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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC2718CE it is the complementary color #43D8E7CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC2718CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC2718CE shade: #C12713CE, #D23926CE, #E34B39CE, #F45D4CCE and #FF6F5FCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC2718CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC2718CE shade: #BC2718CE, #AB1505CE, #9A0300CE, #890000CE and #780000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC2718CE shade: #BE2819 and #BE1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC2718CE shade: #BE2819, #BE5419, #BE8119, #BEAD19 and #A2BE19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC2718CE shade matches the following richer shades: #BE2819 and #CF1A07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC2718CE shade: #BE2819, #AC362A, #9B443B, #8A524D and #78605E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC2718CE shade: #BE1963, #BE1937, #BE2619, #BE5219 and #BE7E19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC2718CE shade: #75180F, #992014, #BE2819, #E2301E and #E65142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC2718CE shade: #BC2718, #8FBE19 and #194DBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC2718CE shade: #BC2718, #19BE26 and #2619BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC2718CE shade: #BC2718, #8FBE19, #19B0BE and #4719BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC2718CE shade: #BC2718, #5DBE19, #19B0BE and #7919BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 71 / 21

HEX #BC2718CE

RGBA 188 39 24 0.81

HSLA 5.49, 0.77%, 0.42%, 0.81

LABA 41.55, 57.22, 45.75, 0.81

 

Complementary color

CMYK 58 / 5 / 0 / 8

HEX #43D8E7CE

RGBA 67 216 231 0.81

HSLA 185.49, 0.77%, 0.58%, 0.81

LABA 79.66, -33.62, -18.69, 0.81

 

CMYK 0 / 65 / 73 / 20

HEX #C12713CE

RGBA 193 39 19 0.81

HSLA 6.9, 0.82%, 0.42%, 0.81

LABA 42.51, 58.62, 49.1, 0.81

 

CMYK 0 / 59 / 66 / 14

HEX #D23926CE

RGBA 210 57 38 0.81

HSLA 6.63, 0.69%, 0.49%, 0.81

LABA 47.97, 58.52, 46.25, 0.81

 

CMYK 0 / 54 / 61 / 9

HEX #E34B39CE

RGBA 227 75 57 0.81

HSLA 6.35, 0.75%, 0.56%, 0.81

LABA 53.66, 57.88, 43.12, 0.81

 

CMYK 0 / 50 / 56 / 3

HEX #F45D4CCE

RGBA 244 93 76 0.81

HSLA 6.07, 0.88%, 0.63%, 0.81

LABA 59.51, 56.95, 40.2, 0.81

 

CMYK 0 / 46 / 51 / 0

HEX #FF6F5FCE

RGBA 255 111 95 0.81

HSLA 6, 1%, 0.69%, 0.81

LABA 64.53, 53.79, 36.24, 0.81

 

CMYK 0 / 64 / 71 / 21

HEX #BC2718CE

RGBA 188 39 24 0.81

HSLA 5.49, 0.77%, 0.42%, 0.81

LABA 41.55, 57.22, 45.75, 0.81

 

CMYK 0 / 71 / 79 / 27

HEX #AB1505CE

RGBA 171 21 5 0.81

HSLA 5.78, 0.94%, 0.35%, 0.81

LABA 36.38, 56.45, 48.15, 0.81

 

CMYK 0 / 79 / 81 / 32

HEX #9A0300CE

RGBA 154 3 0 0.81

HSLA 1.17, 1%, 0.3%, 0.81

LABA 31.66, 54.54, 45.51, 0.81

 

CMYK 0 / 81 / 81 / 37

HEX #890000CE

RGBA 137 0 0 0.81

HSLA 0, 1%, 0.27%, 0.81

LABA 27.62, 50.48, 40.72, 0.81

 

CMYK 0 / 81 / 81 / 43

HEX #780000CE

RGBA 120 0 0 0.81

HSLA 0, 1%, 0.24%, 0.81

LABA 23.65, 45.88, 35.59, 0.81

 

CMYK 0 / 79 / 87 / 25

HEX #BE2819

RGB 190 40 25

HSL 5.45, 0.77%, 0.42%

LAB 42.05, 57.55, 45.86

 

CMYK 0 / 87 / 87 / 25

HEX #BE1919

RGB 190 25 25

HSL 0, 0.77%, 0.42%

LAB 40.76, 61.23, 44.79

 

CMYK 0 / 79 / 87 / 25

HEX #BE2819

RGB 190 40 25

HSL 5.45, 0.77%, 0.42%

LAB 42.05, 57.55, 45.86

 

CMYK 0 / 56 / 87 / 25

HEX #BE5419

RGB 190 84 25

HSL 21.45, 0.77%, 0.42%

LAB 48.71, 39.65, 51.33

 

CMYK 0 / 32 / 87 / 25

HEX #BE8119

RGB 190 129 25

HSL 37.82, 0.77%, 0.42%

LAB 58.71, 15.58, 59.49

 

CMYK 0 / 9 / 87 / 25

HEX #BEAD19

RGB 190 173 25

HSL 53.82, 0.77%, 0.42%

LAB 70.11, -8.21, 68.73

 

CMYK 15 / 0 / 87 / 25

HEX #A2BE19

RGB 162 190 25

HSL 70.18, 0.77%, 0.42%

LAB 72.61, -28.8, 69.86

 

CMYK 0 / 79 / 87 / 25

HEX #BE2819

RGB 190 40 25

HSL 5.45, 0.77%, 0.42%

LAB 42.05, 57.55, 45.86

 

CMYK 0 / 87 / 97 / 19

HEX #CF1A07

RGB 207 26 7

HSL 5.7, 0.93%, 0.42%

LAB 44.26, 65.41, 55.64

 

CMYK 0 / 79 / 87 / 25

HEX #BE2819

RGB 190 40 25

HSL 5.45, 0.77%, 0.42%

LAB 42.05, 57.55, 45.86

 

CMYK 0 / 69 / 76 / 33

HEX #AC362A

RGB 172 54 42

HSL 5.54, 0.61%, 0.42%

LAB 40.53, 47.38, 34.27

 

CMYK 0 / 56 / 62 / 39

HEX #9B443B

RGB 155 68 59

HSL 5.63, 0.45%, 0.42%

LAB 40.28, 35.64, 23.19

 

CMYK 0 / 41 / 44 / 46

HEX #8A524D

RGB 138 82 77

HSL 4.92, 0.28%, 0.42%

LAB 41.17, 22.78, 12.93

 

CMYK 0 / 20 / 22 / 53

HEX #78605E

RGB 120 96 94

HSL 4.62, 0.12%, 0.42%

LAB 43.01, 9.37, 4.82

 

CMYK 0 / 87 / 48 / 25

HEX #BE1963

RGB 190 25 99

HSL 333.09, 0.77%, 0.42%

LAB 42.07, 65.02, 1.71

 

CMYK 0 / 87 / 71 / 25

HEX #BE1937

RGB 190 25 55

HSL 349.09, 0.77%, 0.42%

LAB 41.09, 62.2, 28.06

 

CMYK 0 / 80 / 87 / 25

HEX #BE2619

RGB 190 38 25

HSL 4.73, 0.77%, 0.42%

LAB 41.85, 58.12, 45.69

 

CMYK 0 / 57 / 87 / 25

HEX #BE5219

RGB 190 82 25

HSL 20.73, 0.77%, 0.42%

LAB 48.33, 40.63, 51.02

 

CMYK 0 / 34 / 87 / 25

HEX #BE7E19

RGB 190 126 25

HSL 36.73, 0.77%, 0.42%

LAB 57.98, 17.23, 58.89

 

CMYK 0 / 79 / 87 / 54

HEX #75180F

RGB 117 24 15

HSL 5.29, 0.77%, 0.26%

LAB 25.17, 39.36, 30.43

 

CMYK 0 / 79 / 87 / 40

HEX #992014

RGB 153 32 20

HSL 5.41, 0.77%, 0.34%

LAB 33.68, 48.52, 38.23

 

CMYK 0 / 79 / 87 / 25

HEX #BE2819

RGB 190 40 25

HSL 5.45, 0.77%, 0.42%

LAB 42.05, 57.55, 45.86

 

CMYK 0 / 79 / 87 / 11

HEX #E2301E

RGB 226 48 30

HSL 5.51, 0.77%, 0.5%

LAB 49.95, 65.93, 52.94

 

CMYK 0 / 65 / 71 / 10

HEX #E65142

RGB 230 81 66

HSL 5.49, 0.77%, 0.58%

LAB 55.18, 56.83, 40.06

 

CMYK 0 / 79 / 87 / 26

HEX #BC2718

RGB 188 39 24

HSL 5.49, 0.77%, 0.42%

LAB 41.55, 57.22, 45.75

 

CMYK 25 / 0 / 87 / 25

HEX #8FBE19

RGB 143 190 25

HSL 77.09, 0.77%, 0.42%

LAB 71.38, -36.5, 68.33

 

CMYK 87 / 59 / 0 / 25

HEX #194DBE

RGB 25 77 190

HSL 221.09, 0.77%, 0.42%

LAB 36.43, 27.26, -63.75

 

CMYK 0 / 79 / 87 / 26

HEX #BC2718

RGB 188 39 24

HSL 5.49, 0.77%, 0.42%

LAB 41.55, 57.22, 45.75

 

CMYK 87 / 0 / 80 / 25

HEX #19BE26

RGB 25 190 38

HSL 124.73, 0.77%, 0.42%

LAB 67.41, -66.32, 60.04

 

CMYK 80 / 87 / 0 / 25

HEX #2619BE

RGB 38 25 190

HSL 244.73, 0.77%, 0.42%

LAB 26.23, 57.44, -80.55

 

CMYK 0 / 79 / 87 / 26

HEX #BC2718

RGB 188 39 24

HSL 5.49, 0.77%, 0.42%

LAB 41.55, 57.22, 45.75

 

CMYK 25 / 0 / 87 / 25

HEX #8FBE19

RGB 143 190 25

HSL 77.09, 0.77%, 0.42%

LAB 71.38, -36.5, 68.33

 

CMYK 87 / 7 / 0 / 25

HEX #19B0BE

RGB 25 176 190

HSL 185.09, 0.77%, 0.42%

LAB 65.73, -30.98, -17.53

 

CMYK 63 / 87 / 0 / 25

HEX #4719BE

RGB 71 25 190

HSL 256.73, 0.77%, 0.42%

LAB 28.78, 59.48, -76.25

 

CMYK 0 / 79 / 87 / 26

HEX #BC2718

RGB 188 39 24

HSL 5.49, 0.77%, 0.42%

LAB 41.55, 57.22, 45.75

 

CMYK 51 / 0 / 87 / 25

HEX #5DBE19

RGB 93 190 25

HSL 95.27, 0.77%, 0.42%

LAB 68.91, -53.96, 65.25

 

CMYK 87 / 7 / 0 / 25

HEX #19B0BE

RGB 25 176 190

HSL 185.09, 0.77%, 0.42%

LAB 65.73, -30.98, -17.53

 

CMYK 36 / 87 / 0 / 25

HEX #7919BE

RGB 121 25 190

HSL 274.91, 0.77%, 0.42%

LAB 34.96, 64.94, -65.85

 

Description

Color code: HEX #BC2718CE | qconv.com Color code: HEX #BC2718CE | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 39 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 39 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 71 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 71% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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