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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC3B5C it is the complementary color #43C4A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC3B5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC3B5C shade: #C13B57, #D24D6A, #E35F7D, #F47190 and #FF83A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC3B5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC3B5C shade: #BC3B5C, #AB2949, #9A1736, #890523 and #780010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC3B5C shade: #BA3A5B and #BA3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC3B5C shade: #BA3A5B, #BA3A7D, #BA3A9F, #B13ABA and #8F3ABA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC3B5C shade matches the following richer shades: #BA3A5B, #CD2651 and #E11347

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC3B5C shade: #BA3A5B, #A64E64, #92626E, #7E7678 and #6A8982

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC3B5C shade: #BA3AA0, #BA3A7E, #BA3A5C, #BA3A3A and #BA5C3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC3B5C shade: #7B263C, #9A304B, #BA3A5B, #C95472 and #D3748C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC3B5C shade: #BC3B5C, #BAB13A and #3A8FBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC3B5C shade: #BC3B5C, #5CBA3A and #3A5CBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC3B5C shade: #BC3B5C, #BAB13A, #3ABA98 and #3A43BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC3B5C shade: #BC3B5C, #9CBA3A, #3ABA98 and #583ABA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 51 / 26

HEX #BC3B5C

RGB 188 59 92

HSL 344.65, 0.52%, 0.48%

LAB 45.07, 53.82, 10.31

 

Complementary color

CMYK 66 / 0 / 17 / 23

HEX #43C4A3

RGB 67 196 163

HSL 164.65, 0.52%, 0.52%

LAB 71.77, -43.01, 6.32

 

CMYK 0 / 69 / 55 / 24

HEX #C13B57

RGB 193 59 87

HSL 347.46, 0.53%, 0.49%

LAB 45.84, 54.97, 14.59

 

CMYK 0 / 63 / 50 / 18

HEX #D24D6A

RGB 210 77 106

HSL 346.92, 0.6%, 0.56%

LAB 51.89, 54.59, 11.9

 

CMYK 0 / 58 / 45 / 11

HEX #E35F7D

RGB 227 95 125

HSL 346.36, 0.7%, 0.63%

LAB 58.03, 53.93, 9.68

 

CMYK 0 / 54 / 41 / 4

HEX #F47190

RGB 244 113 144

HSL 345.8, 0.86%, 0.7%

LAB 64.21, 53.14, 7.82

 

CMYK 0 / 49 / 36 / 0

HEX #FF83A3

RGB 255 131 163

HSL 344.52, 1%, 0.76%

LAB 69.57, 50.26, 4.95

 

CMYK 0 / 69 / 51 / 26

HEX #BC3B5C

RGB 188 59 92

HSL 344.65, 0.52%, 0.48%

LAB 45.07, 53.82, 10.31

 

CMYK 0 / 76 / 57 / 33

HEX #AB2949

RGB 171 41 73

HSL 345.23, 0.61%, 0.42%

LAB 39.11, 53.72, 13.47

 

CMYK 0 / 85 / 65 / 40

HEX #9A1736

RGB 154 23 54

HSL 345.8, 0.74%, 0.35%

LAB 33.45, 52.76, 17.52

 

CMYK 0 / 96 / 74 / 46

HEX #890523

RGB 137 5 35

HSL 346.36, 0.93%, 0.28%

LAB 28.24, 50.53, 22.66

 

CMYK 0 / 100 / 87 / 53

HEX #780010

RGB 120 0 16

HSL 352, 1%, 0.24%

LAB 23.77, 46.21, 28.76

 

CMYK 0 / 69 / 51 / 27

HEX #BA3A5B

RGB 186 58 91

HSL 344.53, 0.52%, 0.48%

LAB 44.55, 53.51, 10.14

 

CMYK 0 / 69 / 69 / 27

HEX #BA3A3A

RGB 186 58 58

HSL 0, 0.52%, 0.48%

LAB 43.9, 51.23, 29.47

 

CMYK 0 / 69 / 51 / 27

HEX #BA3A5B

RGB 186 58 91

HSL 344.53, 0.52%, 0.48%

LAB 44.55, 53.51, 10.14

 

CMYK 0 / 69 / 33 / 27

HEX #BA3A7D

RGB 186 58 125

HSL 328.59, 0.52%, 0.48%

LAB 45.56, 56.99, -9.31

 

CMYK 0 / 69 / 15 / 27

HEX #BA3A9F

RGB 186 58 159

HSL 312.66, 0.52%, 0.48%

LAB 46.93, 61.51, -27.72

 

CMYK 5 / 69 / 0 / 27

HEX #B13ABA

RGB 177 58 186

HSL 295.78, 0.52%, 0.48%

LAB 46.87, 63.71, -43.85

 

CMYK 23 / 69 / 0 / 27

HEX #8F3ABA

RGB 143 58 186

HSL 279.84, 0.52%, 0.48%

LAB 41.86, 56.21, -52.14

 

CMYK 0 / 69 / 51 / 27

HEX #BA3A5B

RGB 186 58 91

HSL 344.53, 0.52%, 0.48%

LAB 44.55, 53.51, 10.14

 

CMYK 0 / 81 / 60 / 20

HEX #CD2651

RGB 205 38 81

HSL 344.55, 0.69%, 0.48%

LAB 45.58, 64.69, 18.31

 

CMYK 0 / 92 / 68 / 12

HEX #E11347

RGB 225 19 71

HSL 344.85, 0.84%, 0.48%

LAB 48.17, 72.76, 28.58

 

CMYK 0 / 69 / 51 / 27

HEX #BA3A5B

RGB 186 58 91

HSL 344.53, 0.52%, 0.48%

LAB 44.55, 53.51, 10.14

 

CMYK 0 / 53 / 40 / 35

HEX #A64E64

RGB 166 78 100

HSL 345, 0.36%, 0.48%

LAB 44.91, 38.54, 4.66

 

CMYK 0 / 33 / 25 / 43

HEX #92626E

RGB 146 98 110

HSL 345, 0.2%, 0.48%

LAB 46.94, 21.26, 1.18

 

CMYK 0 / 6 / 5 / 51

HEX #7E7678

RGB 126 118 120

HSL 345, 0.03%, 0.48%

LAB 50.39, 3.45, -0

 

CMYK 23 / 0 / 5 / 46

HEX #6A8982

RGB 106 137 130

HSL 166.45, 0.13%, 0.48%

LAB 54.62, -12.48, 0.16

 

CMYK 0 / 69 / 14 / 27

HEX #BA3AA0

RGB 186 58 160

HSL 312.19, 0.52%, 0.48%

LAB 46.98, 61.66, -28.24

 

CMYK 0 / 69 / 32 / 27

HEX #BA3A7E

RGB 186 58 126

HSL 328.13, 0.52%, 0.48%

LAB 45.6, 57.1, -9.87

 

CMYK 0 / 69 / 51 / 27

HEX #BA3A5C

RGB 186 58 92

HSL 344.06, 0.52%, 0.48%

LAB 44.57, 53.6, 9.56

 

CMYK 0 / 69 / 69 / 27

HEX #BA3A3A

RGB 186 58 58

HSL 0, 0.52%, 0.48%

LAB 43.9, 51.23, 29.47

 

CMYK 0 / 51 / 69 / 27

HEX #BA5C3A

RGB 186 92 58

HSL 15.94, 0.52%, 0.48%

LAB 49.98, 35.3, 36.62

 

CMYK 0 / 69 / 51 / 52

HEX #7B263C

RGB 123 38 60

HSL 344.47, 0.53%, 0.32%

LAB 29.22, 38.57, 6.78

 

CMYK 0 / 69 / 51 / 40

HEX #9A304B

RGB 154 48 75

HSL 344.72, 0.52%, 0.4%

LAB 36.91, 45.99, 8.66

 

CMYK 0 / 69 / 51 / 27

HEX #BA3A5B

RGB 186 58 91

HSL 344.53, 0.52%, 0.48%

LAB 44.55, 53.51, 10.14

 

CMYK 0 / 58 / 43 / 21

HEX #C95472

RGB 201 84 114

HSL 344.62, 0.52%, 0.56%

LAB 51.81, 49.27, 6.78

 

CMYK 0 / 45 / 34 / 17

HEX #D3748C

RGB 211 116 140

HSL 344.84, 0.52%, 0.64%

LAB 60.1, 39.82, 3.62

 

CMYK 0 / 69 / 51 / 26

HEX #BC3B5C

RGB 188 59 92

HSL 344.65, 0.52%, 0.48%

LAB 45.07, 53.82, 10.31

 

CMYK 0 / 5 / 69 / 27

HEX #BAB13A

RGB 186 177 58

HSL 55.78, 0.52%, 0.48%

LAB 71, -10.79, 59.14

 

CMYK 69 / 23 / 0 / 27

HEX #3A8FBA

RGB 58 143 186

HSL 200.16, 0.52%, 0.48%

LAB 56.18, -11.6, -29.88

 

CMYK 0 / 69 / 51 / 26

HEX #BC3B5C

RGB 188 59 92

HSL 344.65, 0.52%, 0.48%

LAB 45.07, 53.82, 10.31

 

CMYK 51 / 0 / 69 / 27

HEX #5CBA3A

RGB 92 186 58

HSL 104.06, 0.52%, 0.48%

LAB 67.8, -50.82, 54

 

CMYK 69 / 51 / 0 / 27

HEX #3A5CBA

RGB 58 92 186

HSL 224.06, 0.52%, 0.48%

LAB 41.37, 19.47, -53.33

 

CMYK 0 / 69 / 51 / 26

HEX #BC3B5C

RGB 188 59 92

HSL 344.65, 0.52%, 0.48%

LAB 45.07, 53.82, 10.31

 

CMYK 0 / 5 / 69 / 27

HEX #BAB13A

RGB 186 177 58

HSL 55.78, 0.52%, 0.48%

LAB 71, -10.79, 59.14

 

CMYK 69 / 0 / 18 / 27

HEX #3ABA98

RGB 58 186 152

HSL 164.06, 0.52%, 0.48%

LAB 68.23, -42.82, 7.21

 

CMYK 69 / 64 / 0 / 27

HEX #3A43BA

RGB 58 67 186

HSL 235.78, 0.52%, 0.48%

LAB 34.92, 35.56, -63.81

 

CMYK 0 / 69 / 51 / 26

HEX #BC3B5C

RGB 188 59 92

HSL 344.65, 0.52%, 0.48%

LAB 45.07, 53.82, 10.31

 

CMYK 16 / 0 / 69 / 27

HEX #9CBA3A

RGB 156 186 58

HSL 74.06, 0.52%, 0.48%

LAB 71.21, -27.94, 58.6

 

CMYK 69 / 0 / 18 / 27

HEX #3ABA98

RGB 58 186 152

HSL 164.06, 0.52%, 0.48%

LAB 68.23, -42.82, 7.21

 

CMYK 53 / 69 / 0 / 27

HEX #583ABA

RGB 88 58 186

HSL 254.06, 0.52%, 0.48%

LAB 35.29, 45.46, -63.1

 

Description

Color code: HEX #BC3B5C | qconv.com Color code: HEX #BC3B5C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 59 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 59 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 51 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 51% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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