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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC1C55 it is the complementary color #43E3AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC1C55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC1C55 shade: #C11C50, #D22E63, #E34076, #F45289 and #FF649C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC1C55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC1C55 shade: #BC1C55, #AB0A42, #9A002F, #89001C and #780009

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC1C55 shade: #BA1C54, #BA1C2A and #BA1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC1C55 shade: #BA1C54, #BA1C7F, #BA1CAA, #A01CBA and #751CBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC1C55 shade matches the following richer shades: #BA1C54 and #CC0B4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC1C55 shade: #BA1C54, #A92D59, #983F5E, #865063 and #756168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC1C55 shade: #BA1CAB, #BA1C80, #BA1C56, #BA1C2C and #BA361C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC1C55 shade: #731134, #961644, #BA1C54, #DE2265 and #E3457E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC1C55 shade: #BC1C55, #BAA01C and #1C95BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC1C55 shade: #BC1C55, #56BA1C and #1C56BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC1C55 shade: #BC1C55, #BAA01C, #1CBA80 and #1C36BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC1C55 shade: #BC1C55, #A5BA1C, #1CBA80 and #311CBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 55 / 26

HEX #BC1C55

RGB 188 28 85

HSL 338.63, 0.74%, 0.42%

LAB 41.5, 62.81, 9.68

 

Complementary color

CMYK 70 / 0 / 25 / 11

HEX #43E3AA

RGB 67 227 170

HSL 158.63, 0.74%, 0.58%

LAB 81.31, -54.23, 16.12

 

CMYK 0 / 85 / 59 / 24

HEX #C11C50

RGB 193 28 80

HSL 341.09, 0.75%, 0.43%

LAB 42.38, 63.76, 14.21

 

CMYK 0 / 78 / 53 / 18

HEX #D22E63

RGB 210 46 99

HSL 340.61, 0.65%, 0.5%

LAB 47.7, 65.15, 10.27

 

CMYK 0 / 72 / 48 / 11

HEX #E34076

RGB 227 64 118

HSL 340.12, 0.74%, 0.57%

LAB 53.28, 65.73, 7.08

 

CMYK 0 / 66 / 44 / 4

HEX #F45289

RGB 244 82 137

HSL 339.63, 0.88%, 0.64%

LAB 59.04, 65.78, 4.47

 

CMYK 0 / 61 / 39 / 0

HEX #FF649C

RGB 255 100 156

HSL 338.32, 1%, 0.7%

LAB 63.98, 63.68, 0.83

 

CMYK 0 / 85 / 55 / 26

HEX #BC1C55

RGB 188 28 85

HSL 338.63, 0.74%, 0.42%

LAB 41.5, 62.81, 9.68

 

CMYK 0 / 94 / 61 / 33

HEX #AB0A42

RGB 171 10 66

HSL 339.13, 0.89%, 0.35%

LAB 36.5, 60.25, 14.4

 

CMYK 0 / 100 / 69 / 40

HEX #9A002F

RGB 154 0 47

HSL 341.69, 1%, 0.3%

LAB 31.98, 56.25, 20.2

 

CMYK 0 / 100 / 80 / 46

HEX #89001C

RGB 137 0 28

HSL 347.74, 1%, 0.27%

LAB 27.85, 51.1, 26.76

 

CMYK 0 / 100 / 93 / 53

HEX #780009

RGB 120 0 9

HSL 355.5, 1%, 0.24%

LAB 23.71, 46.06, 31.99

 

CMYK 0 / 85 / 55 / 27

HEX #BA1C54

RGB 186 28 84

HSL 338.73, 0.74%, 0.42%

LAB 41.07, 62.22, 9.65

 

CMYK 0 / 85 / 77 / 27

HEX #BA1C2A

RGB 186 28 42

HSL 354.68, 0.74%, 0.42%

LAB 40.31, 59.97, 34.81

 

CMYK 0 / 85 / 85 / 27

HEX #BA1C1C

RGB 186 28 28

HSL 0, 0.74%, 0.42%

LAB 40.17, 59.56, 42.45

 

CMYK 0 / 85 / 55 / 27

HEX #BA1C54

RGB 186 28 84

HSL 338.73, 0.74%, 0.42%

LAB 41.07, 62.22, 9.65

 

CMYK 0 / 85 / 32 / 27

HEX #BA1C7F

RGB 186 28 127

HSL 322.41, 0.74%, 0.42%

LAB 42.46, 66.19, -15.23

 

CMYK 0 / 85 / 9 / 27

HEX #BA1CAA

RGB 186 28 170

HSL 306.08, 0.74%, 0.42%

LAB 44.48, 71.7, -38.12

 

CMYK 14 / 85 / 0 / 27

HEX #A01CBA

RGB 160 28 186

HSL 290.13, 0.74%, 0.42%

LAB 40.98, 69.46, -53.44

 

CMYK 37 / 85 / 0 / 27

HEX #751CBA

RGB 117 28 186

HSL 273.8, 0.74%, 0.42%

LAB 34.31, 62.72, -64.57

 

CMYK 0 / 85 / 55 / 27

HEX #BA1C54

RGB 186 28 84

HSL 338.73, 0.74%, 0.42%

LAB 41.07, 62.22, 9.65

 

CMYK 0 / 95 / 61 / 20

HEX #CC0B4F

RGB 204 11 79

HSL 338.86, 0.9%, 0.42%

LAB 43.71, 68.98, 17.02

 

CMYK 0 / 85 / 55 / 27

HEX #BA1C54

RGB 186 28 84

HSL 338.73, 0.74%, 0.42%

LAB 41.07, 62.22, 9.65

 

CMYK 0 / 73 / 47 / 34

HEX #A92D59

RGB 169 45 89

HSL 338.71, 0.58%, 0.42%

LAB 39.64, 53.07, 3.99

 

CMYK 0 / 59 / 38 / 40

HEX #983F5E

RGB 152 63 94

HSL 339.1, 0.41%, 0.42%

LAB 39.65, 40.46, 0.49

 

CMYK 0 / 40 / 26 / 47

HEX #865063

RGB 134 80 99

HSL 338.89, 0.25%, 0.42%

LAB 40.75, 25.32, -1.34

 

CMYK 0 / 17 / 11 / 54

HEX #756168

RGB 117 97 104

HSL 339, 0.09%, 0.42%

LAB 43.26, 9.32, -0.96

 

CMYK 0 / 85 / 8 / 27

HEX #BA1CAB

RGB 186 28 171

HSL 305.7, 0.74%, 0.42%

LAB 44.53, 71.84, -38.63

 

CMYK 0 / 85 / 31 / 27

HEX #BA1C80

RGB 186 28 128

HSL 322.03, 0.74%, 0.42%

LAB 42.5, 66.31, -15.78

 

CMYK 0 / 85 / 54 / 27

HEX #BA1C56

RGB 186 28 86

HSL 337.97, 0.74%, 0.42%

LAB 41.12, 62.37, 8.46

 

CMYK 0 / 85 / 76 / 27

HEX #BA1C2C

RGB 186 28 44

HSL 353.92, 0.74%, 0.42%

LAB 40.33, 60.04, 33.65

 

CMYK 0 / 71 / 85 / 27

HEX #BA361C

RGB 186 54 28

HSL 9.87, 0.74%, 0.42%

LAB 43.01, 51.63, 44.96

 

CMYK 0 / 85 / 55 / 55

HEX #731134

RGB 115 17 52

HSL 338.57, 0.74%, 0.26%

LAB 24.62, 43.03, 5.48

 

CMYK 0 / 85 / 55 / 41

HEX #961644

RGB 150 22 68

HSL 338.44, 0.74%, 0.34%

LAB 32.87, 52.85, 7.39

 

CMYK 0 / 85 / 55 / 27

HEX #BA1C54

RGB 186 28 84

HSL 338.73, 0.74%, 0.42%

LAB 41.07, 62.22, 9.65

 

CMYK 0 / 85 / 55 / 13

HEX #DE2265

RGB 222 34 101

HSL 338.62, 0.74%, 0.5%

LAB 49.02, 71.31, 11.24

 

CMYK 0 / 70 / 44 / 11

HEX #E3457E

RGB 227 69 126

HSL 338.35, 0.74%, 0.58%

LAB 54.13, 64.69, 3.51

 

CMYK 0 / 85 / 55 / 26

HEX #BC1C55

RGB 188 28 85

HSL 338.63, 0.74%, 0.42%

LAB 41.5, 62.81, 9.68

 

CMYK 0 / 14 / 85 / 27

HEX #BAA01C

RGB 186 160 28

HSL 50.13, 0.74%, 0.42%

LAB 66.26, -3.05, 64.72

 

CMYK 85 / 20 / 0 / 27

HEX #1C95BA

RGB 28 149 186

HSL 194.05, 0.74%, 0.42%

LAB 57.35, -18.34, -28.11

 

CMYK 0 / 85 / 55 / 26

HEX #BC1C55

RGB 188 28 85

HSL 338.63, 0.74%, 0.42%

LAB 41.5, 62.81, 9.68

 

CMYK 54 / 0 / 85 / 27

HEX #56BA1C

RGB 86 186 28

HSL 97.97, 0.74%, 0.42%

LAB 67.41, -54.38, 63.18

 

CMYK 85 / 54 / 0 / 27

HEX #1C56BA

RGB 28 86 186

HSL 217.97, 0.74%, 0.42%

LAB 38.63, 19.92, -57.81

 

CMYK 0 / 85 / 55 / 26

HEX #BC1C55

RGB 188 28 85

HSL 338.63, 0.74%, 0.42%

LAB 41.5, 62.81, 9.68

 

CMYK 0 / 14 / 85 / 27

HEX #BAA01C

RGB 186 160 28

HSL 50.13, 0.74%, 0.42%

LAB 66.26, -3.05, 64.72

 

CMYK 85 / 0 / 31 / 27

HEX #1CBA80

RGB 28 186 128

HSL 157.97, 0.74%, 0.42%

LAB 67.22, -52.02, 18.78

 

CMYK 85 / 71 / 0 / 27

HEX #1C36BA

RGB 28 54 186

HSL 230.13, 0.74%, 0.42%

LAB 30.47, 40.82, -71.17

 

CMYK 0 / 85 / 55 / 26

HEX #BC1C55

RGB 188 28 85

HSL 338.63, 0.74%, 0.42%

LAB 41.5, 62.81, 9.68

 

CMYK 11 / 0 / 85 / 27

HEX #A5BA1C

RGB 165 186 28

HSL 67.97, 0.74%, 0.42%

LAB 71.69, -25.55, 68.55

 

CMYK 85 / 0 / 31 / 27

HEX #1CBA80

RGB 28 186 128

HSL 157.97, 0.74%, 0.42%

LAB 67.22, -52.02, 18.78

 

CMYK 74 / 85 / 0 / 27

HEX #311CBA

RGB 49 28 186

HSL 247.97, 0.74%, 0.42%

LAB 26.82, 55.7, -77.19

 

Description

Color code: HEX #BC1C55 | qconv.com Color code: HEX #BC1C55 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 28 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 28 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 55 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 55% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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