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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC13B5 it is the complementary color #43EC4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC13B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC13B5 shade: #C113B0, #D225C3, #E337D6, #F449E9 and #FF5BFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC13B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC13B5 shade: #BC13B5, #AB01A2, #9A008F, #89007C and #780069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC13B5 shade: #BE13B7, #BE1389, #BE135B, #BE132C and #BE1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC13B5 shade: #BE13B7, #9713BE, #6913BE, #3B13BE and #1313BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC13B5 shade matches the following richer shades: #BE13B7 and #CF02C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC13B5 shade: #BE13B7, #AD24A8, #9C3598, #8C4689 and #7B5679

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC13B5 shade: #6913BE, #9613BE, #BE13B9, #BE138B and #BE135D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC13B5 shade: #730B6F, #990F93, #BE13B7, #E417DB and #EB38E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC13B5 shade: #BC13B5, #BE3B13 and #13BE7F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC13B5 shade: #BC13B5, #B9BE13 and #13B9BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC13B5 shade: #BC13B5, #BE3B13, #13BE19 and #1396BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC13B5 shade: #BC13B5, #BE6E13, #13BE19 and #1363BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 4 / 26

HEX #BC13B5

RGB 188 19 181

HSL 302.49, 0.82%, 0.41%

LAB 44.93, 75.17, -43.89

 

Complementary color

CMYK 72 / 0 / 69 / 7

HEX #43EC4A

RGB 67 236 74

HSL 122.49, 0.82%, 0.59%

LAB 82.74, -72.26, 63.37

 

CMYK 0 / 90 / 9 / 24

HEX #C113B0

RGB 193 19 176

HSL 305.86, 0.82%, 0.42%

LAB 45.55, 75.37, -39.9

 

CMYK 0 / 82 / 7 / 18

HEX #D225C3

RGB 210 37 195

HSL 305.2, 0.7%, 0.48%

LAB 50.65, 78.11, -42.75

 

CMYK 0 / 76 / 6 / 11

HEX #E337D6

RGB 227 55 214

HSL 304.53, 0.75%, 0.55%

LAB 56.01, 79.85, -44.99

 

CMYK 0 / 70 / 5 / 4

HEX #F449E9

RGB 244 73 233

HSL 303.86, 0.89%, 0.62%

LAB 61.55, 80.86, -46.75

 

CMYK 0 / 64 / 1 / 0

HEX #FF5BFC

RGB 255 91 252

HSL 301.1, 1%, 0.68%

LAB 66.34, 79.98, -49.61

 

CMYK 0 / 90 / 4 / 26

HEX #BC13B5

RGB 188 19 181

HSL 302.49, 0.82%, 0.41%

LAB 44.93, 75.17, -43.89

 

CMYK 0 / 99 / 5 / 33

HEX #AB01A2

RGB 171 1 162

HSL 303.18, 0.99%, 0.34%

LAB 40.06, 71.4, -40.52

 

CMYK 0 / 100 / 7 / 40

HEX #9A008F

RGB 154 0 143

HSL 304.29, 1%, 0.3%

LAB 35.7, 65.79, -36.09

 

CMYK 0 / 100 / 9 / 46

HEX #89007C

RGB 137 0 124

HSL 305.69, 1%, 0.27%

LAB 31.29, 59.95, -31.48

 

CMYK 0 / 100 / 13 / 53

HEX #780069

RGB 120 0 105

HSL 307.5, 1%, 0.24%

LAB 26.77, 53.98, -26.69

 

CMYK 0 / 90 / 4 / 25

HEX #BE13B7

RGB 190 19 183

HSL 302.46, 0.82%, 0.41%

LAB 45.4, 75.82, -44.29

 

CMYK 0 / 90 / 28 / 25

HEX #BE1389

RGB 190 19 137

HSL 318.6, 0.82%, 0.41%

LAB 43.09, 69.8, -20.34

 

CMYK 0 / 90 / 52 / 25

HEX #BE135B

RGB 190 19 91

HSL 334.74, 0.82%, 0.41%

LAB 41.48, 65.41, 5.92

 

CMYK 0 / 90 / 77 / 25

HEX #BE132C

RGB 190 19 44

HSL 351.23, 0.82%, 0.41%

LAB 40.56, 62.82, 34.14

 

CMYK 0 / 90 / 90 / 25

HEX #BE1313

RGB 190 19 19

HSL 0, 0.82%, 0.41%

LAB 40.34, 62.19, 47.25

 

CMYK 0 / 90 / 4 / 25

HEX #BE13B7

RGB 190 19 183

HSL 302.46, 0.82%, 0.41%

LAB 45.4, 75.82, -44.29

 

CMYK 21 / 90 / 0 / 25

HEX #9713BE

RGB 151 19 190

HSL 286.32, 0.82%, 0.41%

LAB 39.18, 70.5, -58.77

 

CMYK 45 / 90 / 0 / 25

HEX #6913BE

RGB 105 19 190

HSL 270.18, 0.82%, 0.41%

LAB 32.23, 64.42, -70.42

 

CMYK 69 / 90 / 0 / 25

HEX #3B13BE

RGB 59 19 190

HSL 254.04, 0.82%, 0.41%

LAB 27.06, 60.5, -79.14

 

CMYK 90 / 90 / 0 / 25

HEX #1313BE

RGB 19 19 190

HSL 240, 0.82%, 0.41%

LAB 24.71, 58.96, -83.11

 

CMYK 0 / 90 / 4 / 25

HEX #BE13B7

RGB 190 19 183

HSL 302.46, 0.82%, 0.41%

LAB 45.4, 75.82, -44.29

 

CMYK 0 / 99 / 4 / 19

HEX #CF02C7

RGB 207 2 199

HSL 302.34, 0.98%, 0.41%

LAB 48.8, 82.66, -48.03

 

CMYK 0 / 90 / 4 / 25

HEX #BE13B7

RGB 190 19 183

HSL 302.46, 0.82%, 0.41%

LAB 45.4, 75.82, -44.29

 

CMYK 0 / 79 / 3 / 32

HEX #AD24A8

RGB 173 36 168

HSL 302.19, 0.66%, 0.41%

LAB 42.72, 66.95, -39.86

 

CMYK 0 / 66 / 3 / 39

HEX #9C3598

RGB 156 53 152

HSL 302.33, 0.49%, 0.41%

LAB 41.03, 54.78, -33.12

 

CMYK 0 / 50 / 2 / 45

HEX #8C4689

RGB 140 70 137

HSL 302.57, 0.33%, 0.41%

LAB 40.84, 39.58, -24.5

 

CMYK 0 / 30 / 2 / 52

HEX #7B5679

RGB 123 86 121

HSL 303.24, 0.18%, 0.41%

LAB 41.61, 21.58, -13.73

 

CMYK 45 / 90 / 0 / 25

HEX #6913BE

RGB 105 19 190

HSL 270.18, 0.82%, 0.41%

LAB 32.23, 64.42, -70.42

 

CMYK 21 / 90 / 0 / 25

HEX #9613BE

RGB 150 19 190

HSL 285.96, 0.82%, 0.41%

LAB 39.01, 70.35, -59.04

 

CMYK 0 / 90 / 3 / 25

HEX #BE13B9

RGB 190 19 185

HSL 301.75, 0.82%, 0.41%

LAB 45.52, 76.12, -45.28

 

CMYK 0 / 90 / 27 / 25

HEX #BE138B

RGB 190 19 139

HSL 317.89, 0.82%, 0.41%

LAB 43.18, 70.03, -21.43

 

CMYK 0 / 90 / 51 / 25

HEX #BE135D

RGB 190 19 93

HSL 334.04, 0.82%, 0.41%

LAB 41.54, 65.56, 4.73

 

CMYK 0 / 90 / 3 / 55

HEX #730B6F

RGB 115 11 111

HSL 302.31, 0.83%, 0.25%

LAB 26.83, 51.91, -30.55

 

CMYK 0 / 90 / 4 / 40

HEX #990F93

RGB 153 15 147

HSL 302.61, 0.82%, 0.33%

LAB 36.41, 64.27, -37.44

 

CMYK 0 / 90 / 4 / 25

HEX #BE13B7

RGB 190 19 183

HSL 302.46, 0.82%, 0.41%

LAB 45.4, 75.82, -44.29

 

CMYK 0 / 90 / 4 / 11

HEX #E417DB

RGB 228 23 219

HSL 302.63, 0.82%, 0.49%

LAB 54.26, 87.1, -50.59

 

CMYK 0 / 76 / 3 / 8

HEX #EB38E4

RGB 235 56 228

HSL 302.35, 0.82%, 0.57%

LAB 58.12, 83.26, -49.47

 

CMYK 0 / 90 / 4 / 26

HEX #BC13B5

RGB 188 19 181

HSL 302.49, 0.82%, 0.41%

LAB 44.93, 75.17, -43.89

 

CMYK 0 / 69 / 90 / 25

HEX #BE3B13

RGB 190 59 19

HSL 14.04, 0.82%, 0.41%

LAB 44.41, 50.82, 50.23

 

CMYK 90 / 0 / 33 / 25

HEX #13BE7F

RGB 19 190 127

HSL 157.89, 0.82%, 0.41%

LAB 68.39, -54.37, 20.9

 

CMYK 0 / 90 / 4 / 26

HEX #BC13B5

RGB 188 19 181

HSL 302.49, 0.82%, 0.41%

LAB 44.93, 75.17, -43.89

 

CMYK 3 / 0 / 90 / 25

HEX #B9BE13

RGB 185 190 19

HSL 61.75, 0.82%, 0.41%

LAB 74.31, -19.19, 73.02

 

CMYK 90 / 3 / 0 / 25

HEX #13B9BE

RGB 19 185 190

HSL 181.75, 0.82%, 0.41%

LAB 68.43, -35.58, -13.46

 

CMYK 0 / 90 / 4 / 26

HEX #BC13B5

RGB 188 19 181

HSL 302.49, 0.82%, 0.41%

LAB 44.93, 75.17, -43.89

 

CMYK 0 / 69 / 90 / 25

HEX #BE3B13

RGB 190 59 19

HSL 14.04, 0.82%, 0.41%

LAB 44.41, 50.82, 50.23

 

CMYK 90 / 0 / 87 / 25

HEX #13BE19

RGB 19 190 25

HSL 122.11, 0.82%, 0.41%

LAB 67.3, -67.45, 63.22

 

CMYK 90 / 21 / 0 / 25

HEX #1396BE

RGB 19 150 190

HSL 194.04, 0.82%, 0.41%

LAB 57.72, -18.06, -29.81

 

CMYK 0 / 90 / 4 / 26

HEX #BC13B5

RGB 188 19 181

HSL 302.49, 0.82%, 0.41%

LAB 44.93, 75.17, -43.89

 

CMYK 0 / 42 / 90 / 25

HEX #BE6E13

RGB 190 110 19

HSL 31.93, 0.82%, 0.41%

LAB 54.18, 25.89, 57.58

 

CMYK 90 / 0 / 87 / 25

HEX #13BE19

RGB 19 190 25

HSL 122.11, 0.82%, 0.41%

LAB 67.3, -67.45, 63.22

 

CMYK 90 / 48 / 0 / 25

HEX #1363BE

RGB 19 99 190

HSL 211.93, 0.82%, 0.41%

LAB 42.43, 12.36, -54.01

 

Description

Color code: HEX #BC13B5 | qconv.com Color code: HEX #BC13B5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 19 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 19 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 4 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 4% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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