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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC3952CE it is the complementary color #43C6ADCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC3952CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC3952CE shade: #C1394DCE, #D24B60CE, #E35D73CE, #F46F86CE and #FF8199CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC3952CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC3952CE shade: #BC3952CE, #AB273FCE, #9A152CCE, #890319CE and #780006CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC3952CE shade: #BB3A52 and #BB3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC3952CE shade: #BB3A52, #BB3A75, #BB3A98, #BB3ABB and #983ABB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC3952CE shade matches the following richer shades: #BB3A52, #CF2646 and #E3123A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC3952CE shade: #BB3A52, #A74D5F, #94616B, #807577 and #6C8983

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC3952CE shade: #BB3A99, #BB3A76, #BB3A53, #BB423A and #BB653A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC3952CE shade: #7C2637, #9C3044, #BB3A52, #CA546A and #D47386

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC3952CE shade: #BC3952, #BBBB3A and #3A87BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC3952CE shade: #BC3952, #53BB3A and #3A53BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC3952CE shade: #BC3952, #BBBB3A, #3ABBA1 and #3A3ABB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC3952CE shade: #BC3952, #94BB3A, #3ABBA1 and #603ABB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 46 / 21

HEX #BC3952CE

RGBA 188 57 82 0.81

HSLA 348.55, 0.53%, 0.48%, 0.81

LABA 44.56, 53.8, 15.77, 0.81

 

Complementary color

CMYK 54 / 0 / 10 / 18

HEX #43C6ADCE

RGBA 67 198 173 0.81

HSLA 168.55, 0.53%, 0.52%, 0.81

LABA 72.63, -41.38, 2.13, 0.81

 

CMYK 0 / 57 / 49 / 20

HEX #C1394DCE

RGBA 193 57 77 0.81

HSLA 351.18, 0.54%, 0.49%, 0.81

LABA 45.36, 55.01, 20.08, 0.81

 

CMYK 0 / 52 / 44 / 14

HEX #D24B60CE

RGBA 210 75 96 0.81

HSLA 350.67, 0.6%, 0.56%, 0.81

LABA 51.36, 54.6, 17.15, 0.81

 

CMYK 0 / 48 / 40 / 9

HEX #E35D73CE

RGBA 227 93 115 0.81

HSLA 350.15, 0.71%, 0.63%, 0.81

LABA 57.46, 53.91, 14.73, 0.81

 

CMYK 0 / 44 / 37 / 3

HEX #F46F86CE

RGBA 244 111 134 0.81

HSLA 349.62, 0.86%, 0.7%, 0.81

LABA 63.61, 53.07, 12.7, 0.81

 

CMYK 0 / 40 / 32 / 0

HEX #FF8199CE

RGBA 255 129 153 0.81

HSLA 348.57, 1%, 0.75%, 0.81

LABA 68.94, 50.13, 9.67, 0.81

 

CMYK 0 / 56 / 46 / 21

HEX #BC3952CE

RGBA 188 57 82 0.81

HSLA 348.55, 0.53%, 0.48%, 0.81

LABA 44.56, 53.8, 15.77, 0.81

 

CMYK 0 / 63 / 51 / 27

HEX #AB273FCE

RGBA 171 39 63 0.81

HSLA 349.09, 0.63%, 0.41%, 0.81

LABA 38.67, 53.69, 19.21, 0.81

 

CMYK 0 / 70 / 58 / 32

HEX #9A152CCE

RGBA 154 21 44 0.81

HSLA 349.62, 0.76%, 0.34%, 0.81

LABA 33.11, 52.69, 23.56, 0.81

 

CMYK 0 / 79 / 66 / 37

HEX #890319CE

RGBA 137 3 25 0.81

HSLA 350.15, 0.96%, 0.27%, 0.81

LABA 27.99, 50.49, 28.79, 0.81

 

CMYK 0 / 81 / 77 / 43

HEX #780006CE

RGBA 120 0 6 0.81

HSLA 357, 1%, 0.24%, 0.81

LABA 23.69, 46, 33.19, 0.81

 

CMYK 0 / 69 / 56 / 27

HEX #BB3A52

RGB 187 58 82

HSL 348.84, 0.53%, 0.48%

LAB 44.52, 53.1, 15.69

 

CMYK 0 / 69 / 69 / 27

HEX #BB3A3A

RGB 187 58 58

HSL 0, 0.53%, 0.48%

LAB 44.08, 51.55, 29.73

 

CMYK 0 / 69 / 56 / 27

HEX #BB3A52

RGB 187 58 82

HSL 348.84, 0.53%, 0.48%

LAB 44.52, 53.1, 15.69

 

CMYK 0 / 69 / 37 / 27

HEX #BB3A75

RGB 187 58 117

HSL 332.56, 0.53%, 0.48%

LAB 45.46, 56.36, -4.55

 

CMYK 0 / 69 / 19 / 27

HEX #BB3A98

RGB 187 58 152

HSL 316.28, 0.53%, 0.48%

LAB 46.79, 60.76, -23.75

 

CMYK 0 / 69 / 0 / 27

HEX #BB3ABB

RGB 187 58 187

HSL 300, 0.53%, 0.48%

LAB 48.48, 66.14, -41.77

 

CMYK 19 / 69 / 0 / 27

HEX #983ABB

RGB 152 58 187

HSL 283.72, 0.53%, 0.48%

LAB 43.2, 58.36, -50.52

 

CMYK 0 / 69 / 56 / 27

HEX #BB3A52

RGB 187 58 82

HSL 348.84, 0.53%, 0.48%

LAB 44.52, 53.1, 15.69

 

CMYK 0 / 82 / 66 / 19

HEX #CF2646

RGB 207 38 70

HSL 348.64, 0.69%, 0.48%

LAB 45.76, 64.61, 25.4

 

CMYK 0 / 92 / 74 / 11

HEX #E3123A

RGB 227 18 58

HSL 348.52, 0.85%, 0.48%

LAB 48.35, 72.85, 36.67

 

CMYK 0 / 69 / 56 / 27

HEX #BB3A52

RGB 187 58 82

HSL 348.84, 0.53%, 0.48%

LAB 44.52, 53.1, 15.69

 

CMYK 0 / 54 / 43 / 35

HEX #A74D5F

RGB 167 77 95

HSL 348, 0.37%, 0.48%

LAB 44.73, 38.84, 7.48

 

CMYK 0 / 34 / 28 / 42

HEX #94616B

RGB 148 97 107

HSL 348.24, 0.21%, 0.48%

LAB 46.85, 22.16, 2.89

 

CMYK 0 / 9 / 7 / 50

HEX #807577

RGB 128 117 119

HSL 349.09, 0.04%, 0.48%

LAB 50.27, 4.62, 0.43

 

CMYK 21 / 0 / 4 / 46

HEX #6C8983

RGB 108 137 131

HSL 167.59, 0.12%, 0.48%

LAB 54.78, -11.58, -0.18

 

CMYK 0 / 69 / 18 / 27

HEX #BB3A99

RGB 187 58 153

HSL 315.81, 0.53%, 0.48%

LAB 46.83, 60.9, -24.28

 

CMYK 0 / 69 / 37 / 27

HEX #BB3A76

RGB 187 58 118

HSL 332.09, 0.53%, 0.48%

LAB 45.5, 56.47, -5.11

 

CMYK 0 / 69 / 56 / 27

HEX #BB3A53

RGB 187 58 83

HSL 348.37, 0.53%, 0.48%

LAB 44.54, 53.17, 15.1

 

CMYK 0 / 65 / 69 / 27

HEX #BB423A

RGB 187 66 58

HSL 3.72, 0.53%, 0.48%

LAB 45.31, 48.22, 31.2

 

CMYK 0 / 46 / 69 / 27

HEX #BB653A

RGB 187 101 58

HSL 20, 0.53%, 0.48%

LAB 52.04, 30.94, 39.01

 

CMYK 0 / 69 / 56 / 51

HEX #7C2637

RGB 124 38 55

HSL 348.14, 0.53%, 0.32%

LAB 29.28, 38.45, 10.22

 

CMYK 0 / 69 / 56 / 39

HEX #9C3044

RGB 156 48 68

HSL 348.89, 0.53%, 0.4%

LAB 37.11, 46.05, 13.46

 

CMYK 0 / 69 / 56 / 27

HEX #BB3A52

RGB 187 58 82

HSL 348.84, 0.53%, 0.48%

LAB 44.52, 53.1, 15.69

 

CMYK 0 / 58 / 48 / 21

HEX #CA546A

RGB 202 84 106

HSL 348.81, 0.53%, 0.56%

LAB 51.77, 48.82, 11.53

 

CMYK 0 / 46 / 37 / 17

HEX #D47386

RGB 212 115 134

HSL 348.25, 0.53%, 0.64%

LAB 59.87, 39.97, 6.77

 

CMYK 0 / 70 / 56 / 26

HEX #BC3952

RGB 188 57 82

HSL 348.55, 0.53%, 0.48%

LAB 44.56, 53.8, 15.77

 

CMYK 0 / 0 / 69 / 27

HEX #BBBB3A

RGB 187 187 58

HSL 60, 0.53%, 0.48%

LAB 73.81, -15.49, 61.97

 

CMYK 69 / 28 / 0 / 27

HEX #3A87BB

RGB 58 135 187

HSL 204.19, 0.53%, 0.48%

LAB 53.83, -6.71, -34.11

 

CMYK 0 / 70 / 56 / 26

HEX #BC3952

RGB 188 57 82

HSL 348.55, 0.53%, 0.48%

LAB 44.56, 53.8, 15.77

 

CMYK 56 / 0 / 69 / 27

HEX #53BB3A

RGB 83 187 58

HSL 108.37, 0.53%, 0.48%

LAB 67.79, -53.69, 53.89

 

CMYK 69 / 56 / 0 / 27

HEX #3A53BB

RGB 58 83 187

HSL 228.37, 0.53%, 0.48%

LAB 39.03, 25.66, -57.71

 

CMYK 0 / 70 / 56 / 26

HEX #BC3952

RGB 188 57 82

HSL 348.55, 0.53%, 0.48%

LAB 44.56, 53.8, 15.77

 

CMYK 0 / 0 / 69 / 27

HEX #BBBB3A

RGB 187 187 58

HSL 60, 0.53%, 0.48%

LAB 73.81, -15.49, 61.97

 

CMYK 69 / 0 / 14 / 27

HEX #3ABBA1

RGB 58 187 161

HSL 167.91, 0.53%, 0.48%

LAB 68.76, -40.99, 3.04

 

CMYK 69 / 69 / 0 / 27

HEX #3A3ABB

RGB 58 58 187

HSL 240, 0.53%, 0.48%

LAB 32.95, 41.42, -67.63

 

CMYK 0 / 70 / 56 / 26

HEX #BC3952

RGB 188 57 82

HSL 348.55, 0.53%, 0.48%

LAB 44.56, 53.8, 15.77

 

CMYK 21 / 0 / 69 / 27

HEX #94BB3A

RGB 148 187 58

HSL 78.14, 0.53%, 0.48%

LAB 70.97, -31.63, 58.18

 

CMYK 69 / 0 / 14 / 27

HEX #3ABBA1

RGB 58 187 161

HSL 167.91, 0.53%, 0.48%

LAB 68.76, -40.99, 3.04

 

CMYK 49 / 69 / 0 / 27

HEX #603ABB

RGB 96 58 187

HSL 257.67, 0.53%, 0.48%

LAB 36.18, 47.13, -62.22

 

Description

Color code: HEX #BC3952CE | qconv.com Color code: HEX #BC3952CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 57 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 57 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 46 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 46% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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