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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBE753 it is the complementary color #4418AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBE753. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBE753 shade: #C0E74E, #D1F961, #E2FF74, #F3FF87 and #FFFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBE753. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBE753 shade: #BBE753, #AAD540, #99C32D, #88B11A and #779F07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBE753 shade: #BCE854, #E4E854, #E8C454, #E89C54 and #E87554

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBE753 shade: #BCE854, #94E854, #6DE854, #54E864 and #54E88C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBE753 shade matches the following richer shades: #BCE854 and #C2F745

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBE753 shade: #BCE854, #B6D864, #AFC874, #A9B983 and #A3A993

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBE753 shade: #E8C354, #E5E854, #BEE854, #97E854 and #6FE854

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBE753 shade: #99CE1C, #AEE330, #BCE854, #CAED79 and #D8F29D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBE753 shade: #BBE753, #54E89C and #D754E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBE753 shade: #BBE753, #54BEE8 and #E854BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBE753 shade: #BBE753, #54E89C, #7E54E8 and #E854A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBE753 shade: #BBE753, #54E8C8, #7E54E8 and #E85474

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 64 / 9

HEX #BBE753

RGB 187 231 83

HSL 77.84, 0.76%, 0.62%

LAB 86.18, -35.1, 64.98

 

Complementary color

CMYK 60 / 86 / 0 / 33

HEX #4418AC

RGB 68 24 172

HSL 257.84, 0.76%, 0.38%

LAB 26.33, 54.8, -69.57

 

CMYK 17 / 0 / 66 / 9

HEX #C0E74E

RGB 192 231 78

HSL 75.29, 0.76%, 0.61%

LAB 86.46, -33.51, 67.33

 

CMYK 16 / 0 / 61 / 2

HEX #D1F961

RGB 209 249 97

HSL 75.79, 0.93%, 0.68%

LAB 92.65, -33.92, 66.71

 

CMYK 11 / 0 / 55 / 0

HEX #E2FF74

RGB 226 255 116

HSL 72.52, 1%, 0.73%

LAB 95.56, -28.73, 62.22

 

CMYK 5 / 0 / 47 / 0

HEX #F3FF87

RGB 243 255 135

HSL 66, 1%, 0.76%

LAB 96.95, -20.56, 55.59

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF9A

RGB 255 255 154

HSL 60, 1%, 0.8%

LAB 98.08, -14.13, 48.19

 

CMYK 19 / 0 / 64 / 9

HEX #BBE753

RGB 187 231 83

HSL 77.84, 0.76%, 0.62%

LAB 86.18, -35.1, 64.98

 

CMYK 20 / 0 / 70 / 16

HEX #AAD540

RGB 170 213 64

HSL 77.32, 0.64%, 0.54%

LAB 79.9, -34.66, 65.42

 

CMYK 22 / 0 / 77 / 24

HEX #99C32D

RGB 153 195 45

HSL 76.8, 0.63%, 0.47%

LAB 73.54, -34.08, 65.32

 

CMYK 23 / 0 / 85 / 31

HEX #88B11A

RGB 136 177 26

HSL 76.29, 0.74%, 0.4%

LAB 67.09, -33.32, 64.31

 

CMYK 25 / 0 / 96 / 38

HEX #779F07

RGB 119 159 7

HSL 75.79, 0.92%, 0.33%

LAB 60.55, -32.32, 61.86

 

CMYK 19 / 0 / 64 / 9

HEX #BCE854

RGB 188 232 84

HSL 77.84, 0.76%, 0.62%

LAB 86.53, -35.1, 64.98

 

CMYK 2 / 0 / 64 / 9

HEX #E4E854

RGB 228 232 84

HSL 61.62, 0.76%, 0.62%

LAB 89.32, -19.29, 68.77

 

CMYK 0 / 16 / 64 / 9

HEX #E8C454

RGB 232 196 84

HSL 45.41, 0.76%, 0.62%

LAB 80.33, 0.46, 59.33

 

CMYK 0 / 33 / 64 / 9

HEX #E89C54

RGB 232 156 84

HSL 29.19, 0.76%, 0.62%

LAB 70.58, 21.56, 48.45

 

CMYK 0 / 50 / 64 / 9

HEX #E87554

RGB 232 117 84

HSL 13.38, 0.76%, 0.62%

LAB 62.1, 41.89, 38.49

 

CMYK 19 / 0 / 64 / 9

HEX #BCE854

RGB 188 232 84

HSL 77.84, 0.76%, 0.62%

LAB 86.53, -35.1, 64.98

 

CMYK 36 / 0 / 64 / 9

HEX #94E854

RGB 148 232 84

HSL 94.05, 0.76%, 0.62%

LAB 84.3, -49.49, 61.93

 

CMYK 53 / 0 / 64 / 9

HEX #6DE854

RGB 109 232 84

HSL 109.86, 0.76%, 0.62%

LAB 82.7, -61.14, 59.72

 

CMYK 64 / 0 / 57 / 9

HEX #54E864

RGB 84 232 100

HSL 126.49, 0.76%, 0.62%

LAB 82.12, -65.18, 51.98

 

CMYK 64 / 0 / 40 / 9

HEX #54E88C

RGB 84 232 140

HSL 142.7, 0.76%, 0.62%

LAB 82.64, -59.29, 33.44

 

CMYK 19 / 0 / 64 / 9

HEX #BCE854

RGB 188 232 84

HSL 77.84, 0.76%, 0.62%

LAB 86.53, -35.1, 64.98

 

CMYK 21 / 0 / 72 / 3

HEX #C2F745

RGB 194 247 69

HSL 77.87, 0.92%, 0.62%

LAB 90.97, -40.47, 75.11

 

CMYK 19 / 0 / 64 / 9

HEX #BCE854

RGB 188 232 84

HSL 77.84, 0.76%, 0.62%

LAB 86.53, -35.1, 64.98

 

CMYK 16 / 0 / 54 / 15

HEX #B6D864

RGB 182 216 100

HSL 77.59, 0.6%, 0.62%

LAB 81.83, -28.68, 52.74

 

CMYK 13 / 0 / 42 / 22

HEX #AFC874

RGB 175 200 116

HSL 77.86, 0.43%, 0.62%

LAB 77.09, -21.98, 39.17

 

CMYK 9 / 0 / 29 / 27

HEX #A9B983

RGB 169 185 131

HSL 77.78, 0.28%, 0.62%

LAB 72.74, -14.78, 25.63

 

CMYK 4 / 0 / 13 / 34

HEX #A3A993

RGB 163 169 147

HSL 76.36, 0.11%, 0.62%

LAB 68.22, -6.14, 10.63

 

CMYK 0 / 16 / 64 / 9

HEX #E8C354

RGB 232 195 84

HSL 45, 0.76%, 0.62%

LAB 80.08, 0.98, 59.05

 

CMYK 1 / 0 / 64 / 9

HEX #E5E854

RGB 229 232 84

HSL 61.22, 0.76%, 0.62%

LAB 89.4, -18.88, 68.88

 

CMYK 18 / 0 / 64 / 9

HEX #BEE854

RGB 190 232 84

HSL 77.03, 0.76%, 0.62%

LAB 86.65, -34.34, 65.15

 

CMYK 35 / 0 / 64 / 9

HEX #97E854

RGB 151 232 84

HSL 92.84, 0.76%, 0.62%

LAB 84.45, -48.48, 62.13

 

CMYK 52 / 0 / 64 / 9

HEX #6FE854

RGB 111 232 84

HSL 109.05, 0.76%, 0.62%

LAB 82.77, -60.61, 59.82

 

CMYK 26 / 0 / 86 / 19

HEX #99CE1C

RGB 153 206 28

HSL 77.87, 0.76%, 0.46%

LAB 76.68, -39.67, 72.43

 

CMYK 23 / 0 / 79 / 11

HEX #AEE330

RGB 174 227 48

HSL 77.77, 0.76%, 0.54%

LAB 84.04, -40.21, 74.56

 

CMYK 19 / 0 / 64 / 9

HEX #BCE854

RGB 188 232 84

HSL 77.84, 0.76%, 0.62%

LAB 86.53, -35.1, 64.98

 

CMYK 15 / 0 / 49 / 7

HEX #CAED79

RGB 202 237 121

HSL 78.1, 0.76%, 0.7%

LAB 89.16, -28.96, 52.03

 

CMYK 11 / 0 / 35 / 5

HEX #D8F29D

RGB 216 242 157

HSL 78.35, 0.77%, 0.78%

LAB 91.93, -22.08, 38.26

 

CMYK 19 / 0 / 64 / 9

HEX #BBE753

RGB 187 231 83

HSL 77.84, 0.76%, 0.62%

LAB 86.18, -35.1, 64.98

 

CMYK 64 / 0 / 33 / 9

HEX #54E89C

RGB 84 232 156

HSL 149.19, 0.76%, 0.62%

LAB 82.91, -56.35, 25.66

 

CMYK 7 / 64 / 0 / 9

HEX #D754E8

RGB 215 84 232

HSL 293.11, 0.76%, 0.62%

LAB 58.62, 70.26, -51.12

 

CMYK 19 / 0 / 64 / 9

HEX #BBE753

RGB 187 231 83

HSL 77.84, 0.76%, 0.62%

LAB 86.18, -35.1, 64.98

 

CMYK 64 / 18 / 0 / 9

HEX #54BEE8

RGB 84 190 232

HSL 197.03, 0.76%, 0.62%

LAB 72.59, -17.96, -29.97

 

CMYK 0 / 64 / 18 / 9

HEX #E854BE

RGB 232 84 190

HSL 317.03, 0.76%, 0.62%

LAB 59.17, 67.81, -26.28

 

CMYK 19 / 0 / 64 / 9

HEX #BBE753

RGB 187 231 83

HSL 77.84, 0.76%, 0.62%

LAB 86.18, -35.1, 64.98

 

CMYK 64 / 0 / 33 / 9

HEX #54E89C

RGB 84 232 156

HSL 149.19, 0.76%, 0.62%

LAB 82.91, -56.35, 25.66

 

CMYK 46 / 64 / 0 / 9

HEX #7E54E8

RGB 126 84 232

HSL 257.03, 0.76%, 0.62%

LAB 47.76, 51.18, -69.15

 

CMYK 0 / 64 / 31 / 9

HEX #E854A1

RGB 232 84 161

HSL 328.78, 0.76%, 0.62%

LAB 58.1, 64.08, -11.16

 

CMYK 19 / 0 / 64 / 9

HEX #BBE753

RGB 187 231 83

HSL 77.84, 0.76%, 0.62%

LAB 86.18, -35.1, 64.98

 

CMYK 64 / 0 / 14 / 9

HEX #54E8C8

RGB 84 232 200

HSL 167.03, 0.76%, 0.62%

LAB 83.84, -46.71, 4.01

 

CMYK 46 / 64 / 0 / 9

HEX #7E54E8

RGB 126 84 232

HSL 257.03, 0.76%, 0.62%

LAB 47.76, 51.18, -69.15

 

CMYK 0 / 64 / 50 / 9

HEX #E85474

RGB 232 84 116

HSL 347.03, 0.76%, 0.62%

LAB 56.84, 59.49, 13.4

 

Description

Color code: HEX #BBE753 | qconv.com Color code: HEX #BBE753 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 231 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 231 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 64 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 64% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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