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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBE461 it is the complementary color #441B9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBE461. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBE461 shade: #C0E45C, #D1F66F, #E2FF82, #F3FF95 and #FFFFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBE461. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBE461 shade: #BBE461, #AAD24E, #99C03B, #88AE28 and #779C15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBE461 shade: #BCE462, #DFE462, #E4C762, #E4A462 and #E48162

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBE461 shade: #BCE462, #98E462, #75E462, #62E472 and #62E495

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBE461 shade matches the following richer shades: #BCE462 and #C1F353

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBE461 shade: #BCE462, #B6D671, #B0C780, #ABB88F and #A5A99D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBE461 shade: #E4C662, #E0E462, #BDE462, #9BE462 and #78E462

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBE461 shade: #9AD123, #ACDE3F, #BCE462, #CBEA85 and #DAF0A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBE461 shade: #BBE461, #62E4A3 and #D762E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBE461 shade: #BBE461, #62BDE4 and #E462BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBE461 shade: #BBE461, #62E4A3, #8962E4 and #E462A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBE461 shade: #BBE461, #62E4CA, #8962E4 and #E4627C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 57 / 11

HEX #BBE461

RGB 187 228 97

HSL 78.78, 0.71%, 0.64%

LAB 85.46, -32.64, 58.34

 

Complementary color

CMYK 57 / 83 / 0 / 38

HEX #441B9E

RGB 68 27 158

HSL 258.78, 0.71%, 0.36%

LAB 25.2, 49.85, -62.95

 

CMYK 16 / 0 / 60 / 11

HEX #C0E45C

RGB 192 228 92

HSL 75.88, 0.72%, 0.63%

LAB 85.74, -31.13, 60.9

 

CMYK 15 / 0 / 55 / 4

HEX #D1F66F

RGB 209 246 111

HSL 76.44, 0.88%, 0.7%

LAB 91.96, -31.43, 59.98

 

CMYK 11 / 0 / 49 / 0

HEX #E2FF82

RGB 226 255 130

HSL 73.92, 1%, 0.75%

LAB 95.71, -27.49, 56.11

 

CMYK 5 / 0 / 42 / 0

HEX #F3FF95

RGB 243 255 149

HSL 66.79, 1%, 0.79%

LAB 97.12, -19.19, 49.2

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 18 / 0 / 57 / 11

HEX #BBE461

RGB 187 228 97

HSL 78.78, 0.71%, 0.64%

LAB 85.46, -32.64, 58.34

 

CMYK 19 / 0 / 63 / 18

HEX #AAD24E

RGB 170 210 78

HSL 78.18, 0.59%, 0.56%

LAB 79.15, -32.34, 59.18

 

CMYK 20 / 0 / 69 / 25

HEX #99C03B

RGB 153 192 59

HSL 77.59, 0.53%, 0.49%

LAB 72.75, -31.93, 59.72

 

CMYK 22 / 0 / 77 / 32

HEX #88AE28

RGB 136 174 40

HSL 77.01, 0.63%, 0.42%

LAB 66.26, -31.36, 59.71

 

CMYK 24 / 0 / 87 / 39

HEX #779C15

RGB 119 156 21

HSL 76.44, 0.76%, 0.35%

LAB 59.66, -30.58, 58.69

 

CMYK 18 / 0 / 57 / 11

HEX #BCE462

RGB 188 228 98

HSL 78.46, 0.71%, 0.64%

LAB 85.53, -32.18, 58.01

 

CMYK 2 / 0 / 57 / 11

HEX #DFE462

RGB 223 228 98

HSL 62.31, 0.71%, 0.64%

LAB 88, -18.44, 61.45

 

CMYK 0 / 13 / 57 / 11

HEX #E4C762

RGB 228 199 98

HSL 46.62, 0.71%, 0.64%

LAB 80.86, -1.81, 53.48

 

CMYK 0 / 28 / 57 / 11

HEX #E4A462

RGB 228 164 98

HSL 30.46, 0.71%, 0.64%

LAB 72.18, 16.63, 43.23

 

CMYK 0 / 43 / 57 / 11

HEX #E48162

RGB 228 129 98

HSL 14.31, 0.71%, 0.64%

LAB 64.22, 35.2, 33.39

 

CMYK 18 / 0 / 57 / 11

HEX #BCE462

RGB 188 228 98

HSL 78.46, 0.71%, 0.64%

LAB 85.53, -32.18, 58.01

 

CMYK 33 / 0 / 57 / 11

HEX #98E462

RGB 152 228 98

HSL 95.08, 0.71%, 0.64%

LAB 83.47, -45.2, 55.1

 

CMYK 49 / 0 / 57 / 11

HEX #75E462

RGB 117 228 98

HSL 111.23, 0.71%, 0.64%

LAB 81.92, -56.05, 52.91

 

CMYK 57 / 0 / 50 / 11

HEX #62E472

RGB 98 228 114

HSL 127.38, 0.71%, 0.64%

LAB 81.46, -58.91, 44.78

 

CMYK 57 / 0 / 35 / 11

HEX #62E495

RGB 98 228 149

HSL 143.54, 0.71%, 0.64%

LAB 81.98, -53.3, 28.05

 

CMYK 18 / 0 / 57 / 11

HEX #BCE462

RGB 188 228 98

HSL 78.46, 0.71%, 0.64%

LAB 85.53, -32.18, 58.01

 

CMYK 21 / 0 / 66 / 5

HEX #C1F353

RGB 193 243 83

HSL 78.75, 0.87%, 0.64%

LAB 89.89, -38.24, 69

 

CMYK 18 / 0 / 57 / 11

HEX #BCE462

RGB 188 228 98

HSL 78.46, 0.71%, 0.64%

LAB 85.53, -32.18, 58.01

 

CMYK 15 / 0 / 47 / 16

HEX #B6D671

RGB 182 214 113

HSL 79.01, 0.55%, 0.64%

LAB 81.42, -26.44, 46.13

 

CMYK 12 / 0 / 36 / 22

HEX #B0C780

RGB 176 199 128

HSL 79.44, 0.39%, 0.64%

LAB 77.06, -19.62, 33.02

 

CMYK 7 / 0 / 22 / 28

HEX #ABB88F

RGB 171 184 143

HSL 79.02, 0.22%, 0.64%

LAB 72.84, -11.73, 19.37

 

CMYK 2 / 0 / 7 / 34

HEX #A5A99D

RGB 165 169 157

HSL 80, 0.07%, 0.64%

LAB 68.61, -3.65, 5.69

 

CMYK 0 / 13 / 57 / 11

HEX #E4C662

RGB 228 198 98

HSL 46.15, 0.71%, 0.64%

LAB 80.61, -1.29, 53.18

 

CMYK 2 / 0 / 57 / 11

HEX #E0E462

RGB 224 228 98

HSL 61.85, 0.71%, 0.64%

LAB 88.07, -18.04, 61.55

 

CMYK 17 / 0 / 57 / 11

HEX #BDE462

RGB 189 228 98

HSL 78, 0.71%, 0.64%

LAB 85.6, -31.8, 58.1

 

CMYK 32 / 0 / 57 / 11

HEX #9BE462

RGB 155 228 98

HSL 93.69, 0.71%, 0.64%

LAB 83.62, -44.18, 55.31

 

CMYK 47 / 0 / 57 / 11

HEX #78E462

RGB 120 228 98

HSL 109.85, 0.71%, 0.64%

LAB 82.03, -55.21, 53.07

 

CMYK 26 / 0 / 83 / 18

HEX #9AD123

RGB 154 209 35

HSL 78.97, 0.71%, 0.48%

LAB 77.63, -40.39, 71.74

 

CMYK 23 / 0 / 72 / 13

HEX #ACDE3F

RGB 172 222 63

HSL 78.87, 0.71%, 0.56%

LAB 82.58, -38.02, 68.47

 

CMYK 18 / 0 / 57 / 11

HEX #BCE462

RGB 188 228 98

HSL 78.46, 0.71%, 0.64%

LAB 85.53, -32.18, 58.01

 

CMYK 13 / 0 / 43 / 8

HEX #CBEA85

RGB 203 234 133

HSL 78.42, 0.71%, 0.72%

LAB 88.56, -25.9, 45.59

 

CMYK 9 / 0 / 30 / 6

HEX #DAF0A9

RGB 218 240 169

HSL 78.59, 0.7%, 0.8%

LAB 91.73, -18.83, 32

 

CMYK 18 / 0 / 57 / 11

HEX #BBE461

RGB 187 228 97

HSL 78.78, 0.71%, 0.64%

LAB 85.46, -32.64, 58.34

 

CMYK 57 / 0 / 29 / 11

HEX #62E4A3

RGB 98 228 163

HSL 150, 0.71%, 0.64%

LAB 82.23, -50.63, 21.17

 

CMYK 6 / 57 / 0 / 11

HEX #D762E4

RGB 215 98 228

HSL 294, 0.71%, 0.64%

LAB 60.59, 63.55, -45.75

 

CMYK 18 / 0 / 57 / 11

HEX #BBE461

RGB 187 228 97

HSL 78.78, 0.71%, 0.64%

LAB 85.46, -32.64, 58.34

 

CMYK 57 / 17 / 0 / 11

HEX #62BDE4

RGB 98 189 228

HSL 198, 0.71%, 0.64%

LAB 72.62, -16.13, -27.7

 

CMYK 0 / 57 / 17 / 11

HEX #E462BD

RGB 228 98 189

HSL 318, 0.71%, 0.64%

LAB 60.7, 60.69, -23.41

 

CMYK 18 / 0 / 57 / 11

HEX #BBE461

RGB 187 228 97

HSL 78.78, 0.71%, 0.64%

LAB 85.46, -32.64, 58.34

 

CMYK 57 / 0 / 29 / 11

HEX #62E4A3

RGB 98 228 163

HSL 150, 0.71%, 0.64%

LAB 82.23, -50.63, 21.17

 

CMYK 40 / 57 / 0 / 11

HEX #8962E4

RGB 137 98 228

HSL 258, 0.71%, 0.64%

LAB 51.45, 44.68, -60.88

 

CMYK 0 / 57 / 29 / 11

HEX #E462A3

RGB 228 98 163

HSL 330, 0.71%, 0.64%

LAB 59.77, 57.14, -9.88

 

CMYK 18 / 0 / 57 / 11

HEX #BBE461

RGB 187 228 97

HSL 78.78, 0.71%, 0.64%

LAB 85.46, -32.64, 58.34

 

CMYK 57 / 0 / 11 / 11

HEX #62E4CA

RGB 98 228 202

HSL 168, 0.71%, 0.64%

LAB 83.1, -42, 1.92

 

CMYK 40 / 57 / 0 / 11

HEX #8962E4

RGB 137 98 228

HSL 258, 0.71%, 0.64%

LAB 51.45, 44.68, -60.88

 

CMYK 0 / 57 / 46 / 11

HEX #E4627C

RGB 228 98 124

HSL 348, 0.71%, 0.64%

LAB 58.68, 52.79, 11.2

 

Description

Color code: HEX #BBE461 | qconv.com Color code: HEX #BBE461 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 228 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 228 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 57 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 57% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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