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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC2BAE it is the complementary color #43D451. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC2BAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC2BAE shade: #C12BA9, #D23DBC, #E34FCF, #F461E2 and #FF73F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC2BAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC2BAE shade: #BC2BAE, #AB199B, #9A0788, #890075 and #780062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC2BAE shade: #BB2AAD, #BB2A86, #BB2A5F, #BB2A38 and #BB2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC2BAE shade: #BB2AAD, #A22ABB, #7B2ABB, #542ABB and #2D2ABB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC2BAE shade matches the following richer shades: #BB2AAD, #CE18BC and #E005CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC2BAE shade: #BB2AAD, #A83D9E, #96508F, #836280 and #717571

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC2BAE shade: #7A2ABB, #A12ABB, #BB2AAF, #BB2A88 and #BB2A62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC2BAE shade: #781B6F, #99238E, #BB2AAD, #D33CC4 and #DA5ECE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC2BAE shade: #BC2BAE, #BB532A and #2ABB8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC2BAE shade: #BC2BAE, #AFBB2A and #2AAFBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC2BAE shade: #BC2BAE, #BB532A, #2ABB37 and #2A92BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC2BAE shade: #BC2BAE, #BB7F2A, #2ABB37 and #2A67BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 7 / 26

HEX #BC2BAE

RGB 188 43 174

HSL 305.79, 0.63%, 0.45%

LAB 46.28, 69.1, -37.62

 

Complementary color

CMYK 68 / 0 / 62 / 17

HEX #43D451

RGB 67 212 81

HSL 125.79, 0.63%, 0.55%

LAB 75.37, -63.78, 52.49

 

CMYK 0 / 78 / 12 / 24

HEX #C12BA9

RGB 193 43 169

HSL 309.6, 0.64%, 0.46%

LAB 46.88, 69.46, -33.65

 

CMYK 0 / 71 / 10 / 18

HEX #D23DBC

RGB 210 61 188

HSL 308.86, 0.62%, 0.53%

LAB 52.59, 70.51, -35.63

 

CMYK 0 / 65 / 9 / 11

HEX #E34FCF

RGB 227 79 207

HSL 308.11, 0.73%, 0.6%

LAB 58.44, 70.95, -37.18

 

CMYK 0 / 60 / 7 / 4

HEX #F461E2

RGB 244 97 226

HSL 307.35, 0.87%, 0.67%

LAB 64.38, 70.97, -38.4

 

CMYK 0 / 55 / 4 / 0

HEX #FF73F5

RGB 255 115 245

HSL 304.29, 1%, 0.73%

LAB 69.55, 69.15, -40.73

 

CMYK 0 / 77 / 7 / 26

HEX #BC2BAE

RGB 188 43 174

HSL 305.79, 0.63%, 0.45%

LAB 46.28, 69.1, -37.62

 

CMYK 0 / 85 / 9 / 33

HEX #AB199B

RGB 171 25 155

HSL 306.58, 0.74%, 0.38%

LAB 40.77, 67.16, -35.18

 

CMYK 0 / 95 / 12 / 40

HEX #9A0788

RGB 154 7 136

HSL 307.35, 0.91%, 0.32%

LAB 35.6, 63.92, -31.94

 

CMYK 0 / 100 / 15 / 46

HEX #890075

RGB 137 0 117

HSL 308.76, 1%, 0.27%

LAB 30.88, 58.96, -27.68

 

CMYK 0 / 100 / 18 / 53

HEX #780062

RGB 120 0 98

HSL 311, 1%, 0.24%

LAB 26.38, 53, -22.75

 

CMYK 0 / 78 / 7 / 27

HEX #BB2AAD

RGB 187 42 173

HSL 305.79, 0.63%, 0.45%

LAB 45.96, 69.02, -37.55

 

CMYK 0 / 78 / 28 / 27

HEX #BB2A86

RGB 187 42 134

HSL 321.93, 0.63%, 0.45%

LAB 44.15, 63.74, -16.93

 

CMYK 0 / 78 / 49 / 27

HEX #BB2A5F

RGB 187 42 95

HSL 338.07, 0.63%, 0.45%

LAB 42.83, 59.72, 5.25

 

CMYK 0 / 78 / 70 / 27

HEX #BB2A38

RGB 187 42 56

HSL 354.21, 0.63%, 0.45%

LAB 42.01, 57.12, 28.43

 

CMYK 0 / 78 / 78 / 27

HEX #BB2A2A

RGB 187 42 42

HSL 0, 0.63%, 0.45%

LAB 41.83, 56.53, 36.5

 

CMYK 0 / 78 / 7 / 27

HEX #BB2AAD

RGB 187 42 173

HSL 305.79, 0.63%, 0.45%

LAB 45.96, 69.02, -37.55

 

CMYK 13 / 78 / 0 / 27

HEX #A22ABB

RGB 162 42 187

HSL 289.66, 0.63%, 0.45%

LAB 42.65, 66.26, -51.31

 

CMYK 34 / 78 / 0 / 27

HEX #7B2ABB

RGB 123 42 187

HSL 273.52, 0.63%, 0.45%

LAB 36.85, 59.17, -60.99

 

CMYK 55 / 78 / 0 / 27

HEX #542ABB

RGB 84 42 187

HSL 257.38, 0.63%, 0.45%

LAB 32.1, 53.26, -68.95

 

CMYK 76 / 78 / 0 / 27

HEX #2D2ABB

RGB 45 42 187

HSL 241.24, 0.63%, 0.45%

LAB 28.91, 49.21, -74.32

 

CMYK 0 / 78 / 7 / 27

HEX #BB2AAD

RGB 187 42 173

HSL 305.79, 0.63%, 0.45%

LAB 45.96, 69.02, -37.55

 

CMYK 0 / 88 / 9 / 19

HEX #CE18BC

RGB 206 24 188

HSL 305.93, 0.79%, 0.45%

LAB 48.77, 78.72, -41.7

 

CMYK 0 / 98 / 9 / 12

HEX #E005CB

RGB 224 5 203

HSL 305.75, 0.96%, 0.45%

LAB 52.14, 85.85, -44.85

 

CMYK 0 / 78 / 7 / 27

HEX #BB2AAD

RGB 187 42 173

HSL 305.79, 0.63%, 0.45%

LAB 45.96, 69.02, -37.55

 

CMYK 0 / 64 / 6 / 34

HEX #A83D9E

RGB 168 61 158

HSL 305.61, 0.47%, 0.45%

LAB 44.42, 55.55, -31.26

 

CMYK 0 / 47 / 5 / 41

HEX #96508F

RGB 150 80 143

HSL 306, 0.3%, 0.45%

LAB 44.52, 38.5, -22.3

 

CMYK 0 / 25 / 2 / 49

HEX #836280

RGB 131 98 128

HSL 305.45, 0.14%, 0.45%

LAB 45.8, 18.75, -11.54

 

CMYK 3 / 0 / 3 / 54

HEX #717571

RGB 113 117 113

HSL 120, 0.02%, 0.45%

LAB 48.79, -2.33, 1.67

 

CMYK 35 / 78 / 0 / 27

HEX #7A2ABB

RGB 122 42 187

HSL 273.1, 0.63%, 0.45%

LAB 36.71, 59, -61.22

 

CMYK 14 / 78 / 0 / 27

HEX #A12ABB

RGB 161 42 187

HSL 289.24, 0.63%, 0.45%

LAB 42.49, 66.07, -51.57

 

CMYK 0 / 78 / 6 / 27

HEX #BB2AAF

RGB 187 42 175

HSL 304.97, 0.63%, 0.45%

LAB 46.06, 69.32, -38.56

 

CMYK 0 / 78 / 27 / 27

HEX #BB2A88

RGB 187 42 136

HSL 321.1, 0.63%, 0.45%

LAB 44.23, 63.98, -18.03

 

CMYK 0 / 78 / 48 / 27

HEX #BB2A62

RGB 187 42 98

HSL 336.83, 0.63%, 0.45%

LAB 42.92, 59.98, 3.49

 

CMYK 0 / 78 / 8 / 53

HEX #781B6F

RGB 120 27 111

HSL 305.81, 0.63%, 0.29%

LAB 29.22, 48.79, -26.69

 

CMYK 0 / 77 / 7 / 40

HEX #99238E

RGB 153 35 142

HSL 305.59, 0.63%, 0.37%

LAB 37.71, 58.88, -32.3

 

CMYK 0 / 78 / 7 / 27

HEX #BB2AAD

RGB 187 42 173

HSL 305.79, 0.63%, 0.45%

LAB 45.96, 69.02, -37.55

 

CMYK 0 / 72 / 7 / 17

HEX #D33CC4

RGB 211 60 196

HSL 305.96, 0.63%, 0.53%

LAB 53.02, 72.26, -39.56

 

CMYK 0 / 57 / 6 / 15

HEX #DA5ECE

RGB 218 94 206

HSL 305.81, 0.63%, 0.61%

LAB 59.31, 62.33, -35.34

 

CMYK 0 / 77 / 7 / 26

HEX #BC2BAE

RGB 188 43 174

HSL 305.79, 0.63%, 0.45%

LAB 46.28, 69.1, -37.62

 

CMYK 0 / 56 / 78 / 27

HEX #BB532A

RGB 187 83 42

HSL 16.97, 0.63%, 0.45%

LAB 48.16, 39.51, 43.09

 

CMYK 78 / 0 / 25 / 27

HEX #2ABB8D

RGB 42 187 141

HSL 160.97, 0.63%, 0.45%

LAB 67.99, -48.05, 12.83

 

CMYK 0 / 77 / 7 / 26

HEX #BC2BAE

RGB 188 43 174

HSL 305.79, 0.63%, 0.45%

LAB 46.28, 69.1, -37.62

 

CMYK 6 / 0 / 78 / 27

HEX #AFBB2A

RGB 175 187 42

HSL 64.97, 0.63%, 0.45%

LAB 72.77, -21.33, 66.09

 

CMYK 78 / 6 / 0 / 27

HEX #2AAFBB

RGB 42 175 187

HSL 184.97, 0.63%, 0.45%

LAB 65.55, -30.05, -16.12

 

CMYK 0 / 77 / 7 / 26

HEX #BC2BAE

RGB 188 43 174

HSL 305.79, 0.63%, 0.45%

LAB 46.28, 69.1, -37.62

 

CMYK 0 / 56 / 78 / 27

HEX #BB532A

RGB 187 83 42

HSL 16.97, 0.63%, 0.45%

LAB 48.16, 39.51, 43.09

 

CMYK 78 / 0 / 71 / 27

HEX #2ABB37

RGB 42 187 55

HSL 125.38, 0.63%, 0.45%

LAB 66.76, -62.24, 53.67

 

CMYK 78 / 22 / 0 / 27

HEX #2A92BB

RGB 42 146 187

HSL 196.97, 0.63%, 0.45%

LAB 56.72, -15.05, -29.64

 

CMYK 0 / 77 / 7 / 26

HEX #BC2BAE

RGB 188 43 174

HSL 305.79, 0.63%, 0.45%

LAB 46.28, 69.1, -37.62

 

CMYK 0 / 32 / 78 / 27

HEX #BB7F2A

RGB 187 127 42

HSL 35.17, 0.63%, 0.45%

LAB 57.95, 15.9, 52.73

 

CMYK 78 / 0 / 71 / 27

HEX #2ABB37

RGB 42 187 55

HSL 125.38, 0.63%, 0.45%

LAB 66.76, -62.24, 53.67

 

CMYK 78 / 45 / 0 / 27

HEX #2A67BB

RGB 42 103 187

HSL 214.76, 0.63%, 0.45%

LAB 43.92, 10.58, -49.85

 

Description

Color code: HEX #BC2BAE | qconv.com Color code: HEX #BC2BAE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 43 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 43 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 7 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 7% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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