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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC2EEE it is the complementary color #43D111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC2EEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC2EEE shade: #C12EE9, #D240FC, #E352FF, #F464FF and #FF76FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC2EEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC2EEE shade: #BC2EEE, #AB1CDB, #9A0AC8, #8900B5 and #7800A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC2EEE shade: #BD2FEE, #EE2FEC, #EE2FB9, #EE2F86 and #EE2F52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC2EEE shade: #BD2FEE, #892FEE, #562FEE and #2F2FEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC2EEE shade matches the following richer shades: #BD2FEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC2EEE shade: #BD2FEE, #B442DC, #AB54CA, #A266B8 and #9A78A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC2EEE shade: #562FEE, #882FEE, #BB2FEE, #EE2FEE and #EE2FBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC2EEE shade: #8F0FBC, #AC12E2, #BD2FEE, #C956F1 and #D57CF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC2EEE shade: #BC2EEE, #EE2F3C and #2FEE6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC2EEE shade: #BC2EEE, #EEBB2F and #2FEEBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC2EEE shade: #BC2EEE, #EE2F3C, #62EE2F and #2FEEE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC2EEE shade: #BC2EEE, #EE5C2F, #62EE2F and #2FC2EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 81 / 0 / 7

HEX #BC2EEE

RGB 188 46 238

HSL 284.38, 0.85%, 0.56%

LAB 50.47, 79.04, -67.77

 

Complementary color

CMYK 68 / 0 / 92 / 18

HEX #43D111

RGB 67 209 17

HSL 104.38, 0.85%, 0.44%

LAB 74.08, -67.01, 70.72

 

CMYK 17 / 80 / 0 / 9

HEX #C12EE9

RGB 193 46 233

HSL 287.17, 0.81%, 0.55%

LAB 50.89, 78.97, -64.24

 

CMYK 17 / 75 / 0 / 1

HEX #D240FC

RGB 210 64 252

HSL 286.6, 0.97%, 0.62%

LAB 56.48, 80.09, -65.72

 

CMYK 11 / 68 / 0 / 0

HEX #E352FF

RGB 227 82 255

HSL 290.29, 1%, 0.66%

LAB 61.29, 77.72, -59.53

 

CMYK 4 / 61 / 0 / 0

HEX #F464FF

RGB 244 100 255

HSL 295.74, 1%, 0.7%

LAB 66.19, 74.46, -51.6

 

CMYK 0 / 54 / 0 / 0

HEX #FF76FF

RGB 255 118 255

HSL 300, 1%, 0.73%

LAB 70.48, 69.48, -44.74

 

CMYK 21 / 81 / 0 / 7

HEX #BC2EEE

RGB 188 46 238

HSL 284.38, 0.85%, 0.56%

LAB 50.47, 79.04, -67.77

 

CMYK 22 / 87 / 0 / 14

HEX #AB1CDB

RGB 171 28 219

HSL 284.92, 0.77%, 0.48%

LAB 45.09, 77.12, -65.85

 

CMYK 23 / 95 / 0 / 22

HEX #9A0AC8

RGB 154 10 200

HSL 285.47, 0.9%, 0.41%

LAB 40.01, 73.99, -63.25

 

CMYK 24 / 100 / 0 / 29

HEX #8900B5

RGB 137 0 181

HSL 285.41, 1%, 0.35%

LAB 35.31, 69.42, -59.85

 

CMYK 26 / 100 / 0 / 36

HEX #7800A2

RGB 120 0 162

HSL 284.44, 1%, 0.32%

LAB 30.88, 63.65, -55.79

 

CMYK 21 / 80 / 0 / 7

HEX #BD2FEE

RGB 189 47 238

HSL 284.61, 0.85%, 0.56%

LAB 50.72, 78.94, -67.37

 

CMYK 0 / 80 / 1 / 7

HEX #EE2FEC

RGB 238 47 236

HSL 300.63, 0.85%, 0.56%

LAB 58.29, 87.19, -53.67

 

CMYK 0 / 80 / 22 / 7

HEX #EE2FB9

RGB 238 47 185

HSL 316.65, 0.85%, 0.56%

LAB 55.8, 80.31, -28.53

 

CMYK 0 / 80 / 44 / 7

HEX #EE2F86

RGB 238 47 134

HSL 332.67, 0.85%, 0.56%

LAB 53.95, 74.97, -1.28

 

CMYK 0 / 80 / 66 / 7

HEX #EE2F52

RGB 238 47 82

HSL 349.01, 0.85%, 0.56%

LAB 52.75, 71.35, 28.27

 

CMYK 21 / 80 / 0 / 7

HEX #BD2FEE

RGB 189 47 238

HSL 284.61, 0.85%, 0.56%

LAB 50.72, 78.94, -67.37

 

CMYK 42 / 80 / 0 / 7

HEX #892FEE

RGB 137 47 238

HSL 268.27, 0.85%, 0.56%

LAB 43.54, 71.08, -79.37

 

CMYK 64 / 80 / 0 / 7

HEX #562FEE

RGB 86 47 238

HSL 252.25, 0.85%, 0.56%

LAB 38.17, 65.31, -88.4

 

CMYK 80 / 80 / 0 / 7

HEX #2F2FEE

RGB 47 47 238

HSL 240, 0.85%, 0.56%

LAB 35.62, 62.62, -92.72

 

CMYK 21 / 80 / 0 / 7

HEX #BD2FEE

RGB 189 47 238

HSL 284.61, 0.85%, 0.56%

LAB 50.72, 78.94, -67.37

 

CMYK 21 / 80 / 0 / 7

HEX #BD2FEE

RGB 189 47 238

HSL 284.61, 0.85%, 0.56%

LAB 50.72, 78.94, -67.37

 

CMYK 18 / 70 / 0 / 14

HEX #B442DC

RGB 180 66 220

HSL 284.42, 0.69%, 0.56%

LAB 50.41, 67.58, -57.74

 

CMYK 15 / 58 / 0 / 21

HEX #AB54CA

RGB 171 84 202

HSL 284.24, 0.53%, 0.56%

LAB 50.99, 54.02, -46.6

 

CMYK 12 / 45 / 0 / 28

HEX #A266B8

RGB 162 102 184

HSL 283.9, 0.37%, 0.56%

LAB 52.56, 38.38, -33.84

 

CMYK 7 / 28 / 0 / 35

HEX #9A78A6

RGB 154 120 166

HSL 284.35, 0.21%, 0.56%

LAB 55.13, 21.79, -19.53

 

CMYK 64 / 80 / 0 / 7

HEX #562FEE

RGB 86 47 238

HSL 252.25, 0.85%, 0.56%

LAB 38.17, 65.31, -88.4

 

CMYK 43 / 80 / 0 / 7

HEX #882FEE

RGB 136 47 238

HSL 267.96, 0.85%, 0.56%

LAB 43.42, 70.94, -79.58

 

CMYK 21 / 80 / 0 / 7

HEX #BB2FEE

RGB 187 47 238

HSL 283.98, 0.85%, 0.56%

LAB 50.42, 78.61, -67.87

 

CMYK 0 / 80 / 0 / 7

HEX #EE2FEE

RGB 238 47 238

HSL 300, 0.85%, 0.56%

LAB 58.4, 87.49, -54.61

 

CMYK 0 / 80 / 21 / 7

HEX #EE2FBB

RGB 238 47 187

HSL 316.02, 0.85%, 0.56%

LAB 55.89, 80.56, -29.56

 

CMYK 24 / 92 / 0 / 26

HEX #8F0FBC

RGB 143 15 188

HSL 284.39, 0.85%, 0.4%

LAB 37.5, 69.6, -60.38

 

CMYK 24 / 92 / 0 / 11

HEX #AC12E2

RGB 172 18 226

HSL 284.42, 0.85%, 0.48%

LAB 45.21, 80.17, -69.63

 

CMYK 21 / 80 / 0 / 7

HEX #BD2FEE

RGB 189 47 238

HSL 284.61, 0.85%, 0.56%

LAB 50.72, 78.94, -67.37

 

CMYK 17 / 64 / 0 / 5

HEX #C956F1

RGB 201 86 241

HSL 284.52, 0.85%, 0.64%

LAB 57.49, 67.95, -58.06

 

CMYK 13 / 49 / 0 / 4

HEX #D57CF4

RGB 213 124 244

HSL 284.5, 0.85%, 0.72%

LAB 65.82, 53.56, -46.4

 

CMYK 21 / 81 / 0 / 7

HEX #BC2EEE

RGB 188 46 238

HSL 284.38, 0.85%, 0.56%

LAB 50.47, 79.04, -67.77

 

CMYK 0 / 80 / 75 / 7

HEX #EE2F3C

RGB 238 47 60

HSL 355.92, 0.85%, 0.56%

LAB 52.44, 70.39, 40.71

 

CMYK 80 / 0 / 53 / 7

HEX #2FEE6F

RGB 47 238 111

HSL 140.1, 0.85%, 0.56%

LAB 83.39, -71.34, 48.32

 

CMYK 21 / 81 / 0 / 7

HEX #BC2EEE

RGB 188 46 238

HSL 284.38, 0.85%, 0.56%

LAB 50.47, 79.04, -67.77

 

CMYK 0 / 21 / 80 / 7

HEX #EEBB2F

RGB 238 187 47

HSL 43.98, 0.85%, 0.56%

LAB 78.42, 5.98, 71.73

 

CMYK 80 / 0 / 21 / 7

HEX #2FEEBB

RGB 47 238 187

HSL 163.98, 0.85%, 0.56%

LAB 84.66, -56.96, 11.91

 

CMYK 21 / 81 / 0 / 7

HEX #BC2EEE

RGB 188 46 238

HSL 284.38, 0.85%, 0.56%

LAB 50.47, 79.04, -67.77

 

CMYK 0 / 80 / 75 / 7

HEX #EE2F3C

RGB 238 47 60

HSL 355.92, 0.85%, 0.56%

LAB 52.44, 70.39, 40.71

 

CMYK 59 / 0 / 80 / 7

HEX #62EE2F

RGB 98 238 47

HSL 103.98, 0.85%, 0.56%

LAB 83.94, -68.6, 73.5

 

CMYK 80 / 0 / 5 / 7

HEX #2FEEE1

RGB 47 238 225

HSL 175.92, 0.85%, 0.56%

LAB 85.6, -47.26, -6.65

 

CMYK 21 / 81 / 0 / 7

HEX #BC2EEE

RGB 188 46 238

HSL 284.38, 0.85%, 0.56%

LAB 50.47, 79.04, -67.77

 

CMYK 0 / 61 / 80 / 7

HEX #EE5C2F

RGB 238 92 47

HSL 14.14, 0.85%, 0.56%

LAB 58.07, 54.17, 53.21

 

CMYK 59 / 0 / 80 / 7

HEX #62EE2F

RGB 98 238 47

HSL 103.98, 0.85%, 0.56%

LAB 83.94, -68.6, 73.5

 

CMYK 80 / 18 / 0 / 7

HEX #2FC2EE

RGB 47 194 238

HSL 193.82, 0.85%, 0.56%

LAB 73.13, -22.76, -32.45

 

Description

Color code: HEX #BC2EEE | qconv.com Color code: HEX #BC2EEE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 46 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 46 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 81 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 81% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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