 

CMYK 0 / 39 / 68 / 25

HEX #BE743C

RGB 190 116 60

HSL 25.85, 0.52%, 0.49%

LAB 55.85, 24.16, 42.37

 

CMYK 68 / 0 / 53 / 25

HEX #3CBE5A

RGB 60 190 90

HSL 133.85, 0.52%, 0.49%

LAB 68.41, -56.26, 40.11

 

CMYK 68 / 29 / 0 / 25

HEX #3C86BE

RGB 60 134 190

HSL 205.85, 0.52%, 0.49%

LAB 53.74, -4.78, -35.96

 

CMYK 0 / 68 / 16 / 26

HEX #BC3C9D

RGB 188 60 157

HSL 314.53, 0.52%, 0.49%

LAB 47.44, 60.98, -25.71

 

CMYK 0 / 18 / 68 / 25

HEX #BE9B3C

RGB 190 155 60

HSL 43.85, 0.52%, 0.49%

LAB 65.53, 2.73, 52.82

 

CMYK 68 / 0 / 53 / 25

HEX #3CBE5A

RGB 60 190 90

HSL 133.85, 0.52%, 0.49%

LAB 68.41, -56.26, 40.11

 

CMYK 68 / 50 / 0 / 25

HEX #3C5FBE

RGB 60 95 190

HSL 223.85, 0.52%, 0.49%

LAB 42.56, 19.3, -53.75

 

Description

Color code: HEX #BC3C9D | qconv.com Color code: HEX #BC3C9D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 60 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 60 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 16 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 16% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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