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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBF8BF it is the complementary color #440740. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBF8BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBF8BF shade: #C0F8BA, #D1FFCD, #E2FFE0, #F3FFF3 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBF8BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBF8BF shade: #BBF8BF, #AAE6AC, #99D499, #88C286 and #77B073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBF8BF shade: #BAF8BE, #C6F8BA, #D7F8BA, #E8F8BA and #F8F7BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBF8BF shade: #BAF8BE, #BAF8CF, #BAF8DF, #BAF8F0 and #BAEFF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBF8BF shade matches the following richer shades: #BAF8BE and #B4FEB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBF8BF shade: #BAF8BE, #C0F2C3, #C6EBC9, #CCE5CE and #D3DFD3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBF8BF shade: #D8F8BA, #C7F8BA, #BAF8BD, #BAF8CD and #BAF8DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBF8BF shade: #6FF078, #94F49B, #BAF8BE, #DFFCE1 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBF8BF shade: #BBF8BF, #BAE8F8 and #F8BACF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBF8BF shade: #BBF8BF, #BDBAF8 and #F8BDBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBF8BF shade: #BBF8BF, #BAE8F8, #F8BAF5 and #F8C9BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBF8BF shade: #BBF8BF, #BAD6F8, #F8BAF5 and #F8DCBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 23 / 3

HEX #BBF8BF

RGB 187 248 191

HSL 123.93, 0.81%, 0.85%

LAB 92.34, -29.95, 21.31

 

Complementary color

CMYK 0 / 90 / 6 / 73

HEX #440740

RGB 68 7 64

HSL 303.93, 0.81%, 0.15%

LAB 14.12, 34.67, -19.73

 

CMYK 23 / 0 / 25 / 3

HEX #C0F8BA

RGB 192 248 186

HSL 114.19, 0.82%, 0.85%

LAB 92.52, -29.15, 24.17

 

CMYK 18 / 0 / 20 / 0

HEX #D1FFCD

RGB 209 255 205

HSL 115.2, 1%, 0.9%

LAB 95.78, -23.77, 19.15

 

CMYK 11 / 0 / 12 / 0

HEX #E2FFE0

RGB 226 255 224

HSL 116.13, 1%, 0.94%

LAB 97.26, -14.95, 11.67

 

CMYK 5 / 0 / 5 / 0

HEX #F3FFF3

RGB 243 255 243

HSL 120, 1%, 0.98%

LAB 98.85, -6.05, 4.36

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 25 / 0 / 23 / 3

HEX #BBF8BF

RGB 187 248 191

HSL 123.93, 0.81%, 0.85%

LAB 92.34, -29.95, 21.31

 

CMYK 26 / 0 / 25 / 10

HEX #AAE6AC

RGB 170 230 172

HSL 122, 0.55%, 0.78%

LAB 86.07, -30.16, 22.27

 

CMYK 28 / 0 / 28 / 17

HEX #99D499

RGB 153 212 153

HSL 120, 0.41%, 0.72%

LAB 79.7, -30.38, 23.29

 

CMYK 30 / 0 / 31 / 24

HEX #88C286

RGB 136 194 134

HSL 118, 0.33%, 0.64%

LAB 73.25, -30.62, 24.36

 

CMYK 32 / 0 / 35 / 31

HEX #77B073

RGB 119 176 115

HSL 116.07, 0.28%, 0.57%

LAB 66.68, -30.86, 25.5

 

CMYK 25 / 0 / 23 / 3

HEX #BAF8BE

RGB 186 248 190

HSL 123.87, 0.82%, 0.85%

LAB 92.26, -30.44, 21.71

 

CMYK 20 / 0 / 25 / 3

HEX #C6F8BA

RGB 198 248 186

HSL 108.39, 0.82%, 0.85%

LAB 92.88, -27.16, 24.71

 

CMYK 13 / 0 / 25 / 3

HEX #D7F8BA

RGB 215 248 186

HSL 91.94, 0.82%, 0.85%

LAB 93.94, -21.36, 26.34

 

CMYK 6 / 0 / 25 / 3

HEX #E8F8BA

RGB 232 248 186

HSL 75.48, 0.82%, 0.85%

LAB 95.09, -15.35, 28.1

 

CMYK 0 / 0 / 25 / 3

HEX #F8F7BA

RGB 248 247 186

HSL 59.03, 0.82%, 0.85%

LAB 96.01, -9.06, 29.54

 

CMYK 25 / 0 / 23 / 3

HEX #BAF8BE

RGB 186 248 190

HSL 123.87, 0.82%, 0.85%

LAB 92.26, -30.44, 21.71

 

CMYK 25 / 0 / 17 / 3

HEX #BAF8CF

RGB 186 248 207

HSL 140.32, 0.82%, 0.85%

LAB 92.61, -27.45, 13.47

 

CMYK 25 / 0 / 10 / 3

HEX #BAF8DF

RGB 186 248 223

HSL 155.81, 0.82%, 0.85%

LAB 92.97, -24.41, 5.72

 

CMYK 25 / 0 / 3 / 3

HEX #BAF8F0

RGB 186 248 240

HSL 172.26, 0.82%, 0.85%

LAB 93.39, -20.96, -2.48

 

CMYK 25 / 4 / 0 / 3

HEX #BAEFF8

RGB 186 239 248

HSL 188.71, 0.82%, 0.85%

LAB 91.21, -14.8, -9.86

 

CMYK 25 / 0 / 23 / 3

HEX #BAF8BE

RGB 186 248 190

HSL 123.87, 0.82%, 0.85%

LAB 92.26, -30.44, 21.71

 

CMYK 29 / 0 / 28 / 0

HEX #B4FEB8

RGB 180 254 184

HSL 123.24, 0.97%, 0.85%

LAB 93.47, -36.1, 26.38

 

CMYK 25 / 0 / 23 / 3

HEX #BAF8BE

RGB 186 248 190

HSL 123.87, 0.82%, 0.85%

LAB 92.26, -30.44, 21.71

 

CMYK 21 / 0 / 19 / 5

HEX #C0F2C3

RGB 192 242 195

HSL 123.6, 0.66%, 0.85%

LAB 91.08, -24.8, 17.54

 

CMYK 16 / 0 / 14 / 8

HEX #C6EBC9

RGB 198 235 201

HSL 124.86, 0.48%, 0.85%

LAB 89.69, -18.38, 12.53

 

CMYK 11 / 0 / 10 / 10

HEX #CCE5CE

RGB 204 229 206

HSL 124.8, 0.32%, 0.85%

LAB 88.61, -12.5, 8.43

 

CMYK 5 / 0 / 5 / 13

HEX #D3DFD3

RGB 211 223 211

HSL 120, 0.16%, 0.85%

LAB 87.64, -6.2, 4.48

 

CMYK 13 / 0 / 25 / 3

HEX #D8F8BA

RGB 216 248 186

HSL 90.97, 0.82%, 0.85%

LAB 94, -21.01, 26.44

 

CMYK 20 / 0 / 25 / 3

HEX #C7F8BA

RGB 199 248 186

HSL 107.42, 0.82%, 0.85%

LAB 92.94, -26.83, 24.8

 

CMYK 25 / 0 / 24 / 3

HEX #BAF8BD

RGB 186 248 189

HSL 122.9, 0.82%, 0.85%

LAB 92.24, -30.6, 22.2

 

CMYK 25 / 0 / 17 / 3

HEX #BAF8CD

RGB 186 248 205

HSL 138.39, 0.82%, 0.85%

LAB 92.57, -27.81, 14.44

 

CMYK 25 / 0 / 10 / 3

HEX #BAF8DE

RGB 186 248 222

HSL 154.84, 0.82%, 0.85%

LAB 92.95, -24.61, 6.2

 

CMYK 54 / 0 / 50 / 6

HEX #6FF078

RGB 111 240 120

HSL 124.19, 0.81%, 0.69%

LAB 85.53, -59.52, 47.05

 

CMYK 39 / 0 / 36 / 4

HEX #94F49B

RGB 148 244 155

HSL 124.38, 0.81%, 0.77%

LAB 88.62, -46.04, 34.21

 

CMYK 25 / 0 / 23 / 3

HEX #BAF8BE

RGB 186 248 190

HSL 123.87, 0.82%, 0.85%

LAB 92.26, -30.44, 21.71

 

CMYK 12 / 0 / 11 / 1

HEX #DFFCE1

RGB 223 252 225

HSL 124.14, 0.83%, 0.93%

LAB 96.3, -14.3, 9.77

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 25 / 0 / 23 / 3

HEX #BBF8BF

RGB 187 248 191

HSL 123.93, 0.81%, 0.85%

LAB 92.34, -29.95, 21.31

 

CMYK 25 / 6 / 0 / 3

HEX #BAE8F8

RGB 186 232 248

HSL 195.48, 0.82%, 0.85%

LAB 89.36, -11.26, -12.61

 

CMYK 0 / 25 / 17 / 3

HEX #F8BACF

RGB 248 186 207

HSL 339.68, 0.82%, 0.85%

LAB 81.61, 25.44, -1.8

 

CMYK 25 / 0 / 23 / 3

HEX #BBF8BF

RGB 187 248 191

HSL 123.93, 0.81%, 0.85%

LAB 92.34, -29.95, 21.31

 

CMYK 24 / 25 / 0 / 3

HEX #BDBAF8

RGB 189 186 248

HSL 242.9, 0.82%, 0.85%

LAB 77.71, 13.98, -30.26

 

CMYK 0 / 24 / 25 / 3

HEX #F8BDBA

RGB 248 189 186

HSL 2.9, 0.82%, 0.85%

LAB 81.78, 20.78, 9.75

 

CMYK 25 / 0 / 23 / 3

HEX #BBF8BF

RGB 187 248 191

HSL 123.93, 0.81%, 0.85%

LAB 92.34, -29.95, 21.31

 

CMYK 25 / 6 / 0 / 3

HEX #BAE8F8

RGB 186 232 248

HSL 195.48, 0.82%, 0.85%

LAB 89.36, -11.26, -12.61

 

CMYK 0 / 25 / 1 / 3

HEX #F8BAF5

RGB 248 186 245

HSL 302.9, 0.82%, 0.85%

LAB 82.74, 31.79, -20.51

 

CMYK 0 / 19 / 25 / 3

HEX #F8C9BA

RGB 248 201 186

HSL 14.52, 0.82%, 0.85%

LAB 84.63, 14.47, 13.78

 

CMYK 25 / 0 / 23 / 3

HEX #BBF8BF

RGB 187 248 191

HSL 123.93, 0.81%, 0.85%

LAB 92.34, -29.95, 21.31

 

CMYK 25 / 14 / 0 / 3

HEX #BAD6F8

RGB 186 214 248

HSL 212.9, 0.82%, 0.85%

LAB 84.64, -1.95, -19.7

 

CMYK 0 / 25 / 1 / 3

HEX #F8BAF5

RGB 248 186 245

HSL 302.9, 0.82%, 0.85%

LAB 82.74, 31.79, -20.51

 

CMYK 0 / 11 / 25 / 3

HEX #F8DCBA

RGB 248 220 186

HSL 32.9, 0.82%, 0.85%

LAB 89.25, 4.59, 20.26

 

Description

Color code: HEX #BBF8BF | qconv.com Color code: HEX #BBF8BF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 248 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 248 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 23 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 23% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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