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Color name
HEX #BC3B124C

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC3B124C it is the complementary color #43C4ED4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color #BC3B124C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC3B124C shade: #C13B0D4C, #D24D204C, #E35F334C, #F471464C and #FF83594C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color #BC3B124C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC3B124C shade: #BC3B124C, #AB29004C, #9A17004C, #8905004C and #7800004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC3B124C shade: #BB3A11 and #BB1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC3B124C shade: #BB3A11, #BB6811, #BB9511, #B2BB11 and #85BB11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC3B124C shade matches the following richer shades: #BB3A11 and #CB3201

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC3B124C shade: #BB3A11, #AA4322, #9A4B32, #895443 and #795C53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC3B124C shade: #BB1144, #BB1117, #BB3911, #BB6611 and #BB9311

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC3B124C shade: #6F230A, #952E0E, #BB3A11, #E04615 and #EC5F33

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC3B124C shade: #BC3B12, #71BB11 and #112EBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC3B124C shade: #BC3B12, #11BB39 and #3911BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC3B124C shade: #BC3B12, #71BB11, #1193BB and #5B11BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC3B124C shade: #BC3B12, #3EBB11, #1193BB and #8E11BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 27 / 8

RGBA 188 59 18 0.3

HSLA 14.47, 0.83%, 0.4%, 0.3

LABA 44.04, 50.13, 50.16, 0.3

Complementary color

CMYK 22 / 5 / 0 / 2

RGBA 67 196 237 0.3

HSLA 194.47, 0.83%, 0.6%, 0.3

LABA 74.05, -21.96, -30.45, 0.3

Lighter colors

CMYK 0 / 21 / 28 / 7

RGBA 193 59 13 0.3

HSLA 15.33, 0.87%, 0.4%, 0.3

LABA 44.93, 51.75, 52.88, 0.3

CMYK 0 / 19 / 25 / 5

RGBA 210 77 32 0.3

HSLA 15.17, 0.74%, 0.47%, 0.3

LABA 50.82, 50.49, 51.61, 0.3

CMYK 0 / 17 / 23 / 3

RGBA 227 95 51 0.3

HSLA 15, 0.76%, 0.55%, 0.3

LABA 56.84, 49.05, 49.5, 0.3

CMYK 0 / 16 / 21 / 1

RGBA 244 113 70 0.3

HSLA 14.83, 0.89%, 0.62%, 0.3

LABA 62.92, 47.57, 47.24, 0.3

CMYK 0 / 15 / 20 / 0

RGBA 255 131 89 0.3

HSLA 15.18, 1%, 0.67%, 0.3

LABA 68.18, 43.89, 43.88, 0.3

Darker colors

CMYK 0 / 21 / 27 / 8

RGBA 188 59 18 0.3

HSLA 14.47, 0.83%, 0.4%, 0.3

LABA 44.04, 50.13, 50.16, 0.3

CMYK 0 / 23 / 30 / 10

RGBA 171 41 0 0.3

HSLA 14.39, 1%, 0.34%, 0.3

LABA 38.28, 50.97, 51.01, 0.3

CMYK 0 / 26 / 30 / 12

RGBA 154 23 0 0.3

HSLA 8.96, 1%, 0.3%, 0.3

LABA 32.88, 51.03, 46.31, 0.3

CMYK 0 / 29 / 30 / 14

RGBA 137 5 0 0.3

HSLA 2.19, 1%, 0.27%, 0.3

LABA 27.92, 49.62, 40.97, 0.3

CMYK 0 / 30 / 30 / 16

RGBA 120 0 0 0.3

HSLA 0, 1%, 0.24%, 0.3

LABA 23.65, 45.88, 35.59, 0.3

Warmer colors

CMYK 0 / 69 / 91 / 27

HSL 14.47, 0.83%, 0.4%

LAB 43.7, 50.17, 50.19

CMYK 0 / 91 / 91 / 27

HSL 0, 0.83%, 0.4%

LAB 39.59, 61.67, 47.28

Colder colors

CMYK 0 / 69 / 91 / 27

HSL 14.47, 0.83%, 0.4%

LAB 43.7, 50.17, 50.19

CMYK 0 / 44 / 91 / 27

HSL 30.71, 0.83%, 0.4%

LAB 52.4, 27.82, 56.59

CMYK 0 / 20 / 91 / 27

HSL 46.59, 0.83%, 0.4%

LAB 63.43, 3.08, 64.97

CMYK 5 / 0 / 91 / 27

HSL 63.18, 0.83%, 0.4%

LAB 72.92, -20.75, 72.01

CMYK 29 / 0 / 91 / 27

HSL 79.06, 0.83%, 0.4%

LAB 69.87, -39.26, 68.28

Richer colors

CMYK 0 / 69 / 91 / 27

HSL 14.47, 0.83%, 0.4%

LAB 43.7, 50.17, 50.19

CMYK 0 / 75 / 100 / 20

HSL 14.55, 0.99%, 0.4%

LAB 45.61, 58.09, 57.63

Paler colors

CMYK 0 / 69 / 91 / 27

HSL 14.47, 0.83%, 0.4%

LAB 43.7, 50.17, 50.19

CMYK 0 / 61 / 80 / 33

HSL 14.56, 0.67%, 0.4%

LAB 42.27, 40.54, 40.29

CMYK 0 / 51 / 68 / 40

HSL 14.42, 0.51%, 0.4%

LAB 41.43, 30.94, 29.89

CMYK 0 / 39 / 51 / 46

HSL 14.57, 0.34%, 0.4%

LAB 41.32, 20.1, 19.19

CMYK 0 / 24 / 31 / 53

HSL 14.21, 0.19%, 0.4%

LAB 41.76, 10.46, 9.75

Analogue colors

CMYK 0 / 91 / 64 / 27

HSL 342, 0.83%, 0.4%

LAB 40.22, 63.45, 18.68

CMYK 0 / 91 / 88 / 27

HSL 357.88, 0.83%, 0.4%

LAB 39.63, 61.77, 44.58

CMYK 0 / 70 / 91 / 27

HSL 14.12, 0.83%, 0.4%

LAB 43.55, 50.57, 50.09

CMYK 0 / 45 / 91 / 27

HSL 30, 0.83%, 0.4%

LAB 51.96, 28.9, 56.26

CMYK 0 / 21 / 91 / 27

HSL 45.88, 0.83%, 0.4%

LAB 62.9, 4.17, 64.57

Monochromatic colors

CMYK 0 / 68 / 91 / 56

HSL 14.85, 0.83%, 0.24%

LAB 25.57, 32.47, 32.71

CMYK 0 / 69 / 91 / 42

HSL 14.22, 0.83%, 0.32%

LAB 34.75, 41.8, 41.52

CMYK 0 / 69 / 91 / 27

HSL 14.47, 0.83%, 0.4%

LAB 43.7, 50.17, 50.19

CMYK 0 / 69 / 91 / 12

HSL 14.48, 0.83%, 0.48%

LAB 52.15, 57.89, 57.91

CMYK 0 / 60 / 78 / 7

HSL 14.27, 0.83%, 0.56%

LAB 58.28, 52.27, 51.42

Partial complementary colors

CMYK 0 / 69 / 90 / 26

HSL 14.47, 0.83%, 0.4%

LAB 44.04, 50.13, 50.16

CMYK 40 / 0 / 91 / 27

HSL 86.12, 0.83%, 0.4%

LAB 68.82, -46.6, 66.99

CMYK 91 / 75 / 0 / 27

HSL 229.76, 0.83%, 0.4%

LAB 28.54, 45.45, -74.96

Triadic colors

CMYK 0 / 69 / 90 / 26

HSL 14.47, 0.83%, 0.4%

LAB 44.04, 50.13, 50.16

CMYK 91 / 0 / 70 / 27

HSL 134.12, 0.83%, 0.4%

LAB 66.49, -64.53, 52.52

CMYK 70 / 91 / 0 / 27

HSL 254.12, 0.83%, 0.4%

LAB 26.33, 60.16, -78.58

Rectangular (tetradic) colors

CMYK 0 / 69 / 90 / 26

HSL 14.47, 0.83%, 0.4%

LAB 44.04, 50.13, 50.16

CMYK 40 / 0 / 91 / 27

HSL 86.12, 0.83%, 0.4%

LAB 68.82, -46.6, 66.99

CMYK 91 / 21 / 0 / 27

HSL 194.12, 0.83%, 0.4%

LAB 56.66, -17.61, -29.77

CMYK 51 / 91 / 0 / 27

HSL 266.12, 0.83%, 0.4%

LAB 29.94, 62.74, -72.47

Square colors

CMYK 0 / 69 / 90 / 26

HSL 14.47, 0.83%, 0.4%

LAB 44.04, 50.13, 50.16

CMYK 67 / 0 / 91 / 27

HSL 104.12, 0.83%, 0.4%

LAB 66.98, -60.98, 64.71

CMYK 91 / 21 / 0 / 27

HSL 194.12, 0.83%, 0.4%

LAB 56.66, -17.61, -29.77

CMYK 24 / 91 / 0 / 27

HSL 284.12, 0.83%, 0.4%

LAB 37.37, 68.95, -60.01

Description

Color code: HEX #BC3B124C | qconv.com

Color code: HEX #BC3B124C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 59 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 27 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

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