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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC01CD it is the complementary color #43FE32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC01CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC01CD shade: #C101C8, #D213DB, #E325EE, #F437FF and #FF49FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC01CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC01CD shade: #BC01CD, #AB00BA, #9A00A7, #890094 and #780081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC01CD shade: #BA01CB, #CB01A5, #CB016F, #CB0138 and #CB0102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC01CD shade: #BA01CB, #8401CB, #4D01CB, #1701CB and #0101CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC01CD shade matches the following richer shades: #BA01CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC01CD shade: #BA01CB, #AC12BA, #9F22AA, #913399 and #834389

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC01CD shade: #4E01CB, #8401CB, #BA01CB, #CB01A6 and #CB0170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC01CD shade: #6F0179, #9501A2, #BA01CB, #E001F4 and #EB21FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC01CD shade: #BC01CD, #CB1901 and #01CB69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC01CD shade: #BC01CD, #CBBA01 and #01CBBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC01CD shade: #BC01CD, #CB1901, #12CB01 and #01B3CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC01CD shade: #BC01CD, #CB5501, #12CB01 and #0177CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 100 / 0 / 20

HEX #BC01CD

RGB 188 1 205

HSL 295, 0.99%, 0.4%

LAB 45.8, 80.62, -56.5

 

Complementary color

CMYK 74 / 0 / 80 / 0

HEX #43FE32

RGB 67 254 50

HSL 115, 0.99%, 0.6%

LAB 88.12, -79.36, 76.32

 

CMYK 4 / 100 / 0 / 22

HEX #C101C8

RGB 193 1 200

HSL 297.89, 0.99%, 0.39%

LAB 46.35, 80.63, -52.67

 

CMYK 4 / 91 / 0 / 14

HEX #D213DB

RGB 210 19 219

HSL 297.3, 0.84%, 0.47%

LAB 51.02, 84.57, -55.96

 

CMYK 5 / 84 / 0 / 7

HEX #E325EE

RGB 227 37 238

HSL 296.72, 0.86%, 0.54%

LAB 55.91, 87.57, -58.69

 

CMYK 4 / 78 / 0 / 0

HEX #F437FF

RGB 244 55 255

HSL 296.7, 1%, 0.61%

LAB 60.94, 89.31, -59.94

 

CMYK 0 / 71 / 0 / 0

HEX #FF49FF

RGB 255 73 255

HSL 300, 1%, 0.64%

LAB 64.36, 86.49, -54.4

 

CMYK 8 / 100 / 0 / 20

HEX #BC01CD

RGB 188 1 205

HSL 295, 0.99%, 0.4%

LAB 45.8, 80.62, -56.5

 

CMYK 8 / 100 / 0 / 27

HEX #AB00BA

RGB 171 0 186

HSL 295.16, 1%, 0.36%

LAB 41.54, 75.14, -52.44

 

CMYK 8 / 100 / 0 / 35

HEX #9A00A7

RGB 154 0 167

HSL 295.33, 1%, 0.33%

LAB 37.23, 69.46, -48.24

 

CMYK 7 / 100 / 0 / 42

HEX #890094

RGB 137 0 148

HSL 295.54, 1%, 0.29%

LAB 32.82, 63.67, -43.95

 

CMYK 7 / 100 / 0 / 49

HEX #780081

RGB 120 0 129

HSL 295.81, 1%, 0.25%

LAB 28.32, 57.74, -39.55

 

CMYK 8 / 100 / 0 / 20

HEX #BA01CB

RGB 186 1 203

HSL 294.95, 0.99%, 0.4%

LAB 45.32, 80.01, -56.13

 

CMYK 0 / 100 / 19 / 20

HEX #CB01A5

RGB 203 1 165

HSL 311.29, 0.99%, 0.4%

LAB 46.22, 77.55, -32.18

 

CMYK 0 / 100 / 45 / 20

HEX #CB016F

RGB 203 1 111

HSL 327.33, 0.99%, 0.4%

LAB 44.04, 71.94, -2.6

 

CMYK 0 / 100 / 72 / 20

HEX #CB0138

RGB 203 1 56

HSL 343.66, 0.99%, 0.4%

LAB 42.77, 68.55, 30.11

 

CMYK 0 / 100 / 99 / 20

HEX #CB0102

RGB 203 1 2

HSL 359.7, 0.99%, 0.4%

LAB 42.34, 67.38, 55.91

 

CMYK 8 / 100 / 0 / 20

HEX #BA01CB

RGB 186 1 203

HSL 294.95, 0.99%, 0.4%

LAB 45.32, 80.01, -56.13

 

CMYK 35 / 100 / 0 / 20

HEX #8401CB

RGB 132 1 203

HSL 278.91, 0.99%, 0.4%

LAB 36.44, 72.87, -70.97

 

CMYK 62 / 100 / 0 / 20

HEX #4D01CB

RGB 77 1 203

HSL 262.57, 0.99%, 0.4%

LAB 29.19, 68.34, -83.2

 

CMYK 89 / 100 / 0 / 20

HEX #1701CB

RGB 23 1 203

HSL 246.53, 0.99%, 0.4%

LAB 25.31, 66.67, -89.76

 

CMYK 100 / 100 / 0 / 20

HEX #0101CB

RGB 1 1 203

HSL 240, 0.99%, 0.4%

LAB 24.76, 66.49, -90.69

 

CMYK 8 / 100 / 0 / 20

HEX #BA01CB

RGB 186 1 203

HSL 294.95, 0.99%, 0.4%

LAB 45.32, 80.01, -56.13

 

CMYK 8 / 100 / 0 / 20

HEX #BA01CB

RGB 186 1 203

HSL 294.95, 0.99%, 0.4%

LAB 45.32, 80.01, -56.13

 

CMYK 8 / 90 / 0 / 27

HEX #AC12BA

RGB 172 18 186

HSL 295, 0.82%, 0.4%

LAB 42.38, 73.31, -51.07

 

CMYK 6 / 80 / 0 / 33

HEX #9F22AA

RGB 159 34 170

HSL 295.15, 0.67%, 0.4%

LAB 40.27, 65.02, -45.09

 

CMYK 5 / 67 / 0 / 40

HEX #913399

RGB 145 51 153

HSL 295.29, 0.5%, 0.4%

LAB 39.05, 53.06, -36.97

 

CMYK 4 / 51 / 0 / 46

HEX #834389

RGB 131 67 137

HSL 294.86, 0.34%, 0.4%

LAB 38.98, 38.43, -27.49

 

CMYK 62 / 100 / 0 / 20

HEX #4E01CB

RGB 78 1 203

HSL 262.87, 0.99%, 0.4%

LAB 29.29, 68.4, -83.02

 

CMYK 35 / 100 / 0 / 20

HEX #8401CB

RGB 132 1 203

HSL 278.91, 0.99%, 0.4%

LAB 36.44, 72.87, -70.97

 

CMYK 8 / 100 / 0 / 20

HEX #BA01CB

RGB 186 1 203

HSL 294.95, 0.99%, 0.4%

LAB 45.32, 80.01, -56.13

 

CMYK 0 / 100 / 18 / 20

HEX #CB01A6

RGB 203 1 166

HSL 310.99, 0.99%, 0.4%

LAB 46.27, 77.68, -32.7

 

CMYK 0 / 100 / 45 / 20

HEX #CB0170

RGB 203 1 112

HSL 327.03, 0.99%, 0.4%

LAB 44.07, 72.03, -3.18

 

CMYK 8 / 99 / 0 / 53

HEX #6F0179

RGB 111 1 121

HSL 295, 0.98%, 0.24%

LAB 26.1, 54.7, -38.15

 

CMYK 8 / 99 / 0 / 36

HEX #9501A2

RGB 149 1 162

HSL 295.16, 0.99%, 0.32%

LAB 36.02, 67.74, -47.21

 

CMYK 8 / 100 / 0 / 20

HEX #BA01CB

RGB 186 1 203

HSL 294.95, 0.99%, 0.4%

LAB 45.32, 80.01, -56.13

 

CMYK 8 / 100 / 0 / 4

HEX #E001F4

RGB 224 1 244

HSL 295.06, 0.99%, 0.48%

LAB 54.45, 91.95, -64.43

 

CMYK 7 / 87 / 0 / 0

HEX #EB21FE

RGB 235 33 254

HSL 294.84, 0.99%, 0.56%

LAB 57.95, 92.01, -64.28

 

CMYK 8 / 100 / 0 / 20

HEX #BC01CD

RGB 188 1 205

HSL 295, 0.99%, 0.4%

LAB 45.8, 80.62, -56.5

 

CMYK 0 / 88 / 100 / 20

HEX #CB1901

RGB 203 25 1

HSL 7.13, 0.99%, 0.4%

LAB 43.35, 64.46, 56.65

 

CMYK 100 / 0 / 48 / 20

HEX #01CB69

RGB 1 203 105

HSL 150.89, 0.99%, 0.4%

LAB 72.05, -63.87, 37.1

 

CMYK 8 / 100 / 0 / 20

HEX #BC01CD

RGB 188 1 205

HSL 295, 0.99%, 0.4%

LAB 45.8, 80.62, -56.5

 

CMYK 0 / 8 / 100 / 20

HEX #CBBA01

RGB 203 186 1

HSL 54.95, 0.99%, 0.4%

LAB 74.71, -9.57, 76.14

 

CMYK 100 / 0 / 8 / 20

HEX #01CBBA

RGB 1 203 186

HSL 174.95, 0.99%, 0.4%

LAB 73.72, -45.4, -3.42

 

CMYK 8 / 100 / 0 / 20

HEX #BC01CD

RGB 188 1 205

HSL 295, 0.99%, 0.4%

LAB 45.8, 80.62, -56.5

 

CMYK 0 / 88 / 100 / 20

HEX #CB1901

RGB 203 25 1

HSL 7.13, 0.99%, 0.4%

LAB 43.35, 64.46, 56.65

 

CMYK 91 / 0 / 100 / 20

HEX #12CB01

RGB 18 203 1

HSL 114.95, 0.99%, 0.4%

LAB 71.45, -71.76, 70.05

 

CMYK 100 / 12 / 0 / 20

HEX #01B3CB

RGB 1 179 203

HSL 187.13, 0.99%, 0.4%

LAB 66.94, -29.19, -22.89

 

CMYK 8 / 100 / 0 / 20

HEX #BC01CD

RGB 188 1 205

HSL 295, 0.99%, 0.4%

LAB 45.8, 80.62, -56.5

 

CMYK 0 / 58 / 100 / 20

HEX #CB5501

RGB 203 85 1

HSL 24.95, 0.99%, 0.4%

LAB 50.92, 43.8, 60.37

 

CMYK 91 / 0 / 100 / 20

HEX #12CB01

RGB 18 203 1

HSL 114.95, 0.99%, 0.4%

LAB 71.45, -71.76, 70.05

 

CMYK 100 / 41 / 0 / 20

HEX #0177CB

RGB 1 119 203

HSL 204.95, 0.99%, 0.4%

LAB 48.9, 4.11, -51.12

 

Description

Color code: HEX #BC01CD | qconv.com Color code: HEX #BC01CD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 1 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 1 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 100 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 100% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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