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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC2114 it is the complementary color #43DEEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC2114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC2114 shade: #C1210F, #D23322, #E34535, #F45748 and #FF695B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC2114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC2114 shade: #BC2114, #AB0F01, #9A0000, #890000 and #780000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC2114 shade: #BD2013 and #BD1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC2114 shade: #BD2013, #BD4E13, #BD7C13, #BDA913 and #A2BD13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC2114 shade matches the following richer shades: #BD2013 and #CE1202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC2114 shade: #BD2013, #AC2F24, #9B3D35, #8A4B46 and #795A57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC2114 shade: #BD1362, #BD1335, #BD1F13, #BD4C13 and #BD7913

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC2114 shade: #72130C, #971A0F, #BD2013, #E22717 and #EA4739

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC2114 shade: #BC2114, #90BD13 and #134CBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC2114 shade: #BC2114, #13BD1F and #1F13BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC2114 shade: #BC2114, #90BD13, #13B1BD and #4113BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC2114 shade: #BC2114, #5DBD13, #13B1BD and #7313BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 89 / 26

HEX #BC2114

RGB 188 33 20

HSL 4.64, 0.81%, 0.41%

LAB 40.94, 58.77, 47.07

 

Complementary color

CMYK 71 / 6 / 0 / 8

HEX #43DEEB

RGB 67 222 235

HSL 184.64, 0.81%, 0.59%

LAB 81.53, -35.27, -17.99

 

CMYK 0 / 83 / 92 / 24

HEX #C1210F

RGB 193 33 15

HSL 6.07, 0.86%, 0.41%

LAB 41.94, 60.13, 50.25

 

CMYK 0 / 76 / 84 / 18

HEX #D23322

RGB 210 51 34

HSL 5.8, 0.72%, 0.48%

LAB 47.22, 60.41, 47.54

 

CMYK 0 / 70 / 77 / 11

HEX #E34535

RGB 227 69 53

HSL 5.52, 0.76%, 0.55%

LAB 52.78, 60.03, 44.31

 

CMYK 0 / 64 / 70 / 4

HEX #F45748

RGB 244 87 72

HSL 5.23, 0.89%, 0.62%

LAB 58.52, 59.27, 41.24

 

CMYK 0 / 59 / 64 / 0

HEX #FF695B

RGB 255 105 91

HSL 5.12, 1%, 0.68%

LAB 63.44, 56.25, 37.1

 

CMYK 0 / 82 / 89 / 26

HEX #BC2114

RGB 188 33 20

HSL 4.64, 0.81%, 0.41%

LAB 40.94, 58.77, 47.07

 

CMYK 0 / 91 / 99 / 33

HEX #AB0F01

RGB 171 15 1

HSL 4.94, 0.99%, 0.34%

LAB 35.99, 57.47, 49.58

 

CMYK 0 / 100 / 100 / 40

HEX #9A0000

RGB 154 0 0

HSL 0, 1%, 0.3%

LAB 31.51, 54.97, 45.41

 

CMYK 0 / 100 / 100 / 46

HEX #890000

RGB 137 0 0

HSL 0, 1%, 0.27%

LAB 27.62, 50.48, 40.72

 

CMYK 0 / 100 / 100 / 53

HEX #780000

RGB 120 0 0

HSL 0, 1%, 0.24%

LAB 23.65, 45.88, 35.59

 

CMYK 0 / 83 / 90 / 26

HEX #BD2013

RGB 189 32 19

HSL 4.59, 0.82%, 0.41%

LAB 41.05, 59.29, 47.68

 

CMYK 0 / 90 / 90 / 26

HEX #BD1313

RGB 189 19 19

HSL 0, 0.82%, 0.41%

LAB 40.13, 61.92, 47

 

CMYK 0 / 83 / 90 / 26

HEX #BD2013

RGB 189 32 19

HSL 4.59, 0.82%, 0.41%

LAB 41.05, 59.29, 47.68

 

CMYK 0 / 59 / 90 / 26

HEX #BD4E13

RGB 189 78 19

HSL 20.82, 0.82%, 0.41%

LAB 47.38, 42.06, 52.37

 

CMYK 0 / 34 / 90 / 26

HEX #BD7C13

RGB 189 124 19

HSL 37.06, 0.82%, 0.41%

LAB 57.35, 17.77, 59.96

 

CMYK 0 / 11 / 90 / 26

HEX #BDA913

RGB 189 169 19

HSL 52.94, 0.82%, 0.41%

LAB 68.93, -6.69, 68.94

 

CMYK 14 / 0 / 90 / 26

HEX #A2BD13

RGB 162 189 19

HSL 69.53, 0.82%, 0.41%

LAB 72.31, -28.47, 70.71

 

CMYK 0 / 83 / 90 / 26

HEX #BD2013

RGB 189 32 19

HSL 4.59, 0.82%, 0.41%

LAB 41.05, 59.29, 47.68

 

CMYK 0 / 91 / 99 / 19

HEX #CE1202

RGB 206 18 2

HSL 4.71, 0.98%, 0.41%

LAB 43.59, 66.37, 56.79

 

CMYK 0 / 83 / 90 / 26

HEX #BD2013

RGB 189 32 19

HSL 4.59, 0.82%, 0.41%

LAB 41.05, 59.29, 47.68

 

CMYK 0 / 73 / 79 / 33

HEX #AC2F24

RGB 172 47 36

HSL 4.85, 0.65%, 0.41%

LAB 39.46, 49.9, 36.51

 

CMYK 0 / 61 / 66 / 39

HEX #9B3D35

RGB 155 61 53

HSL 4.71, 0.49%, 0.41%

LAB 38.83, 38.73, 25.02

 

CMYK 0 / 46 / 49 / 46

HEX #8A4B46

RGB 138 75 70

HSL 4.41, 0.33%, 0.41%

LAB 39.37, 26.02, 14.78

 

CMYK 0 / 26 / 28 / 53

HEX #795A57

RGB 121 90 87

HSL 5.29, 0.16%, 0.41%

LAB 41.32, 12.26, 6.69

 

CMYK 0 / 90 / 48 / 26

HEX #BD1362

RGB 189 19 98

HSL 332.12, 0.82%, 0.41%

LAB 41.48, 65.72, 1.46

 

CMYK 0 / 90 / 72 / 26

HEX #BD1335

RGB 189 19 53

HSL 348, 0.82%, 0.41%

LAB 40.48, 62.91, 28.52

 

CMYK 0 / 84 / 90 / 26

HEX #BD1F13

RGB 189 31 19

HSL 4.24, 0.82%, 0.41%

LAB 40.97, 59.53, 47.61

 

CMYK 0 / 60 / 90 / 26

HEX #BD4C13

RGB 189 76 19

HSL 20.12, 0.82%, 0.41%

LAB 47.02, 43.02, 52.1

 

CMYK 0 / 36 / 90 / 26

HEX #BD7913

RGB 189 121 19

HSL 36, 0.82%, 0.41%

LAB 56.63, 19.42, 59.4

 

CMYK 0 / 83 / 89 / 55

HEX #72130C

RGB 114 19 12

HSL 4.12, 0.81%, 0.25%

LAB 23.9, 39.95, 30.45

 

CMYK 0 / 83 / 90 / 41

HEX #971A0F

RGB 151 26 15

HSL 4.85, 0.82%, 0.33%

LAB 32.6, 49.58, 39.6

 

CMYK 0 / 83 / 90 / 26

HEX #BD2013

RGB 189 32 19

HSL 4.59, 0.82%, 0.41%

LAB 41.05, 59.29, 47.68

 

CMYK 0 / 83 / 90 / 11

HEX #E22717

RGB 226 39 23

HSL 4.73, 0.82%, 0.49%

LAB 49.11, 68.08, 55.23

 

CMYK 0 / 70 / 76 / 8

HEX #EA4739

RGB 234 71 57

HSL 4.75, 0.81%, 0.57%

LAB 54.34, 61.65, 44.21

 

CMYK 0 / 82 / 89 / 26

HEX #BC2114

RGB 188 33 20

HSL 4.64, 0.81%, 0.41%

LAB 40.94, 58.77, 47.07

 

CMYK 24 / 0 / 90 / 26

HEX #90BD13

RGB 144 189 19

HSL 75.88, 0.82%, 0.41%

LAB 71.13, -35.81, 69.26

 

CMYK 90 / 60 / 0 / 26

HEX #134CBD

RGB 19 76 189

HSL 219.88, 0.82%, 0.41%

LAB 35.95, 27.18, -63.95

 

CMYK 0 / 82 / 89 / 26

HEX #BC2114

RGB 188 33 20

HSL 4.64, 0.81%, 0.41%

LAB 40.94, 58.77, 47.07

 

CMYK 90 / 0 / 84 / 26

HEX #13BD1F

RGB 19 189 31

HSL 124.24, 0.82%, 0.41%

LAB 67, -66.88, 61.56

 

CMYK 84 / 90 / 0 / 26

HEX #1F13BD

RGB 31 19 189

HSL 244.24, 0.82%, 0.41%

LAB 25.05, 58.98, -81.94

 

CMYK 0 / 82 / 89 / 26

HEX #BC2114

RGB 188 33 20

HSL 4.64, 0.81%, 0.41%

LAB 40.94, 58.77, 47.07

 

CMYK 24 / 0 / 90 / 26

HEX #90BD13

RGB 144 189 19

HSL 75.88, 0.82%, 0.41%

LAB 71.13, -35.81, 69.26

 

CMYK 90 / 6 / 0 / 26

HEX #13B1BD

RGB 19 177 189

HSL 184.24, 0.82%, 0.41%

LAB 65.95, -32.12, -16.65

 

CMYK 66 / 90 / 0 / 26

HEX #4113BD

RGB 65 19 189

HSL 256.24, 0.82%, 0.41%

LAB 27.47, 60.62, -77.84

 

CMYK 0 / 82 / 89 / 26

HEX #BC2114

RGB 188 33 20

HSL 4.64, 0.81%, 0.41%

LAB 40.94, 58.77, 47.07

 

CMYK 51 / 0 / 90 / 26

HEX #5DBD13

RGB 93 189 19

HSL 93.88, 0.82%, 0.41%

LAB 68.58, -53.78, 66.11

 

CMYK 90 / 6 / 0 / 26

HEX #13B1BD

RGB 19 177 189

HSL 184.24, 0.82%, 0.41%

LAB 65.95, -32.12, -16.65

 

CMYK 39 / 90 / 0 / 26

HEX #7313BD

RGB 115 19 189

HSL 273.88, 0.82%, 0.41%

LAB 33.53, 65.37, -67.64

 

Description

Color code: HEX #BC2114 | qconv.com Color code: HEX #BC2114 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 33 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 33 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 89 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 89% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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