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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC1FA4 it is the complementary color #43E05B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC1FA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC1FA4 shade: #C11F9F, #D231B2, #E343C5, #F455D8 and #FF67EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC1FA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC1FA4 shade: #BC1FA4, #AB0D91, #9A007E, #89006B and #780058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC1FA4 shade: #BD1FA4, #BD1F7A, #BD1F4F, #BD1F25 and #BD1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC1FA4 shade: #BD1FA4, #AA1FBD, #801FBD, #551FBD and #2A1FBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC1FA4 shade matches the following richer shades: #BD1FA4 and #CE0DB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC1FA4 shade: #BD1FA4, #AB3098, #99428C, #875480 and #766673

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC1FA4 shade: #801FBD, #AA1FBD, #BD1FA5, #BD1F7B and #BD1F51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC1FA4 shade: #761367, #991986, #BD1FA4, #DC28C1 and #E24CCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC1FA4 shade: #BC1FA4, #BD561F and #1FBD95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC1FA4 shade: #BC1FA4, #A5BD1F and #1FA5BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC1FA4 shade: #BC1FA4, #BD561F, #1FBD36 and #1F85BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC1FA4 shade: #BC1FA4, #BD851F, #1FBD36 and #1F56BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 13 / 26

HEX #BC1FA4

RGB 188 31 164

HSL 309.17, 0.72%, 0.43%

LAB 44.73, 70.63, -34.12

 

Complementary color

CMYK 70 / 0 / 59 / 12

HEX #43E05B

RGB 67 224 91

HSL 129.17, 0.72%, 0.57%

LAB 79.19, -66.65, 52.48

 

CMYK 0 / 84 / 18 / 24

HEX #C11F9F

RGB 193 31 159

HSL 312.59, 0.72%, 0.44%

LAB 45.39, 71, -30.04

 

CMYK 0 / 77 / 15 / 18

HEX #D231B2

RGB 210 49 178

HSL 311.93, 0.64%, 0.51%

LAB 50.82, 72.79, -32.58

 

CMYK 0 / 70 / 13 / 11

HEX #E343C5

RGB 227 67 197

HSL 311.25, 0.74%, 0.58%

LAB 56.46, 73.76, -34.56

 

CMYK 0 / 65 / 11 / 4

HEX #F455D8

RGB 244 85 216

HSL 310.57, 0.88%, 0.65%

LAB 62.24, 74.16, -36.13

 

CMYK 0 / 60 / 8 / 0

HEX #FF67EB

RGB 255 103 235

HSL 307.89, 1%, 0.7%

LAB 67.25, 72.67, -38.81

 

CMYK 0 / 84 / 13 / 26

HEX #BC1FA4

RGB 188 31 164

HSL 309.17, 0.72%, 0.43%

LAB 44.73, 70.63, -34.12

 

CMYK 0 / 92 / 15 / 33

HEX #AB0D91

RGB 171 13 145

HSL 309.87, 0.86%, 0.36%

LAB 39.56, 67.73, -31

 

CMYK 0 / 100 / 18 / 40

HEX #9A007E

RGB 154 0 126

HSL 310.91, 1%, 0.3%

LAB 34.75, 63.45, -27.04

 

CMYK 0 / 100 / 22 / 46

HEX #89006B

RGB 137 0 107

HSL 313.14, 1%, 0.27%

LAB 30.35, 57.63, -22.12

 

CMYK 0 / 100 / 27 / 53

HEX #780058

RGB 120 0 88

HSL 316, 1%, 0.24%

LAB 25.86, 51.69, -16.97

 

CMYK 0 / 84 / 13 / 26

HEX #BD1FA4

RGB 189 31 164

HSL 309.49, 0.72%, 0.43%

LAB 44.91, 70.84, -33.83

 

CMYK 0 / 84 / 35 / 26

HEX #BD1F7A

RGB 189 31 122

HSL 325.44, 0.72%, 0.43%

LAB 43.07, 65.71, -11.17

 

CMYK 0 / 84 / 58 / 26

HEX #BD1F4F

RGB 189 31 79

HSL 341.77, 0.72%, 0.43%

LAB 41.79, 61.98, 13.9

 

CMYK 0 / 84 / 80 / 26

HEX #BD1F25

RGB 189 31 37

HSL 357.72, 0.72%, 0.43%

LAB 41.11, 59.95, 38.71

 

CMYK 0 / 84 / 84 / 26

HEX #BD1F1F

RGB 189 31 31

HSL 0, 0.72%, 0.43%

LAB 41.05, 59.79, 41.92

 

CMYK 0 / 84 / 13 / 26

HEX #BD1FA4

RGB 189 31 164

HSL 309.49, 0.72%, 0.43%

LAB 44.91, 70.84, -33.83

 

CMYK 10 / 84 / 0 / 26

HEX #AA1FBD

RGB 170 31 189

HSL 292.78, 0.72%, 0.43%

LAB 43.06, 71.04, -51.75

 

CMYK 32 / 84 / 0 / 26

HEX #801FBD

RGB 128 31 189

HSL 276.84, 0.72%, 0.43%

LAB 36.45, 64.1, -62.78

 

CMYK 55 / 84 / 0 / 26

HEX #551FBD

RGB 85 31 189

HSL 260.51, 0.72%, 0.43%

LAB 30.84, 58.46, -72.19

 

CMYK 78 / 84 / 0 / 26

HEX #2A1FBD

RGB 42 31 189

HSL 244.18, 0.72%, 0.43%

LAB 27.15, 54.92, -78.43

 

CMYK 0 / 84 / 13 / 26

HEX #BD1FA4

RGB 189 31 164

HSL 309.49, 0.72%, 0.43%

LAB 44.91, 70.84, -33.83

 

CMYK 0 / 94 / 14 / 19

HEX #CE0DB1

RGB 206 13 177

HSL 309.02, 0.88%, 0.43%

LAB 47.73, 78.6, -36.89

 

CMYK 0 / 84 / 13 / 26

HEX #BD1FA4

RGB 189 31 164

HSL 309.49, 0.72%, 0.43%

LAB 44.91, 70.84, -33.83

 

CMYK 0 / 72 / 11 / 33

HEX #AB3098

RGB 171 48 152

HSL 309.27, 0.56%, 0.43%

LAB 42.82, 60.36, -30.13

 

CMYK 0 / 57 / 8 / 40

HEX #99428C

RGB 153 66 140

HSL 308.97, 0.4%, 0.43%

LAB 42.1, 46.08, -24.22

 

CMYK 0 / 38 / 5 / 47

HEX #875480

RGB 135 84 128

HSL 308.24, 0.23%, 0.43%

LAB 42.84, 28.42, -15.99

 

CMYK 0 / 14 / 3 / 54

HEX #766673

RGB 118 102 115

HSL 311.25, 0.07%, 0.43%

LAB 45.07, 8.86, -4.94

 

CMYK 32 / 84 / 0 / 26

HEX #801FBD

RGB 128 31 189

HSL 276.84, 0.72%, 0.43%

LAB 36.45, 64.1, -62.78

 

CMYK 10 / 84 / 0 / 26

HEX #AA1FBD

RGB 170 31 189

HSL 292.78, 0.72%, 0.43%

LAB 43.06, 71.04, -51.75

 

CMYK 0 / 84 / 13 / 26

HEX #BD1FA5

RGB 189 31 165

HSL 309.11, 0.72%, 0.43%

LAB 44.96, 70.98, -34.34

 

CMYK 0 / 84 / 35 / 26

HEX #BD1F7B

RGB 189 31 123

HSL 325.06, 0.72%, 0.43%

LAB 43.11, 65.81, -11.73

 

CMYK 0 / 84 / 57 / 26

HEX #BD1F51

RGB 189 31 81

HSL 341.01, 0.72%, 0.43%

LAB 41.83, 62.12, 12.7

 

CMYK 0 / 84 / 13 / 54

HEX #761367

RGB 118 19 103

HSL 309.09, 0.72%, 0.27%

LAB 27.56, 49.46, -24.17

 

CMYK 0 / 84 / 12 / 40

HEX #991986

RGB 153 25 134

HSL 308.91, 0.72%, 0.35%

LAB 36.35, 60.37, -29.53

 

CMYK 0 / 84 / 13 / 26

HEX #BD1FA4

RGB 189 31 164

HSL 309.49, 0.72%, 0.43%

LAB 44.91, 70.84, -33.83

 

CMYK 0 / 82 / 12 / 14

HEX #DC28C1

RGB 220 40 193

HSL 309, 0.72%, 0.51%

LAB 52.49, 79.16, -38.57

 

CMYK 0 / 66 / 10 / 11

HEX #E24CCB

RGB 226 76 203

HSL 309.2, 0.72%, 0.59%

LAB 57.7, 71.23, -36.06

 

CMYK 0 / 84 / 13 / 26

HEX #BC1FA4

RGB 188 31 164

HSL 309.17, 0.72%, 0.43%

LAB 44.73, 70.63, -34.12

 

CMYK 0 / 54 / 84 / 26

HEX #BD561F

RGB 189 86 31

HSL 20.89, 0.72%, 0.43%

LAB 48.97, 38.41, 49.08

 

CMYK 84 / 0 / 21 / 26

HEX #1FBD95

RGB 31 189 149

HSL 164.81, 0.72%, 0.43%

LAB 68.65, -48.01, 9.39

 

CMYK 0 / 84 / 13 / 26

HEX #BC1FA4

RGB 188 31 164

HSL 309.17, 0.72%, 0.43%

LAB 44.73, 70.63, -34.12

 

CMYK 13 / 0 / 84 / 26

HEX #A5BD1F

RGB 165 189 31

HSL 69.11, 0.72%, 0.43%

LAB 72.56, -26.91, 68.59

 

CMYK 84 / 13 / 0 / 26

HEX #1FA5BD

RGB 31 165 189

HSL 189.11, 0.72%, 0.43%

LAB 62.4, -25.44, -22.03

 

CMYK 0 / 84 / 13 / 26

HEX #BC1FA4

RGB 188 31 164

HSL 309.17, 0.72%, 0.43%

LAB 44.73, 70.63, -34.12

 

CMYK 0 / 54 / 84 / 26

HEX #BD561F

RGB 189 86 31

HSL 20.89, 0.72%, 0.43%

LAB 48.97, 38.41, 49.08

 

CMYK 84 / 0 / 71 / 26

HEX #1FBD36

RGB 31 189 54

HSL 128.73, 0.72%, 0.43%

LAB 67.24, -64.26, 54.51

 

CMYK 84 / 30 / 0 / 26

HEX #1F85BD

RGB 31 133 189

HSL 201.27, 0.72%, 0.43%

LAB 52.66, -8.1, -37.13

 

CMYK 0 / 84 / 13 / 26

HEX #BC1FA4

RGB 188 31 164

HSL 309.17, 0.72%, 0.43%

LAB 44.73, 70.63, -34.12

 

CMYK 0 / 30 / 84 / 26

HEX #BD851F

RGB 189 133 31

HSL 38.73, 0.72%, 0.43%

LAB 59.61, 13.09, 58.36

 

CMYK 84 / 0 / 71 / 26

HEX #1FBD36

RGB 31 189 54

HSL 128.73, 0.72%, 0.43%

LAB 67.24, -64.26, 54.51

 

CMYK 84 / 54 / 0 / 26

HEX #1F56BD

RGB 31 86 189

HSL 219.11, 0.72%, 0.43%

LAB 38.93, 21.34, -59.07

 

Description

Color code: HEX #BC1FA4 | qconv.com Color code: HEX #BC1FA4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 31 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 31 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 13 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 13% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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