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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC3C55 it is the complementary color #43C3AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC3C55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC3C55 shade: #C13C50, #D24E63, #E36076, #F47289 and #FF849C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC3C55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC3C55 shade: #BC3C55, #AB2A42, #9A182F, #89061C and #780009

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC3C55 shade: #BD3B55 and #BD3B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC3C55 shade: #BD3B55, #BD3B78, #BD3B9B, #BD3BBD and #9A3BBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC3C55 shade matches the following richer shades: #BD3B55, #D22749 and #E6133C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC3C55 shade: #BD3B55, #A95061, #95646D, #81787A and #6D8C86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC3C55 shade: #BD3B9B, #BD3B78, #BD3B55, #BD443B and #BD673B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC3C55 shade: #7F2839, #9E3247, #BD3B55, #CA586E and #D4788A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC3C55 shade: #BC3C55, #BDBD3B and #3B89BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC3C55 shade: #BC3C55, #55BD3B and #3B55BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC3C55 shade: #BC3C55, #BDBD3B, #3BBDA3 and #3B3BBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC3C55 shade: #BC3C55, #96BD3B, #3BBDA3 and #623BBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 55 / 26

HEX #BC3C55

RGB 188 60 85

HSL 348.28, 0.52%, 0.49%

LAB 45.05, 52.85, 14.6

 

Complementary color

CMYK 66 / 0 / 13 / 24

HEX #43C3AA

RGB 67 195 170

HSL 168.28, 0.52%, 0.51%

LAB 71.64, -40.82, 2.33

 

CMYK 0 / 69 / 59 / 24

HEX #C13C50

RGB 193 60 80

HSL 350.98, 0.53%, 0.5%

LAB 45.84, 54.06, 18.88

 

CMYK 0 / 63 / 53 / 18

HEX #D24E63

RGB 210 78 99

HSL 350.45, 0.59%, 0.56%

LAB 51.9, 53.56, 16.09

 

CMYK 0 / 58 / 48 / 11

HEX #E36076

RGB 227 96 118

HSL 349.92, 0.7%, 0.63%

LAB 58.04, 52.82, 13.79

 

CMYK 0 / 53 / 44 / 4

HEX #F47289

RGB 244 114 137

HSL 349.38, 0.86%, 0.7%

LAB 64.22, 51.95, 11.85

 

CMYK 0 / 48 / 39 / 0

HEX #FF849C

RGB 255 132 156

HSL 348.29, 1%, 0.76%

LAB 69.59, 48.99, 8.91

 

CMYK 0 / 68 / 55 / 26

HEX #BC3C55

RGB 188 60 85

HSL 348.28, 0.52%, 0.49%

LAB 45.05, 52.85, 14.6

 

CMYK 0 / 75 / 61 / 33

HEX #AB2A42

RGB 171 42 66

HSL 348.84, 0.61%, 0.42%

LAB 39.08, 52.89, 17.86

 

CMYK 0 / 84 / 69 / 40

HEX #9A182F

RGB 154 24 47

HSL 349.38, 0.73%, 0.35%

LAB 33.41, 52.12, 22

 

CMYK 0 / 96 / 80 / 46

HEX #89061C

RGB 137 6 28

HSL 349.92, 0.92%, 0.28%

LAB 28.2, 50.09, 27.14

 

CMYK 0 / 100 / 93 / 53

HEX #780009

RGB 120 0 9

HSL 355.5, 1%, 0.24%

LAB 23.71, 46.06, 31.99

 

CMYK 0 / 69 / 55 / 26

HEX #BD3B55

RGB 189 59 85

HSL 348, 0.52%, 0.49%

LAB 45.09, 53.56, 14.67

 

CMYK 0 / 69 / 69 / 26

HEX #BD3B3B

RGB 189 59 59

HSL 0, 0.52%, 0.49%

LAB 44.61, 51.87, 29.85

 

CMYK 0 / 69 / 55 / 26

HEX #BD3B55

RGB 189 59 85

HSL 348, 0.52%, 0.49%

LAB 45.09, 53.56, 14.67

 

CMYK 0 / 69 / 37 / 26

HEX #BD3B78

RGB 189 59 120

HSL 331.85, 0.52%, 0.49%

LAB 46.05, 56.89, -5.48

 

CMYK 0 / 69 / 18 / 26

HEX #BD3B9B

RGB 189 59 155

HSL 315.69, 0.52%, 0.49%

LAB 47.38, 61.33, -24.6

 

CMYK 0 / 69 / 0 / 26

HEX #BD3BBD

RGB 189 59 189

HSL 300, 0.52%, 0.49%

LAB 49.03, 66.56, -42.04

 

CMYK 19 / 69 / 0 / 26

HEX #9A3BBD

RGB 154 59 189

HSL 283.85, 0.52%, 0.49%

LAB 43.76, 58.78, -50.77

 

CMYK 0 / 69 / 55 / 26

HEX #BD3B55

RGB 189 59 85

HSL 348, 0.52%, 0.49%

LAB 45.09, 53.56, 14.67

 

CMYK 0 / 81 / 65 / 18

HEX #D22749

RGB 210 39 73

HSL 348.07, 0.69%, 0.49%

LAB 46.49, 65.33, 24.61

 

CMYK 0 / 92 / 74 / 10

HEX #E6133C

RGB 230 19 60

HSL 348.34, 0.85%, 0.49%

LAB 49.03, 73.54, 36.43

 

CMYK 0 / 69 / 55 / 26

HEX #BD3B55

RGB 189 59 85

HSL 348, 0.52%, 0.49%

LAB 45.09, 53.56, 14.67

 

CMYK 0 / 53 / 43 / 34

HEX #A95061

RGB 169 80 97

HSL 348.54, 0.36%, 0.49%

LAB 45.68, 38.25, 7.66

 

CMYK 0 / 33 / 27 / 42

HEX #95646D

RGB 149 100 109

HSL 348.98, 0.2%, 0.49%

LAB 47.76, 21.12, 3.02

 

CMYK 0 / 7 / 5 / 49

HEX #81787A

RGB 129 120 122

HSL 346.67, 0.04%, 0.49%

LAB 51.27, 3.83, 0.14

 

CMYK 22 / 0 / 4 / 45

HEX #6D8C86

RGB 109 140 134

HSL 168.39, 0.12%, 0.49%

LAB 55.82, -12.21, -0.39

 

CMYK 0 / 69 / 18 / 26

HEX #BD3B9B

RGB 189 59 155

HSL 315.69, 0.52%, 0.49%

LAB 47.38, 61.33, -24.6

 

CMYK 0 / 69 / 37 / 26

HEX #BD3B78

RGB 189 59 120

HSL 331.85, 0.52%, 0.49%

LAB 46.05, 56.89, -5.48

 

CMYK 0 / 69 / 55 / 26

HEX #BD3B55

RGB 189 59 85

HSL 348, 0.52%, 0.49%

LAB 45.09, 53.56, 14.67

 

CMYK 0 / 64 / 69 / 26

HEX #BD443B

RGB 189 68 59

HSL 4.15, 0.52%, 0.49%

LAB 46, 48.1, 31.52

 

CMYK 0 / 46 / 69 / 26

HEX #BD673B

RGB 189 103 59

HSL 20.31, 0.52%, 0.49%

LAB 52.77, 30.74, 39.39

 

CMYK 0 / 69 / 55 / 50

HEX #7F2839

RGB 127 40 57

HSL 348.28, 0.52%, 0.33%

LAB 30.22, 38.78, 10.28

 

CMYK 0 / 68 / 55 / 38

HEX #9E3247

RGB 158 50 71

HSL 348.33, 0.52%, 0.41%

LAB 37.85, 46.12, 12.62

 

CMYK 0 / 69 / 55 / 26

HEX #BD3B55

RGB 189 59 85

HSL 348, 0.52%, 0.49%

LAB 45.09, 53.56, 14.67

 

CMYK 0 / 56 / 46 / 21

HEX #CA586E

RGB 202 88 110

HSL 348.42, 0.52%, 0.57%

LAB 52.58, 47.32, 10.28

 

CMYK 0 / 43 / 35 / 17

HEX #D4788A

RGB 212 120 138

HSL 348.26, 0.52%, 0.65%

LAB 61.01, 37.85, 6.11

 

CMYK 0 / 68 / 55 / 26

HEX #BC3C55

RGB 188 60 85

HSL 348.28, 0.52%, 0.49%

LAB 45.05, 52.85, 14.6

 

CMYK 0 / 0 / 69 / 26

HEX #BDBD3B

RGB 189 189 59

HSL 60, 0.52%, 0.49%

LAB 74.53, -15.59, 62.36

 

CMYK 69 / 28 / 0 / 26

HEX #3B89BD

RGB 59 137 189

HSL 204, 0.52%, 0.49%

LAB 54.55, -7.02, -34.13

 

CMYK 0 / 68 / 55 / 26

HEX #BC3C55

RGB 188 60 85

HSL 348.28, 0.52%, 0.49%

LAB 45.05, 52.85, 14.6

 

CMYK 55 / 0 / 69 / 26

HEX #55BD3B

RGB 85 189 59

HSL 108, 0.52%, 0.49%

LAB 68.49, -53.82, 54.26

 

CMYK 69 / 55 / 0 / 26

HEX #3B55BD

RGB 59 85 189

HSL 228, 0.52%, 0.49%

LAB 39.75, 25.24, -57.7

 

CMYK 0 / 68 / 55 / 26

HEX #BC3C55

RGB 188 60 85

HSL 348.28, 0.52%, 0.49%

LAB 45.05, 52.85, 14.6

 

CMYK 0 / 0 / 69 / 26

HEX #BDBD3B

RGB 189 189 59

HSL 60, 0.52%, 0.49%

LAB 74.53, -15.59, 62.36

 

CMYK 69 / 0 / 14 / 26

HEX #3BBDA3

RGB 59 189 163

HSL 168, 0.52%, 0.49%

LAB 69.45, -41.21, 2.94

 

CMYK 69 / 69 / 0 / 26

HEX #3B3BBD

RGB 59 59 189

HSL 240, 0.52%, 0.49%

LAB 33.42, 41.62, -68.03

 

CMYK 0 / 68 / 55 / 26

HEX #BC3C55

RGB 188 60 85

HSL 348.28, 0.52%, 0.49%

LAB 45.05, 52.85, 14.6

 

CMYK 21 / 0 / 69 / 26

HEX #96BD3B

RGB 150 189 59

HSL 78, 0.52%, 0.49%

LAB 71.69, -31.71, 58.57

 

CMYK 69 / 0 / 14 / 26

HEX #3BBDA3

RGB 59 189 163

HSL 168, 0.52%, 0.49%

LAB 69.45, -41.21, 2.94

 

CMYK 48 / 69 / 0 / 26

HEX #623BBD

RGB 98 59 189

HSL 258, 0.52%, 0.49%

LAB 36.74, 47.51, -62.46

 

Description

Color code: HEX #BC3C55 | qconv.com Color code: HEX #BC3C55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 60 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 60 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 55 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 55% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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