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Color name
HEX #BC12224C

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC12224C it is the complementary color #43EDDD4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color #BC12224C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC12224C shade: #C1121D4C, #D224304C, #E336434C, #F448564C and #FF5A694C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color #BC12224C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC12224C shade: #BC12224C, #AB000F4C, #9A00004C, #8900004C and #7800004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC12224C shade: #BB1121 and #BB1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC12224C shade: #BB1121, #BB114F, #BB117D, #BB11AA and #9D11BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC12224C shade matches the following richer shades: #BB1121 and #CB0114

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC12224C shade: #BB1121, #AA222F, #9A323C, #894349 and #795357

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC12224C shade: #BB117D, #BB114F, #BB1122, #BB2E11 and #BB5B11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC12224C shade: #6F0A14, #950E1B, #BB1121, #E01528 and #EC3344

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC12224C shade: #BC1222, #AABB11 and #1166BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC12224C shade: #BC1222, #22BB11 and #1122BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC12224C shade: #BC1222, #AABB11, #11BBAA and #2211BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC12224C shade: #BC1222, #77BB11, #11BBAA and #5511BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 25 / 8

RGBA 188 18 34 0.3

HSLA 354.35, 0.83%, 0.4%, 0.3

LABA 39.98, 62.14, 39.2, 0.3

Complementary color

CMYK 22 / 0 / 2 / 2

RGBA 67 237 221 0.3

HSLA 174.35, 0.83%, 0.6%, 0.3

LABA 85.49, -45.91, -4.67, 0.3

Lighter colors

CMYK 0 / 27 / 25 / 7

RGBA 193 18 29 0.3

HSLA 356.23, 0.83%, 0.41%, 0.3

LABA 40.99, 63.33, 43.22, 0.3

CMYK 0 / 25 / 23 / 5

RGBA 210 36 48 0.3

HSLA 355.86, 0.71%, 0.48%, 0.3

LABA 45.88, 64.97, 38.77, 0.3

CMYK 0 / 23 / 21 / 3

RGBA 227 54 67 0.3

HSLA 355.49, 0.76%, 0.55%, 0.3

LABA 51.12, 65.65, 34.64, 0.3

CMYK 0 / 21 / 19 / 1

RGBA 244 72 86 0.3

HSLA 355.12, 0.89%, 0.62%, 0.3

LABA 56.62, 65.69, 31.05, 0.3

CMYK 0 / 19 / 18 / 0

RGBA 255 90 105 0.3

HSLA 354.55, 1%, 0.68%, 0.3

LABA 61.3, 63.44, 26.49, 0.3

Darker colors

CMYK 0 / 27 / 25 / 8

RGBA 188 18 34 0.3

HSLA 354.35, 0.83%, 0.4%, 0.3

LABA 39.98, 62.14, 39.2, 0.3

CMYK 0 / 30 / 27 / 10

RGBA 171 0 15 0.3

HSLA 354.74, 1%, 0.34%, 0.3

LABA 35.39, 59.57, 43.6, 0.3

CMYK 0 / 30 / 30 / 12

RGBA 154 0 0 0.3

HSLA 0, 1%, 0.3%, 0.3

LABA 31.51, 54.97, 45.41, 0.3

CMYK 0 / 30 / 30 / 14

RGBA 137 0 0 0.3

HSLA 0, 1%, 0.27%, 0.3

LABA 27.62, 50.48, 40.72, 0.3

CMYK 0 / 30 / 30 / 16

RGBA 120 0 0 0.3

HSLA 0, 1%, 0.24%, 0.3

LABA 23.65, 45.88, 35.59, 0.3

Warmer colors

CMYK 0 / 91 / 82 / 27

HSL 354.35, 0.83%, 0.4%

LAB 39.71, 62, 39.42

CMYK 0 / 91 / 91 / 27

HSL 0, 0.83%, 0.4%

LAB 39.59, 61.67, 47.28

Colder colors

CMYK 0 / 91 / 82 / 27

HSL 354.35, 0.83%, 0.4%

LAB 39.71, 62, 39.42

CMYK 0 / 91 / 58 / 27

HSL 338.12, 0.83%, 0.4%

LAB 40.46, 64.12, 12.01

CMYK 0 / 91 / 33 / 27

HSL 321.88, 0.83%, 0.4%

LAB 41.92, 68.11, -14.81

CMYK 0 / 91 / 9 / 27

HSL 306, 0.83%, 0.4%

LAB 44.04, 73.69, -38.8

CMYK 16 / 91 / 0 / 27

HSL 289.41, 0.83%, 0.4%

LAB 39.84, 71.21, -55.88

Richer colors

CMYK 0 / 91 / 82 / 27

HSL 354.35, 0.83%, 0.4%

LAB 39.71, 62, 39.42

CMYK 0 / 100 / 90 / 20

HSL 354.36, 0.99%, 0.4%

LAB 42.41, 67.58, 49.56

Paler colors

CMYK 0 / 91 / 82 / 27

HSL 354.35, 0.83%, 0.4%

LAB 39.71, 62, 39.42

CMYK 0 / 80 / 72 / 33

HSL 354.26, 0.67%, 0.4%

LAB 37.65, 54.06, 27.91

CMYK 0 / 68 / 61 / 40

HSL 354.23, 0.51%, 0.4%

LAB 36.89, 43.92, 18.17

CMYK 0 / 51 / 47 / 46

HSL 354.86, 0.34%, 0.4%

LAB 37.51, 30.42, 10.32

CMYK 0 / 31 / 28 / 53

HSL 353.68, 0.19%, 0.4%

LAB 39.48, 16.48, 4.06

Analogue colors

CMYK 0 / 91 / 33 / 27

HSL 321.88, 0.83%, 0.4%

LAB 41.92, 68.11, -14.81

CMYK 0 / 91 / 58 / 27

HSL 338.12, 0.83%, 0.4%

LAB 40.46, 64.12, 12.01

CMYK 0 / 91 / 82 / 27

HSL 354, 0.83%, 0.4%

LAB 39.72, 62.03, 38.87

CMYK 0 / 75 / 91 / 27

HSL 10.24, 0.83%, 0.4%

LAB 42.09, 54.6, 49.04

CMYK 0 / 51 / 91 / 27

HSL 26.12, 0.83%, 0.4%

LAB 49.6, 34.73, 54.51

Monochromatic colors

CMYK 0 / 91 / 82 / 56

HSL 354.06, 0.83%, 0.24%

LAB 22.47, 41.66, 24.33

CMYK 0 / 91 / 82 / 42

HSL 354.22, 0.83%, 0.32%

LAB 31.31, 52.04, 31.83

CMYK 0 / 91 / 82 / 27

HSL 354.35, 0.83%, 0.4%

LAB 39.71, 62, 39.42

CMYK 0 / 91 / 82 / 12

HSL 354.38, 0.83%, 0.48%

LAB 47.67, 71.17, 45.92

CMYK 0 / 78 / 71 / 7

HSL 354.49, 0.83%, 0.56%

LAB 52.53, 69.1, 36.14

Partial complementary colors

CMYK 0 / 90 / 82 / 26

HSL 354.35, 0.83%, 0.4%

LAB 39.98, 62.14, 39.2

CMYK 9 / 0 / 91 / 27

HSL 66, 0.83%, 0.4%

LAB 72.31, -24.17, 71.27

CMYK 91 / 45 / 0 / 27

HSL 210, 0.83%, 0.4%

LAB 43.08, 9.11, -51.23

Triadic colors

CMYK 0 / 90 / 82 / 26

HSL 354.35, 0.83%, 0.4%

LAB 39.98, 62.14, 39.2

CMYK 82 / 0 / 91 / 27

HSL 114, 0.83%, 0.4%

LAB 66.46, -65.5, 64.06

CMYK 91 / 82 / 0 / 27

HSL 234, 0.83%, 0.4%

LAB 26.31, 51.89, -78.67

Rectangular (tetradic) colors

CMYK 0 / 90 / 82 / 26

HSL 354.35, 0.83%, 0.4%

LAB 39.98, 62.14, 39.2

CMYK 9 / 0 / 91 / 27

HSL 66, 0.83%, 0.4%

LAB 72.31, -24.17, 71.27

CMYK 91 / 0 / 9 / 27

HSL 174, 0.83%, 0.4%

LAB 68.43, -42.48, -2.45

CMYK 82 / 91 / 0 / 27

HSL 246, 0.83%, 0.4%

LAB 24.73, 59.14, -81.28

Square colors

CMYK 0 / 90 / 82 / 26

HSL 354.35, 0.83%, 0.4%

LAB 39.98, 62.14, 39.2

CMYK 36 / 0 / 91 / 27

HSL 84, 0.83%, 0.4%

LAB 69.11, -44.48, 67.35

CMYK 91 / 0 / 9 / 27

HSL 174, 0.83%, 0.4%

LAB 68.43, -42.48, -2.45

CMYK 55 / 91 / 0 / 27

HSL 264, 0.83%, 0.4%

LAB 29.21, 62.19, -73.71

Description

Color code: HEX #BC12224C | qconv.com

Color code: HEX #BC12224C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 18 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 25 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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