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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBFEBC it is the complementary color #440143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBFEBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBFEBC shade: #C0FEB7, #D1FFCA, #E2FFDD, #F3FFF0 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBFEBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBFEBC shade: #BBFEBC, #AAECA9, #99DA96, #88C883 and #77B670

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBFEBC shade: #B9FEBA, #CAFEB9, #DDFEB9, #F0FEB9 and #FEFAB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBFEBC shade: #B9FEBA, #B9FECC, #B9FEDF, #B9FEF2 and #B9F7FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBFEBC shade matches the following richer shades: #B9FEBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBFEBC shade: #B9FEBA, #BEF8BF, #C4F2C5, #CAEDCB and #D0E7D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBFEBC shade: #DEFEB9, #CBFEB9, #B9FEB9, #B9FECB and #B9FEDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBFEBC shade: #67FD6A, #90FD92, #B9FEBA, #E1FFE2 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBFEBC shade: #BBFEBC, #B9F0FE and #FEB9D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBFEBC shade: #BBFEBC, #B9B9FE and #FEB9B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBFEBC shade: #BBFEBC, #B9F0FE, #FEB9FE and #FEC7B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBFEBC shade: #BBFEBC, #B9DBFE, #FEB9FE and #FEDBB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 26 / 0

HEX #BBFEBC

RGB 187 254 188

HSL 120.9, 0.97%, 0.86%

LAB 93.92, -33.24, 25.02

 

Complementary color

CMYK 0 / 99 / 1 / 73

HEX #440143

RGB 68 1 67

HSL 300.9, 0.97%, 0.14%

LAB 13.57, 37.43, -22.73

 

CMYK 24 / 0 / 28 / 0

HEX #C0FEB7

RGB 192 254 183

HSL 112.39, 0.97%, 0.86%

LAB 94.1, -32.42, 27.85

 

CMYK 18 / 0 / 21 / 0

HEX #D1FFCA

RGB 209 255 202

HSL 112.08, 1%, 0.9%

LAB 95.72, -24.26, 20.6

 

CMYK 11 / 0 / 13 / 0

HEX #E2FFDD

RGB 226 255 221

HSL 111.18, 1%, 0.93%

LAB 97.19, -15.46, 13.11

 

CMYK 5 / 0 / 6 / 0

HEX #F3FFF0

RGB 243 255 240

HSL 108, 1%, 0.97%

LAB 98.78, -6.57, 5.8

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 26 / 0 / 26 / 0

HEX #BBFEBC

RGB 187 254 188

HSL 120.9, 0.97%, 0.86%

LAB 93.92, -33.24, 25.02

 

CMYK 28 / 0 / 28 / 7

HEX #AAECA9

RGB 170 236 169

HSL 119.1, 0.64%, 0.79%

LAB 87.68, -33.46, 26.03

 

CMYK 30 / 0 / 31 / 15

HEX #99DA96

RGB 153 218 150

HSL 117.35, 0.48%, 0.72%

LAB 81.36, -33.69, 27.09

 

CMYK 32 / 0 / 35 / 22

HEX #88C883

RGB 136 200 131

HSL 115.65, 0.39%, 0.65%

LAB 74.94, -33.92, 28.21

 

CMYK 35 / 0 / 38 / 29

HEX #77B670

RGB 119 182 112

HSL 114, 0.32%, 0.58%

LAB 68.42, -34.15, 29.39

 

CMYK 27 / 0 / 27 / 0

HEX #B9FEBA

RGB 185 254 186

HSL 120.87, 0.97%, 0.86%

LAB 93.77, -34.2, 25.82

 

CMYK 20 / 0 / 27 / 0

HEX #CAFEB9

RGB 202 254 185

HSL 105.22, 0.97%, 0.86%

LAB 94.71, -28.81, 27.77

 

CMYK 13 / 0 / 27 / 0

HEX #DDFEB9

RGB 221 254 185

HSL 88.7, 0.97%, 0.86%

LAB 95.9, -22.3, 29.58

 

CMYK 6 / 0 / 27 / 0

HEX #F0FEB9

RGB 240 254 185

HSL 72.17, 0.97%, 0.86%

LAB 97.19, -15.55, 31.55

 

CMYK 0 / 2 / 27 / 0

HEX #FEFAB9

RGB 254 250 185

HSL 56.52, 0.97%, 0.86%

LAB 97.21, -8.48, 31.74

 

CMYK 27 / 0 / 27 / 0

HEX #B9FEBA

RGB 185 254 186

HSL 120.87, 0.97%, 0.86%

LAB 93.77, -34.2, 25.82

 

CMYK 27 / 0 / 20 / 0

HEX #B9FECC

RGB 185 254 204

HSL 136.52, 0.97%, 0.86%

LAB 94.12, -31.13, 17.13

 

CMYK 27 / 0 / 12 / 0

HEX #B9FEDF

RGB 185 254 223

HSL 153.04, 0.97%, 0.86%

LAB 94.54, -27.58, 7.96

 

CMYK 27 / 0 / 5 / 0

HEX #B9FEF2

RGB 185 254 242

HSL 169.57, 0.97%, 0.86%

LAB 95, -23.74, -1.17

 

CMYK 27 / 3 / 0 / 0

HEX #B9F7FE

RGB 185 247 254

HSL 186.09, 0.97%, 0.86%

LAB 93.45, -17.74, -9.66

 

CMYK 27 / 0 / 27 / 0

HEX #B9FEBA

RGB 185 254 186

HSL 120.87, 0.97%, 0.86%

LAB 93.77, -34.2, 25.82

 

CMYK 27 / 0 / 27 / 0

HEX #B9FEBA

RGB 185 254 186

HSL 120.87, 0.97%, 0.86%

LAB 93.77, -34.2, 25.82

 

CMYK 23 / 0 / 23 / 3

HEX #BEF8BF

RGB 190 248 191

HSL 121.03, 0.81%, 0.86%

LAB 92.51, -28.98, 21.57

 

CMYK 19 / 0 / 19 / 5

HEX #C4F2C5

RGB 196 242 197

HSL 121.3, 0.64%, 0.86%

LAB 91.36, -23.15, 16.94

 

CMYK 15 / 0 / 14 / 7

HEX #CAEDCB

RGB 202 237 203

HSL 121.71, 0.49%, 0.86%

LAB 90.52, -17.68, 12.71

 

CMYK 10 / 0 / 10 / 9

HEX #D0E7D0

RGB 208 231 208

HSL 120, 0.32%, 0.86%

LAB 89.45, -11.81, 8.62

 

CMYK 13 / 0 / 27 / 0

HEX #DEFEB9

RGB 222 254 185

HSL 87.83, 0.97%, 0.86%

LAB 95.96, -21.95, 29.68

 

CMYK 20 / 0 / 27 / 0

HEX #CBFEB9

RGB 203 254 185

HSL 104.35, 0.97%, 0.86%

LAB 94.77, -28.47, 27.86

 

CMYK 27 / 0 / 27 / 0

HEX #B9FEB9

RGB 185 254 185

HSL 120, 0.97%, 0.86%

LAB 93.75, -34.36, 26.3

 

CMYK 27 / 0 / 20 / 0

HEX #B9FECB

RGB 185 254 203

HSL 135.65, 0.97%, 0.86%

LAB 94.1, -31.3, 17.62

 

CMYK 27 / 0 / 13 / 0

HEX #B9FEDE

RGB 185 254 222

HSL 152.17, 0.97%, 0.86%

LAB 94.51, -27.77, 8.45

 

CMYK 59 / 0 / 58 / 1

HEX #67FD6A

RGB 103 253 106

HSL 121.2, 0.97%, 0.7%

LAB 89.01, -67.82, 57.49

 

CMYK 43 / 0 / 42 / 1

HEX #90FD92

RGB 144 253 146

HSL 121.1, 0.96%, 0.78%

LAB 90.9, -52.31, 41.58

 

CMYK 27 / 0 / 27 / 0

HEX #B9FEBA

RGB 185 254 186

HSL 120.87, 0.97%, 0.86%

LAB 93.77, -34.2, 25.82

 

CMYK 12 / 0 / 11 / 0

HEX #E1FFE2

RGB 225 255 226

HSL 122, 1%, 0.94%

LAB 97.24, -14.94, 10.6

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 26 / 0 / 26 / 0

HEX #BBFEBC

RGB 187 254 188

HSL 120.9, 0.97%, 0.86%

LAB 93.92, -33.24, 25.02

 

CMYK 27 / 6 / 0 / 0

HEX #B9F0FE

RGB 185 240 254

HSL 192.17, 0.97%, 0.86%

LAB 91.59, -14.26, -12.42

 

CMYK 0 / 27 / 17 / 0

HEX #FEB9D4

RGB 254 185 212

HSL 336.52, 0.97%, 0.86%

LAB 82.12, 28.82, -3.66

 

CMYK 26 / 0 / 26 / 0

HEX #BBFEBC

RGB 187 254 188

HSL 120.9, 0.97%, 0.86%

LAB 93.92, -33.24, 25.02

 

CMYK 27 / 27 / 0 / 0

HEX #B9B9FE

RGB 185 185 254

HSL 240, 0.97%, 0.86%

LAB 77.38, 14.77, -34

 

CMYK 0 / 27 / 27 / 0

HEX #FEB9B9

RGB 254 185 185

HSL 0, 0.97%, 0.86%

LAB 81.44, 24.94, 9.88

 

CMYK 26 / 0 / 26 / 0

HEX #BBFEBC

RGB 187 254 188

HSL 120.9, 0.97%, 0.86%

LAB 93.92, -33.24, 25.02

 

CMYK 27 / 6 / 0 / 0

HEX #B9F0FE

RGB 185 240 254

HSL 192.17, 0.97%, 0.86%

LAB 91.59, -14.26, -12.42

 

CMYK 0 / 27 / 0 / 0

HEX #FEB9FE

RGB 254 185 254

HSL 300, 0.97%, 0.86%

LAB 83.4, 35.85, -24.25

 

CMYK 0 / 22 / 27 / 0

HEX #FEC7B9

RGB 254 199 185

HSL 12.17, 0.97%, 0.86%

LAB 84.7, 17.6, 14.5

 

CMYK 26 / 0 / 26 / 0

HEX #BBFEBC

RGB 187 254 188

HSL 120.9, 0.97%, 0.86%

LAB 93.92, -33.24, 25.02

 

CMYK 27 / 14 / 0 / 0

HEX #B9DBFE

RGB 185 219 254

HSL 210.43, 0.97%, 0.86%

LAB 86.07, -3.49, -20.71

 

CMYK 0 / 27 / 0 / 0

HEX #FEB9FE

RGB 254 185 254

HSL 300, 0.97%, 0.86%

LAB 83.4, 35.85, -24.25

 

CMYK 0 / 14 / 27 / 0

HEX #FEDBB9

RGB 254 219 185

HSL 29.57, 0.97%, 0.86%

LAB 89.5, 7.2, 21.22

 

Description

Color code: HEX #BBFEBC | qconv.com Color code: HEX #BBFEBC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 254 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 254 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 26 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 26% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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