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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC2FD3 it is the complementary color #43D02C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC2FD3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC2FD3 shade: #C12FCE, #D241E1, #E353F4, #F465FF and #FF77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC2FD3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC2FD3 shade: #BC2FD3, #AB1DC0, #9A0BAD, #89009A and #780087

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC2FD3 shade: #BC31D3, #D331BE, #D33192, #D33167 and #D3313B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC2FD3 shade: #BC31D3, #9131D3, #6531D3, #3931D3 and #3131D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC2FD3 shade matches the following richer shades: #BC31D3, #CB1DE7 and #DA08FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC2FD3 shade: #BC31D3, #AE45BF, #9F59AB, #916D97 and #828282

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC2FD3 shade: #6431D3, #9031D3, #BB31D3, #D331C0 and #D33195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC2FD3 shade: #821F93, #A126B5, #BC31D3, #C753DA and #D275E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC2FD3 shade: #BC2FD3, #D33931 and #31D37A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC2FD3 shade: #BC2FD3, #D3BB31 and #31D3BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC2FD3 shade: #BC2FD3, #D33931, #49D331 and #31CBD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC2FD3 shade: #BC2FD3, #D36A31, #49D331 and #319AD3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 78 / 0 / 17

HEX #BC2FD3

RGB 188 47 211

HSL 291.59, 0.65%, 0.51%

LAB 48.79, 73.95, -55.14

 

Complementary color

CMYK 68 / 0 / 79 / 18

HEX #43D02C

RGB 67 208 44

HSL 111.59, 0.65%, 0.49%

LAB 73.86, -65.59, 64.63

 

CMYK 6 / 77 / 0 / 19

HEX #C12FCE

RGB 193 47 206

HSL 295.09, 0.63%, 0.5%

LAB 49.29, 74.05, -51.44

 

CMYK 7 / 71 / 0 / 12

HEX #D241E1

RGB 210 65 225

HSL 294.38, 0.73%, 0.57%

LAB 54.99, 75.03, -53

 

CMYK 7 / 66 / 0 / 4

HEX #E353F4

RGB 227 83 244

HSL 293.66, 0.88%, 0.64%

LAB 60.82, 75.43, -54.19

 

CMYK 4 / 60 / 0 / 0

HEX #F465FF

RGB 244 101 255

HSL 295.71, 1%, 0.7%

LAB 66.34, 74.05, -51.37

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 11 / 78 / 0 / 17

HEX #BC2FD3

RGB 188 47 211

HSL 291.59, 0.65%, 0.51%

LAB 48.79, 73.95, -55.14

 

CMYK 11 / 85 / 0 / 25

HEX #AB1DC0

RGB 171 29 192

HSL 292.27, 0.74%, 0.43%

LAB 43.27, 72.17, -53.16

 

CMYK 11 / 94 / 0 / 32

HEX #9A0BAD

RGB 154 11 173

HSL 292.96, 0.88%, 0.36%

LAB 38.07, 69.16, -50.47

 

CMYK 11 / 100 / 0 / 40

HEX #89009A

RGB 137 0 154

HSL 293.38, 1%, 0.3%

LAB 33.25, 64.66, -46.94

 

CMYK 11 / 100 / 0 / 47

HEX #780087

RGB 120 0 135

HSL 293.33, 1%, 0.26%

LAB 28.75, 58.76, -42.62

 

CMYK 11 / 77 / 0 / 17

HEX #BC31D3

RGB 188 49 211

HSL 291.48, 0.65%, 0.51%

LAB 49, 73.37, -54.82

 

CMYK 0 / 77 / 10 / 17

HEX #D331BE

RGB 211 49 190

HSL 307.78, 0.65%, 0.51%

LAB 51.57, 74.68, -38.38

 

CMYK 0 / 77 / 31 / 17

HEX #D33192

RGB 211 49 146

HSL 324.07, 0.65%, 0.51%

LAB 49.64, 69.01, -15.42

 

CMYK 0 / 77 / 51 / 17

HEX #D33167

RGB 211 49 103

HSL 340, 0.65%, 0.51%

LAB 48.29, 64.86, 8.68

 

CMYK 0 / 77 / 72 / 17

HEX #D3313B

RGB 211 49 59

HSL 356.3, 0.65%, 0.51%

LAB 47.44, 62.17, 34.22

 

CMYK 11 / 77 / 0 / 17

HEX #BC31D3

RGB 188 49 211

HSL 291.48, 0.65%, 0.51%

LAB 49, 73.37, -54.82

 

CMYK 31 / 77 / 0 / 17

HEX #9131D3

RGB 145 49 211

HSL 275.56, 0.65%, 0.51%

LAB 42.64, 65.59, -65.4

 

CMYK 52 / 77 / 0 / 17

HEX #6531D3

RGB 101 49 211

HSL 259.26, 0.65%, 0.51%

LAB 37.24, 58.84, -74.46

 

CMYK 73 / 77 / 0 / 17

HEX #3931D3

RGB 57 49 211

HSL 242.96, 0.65%, 0.51%

LAB 33.5, 54.08, -80.75

 

CMYK 77 / 77 / 0 / 17

HEX #3131D3

RGB 49 49 211

HSL 240, 0.65%, 0.51%

LAB 33.03, 53.48, -81.53

 

CMYK 11 / 77 / 0 / 17

HEX #BC31D3

RGB 188 49 211

HSL 291.48, 0.65%, 0.51%

LAB 49, 73.37, -54.82

 

CMYK 12 / 87 / 0 / 9

HEX #CB1DE7

RGB 203 29 231

HSL 291.68, 0.81%, 0.51%

LAB 51.09, 83.93, -62.71

 

CMYK 13 / 97 / 0 / 1

HEX #DA08FC

RGB 218 8 252

HSL 291.64, 0.98%, 0.51%

LAB 54.14, 91.85, -69.44

 

CMYK 11 / 77 / 0 / 17

HEX #BC31D3

RGB 188 49 211

HSL 291.48, 0.65%, 0.51%

LAB 49, 73.37, -54.82

 

CMYK 9 / 64 / 0 / 25

HEX #AE45BF

RGB 174 69 191

HSL 291.64, 0.49%, 0.51%

LAB 48.28, 59.49, -44.54

 

CMYK 7 / 48 / 0 / 33

HEX #9F59AB

RGB 159 89 171

HSL 291.22, 0.33%, 0.51%

LAB 48.83, 41.86, -32.14

 

CMYK 4 / 28 / 0 / 41

HEX #916D97

RGB 145 109 151

HSL 291.43, 0.17%, 0.51%

LAB 50.91, 21.95, -17.31

 

CMYK 0 / 0 / 0 / 49

HEX #828282

RGB 130 130 130

HSL 0, 0%, 0.51%

LAB 54.37, 0, -0.01

 

CMYK 53 / 77 / 0 / 17

HEX #6431D3

RGB 100 49 211

HSL 258.89, 0.65%, 0.51%

LAB 37.13, 58.71, -74.63

 

CMYK 32 / 77 / 0 / 17

HEX #9031D3

RGB 144 49 211

HSL 275.19, 0.65%, 0.51%

LAB 42.5, 65.42, -65.63

 

CMYK 11 / 77 / 0 / 17

HEX #BB31D3

RGB 187 49 211

HSL 291.11, 0.65%, 0.51%

LAB 48.84, 73.18, -55.08

 

CMYK 0 / 77 / 9 / 17

HEX #D331C0

RGB 211 49 192

HSL 307.04, 0.65%, 0.51%

LAB 51.67, 74.97, -39.39

 

CMYK 0 / 77 / 29 / 17

HEX #D33195

RGB 211 49 149

HSL 322.96, 0.65%, 0.51%

LAB 49.76, 69.36, -17.04

 

CMYK 12 / 79 / 0 / 42

HEX #821F93

RGB 130 31 147

HSL 291.21, 0.65%, 0.35%

LAB 33.63, 56.05, -42.1

 

CMYK 11 / 79 / 0 / 29

HEX #A126B5

RGB 161 38 181

HSL 291.61, 0.65%, 0.43%

LAB 41.69, 66.19, -49.34

 

CMYK 11 / 77 / 0 / 17

HEX #BC31D3

RGB 188 49 211

HSL 291.48, 0.65%, 0.51%

LAB 49, 73.37, -54.82

 

CMYK 9 / 62 / 0 / 15

HEX #C753DA

RGB 199 83 218

HSL 291.56, 0.65%, 0.59%

LAB 55.47, 64.43, -48.37

 

CMYK 7 / 48 / 0 / 11

HEX #D275E2

RGB 210 117 226

HSL 291.19, 0.65%, 0.67%

LAB 63.27, 52.76, -40.46

 

CMYK 11 / 78 / 0 / 17

HEX #BC2FD3

RGB 188 47 211

HSL 291.59, 0.65%, 0.51%

LAB 48.79, 73.95, -55.14

 

CMYK 0 / 73 / 77 / 17

HEX #D33931

RGB 211 57 49

HSL 2.96, 0.65%, 0.51%

LAB 48.26, 59.18, 40.81

 

CMYK 77 / 0 / 42 / 17

HEX #31D37A

RGB 49 211 122

HSL 147.04, 0.65%, 0.51%

LAB 75.23, -60.25, 32.7

 

CMYK 11 / 78 / 0 / 17

HEX #BC2FD3

RGB 188 47 211

HSL 291.59, 0.65%, 0.51%

LAB 48.79, 73.95, -55.14

 

CMYK 0 / 11 / 77 / 17

HEX #D3BB31

RGB 211 187 49

HSL 51.11, 0.65%, 0.51%

LAB 75.83, -5.58, 67.79

 

CMYK 77 / 0 / 11 / 17

HEX #31D3BB

RGB 49 211 187

HSL 171.11, 0.65%, 0.51%

LAB 76.58, -45.74, 0.28

 

CMYK 11 / 78 / 0 / 17

HEX #BC2FD3

RGB 188 47 211

HSL 291.59, 0.65%, 0.51%

LAB 48.79, 73.95, -55.14

 

CMYK 0 / 73 / 77 / 17

HEX #D33931

RGB 211 57 49

HSL 2.96, 0.65%, 0.51%

LAB 48.26, 59.18, 40.81

 

CMYK 65 / 0 / 77 / 17

HEX #49D331

RGB 73 211 49

HSL 111.11, 0.65%, 0.51%

LAB 74.97, -65.06, 64.22

 

CMYK 77 / 4 / 0 / 17

HEX #31CBD3

RGB 49 203 211

HSL 182.96, 0.65%, 0.51%

LAB 74.87, -35.42, -15.2

 

CMYK 11 / 78 / 0 / 17

HEX #BC2FD3

RGB 188 47 211

HSL 291.59, 0.65%, 0.51%

LAB 48.79, 73.95, -55.14

 

CMYK 0 / 50 / 77 / 17

HEX #D36A31

RGB 211 106 49

HSL 21.11, 0.65%, 0.51%

LAB 56.46, 37.55, 49.28

 

CMYK 65 / 0 / 77 / 17

HEX #49D331

RGB 73 211 49

HSL 111.11, 0.65%, 0.51%

LAB 74.97, -65.06, 64.22

 

CMYK 77 / 27 / 0 / 17

HEX #319AD3

RGB 49 154 211

HSL 201.11, 0.65%, 0.51%

LAB 60.31, -10.36, -37.55

 

Description

Color code: HEX #BC2FD3 | qconv.com Color code: HEX #BC2FD3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 47 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 47 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 78 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 78% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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