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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC11CE it is the complementary color #43EE31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC11CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BC11CE: #C111C9, #D223DC, #E335EF, #F447FF and #FF59FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC11CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BC11CE: #BC11CE, #AB00BB, #9A00A8, #890095 and #780082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 92 / 0 / 19

HEX #BC11CE

RGB 188 17 206

HSL 294.29, 0.85%, 0.44%

LAB 46.38, 79.26, -56.15

 

Complementary color

CMYK 72 / 0 / 79 / 7

HEX #43EE31

RGB 67 238 49

HSL 114.29, 0.85%, 0.56%

LAB 83.21, -74.65, 72.02

 

CMYK 4 / 92 / 0 / 21

HEX #C111C9

RGB 193 17 201

HSL 297.39, 0.84%, 0.43%

LAB 46.92, 79.29, -52.35

 

CMYK 5 / 84 / 0 / 14

HEX #D223DC

RGB 210 35 220

HSL 296.76, 0.73%, 0.5%

LAB 51.92, 82.25, -55.08

 

CMYK 5 / 78 / 0 / 6

HEX #E335EF

RGB 227 53 239

HSL 296.13, 0.85%, 0.57%

LAB 57.18, 84.2, -57.22

 

CMYK 4 / 72 / 0 / 0

HEX #F447FF

RGB 244 71 255

HSL 296.41, 1%, 0.64%

LAB 62.47, 84.9, -57.5

 

CMYK 0 / 65 / 0 / 0

HEX #FF59FF

RGB 255 89 255

HSL 300, 1%, 0.67%

LAB 66.23, 81.18, -51.43

 

CMYK 9 / 92 / 0 / 19

HEX #BC11CE

RGB 188 17 206

HSL 294.29, 0.85%, 0.44%

LAB 46.38, 79.26, -56.15

 

CMYK 9 / 100 / 0 / 27

HEX #AB00BB

RGB 171 0 187

HSL 294.87, 1%, 0.37%

LAB 41.6, 75.3, -52.92

 

CMYK 8 / 100 / 0 / 34

HEX #9A00A8

RGB 154 0 168

HSL 295, 1%, 0.33%

LAB 37.29, 69.62, -48.73

 

CMYK 8 / 100 / 0 / 42

HEX #890095

RGB 137 0 149

HSL 295.17, 1%, 0.29%

LAB 32.89, 63.83, -44.45

 

CMYK 8 / 100 / 0 / 49

HEX #780082

RGB 120 0 130

HSL 295.38, 1%, 0.25%

LAB 28.39, 57.91, -40.07

 

CMYK 9 / 92 / 0 / 19

HEX #BC11CE

RGB 188 17 206

HSL 294.29, 0.85%, 0.44%

LAB 46.38, 79.26, -56.15

 

CMYK 0 / 92 / 6 / 19

HEX #CF10C2

RGB 207 16 194

HSL 304.08, 0.86%, 0.44%

LAB 48.92, 80.77, -44.94

 

CMYK 0 / 92 / 21 / 19

HEX #CF10A3

RGB 207 16 163

HSL 313.82, 0.86%, 0.44%

LAB 47.34, 76.72, -29.19

 

CMYK 0 / 92 / 37 / 19

HEX #CF1083

RGB 207 16 131

HSL 323.87, 0.86%, 0.44%

LAB 46.01, 73.21, -11.92

 

CMYK 0 / 92 / 52 / 19

HEX #CF1063

RGB 207 16 99

HSL 333.93, 0.86%, 0.44%

LAB 44.99, 70.46, 6.36

 

CMYK 9 / 92 / 0 / 19

HEX #BC11CE

RGB 188 17 206

HSL 294.29, 0.85%, 0.44%

LAB 46.38, 79.26, -56.15

 

CMYK 0 / 100 / 0 / 99

HEX #020002

RGB 2 0 2

HSL 300, 1%, 0%

LAB 0.16, 0.8, -0.57

 

CMYK 9 / 92 / 0 / 79

HEX #300435

RGB 48 4 53

HSL 293.88, 0.86%, 0.11%

LAB 8.76, 29.1, -20.63

 

CMYK 9 / 91 / 0 / 59

HEX #5F0968

RGB 95 9 104

HSL 294.32, 0.84%, 0.22%

LAB 22.4, 47.17, -33.3

 

CMYK 9 / 92 / 0 / 39

HEX #8D0D9B

RGB 141 13 155

HSL 294.08, 0.85%, 0.33%

LAB 34.63, 63.71, -45.28

 

CMYK 9 / 92 / 0 / 19

HEX #BC11CE

RGB 188 17 206

HSL 294.29, 0.85%, 0.44%

LAB 46.38, 79.26, -56.15

 

CMYK 0 / 83 / 92 / 19

HEX #CF2310

RGB 207 35 16

HSL 5.97, 0.86%, 0.44%

LAB 44.95, 63.63, 53.23

 

CMYK 92 / 0 / 46 / 19

HEX #10CF70

RGB 16 207 112

HSL 150.16, 0.86%, 0.44%

LAB 73.48, -63.43, 35.43

 

CMYK 9 / 92 / 0 / 19

HEX #BC11CE

RGB 188 17 206

HSL 294.29, 0.85%, 0.44%

LAB 46.38, 79.26, -56.15

 

CMYK 0 / 9 / 92 / 19

HEX #CFBC10

RGB 207 188 16

HSL 54.03, 0.86%, 0.44%

LAB 75.62, -8.68, 75.29

 

CMYK 92 / 0 / 9 / 19

HEX #10CFBC

RGB 16 207 188

HSL 174.03, 0.86%, 0.44%

LAB 75.06, -46.09, -2.53

 

CMYK 9 / 92 / 0 / 19

HEX #BC11CE

RGB 188 17 206

HSL 294.29, 0.85%, 0.44%

LAB 46.38, 79.26, -56.15

 

CMYK 0 / 83 / 92 / 19

HEX #CF2310

RGB 207 35 16

HSL 5.97, 0.86%, 0.44%

LAB 44.95, 63.63, 53.23

 

CMYK 83 / 0 / 92 / 19

HEX #23CF10

RGB 35 207 16

HSL 114.03, 0.86%, 0.44%

LAB 72.91, -71.19, 69.65

 

CMYK 92 / 9 / 0 / 19

HEX #10BCCF

RGB 16 188 207

HSL 185.97, 0.86%, 0.44%

LAB 69.88, -31.8, -20.6

 

CMYK 9 / 92 / 0 / 19

HEX #BC11CE

RGB 188 17 206

HSL 294.29, 0.85%, 0.44%

LAB 46.38, 79.26, -56.15

 

CMYK 0 / 55 / 92 / 19

HEX #CF5D10

RGB 207 93 16

HSL 24.19, 0.86%, 0.44%

LAB 53.09, 41.63, 58.71

 

CMYK 83 / 0 / 92 / 19

HEX #23CF10

RGB 35 207 16

HSL 114.03, 0.86%, 0.44%

LAB 72.91, -71.19, 69.65

 

CMYK 92 / 37 / 0 / 19

HEX #1083CF

RGB 16 131 207

HSL 203.87, 0.86%, 0.44%

LAB 52.78, -1.11, -47.2

 

Description

Color code: HEX #BC11CE | qconv.com Color code: HEX #BC11CE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 17 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 17 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 92 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 92% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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