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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC3C8F it is the complementary color #43C370. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC3C8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC3C8F shade: #C13C8A, #D24E9D, #E360B0, #F472C3 and #FF84D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC3C8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC3C8F shade: #BC3C8F, #AB2A7C, #9A1869, #890656 and #780043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC3C8F shade: #BE3C90, #BE3C6D, #BE3C4A and #BE3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC3C8F shade: #BE3C90, #BE3CB3, #A63CBE, #823CBE and #5F3CBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC3C8F shade matches the following richer shades: #BE3C90, #D22896 and #E6149C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC3C8F shade: #BE3C90, #AA508A, #956484, #81797E and #6D8D78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC3C8F shade: #A63CBE, #BE3CB3, #BE3C90, #BE3C6E and #BE3C4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC3C8F shade: #7F2861, #9F3278, #BE3C90, #CA59A2 and #D478B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC3C8F shade: #BC3C8F, #BE833C and #3CBEB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC3C8F shade: #BC3C8F, #90BE3C and #3C90BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC3C8F shade: #BC3C8F, #BE833C, #3CBE69 and #3C76BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC3C8F shade: #BC3C8F, #BEAA3C, #3CBE69 and #3C4FBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 24 / 26

HEX #BC3C8F

RGB 188 60 143

HSL 321.09, 0.52%, 0.49%

LAB 46.85, 59.04, -18.24

 

Complementary color

CMYK 66 / 0 / 43 / 24

HEX #43C370

RGB 67 195 112

HSL 141.09, 0.52%, 0.51%

LAB 70.45, -53.33, 31.67

 

CMYK 0 / 69 / 28 / 24

HEX #C13C8A

RGB 193 60 138

HSL 324.81, 0.53%, 0.5%

LAB 47.5, 59.76, -14.16

 

CMYK 0 / 63 / 25 / 18

HEX #D24E9D

RGB 210 78 157

HSL 324.09, 0.59%, 0.56%

LAB 53.58, 59.77, -15.98

 

CMYK 0 / 58 / 22 / 11

HEX #E360B0

RGB 227 96 176

HSL 323.36, 0.7%, 0.63%

LAB 59.74, 59.45, -17.44

 

CMYK 0 / 53 / 20 / 4

HEX #F472C3

RGB 244 114 195

HSL 322.62, 0.86%, 0.7%

LAB 65.91, 58.94, -18.66

 

CMYK 0 / 48 / 16 / 0

HEX #FF84D6

RGB 255 132 214

HSL 320, 1%, 0.76%

LAB 71.29, 56.49, -20.94

 

CMYK 0 / 68 / 24 / 26

HEX #BC3C8F

RGB 188 60 143

HSL 321.09, 0.52%, 0.49%

LAB 46.85, 59.04, -18.24

 

CMYK 0 / 75 / 27 / 33

HEX #AB2A7C

RGB 171 42 124

HSL 321.86, 0.61%, 0.42%

LAB 40.85, 58.49, -16.09

 

CMYK 0 / 84 / 32 / 40

HEX #9A1869

RGB 154 24 105

HSL 322.62, 0.73%, 0.35%

LAB 35.09, 57.03, -13.24

 

CMYK 0 / 96 / 37 / 46

HEX #890656

RGB 137 6 86

HSL 323.36, 0.92%, 0.28%

LAB 29.71, 54.21, -9.42

 

CMYK 0 / 100 / 44 / 53

HEX #780043

RGB 120 0 67

HSL 326.5, 1%, 0.24%

LAB 24.95, 49.35, -4.21

 

CMYK 0 / 68 / 24 / 25

HEX #BE3C90

RGB 190 60 144

HSL 321.23, 0.52%, 0.49%

LAB 47.23, 59.71, -18.24

 

CMYK 0 / 68 / 43 / 25

HEX #BE3C6D

RGB 190 60 109

HSL 337.38, 0.52%, 0.49%

LAB 46.02, 55.62, 1.24

 

CMYK 0 / 68 / 61 / 25

HEX #BE3C4A

RGB 190 60 74

HSL 353.54, 0.52%, 0.49%

LAB 45.18, 52.69, 21.58

 

CMYK 0 / 68 / 68 / 25

HEX #BE3C3C

RGB 190 60 60

HSL 0, 0.52%, 0.49%

LAB 44.95, 51.85, 29.71

 

CMYK 0 / 68 / 24 / 25

HEX #BE3C90

RGB 190 60 144

HSL 321.23, 0.52%, 0.49%

LAB 47.23, 59.71, -18.24

 

CMYK 0 / 68 / 6 / 25

HEX #BE3CB3

RGB 190 60 179

HSL 305.08, 0.52%, 0.49%

LAB 48.8, 64.81, -36.56

 

CMYK 13 / 68 / 0 / 25

HEX #A63CBE

RGB 166 60 190

HSL 288.92, 0.52%, 0.49%

LAB 45.71, 61.2, -48.12

 

CMYK 32 / 68 / 0 / 25

HEX #823CBE

RGB 130 60 190

HSL 272.31, 0.52%, 0.49%

LAB 40.73, 53.45, -56.4

 

CMYK 50 / 68 / 0 / 25

HEX #5F3CBE

RGB 95 60 190

HSL 256.15, 0.52%, 0.49%

LAB 36.71, 46.73, -63.11

 

CMYK 0 / 68 / 24 / 25

HEX #BE3C90

RGB 190 60 144

HSL 321.23, 0.52%, 0.49%

LAB 47.23, 59.71, -18.24

 

CMYK 0 / 81 / 29 / 18

HEX #D22896

RGB 210 40 150

HSL 321.18, 0.68%, 0.49%

LAB 48.79, 71.61, -19.14

 

CMYK 0 / 91 / 32 / 10

HEX #E6149C

RGB 230 20 156

HSL 321.14, 0.84%, 0.49%

LAB 51.52, 80.13, -18.21

 

CMYK 0 / 68 / 24 / 25

HEX #BE3C90

RGB 190 60 144

HSL 321.23, 0.52%, 0.49%

LAB 47.23, 59.71, -18.24

 

CMYK 0 / 53 / 19 / 33

HEX #AA508A

RGB 170 80 138

HSL 321.33, 0.36%, 0.49%

LAB 47.13, 44.07, -15.06

 

CMYK 0 / 33 / 11 / 42

HEX #956484

RGB 149 100 132

HSL 320.82, 0.2%, 0.49%

LAB 48.47, 24.93, -9.7

 

CMYK 0 / 6 / 2 / 49

HEX #81797E

RGB 129 121 126

HSL 322.5, 0.03%, 0.49%

LAB 51.67, 4.02, -1.64

 

CMYK 23 / 0 / 15 / 45

HEX #6D8D78

RGB 109 141 120

HSL 140.63, 0.13%, 0.49%

LAB 55.74, -15.75, 7.55

 

CMYK 13 / 68 / 0 / 25

HEX #A63CBE

RGB 166 60 190

HSL 288.92, 0.52%, 0.49%

LAB 45.71, 61.2, -48.12

 

CMYK 0 / 68 / 6 / 25

HEX #BE3CB3

RGB 190 60 179

HSL 305.08, 0.52%, 0.49%

LAB 48.8, 64.81, -36.56

 

CMYK 0 / 68 / 24 / 25

HEX #BE3C90

RGB 190 60 144

HSL 321.23, 0.52%, 0.49%

LAB 47.23, 59.71, -18.24

 

CMYK 0 / 68 / 42 / 25

HEX #BE3C6E

RGB 190 60 110

HSL 336.92, 0.52%, 0.49%

LAB 46.05, 55.73, 0.67

HEX #BE3C6E

CMYK 0 / 68 / 61 / 25

HEX #BE3C4B

RGB 190 60 75

HSL 353.08, 0.52%, 0.49%

LAB 45.2, 52.76, 20.99

HEX #BE3C4B

CMYK 0 / 69 / 24 / 50

HEX #7F2861

RGB 127 40 97

HSL 320.69, 0.52%, 0.33%

LAB 31.56, 43.5, -13.95

 

CMYK 0 / 69 / 25 / 38

HEX #9F3278

RGB 159 50 120

HSL 321.47, 0.52%, 0.41%

LAB 39.59, 51.84, -15.72

 

CMYK 0 / 68 / 24 / 25

HEX #BE3C90

RGB 190 60 144

HSL 321.23, 0.52%, 0.49%

LAB 47.23, 59.71, -18.24

 

CMYK 0 / 56 / 20 / 21

HEX #CA59A2

RGB 202 89 162

HSL 321.24, 0.52%, 0.57%

LAB 54.35, 53.25, -17.85

 

CMYK 0 / 43 / 15 / 17

HEX #D478B4

RGB 212 120 180

HSL 320.87, 0.52%, 0.65%

LAB 62.28, 43.77, -16.08

 

CMYK 0 / 68 / 24 / 26

HEX #BC3C8F

RGB 188 60 143

HSL 321.09, 0.52%, 0.49%

LAB 46.85, 59.04, -18.24

 

CMYK 0 / 31 / 68 / 25

HEX #BE833C

RGB 190 131 60

HSL 32.77, 0.52%, 0.49%

LAB 59.44, 15.89, 46.32

 

CMYK 68 / 0 / 4 / 25

HEX #3CBEB7

RGB 60 190 183

HSL 176.77, 0.52%, 0.49%

LAB 70.32, -36.15, -6.73

 

CMYK 0 / 68 / 24 / 26

HEX #BC3C8F

RGB 188 60 143

HSL 321.09, 0.52%, 0.49%

LAB 46.85, 59.04, -18.24

 

CMYK 24 / 0 / 68 / 25

HEX #90BE3C

RGB 144 190 60

HSL 81.23, 0.52%, 0.49%

LAB 71.61, -34.46, 57.99

 

CMYK 68 / 24 / 0 / 25

HEX #3C90BE

RGB 60 144 190

HSL 201.23, 0.52%, 0.49%

LAB 56.71, -10.5, -31.33

 

CMYK 0 / 68 / 24 / 26

HEX #BC3C8F

RGB 188 60 143

HSL 321.09, 0.52%, 0.49%

LAB 46.85, 59.04, -18.24

 

CMYK 0 / 31 / 68 / 25

HEX #BE833C

RGB 190 131 60

HSL 32.77, 0.52%, 0.49%

LAB 59.44, 15.89, 46.32

 

CMYK 68 / 0 / 45 / 25

HEX #3CBE69

RGB 60 190 105

HSL 140.77, 0.52%, 0.49%

LAB 68.61, -53.91, 32.86

 

CMYK 68 / 38 / 0 / 25

HEX #3C76BE

RGB 60 118 190

HSL 213.23, 0.52%, 0.49%

LAB 49.05, 4.79, -43.36

 

CMYK 0 / 68 / 24 / 26

HEX #BC3C8F

RGB 188 60 143

HSL 321.09, 0.52%, 0.49%

LAB 46.85, 59.04, -18.24

 

CMYK 0 / 11 / 68 / 25

HEX #BEAA3C

RGB 190 170 60

HSL 50.77, 0.52%, 0.49%

LAB 69.49, -5.29, 56.91

 

CMYK 68 / 0 / 45 / 25

HEX #3CBE69

RGB 60 190 105

HSL 140.77, 0.52%, 0.49%

LAB 68.61, -53.91, 32.86

 

CMYK 68 / 58 / 0 / 25

HEX #3C4FBE

RGB 60 79 190

HSL 231.23, 0.52%, 0.49%

LAB 38.32, 29.61, -60.6

 

Description

Color code: HEX #BC3C8F | qconv.com Color code: HEX #BC3C8F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 60 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 60 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 24 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 24% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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