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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBE57C it is the complementary color #441A83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBE57C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBE57C shade: #C0E577, #D1F78A, #E2FF9D, #F3FFB0 and #FFFFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBE57C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBE57C shade: #BBE57C, #AAD369, #99C156, #88AF43 and #779D30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBE57C shade: #BBE57B, #D7E57B, #E5D67B, #E5BA7B and #E59D7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBE57C shade: #BBE57B, #9EE57B, #81E57B, #7BE591 and #7BE5AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBE57C shade matches the following richer shades: #BBE57B, #BDF26E and #C0FE61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBE57C shade: #BBE57B, #B8D888, #B5CB95, #B3BFA1 and #B0B2AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBE57C shade: #E5D77B, #D7E57B, #BBE57B, #9EE57B and #82E57B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBE57C shade: #97D736, #A9DE59, #BBE57B, #CCEC9D and #DEF3C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBE57C shade: #BBE57C, #7BE5BB and #E57BE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBE57C shade: #BBE57C, #7BBBE5 and #E57BBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBE57C shade: #BBE57C, #7BE5BB, #A57BE5 and #E57BA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBE57C shade: #BBE57C, #7BE5DA, #A57BE5 and #E57B86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 46 / 10

HEX #BBE57C

RGB 187 229 124

HSL 84, 0.67%, 0.69%

LAB 86.04, -30.48, 46.57

 

Complementary color

CMYK 48 / 80 / 0 / 49

HEX #441A83

RGB 68 26 131

HSL 264, 0.67%, 0.31%

LAB 22.33, 42.88, -50.94

 

CMYK 16 / 0 / 48 / 10

HEX #C0E577

RGB 192 229 119

HSL 80.18, 0.68%, 0.68%

LAB 86.29, -29.15, 49.35

 

CMYK 15 / 0 / 44 / 3

HEX #D1F78A

RGB 209 247 138

HSL 80.92, 0.87%, 0.75%

LAB 92.54, -29.26, 48.23

 

CMYK 11 / 0 / 38 / 0

HEX #E2FF9D

RGB 226 255 157

HSL 77.76, 1%, 0.81%

LAB 96.05, -24.63, 43.73

 

CMYK 5 / 0 / 31 / 0

HEX #F3FFB0

RGB 243 255 176

HSL 69.11, 1%, 0.85%

LAB 97.51, -16.11, 36.51

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 18 / 0 / 46 / 10

HEX #BBE57C

RGB 187 229 124

HSL 84, 0.67%, 0.69%

LAB 86.04, -30.48, 46.57

 

CMYK 19 / 0 / 50 / 17

HEX #AAD369

RGB 170 211 105

HSL 83.21, 0.55%, 0.62%

LAB 79.7, -30.4, 47.7

 

CMYK 21 / 0 / 55 / 24

HEX #99C156

RGB 153 193 86

HSL 82.43, 0.46%, 0.55%

LAB 73.27, -30.26, 48.79

 

CMYK 22 / 0 / 62 / 31

HEX #88AF43

RGB 136 175 67

HSL 81.67, 0.45%, 0.47%

LAB 66.75, -30.05, 49.75

 

CMYK 24 / 0 / 69 / 38

HEX #779D30

RGB 119 157 48

HSL 80.92, 0.53%, 0.4%

LAB 60.11, -29.7, 50.41

 

CMYK 18 / 0 / 46 / 10

HEX #BBE57B

RGB 187 229 123

HSL 83.77, 0.67%, 0.69%

LAB 86.02, -30.59, 47.04

 

CMYK 6 / 0 / 46 / 10

HEX #D7E57B

RGB 215 229 123

HSL 67.92, 0.67%, 0.69%

LAB 87.93, -19.96, 49.8

 

CMYK 0 / 7 / 46 / 10

HEX #E5D67B

RGB 229 214 123

HSL 51.51, 0.67%, 0.69%

LAB 85.09, -6.96, 46.57

 

CMYK 0 / 19 / 46 / 10

HEX #E5BA7B

RGB 229 186 123

HSL 35.66, 0.67%, 0.69%

LAB 78, 7.54, 37.68

 

CMYK 0 / 31 / 46 / 10

HEX #E59D7B

RGB 229 157 123

HSL 19.25, 0.67%, 0.69%

LAB 71.01, 22.98, 28.61

 

CMYK 18 / 0 / 46 / 10

HEX #BBE57B

RGB 187 229 123

HSL 83.77, 0.67%, 0.69%

LAB 86.02, -30.59, 47.04

 

CMYK 31 / 0 / 46 / 10

HEX #9EE57B

RGB 158 229 123

HSL 100.19, 0.67%, 0.69%

LAB 84.35, -40.84, 44.59

 

CMYK 44 / 0 / 46 / 10

HEX #81E57B

RGB 129 229 123

HSL 116.6, 0.67%, 0.69%

LAB 82.99, -49.96, 42.59

 

CMYK 46 / 0 / 37 / 10

HEX #7BE591

RGB 123 229 145

HSL 132.45, 0.67%, 0.69%

LAB 83.07, -48.32, 31.7

 

CMYK 46 / 0 / 24 / 10

HEX #7BE5AE

RGB 123 229 174

HSL 148.87, 0.67%, 0.69%

LAB 83.6, -43.04, 17.48

 

CMYK 18 / 0 / 46 / 10

HEX #BBE57B

RGB 187 229 123

HSL 83.77, 0.67%, 0.69%

LAB 86.02, -30.59, 47.04

 

CMYK 22 / 0 / 55 / 5

HEX #BDF26E

RGB 189 242 110

HSL 84.09, 0.84%, 0.69%

LAB 89.6, -37.14, 57.38

 

CMYK 24 / 0 / 62 / 0

HEX #C0FE61

RGB 192 254 97

HSL 83.69, 0.99%, 0.69%

LAB 92.99, -42.47, 66.78

 

CMYK 18 / 0 / 46 / 10

HEX #BBE57B

RGB 187 229 123

HSL 83.77, 0.67%, 0.69%

LAB 86.02, -30.59, 47.04

 

CMYK 15 / 0 / 37 / 15

HEX #B8D888

RGB 184 216 136

HSL 84, 0.51%, 0.69%

LAB 82.42, -23.95, 36.02

 

CMYK 11 / 0 / 27 / 20

HEX #B5CB95

RGB 181 203 149

HSL 84.44, 0.34%, 0.69%

LAB 78.87, -16.83, 24.54

 

CMYK 6 / 0 / 16 / 25

HEX #B3BFA1

RGB 179 191 161

HSL 84, 0.19%, 0.69%

LAB 75.71, -9.53, 13.75

 

CMYK 1 / 0 / 2 / 30

HEX #B0B2AE

RGB 176 178 174

HSL 90, 0.03%, 0.69%

LAB 72.31, -1.45, 1.79

 

CMYK 0 / 6 / 46 / 10

HEX #E5D77B

RGB 229 215 123

HSL 52.08, 0.67%, 0.69%

LAB 85.35, -7.47, 46.89

 

CMYK 6 / 0 / 46 / 10

HEX #D7E57B

RGB 215 229 123

HSL 67.92, 0.67%, 0.69%

LAB 87.93, -19.96, 49.8

 

CMYK 18 / 0 / 46 / 10

HEX #BBE57B

RGB 187 229 123

HSL 83.77, 0.67%, 0.69%

LAB 86.02, -30.59, 47.04

 

CMYK 31 / 0 / 46 / 10

HEX #9EE57B

RGB 158 229 123

HSL 100.19, 0.67%, 0.69%

LAB 84.35, -40.84, 44.59

 

CMYK 43 / 0 / 46 / 10

HEX #82E57B

RGB 130 229 123

HSL 116.04, 0.67%, 0.69%

LAB 83.03, -49.67, 42.66

 

CMYK 30 / 0 / 75 / 16

HEX #97D736

RGB 151 215 54

HSL 83.85, 0.67%, 0.53%

LAB 79.3, -43.3, 67.88

 

CMYK 24 / 0 / 60 / 13

HEX #A9DE59

RGB 169 222 89

HSL 83.91, 0.67%, 0.61%

LAB 82.59, -37.34, 58.29

 

CMYK 18 / 0 / 46 / 10

HEX #BBE57B

RGB 187 229 123

HSL 83.77, 0.67%, 0.69%

LAB 86.02, -30.59, 47.04

 

CMYK 14 / 0 / 33 / 7

HEX #CCEC9D

RGB 204 236 157

HSL 84.3, 0.68%, 0.77%

LAB 89.52, -23.56, 34.95

 

CMYK 9 / 0 / 21 / 5

HEX #DEF3C0

RGB 222 243 192

HSL 84.71, 0.68%, 0.85%

LAB 93.21, -15.58, 22.34

 

CMYK 18 / 0 / 46 / 10

HEX #BBE57C

RGB 187 229 124

HSL 84, 0.67%, 0.69%

LAB 86.04, -30.48, 46.57

 

CMYK 46 / 0 / 18 / 10

HEX #7BE5BB

RGB 123 229 187

HSL 156.23, 0.67%, 0.69%

LAB 83.88, -40.37, 11.06

 

CMYK 0 / 46 / 0 / 10

HEX #E57BE5

RGB 229 123 229

HSL 300, 0.67%, 0.69%

LAB 66.89, 55.67, -36.31

 

CMYK 18 / 0 / 46 / 10

HEX #BBE57C

RGB 187 229 124

HSL 84, 0.67%, 0.69%

LAB 86.04, -30.48, 46.57

 

CMYK 46 / 18 / 0 / 10

HEX #7BBBE5

RGB 123 187 229

HSL 203.77, 0.67%, 0.69%

LAB 73.16, -9.36, -27.33

 

CMYK 0 / 46 / 18 / 10

HEX #E57BBB

RGB 229 123 187

HSL 323.77, 0.67%, 0.69%

LAB 65.29, 48.8, -15.28

 

CMYK 18 / 0 / 46 / 10

HEX #BBE57C

RGB 187 229 124

HSL 84, 0.67%, 0.69%

LAB 86.04, -30.48, 46.57

 

CMYK 46 / 0 / 18 / 10

HEX #7BE5BB

RGB 123 229 187

HSL 156.23, 0.67%, 0.69%

LAB 83.88, -40.37, 11.06

 

CMYK 28 / 46 / 0 / 10

HEX #A57BE5

RGB 165 123 229

HSL 263.77, 0.67%, 0.69%

LAB 59.73, 37.82, -48.05

 

CMYK 0 / 46 / 28 / 10

HEX #E57BA5

RGB 229 123 165

HSL 336.23, 0.67%, 0.69%

LAB 64.6, 45.7, -3.85

 

CMYK 18 / 0 / 46 / 10

HEX #BBE57C

RGB 187 229 124

HSL 84, 0.67%, 0.69%

LAB 86.04, -30.48, 46.57

 

CMYK 46 / 0 / 5 / 10

HEX #7BE5DA

RGB 123 229 218

HSL 173.77, 0.67%, 0.69%

LAB 84.64, -33.32, -4.17

 

CMYK 28 / 46 / 0 / 10

HEX #A57BE5

RGB 165 123 229

HSL 263.77, 0.67%, 0.69%

LAB 59.73, 37.82, -48.05

 

CMYK 0 / 46 / 41 / 10

HEX #E57B86

RGB 229 123 134

HSL 353.77, 0.67%, 0.69%

LAB 63.79, 41.98, 12.65

 

Description

Color code: HEX #BBE57C | qconv.com Color code: HEX #BBE57C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 229 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 229 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 46 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 46% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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