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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC3C5E it is the complementary color #43C3A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC3C5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC3C5E shade: #C13C59, #D24E6C, #E3607F, #F47292 and #FF84A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC3C5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC3C5E shade: #BC3C5E, #AB2A4B, #9A1838, #890625 and #780012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC3C5E shade: #BD3B5E and #BD3B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC3C5E shade: #BD3B5E, #BD3B81, #BD3BA4, #B43BBD and #913BBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC3C5E shade matches the following richer shades: #BD3B5E, #D22755 and #E6134B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC3C5E shade: #BD3B5E, #A95067, #956471, #81787A and #6D8C84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC3C5E shade: #BD3BA3, #BD3B81, #BD3B5E, #BD3B3B and #BD5E3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC3C5E shade: #7F283F, #9E324E, #BD3B5E, #CA5876 and #D47890

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC3C5E shade: #BC3C5E, #BDB53B and #3B92BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC3C5E shade: #BC3C5E, #5EBD3B and #3B5EBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC3C5E shade: #BC3C5E, #BDB53B, #3BBD9B and #3B44BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC3C5E shade: #BC3C5E, #9FBD3B, #3BBD9B and #5A3BBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 50 / 26

HEX #BC3C5E

RGB 188 60 94

HSL 344.06, 0.52%, 0.49%

LAB 45.26, 53.6, 9.34

 

Complementary color

CMYK 66 / 0 / 17 / 24

HEX #43C3A1

RGB 67 195 161

HSL 164.06, 0.52%, 0.51%

LAB 71.42, -43.07, 6.9

 

CMYK 0 / 69 / 54 / 24

HEX #C13C59

RGB 193 60 89

HSL 346.92, 0.53%, 0.5%

LAB 46.03, 54.74, 13.62

 

CMYK 0 / 63 / 49 / 18

HEX #D24E6C

RGB 210 78 108

HSL 346.36, 0.59%, 0.56%

LAB 52.1, 54.34, 10.99

 

CMYK 0 / 58 / 44 / 11

HEX #E3607F

RGB 227 96 127

HSL 345.8, 0.7%, 0.63%

LAB 58.25, 53.67, 8.83

 

CMYK 0 / 53 / 40 / 4

HEX #F47292

RGB 244 114 146

HSL 345.23, 0.86%, 0.7%

LAB 64.44, 52.87, 7.01

 

CMYK 0 / 48 / 35 / 0

HEX #FF84A5

RGB 255 132 165

HSL 343.9, 1%, 0.76%

LAB 69.81, 50, 4.18

 

CMYK 0 / 68 / 50 / 26

HEX #BC3C5E

RGB 188 60 94

HSL 344.06, 0.52%, 0.49%

LAB 45.26, 53.6, 9.34

 

CMYK 0 / 75 / 56 / 33

HEX #AB2A4B

RGB 171 42 75

HSL 344.65, 0.61%, 0.42%

LAB 39.28, 53.53, 12.42

 

CMYK 0 / 84 / 64 / 40

HEX #9A1838

RGB 154 24 56

HSL 345.23, 0.73%, 0.35%

LAB 33.58, 52.63, 16.38

 

CMYK 0 / 96 / 73 / 46

HEX #890625

RGB 137 6 37

HSL 345.8, 0.92%, 0.28%

LAB 28.33, 50.45, 21.45

 

CMYK 0 / 100 / 85 / 53

HEX #780012

RGB 120 0 18

HSL 351, 1%, 0.24%

LAB 23.79, 46.27, 27.61

 

CMYK 0 / 69 / 50 / 26

HEX #BD3B5E

RGB 189 59 94

HSL 343.85, 0.52%, 0.49%

LAB 45.3, 54.3, 9.42

 

CMYK 0 / 69 / 69 / 26

HEX #BD3B3B

RGB 189 59 59

HSL 0, 0.52%, 0.49%

LAB 44.61, 51.87, 29.85

 

CMYK 0 / 69 / 50 / 26

HEX #BD3B5E

RGB 189 59 94

HSL 343.85, 0.52%, 0.49%

LAB 45.3, 54.3, 9.42

 

CMYK 0 / 69 / 32 / 26

HEX #BD3B81

RGB 189 59 129

HSL 327.69, 0.52%, 0.49%

LAB 46.35, 57.93, -10.51

 

CMYK 0 / 69 / 13 / 26

HEX #BD3BA4

RGB 189 59 164

HSL 311.54, 0.52%, 0.49%

LAB 47.79, 62.63, -29.32

 

CMYK 5 / 69 / 0 / 26

HEX #B43BBD

RGB 180 59 189

HSL 295.85, 0.52%, 0.49%

LAB 47.63, 64.53, -44.36

 

CMYK 23 / 69 / 0 / 26

HEX #913BBD

RGB 145 59 189

HSL 279.69, 0.52%, 0.49%

LAB 42.49, 56.84, -52.87

 

CMYK 0 / 69 / 50 / 26

HEX #BD3B5E

RGB 189 59 94

HSL 343.85, 0.52%, 0.49%

LAB 45.3, 54.3, 9.42

 

CMYK 0 / 81 / 60 / 18

HEX #D22755

RGB 210 39 85

HSL 343.86, 0.69%, 0.49%

LAB 46.72, 66.03, 17.55

 

CMYK 0 / 92 / 67 / 10

HEX #E6134B

RGB 230 19 75

HSL 344.08, 0.85%, 0.49%

LAB 49.25, 74.16, 27.72

 

CMYK 0 / 69 / 50 / 26

HEX #BD3B5E

RGB 189 59 94

HSL 343.85, 0.52%, 0.49%

LAB 45.3, 54.3, 9.42

 

CMYK 0 / 53 / 39 / 34

HEX #A95067

RGB 169 80 103

HSL 344.49, 0.36%, 0.49%

LAB 45.84, 38.94, 4.22

 

CMYK 0 / 33 / 24 / 42

HEX #956471

RGB 149 100 113

HSL 344.08, 0.2%, 0.49%

LAB 47.87, 21.74, 0.78

 

CMYK 0 / 7 / 5 / 49

HEX #81787A

RGB 129 120 122

HSL 346.67, 0.04%, 0.49%

LAB 51.27, 3.83, 0.14

 

CMYK 22 / 0 / 6 / 45

HEX #6D8C84

RGB 109 140 132

HSL 164.52, 0.12%, 0.49%

LAB 55.76, -12.66, 0.68

 

CMYK 0 / 69 / 14 / 26

HEX #BD3BA3

RGB 189 59 163

HSL 312, 0.52%, 0.49%

LAB 47.74, 62.49, -28.8

 

CMYK 0 / 69 / 32 / 26

HEX #BD3B81

RGB 189 59 129

HSL 327.69, 0.52%, 0.49%

LAB 46.35, 57.93, -10.51

 

CMYK 0 / 69 / 50 / 26

HEX #BD3B5E

RGB 189 59 94

HSL 343.85, 0.52%, 0.49%

LAB 45.3, 54.3, 9.42

 

CMYK 0 / 69 / 69 / 26

HEX #BD3B3B

RGB 189 59 59

HSL 0, 0.52%, 0.49%

LAB 44.61, 51.87, 29.85

 

CMYK 0 / 50 / 69 / 26

HEX #BD5E3B

RGB 189 94 59

HSL 16.15, 0.52%, 0.49%

LAB 50.85, 35.5, 37.2

 

CMYK 0 / 69 / 50 / 50

HEX #7F283F

RGB 127 40 63

HSL 344.14, 0.52%, 0.33%

LAB 30.37, 39.33, 6.53

 

CMYK 0 / 68 / 51 / 38

HEX #9E324E

RGB 158 50 78

HSL 344.44, 0.52%, 0.41%

LAB 38.02, 46.72, 8.4

 

CMYK 0 / 69 / 50 / 26

HEX #BD3B5E

RGB 189 59 94

HSL 343.85, 0.52%, 0.49%

LAB 45.3, 54.3, 9.42

 

CMYK 0 / 56 / 42 / 21

HEX #CA5876

RGB 202 88 118

HSL 344.21, 0.52%, 0.57%

LAB 52.78, 48.15, 5.81

 

CMYK 0 / 43 / 32 / 17

HEX #D47890

RGB 212 120 144

HSL 344.35, 0.52%, 0.65%

LAB 61.17, 38.6, 2.89

 

CMYK 0 / 68 / 50 / 26

HEX #BC3C5E

RGB 188 60 94

HSL 344.06, 0.52%, 0.49%

LAB 45.26, 53.6, 9.34

 

CMYK 0 / 4 / 69 / 26

HEX #BDB53B

RGB 189 181 59

HSL 56.31, 0.52%, 0.49%

LAB 72.35, -11.51, 60.19

 

CMYK 69 / 23 / 0 / 26

HEX #3B92BD

RGB 59 146 189

HSL 199.85, 0.52%, 0.49%

LAB 57.23, -12.11, -29.95

 

CMYK 0 / 68 / 50 / 26

HEX #BC3C5E

RGB 188 60 94

HSL 344.06, 0.52%, 0.49%

LAB 45.26, 53.6, 9.34

 

CMYK 50 / 0 / 69 / 26

HEX #5EBD3B

RGB 94 189 59

HSL 103.85, 0.52%, 0.49%

LAB 68.82, -51.31, 54.7

 

CMYK 69 / 50 / 0 / 26

HEX #3B5EBD

RGB 59 94 189

HSL 223.85, 0.52%, 0.49%

LAB 42.17, 19.42, -53.79

 

CMYK 0 / 68 / 50 / 26

HEX #BC3C5E

RGB 188 60 94

HSL 344.06, 0.52%, 0.49%

LAB 45.26, 53.6, 9.34

 

CMYK 0 / 4 / 69 / 26

HEX #BDB53B

RGB 189 181 59

HSL 56.31, 0.52%, 0.49%

LAB 72.35, -11.51, 60.19

 

CMYK 69 / 0 / 18 / 26

HEX #3BBD9B

RGB 59 189 155

HSL 164.31, 0.52%, 0.49%

LAB 69.25, -43.22, 7.03

 

CMYK 69 / 64 / 0 / 26

HEX #3B44BD

RGB 59 68 189

HSL 235.85, 0.52%, 0.49%

LAB 35.48, 36.11, -64.66

 

CMYK 0 / 68 / 50 / 26

HEX #BC3C5E

RGB 188 60 94

HSL 344.06, 0.52%, 0.49%

LAB 45.26, 53.6, 9.34

 

CMYK 16 / 0 / 69 / 26

HEX #9FBD3B

RGB 159 189 59

HSL 73.85, 0.52%, 0.49%

LAB 72.28, -28.1, 59.37

 

CMYK 69 / 0 / 18 / 26

HEX #3BBD9B

RGB 59 189 155

HSL 164.31, 0.52%, 0.49%

LAB 69.25, -43.22, 7.03

 

CMYK 52 / 69 / 0 / 26

HEX #5A3BBD

RGB 90 59 189

HSL 254.31, 0.52%, 0.49%

LAB 35.94, 46.13, -63.81

 

Description

Color code: HEX #BC3C5E | qconv.com Color code: HEX #BC3C5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 60 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 60 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 50 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 50% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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