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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC3669 it is the complementary color #43C996. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC3669. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC3669 shade: #C13664, #D24877, #E35A8A, #F46C9D and #FF7EB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC3669. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC3669 shade: #BC3669, #AB2456, #9A1243, #890030 and #78001D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC3669 shade: #BA3668, #BA3645 and #BA3636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC3669 shade: #BA3668, #BA368C, #BA36AF, #A136BA and #7D36BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC3669 shade matches the following richer shades: #BA3668, #CD2363 and #E10F5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC3669 shade: #BA3668, #A6496D, #935D71, #807076 and #6C837B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC3669 shade: #BA36AF, #BA368C, #BA3668, #BA3645 and #BA4A36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC3669 shade: #7A2344, #9A2D56, #BA3668, #CB4D7D and #D56D95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC3669 shade: #BC3669, #BAA236 and #369DBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC3669 shade: #BC3669, #68BA36 and #3668BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC3669 shade: #BC3669, #BAA236, #36BA87 and #364EBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC3669 shade: #BC3669, #AABA36, #36BA87 and #4536BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 44 / 26

HEX #BC3669

RGB 188 54 105

HSL 337.16, 0.55%, 0.47%

LAB 44.73, 56.91, 1.79

 

Complementary color

CMYK 67 / 0 / 25 / 21

HEX #43C996

RGB 67 201 150

HSL 157.16, 0.55%, 0.53%

LAB 73, -48.17, 15.08

 

CMYK 0 / 72 / 48 / 24

HEX #C13664

RGB 193 54 100

HSL 340.14, 0.56%, 0.48%

LAB 45.49, 57.9, 6.09

 

CMYK 0 / 66 / 43 / 18

HEX #D24877

RGB 210 72 119

HSL 339.57, 0.61%, 0.55%

LAB 51.46, 57.87, 3.48

 

CMYK 0 / 60 / 39 / 11

HEX #E35A8A

RGB 227 90 138

HSL 338.98, 0.71%, 0.62%

LAB 57.54, 57.48, 1.36

 

CMYK 0 / 56 / 36 / 4

HEX #F46C9D

RGB 244 108 157

HSL 338.38, 0.86%, 0.69%

LAB 63.67, 56.87, -0.4

 

CMYK 0 / 51 / 31 / 0

HEX #FF7EB0

RGB 255 126 176

HSL 336.74, 1%, 0.75%

LAB 68.98, 54.21, -3.21

 

CMYK 0 / 71 / 44 / 26

HEX #BC3669

RGB 188 54 105

HSL 337.16, 0.55%, 0.47%

LAB 44.73, 56.91, 1.79

 

CMYK 0 / 79 / 50 / 33

HEX #AB2456

RGB 171 36 86

HSL 337.78, 0.65%, 0.41%

LAB 38.88, 56.32, 4.87

 

CMYK 0 / 88 / 56 / 40

HEX #9A1243

RGB 154 18 67

HSL 338.38, 0.79%, 0.34%

LAB 33.37, 54.72, 8.88

 

CMYK 0 / 100 / 65 / 46

HEX #890030

RGB 137 0 48

HSL 338.98, 1%, 0.27%

LAB 28.2, 52.04, 13.9

 

CMYK 0 / 100 / 76 / 53

HEX #78001D

RGB 120 0 29

HSL 345.5, 1%, 0.24%

LAB 23.94, 46.67, 20.6

 

CMYK 0 / 71 / 44 / 27

HEX #BA3668

RGB 186 54 104

HSL 337.27, 0.55%, 0.47%

LAB 44.34, 56.23, 1.8

 

CMYK 0 / 71 / 63 / 27

HEX #BA3645

RGB 186 54 69

HSL 353.18, 0.55%, 0.47%

LAB 43.52, 53.42, 22.33

 

CMYK 0 / 71 / 71 / 27

HEX #BA3636

RGB 186 54 54

HSL 0, 0.55%, 0.47%

LAB 43.28, 52.58, 31.09

 

CMYK 0 / 71 / 44 / 27

HEX #BA3668

RGB 186 54 104

HSL 337.27, 0.55%, 0.47%

LAB 44.34, 56.23, 1.8

 

CMYK 0 / 71 / 25 / 27

HEX #BA368C

RGB 186 54 140

HSL 320.91, 0.55%, 0.47%

LAB 45.59, 60.34, -18.38

 

CMYK 0 / 71 / 6 / 27

HEX #BA36AF

RGB 186 54 175

HSL 305, 0.55%, 0.47%

LAB 47.2, 65.38, -36.78

 

CMYK 13 / 71 / 0 / 27

HEX #A136BA

RGB 161 54 186

HSL 288.64, 0.55%, 0.47%

LAB 43.89, 61.71, -48.75

 

CMYK 33 / 71 / 0 / 27

HEX #7D36BA

RGB 125 54 186

HSL 272.27, 0.55%, 0.47%

LAB 38.8, 54.28, -57.21

 

CMYK 0 / 71 / 44 / 27

HEX #BA3668

RGB 186 54 104

HSL 337.27, 0.55%, 0.47%

LAB 44.34, 56.23, 1.8

 

CMYK 0 / 83 / 52 / 20

HEX #CD2363

RGB 205 35 99

HSL 337.41, 0.71%, 0.47%

LAB 45.75, 66.66, 7.38

 

CMYK 0 / 93 / 58 / 12

HEX #E10F5F

RGB 225 15 95

HSL 337.14, 0.88%, 0.47%

LAB 48.48, 74.51, 14.26

 

CMYK 0 / 71 / 44 / 27

HEX #BA3668

RGB 186 54 104

HSL 337.27, 0.55%, 0.47%

LAB 44.34, 56.23, 1.8

 

CMYK 0 / 56 / 34 / 35

HEX #A6496D

RGB 166 73 109

HSL 336.77, 0.39%, 0.47%

LAB 44.2, 42.16, -1.89

 

CMYK 0 / 37 / 23 / 42

HEX #935D71

RGB 147 93 113

HSL 337.78, 0.23%, 0.47%

LAB 45.94, 25, -2.08

 

CMYK 0 / 13 / 8 / 50

HEX #807076

RGB 128 112 118

HSL 337.5, 0.07%, 0.47%

LAB 48.87, 7.36, -1.03

 

CMYK 18 / 0 / 6 / 49

HEX #6C837B

RGB 108 131 123

HSL 159.13, 0.1%, 0.47%

LAB 52.79, -10.02, 1.56

 

CMYK 0 / 71 / 6 / 27

HEX #BA36AF

RGB 186 54 175

HSL 305, 0.55%, 0.47%

LAB 47.2, 65.38, -36.78

 

CMYK 0 / 71 / 25 / 27

HEX #BA368C

RGB 186 54 140

HSL 320.91, 0.55%, 0.47%

LAB 45.59, 60.34, -18.38

 

CMYK 0 / 71 / 44 / 27

HEX #BA3668

RGB 186 54 104

HSL 337.27, 0.55%, 0.47%

LAB 44.34, 56.23, 1.8

 

CMYK 0 / 71 / 63 / 27

HEX #BA3645

RGB 186 54 69

HSL 353.18, 0.55%, 0.47%

LAB 43.52, 53.42, 22.33

 

CMYK 0 / 60 / 71 / 27

HEX #BA4A36

RGB 186 74 54

HSL 9.09, 0.55%, 0.47%

LAB 46.45, 44.04, 34.78

 

CMYK 0 / 71 / 44 / 52

HEX #7A2344

RGB 122 35 68

HSL 337.24, 0.55%, 0.31%

LAB 28.79, 40.36, 0.82

 

CMYK 0 / 71 / 44 / 40

HEX #9A2D56

RGB 154 45 86

HSL 337.43, 0.55%, 0.39%

LAB 36.78, 48.27, 1.42

 

CMYK 0 / 71 / 44 / 27

HEX #BA3668

RGB 186 54 104

HSL 337.27, 0.55%, 0.47%

LAB 44.34, 56.23, 1.8

 

CMYK 0 / 62 / 38 / 20

HEX #CB4D7D

RGB 203 77 125

HSL 337.14, 0.55%, 0.55%

LAB 51.25, 54.25, -0.57

 

CMYK 0 / 49 / 30 / 16

HEX #D56D95

RGB 213 109 149

HSL 336.92, 0.55%, 0.63%

LAB 59.21, 45.25, -2.85

 

CMYK 0 / 71 / 44 / 26

HEX #BC3669

RGB 188 54 105

HSL 337.16, 0.55%, 0.47%

LAB 44.73, 56.91, 1.79

 

CMYK 0 / 13 / 71 / 27

HEX #BAA236

RGB 186 162 54

HSL 49.09, 0.55%, 0.47%

LAB 66.94, -3.11, 56.65

 

CMYK 71 / 16 / 0 / 27

HEX #369DBA

RGB 54 157 186

HSL 193.18, 0.55%, 0.47%

LAB 60.29, -19.79, -23.55

 

CMYK 0 / 71 / 44 / 26

HEX #BC3669

RGB 188 54 105

HSL 337.16, 0.55%, 0.47%

LAB 44.73, 56.91, 1.79

 

CMYK 44 / 0 / 71 / 27

HEX #68BA36

RGB 104 186 54

HSL 97.27, 0.55%, 0.47%

LAB 68.26, -47.46, 56.18

 

CMYK 71 / 44 / 0 / 27

HEX #3668BA

RGB 54 104 186

HSL 217.27, 0.55%, 0.47%

LAB 44.56, 11.16, -48.21

 

CMYK 0 / 71 / 44 / 26

HEX #BC3669

RGB 188 54 105

HSL 337.16, 0.55%, 0.47%

LAB 44.73, 56.91, 1.79

 

CMYK 0 / 13 / 71 / 27

HEX #BAA236

RGB 186 162 54

HSL 49.09, 0.55%, 0.47%

LAB 66.94, -3.11, 56.65

 

CMYK 71 / 0 / 27 / 27

HEX #36BA87

RGB 54 186 135

HSL 156.82, 0.55%, 0.47%

LAB 67.76, -47.43, 15.81

 

CMYK 71 / 58 / 0 / 27

HEX #364EBA

RGB 54 78 186

HSL 229.09, 0.55%, 0.47%

LAB 37.44, 27.98, -59.7

 

CMYK 0 / 71 / 44 / 26

HEX #BC3669

RGB 188 54 105

HSL 337.16, 0.55%, 0.47%

LAB 44.73, 56.91, 1.79

 

CMYK 9 / 0 / 71 / 27

HEX #AABA36

RGB 170 186 54

HSL 67.27, 0.55%, 0.47%

LAB 72.18, -22.39, 61.4

 

CMYK 71 / 0 / 27 / 27

HEX #36BA87

RGB 54 186 135

HSL 156.82, 0.55%, 0.47%

LAB 67.76, -47.43, 15.81

 

CMYK 63 / 71 / 0 / 27

HEX #4536BA

RGB 69 54 186

HSL 246.82, 0.55%, 0.47%

LAB 32.81, 44.81, -67.24

 

Description

Color code: HEX #BC3669 | qconv.com Color code: HEX #BC3669 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 54 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 54 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 44 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 44% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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