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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBE389 it is the complementary color #441C76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBE389. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBE389 shade: #C0E384, #D1F597, #E2FFAA, #F3FFBD and #FFFFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBE389. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBE389 shade: #BBE389, #AAD176, #99BF63, #88AD50 and #779B3D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBE389 shade: #BAE387, #D3E387, #E3DA87, #E3C187 and #E3A987

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBE389 shade: #BAE387, #A1E387, #89E387, #87E39E and #87E3B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBE389 shade matches the following richer shades: #BAE387, #BBEF7B and #BDFB6F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBE389 shade: #BAE387, #B9D793, #B7CB9F, #B6BFAB and #B5B3B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBE389 shade: #E3DA87, #D4E387, #BBE387, #A3E387 and #8AE387

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBE389 shade: #94D344, #A7DB66, #BAE387, #CDEBA9 and #E1F3CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBE389 shade: #BBE389, #87E3C1 and #E387E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBE389 shade: #BBE389, #87BBE3 and #E387BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBE389 shade: #BBE389, #87E3C1, #AF87E3 and #E387A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBE389 shade: #BBE389, #87E3DD, #AF87E3 and #E3878D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 40 / 11

HEX #BBE389

RGB 187 227 137

HSL 86.67, 0.62%, 0.71%

LAB 85.66, -28, 39.73

 

Complementary color

CMYK 42 / 76 / 0 / 54

HEX #441C76

RGB 68 28 118

HSL 266.67, 0.62%, 0.29%

LAB 21.46, 38.39, -44.09

 

CMYK 15 / 0 / 42 / 11

HEX #C0E384

RGB 192 227 132

HSL 82.11, 0.63%, 0.7%

LAB 85.91, -26.77, 42.59

 

CMYK 15 / 0 / 38 / 4

HEX #D1F597

RGB 209 245 151

HSL 82.98, 0.82%, 0.78%

LAB 92.17, -26.81, 41.46

 

CMYK 11 / 0 / 33 / 0

HEX #E2FFAA

RGB 226 255 170

HSL 80.47, 1%, 0.83%

LAB 96.24, -23.04, 37.6

 

CMYK 5 / 0 / 26 / 0

HEX #F3FFBD

RGB 243 255 189

HSL 70.91, 1%, 0.87%

LAB 97.73, -14.42, 30.3

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD0

RGB 255 255 208

HSL 60, 1%, 0.91%

LAB 98.96, -7.48, 22.52

 

CMYK 18 / 0 / 40 / 11

HEX #BBE389

RGB 187 227 137

HSL 86.67, 0.62%, 0.71%

LAB 85.66, -28, 39.73

 

CMYK 19 / 0 / 44 / 18

HEX #AAD176

RGB 170 209 118

HSL 85.71, 0.5%, 0.64%

LAB 79.3, -28, 40.88

 

CMYK 20 / 0 / 48 / 25

HEX #99BF63

RGB 153 191 99

HSL 84.78, 0.42%, 0.57%

LAB 72.85, -27.96, 42.05

 

CMYK 21 / 0 / 54 / 32

HEX #88AD50

RGB 136 173 80

HSL 83.87, 0.37%, 0.5%

LAB 66.29, -27.87, 43.19

 

CMYK 23 / 0 / 61 / 39

HEX #779B3D

RGB 119 155 61

HSL 82.98, 0.44%, 0.42%

LAB 59.62, -27.7, 44.24

 

CMYK 18 / 0 / 41 / 11

HEX #BAE387

RGB 186 227 135

HSL 86.74, 0.62%, 0.71%

LAB 85.57, -28.61, 40.59

 

CMYK 7 / 0 / 41 / 11

HEX #D3E387

RGB 211 227 135

HSL 70.43, 0.62%, 0.71%

LAB 87.26, -19.27, 43.09

 

CMYK 0 / 4 / 41 / 11

HEX #E3DA87

RGB 227 218 135

HSL 54.13, 0.62%, 0.71%

LAB 86.12, -8.59, 41.9

 

CMYK 0 / 15 / 41 / 11

HEX #E3C187

RGB 227 193 135

HSL 37.83, 0.62%, 0.71%

LAB 79.74, 4.3, 33.68

 

CMYK 0 / 26 / 41 / 11

HEX #E3A987

RGB 227 169 135

HSL 22.17, 0.62%, 0.71%

LAB 73.84, 17.03, 25.86

 

CMYK 18 / 0 / 41 / 11

HEX #BAE387

RGB 186 227 135

HSL 86.74, 0.62%, 0.71%

LAB 85.57, -28.61, 40.59

 

CMYK 29 / 0 / 41 / 11

HEX #A1E387

RGB 161 227 135

HSL 103.04, 0.62%, 0.71%

LAB 84.1, -37.39, 38.42

 

CMYK 40 / 0 / 41 / 11

HEX #89E387

RGB 137 227 135

HSL 118.7, 0.62%, 0.71%

LAB 82.92, -45.05, 36.65

 

CMYK 41 / 0 / 30 / 11

HEX #87E39E

RGB 135 227 158

HSL 135, 0.62%, 0.71%

LAB 83.21, -41.92, 25.32

 

CMYK 41 / 0 / 19 / 11

HEX #87E3B7

RGB 135 227 183

HSL 151.3, 0.62%, 0.71%

LAB 83.71, -37.19, 12.99

 

CMYK 18 / 0 / 41 / 11

HEX #BAE387

RGB 186 227 135

HSL 86.74, 0.62%, 0.71%

LAB 85.57, -28.61, 40.59

 

CMYK 22 / 0 / 49 / 6

HEX #BBEF7B

RGB 187 239 123

HSL 86.9, 0.78%, 0.71%

LAB 88.79, -35.2, 50.43

 

CMYK 25 / 0 / 56 / 2

HEX #BDFB6F

RGB 189 251 111

HSL 86.57, 0.95%, 0.71%

LAB 92.11, -41.05, 59.84

 

CMYK 18 / 0 / 41 / 11

HEX #BAE387

RGB 186 227 135

HSL 86.74, 0.62%, 0.71%

LAB 85.57, -28.61, 40.59

 

CMYK 14 / 0 / 32 / 16

HEX #B9D793

RGB 185 215 147

HSL 86.47, 0.46%, 0.71%

LAB 82.39, -21.62, 30.36

 

CMYK 10 / 0 / 22 / 20

HEX #B7CB9F

RGB 183 203 159

HSL 87.27, 0.3%, 0.71%

LAB 79.2, -14.57, 19.74

 

CMYK 5 / 0 / 10 / 25

HEX #B6BFAB

RGB 182 191 171

HSL 87, 0.14%, 0.71%

LAB 76.16, -6.75, 9.02

 

CMYK 1 / 2 / 0 / 28

HEX #B5B3B7

RGB 181 179 183

HSL 270, 0.03%, 0.71%

LAB 73.21, 1.46, -1.79

 

CMYK 0 / 4 / 41 / 11

HEX #E3DA87

RGB 227 218 135

HSL 54.13, 0.62%, 0.71%

LAB 86.12, -8.59, 41.9

 

CMYK 7 / 0 / 41 / 11

HEX #D4E387

RGB 212 227 135

HSL 69.78, 0.62%, 0.71%

LAB 87.33, -18.89, 43.2

 

CMYK 18 / 0 / 41 / 11

HEX #BBE387

RGB 187 227 135

HSL 86.09, 0.62%, 0.71%

LAB 85.63, -28.25, 40.69

 

CMYK 28 / 0 / 41 / 11

HEX #A3E387

RGB 163 227 135

HSL 101.74, 0.62%, 0.71%

LAB 84.21, -36.71, 38.58

 

CMYK 39 / 0 / 41 / 11

HEX #8AE387

RGB 138 227 135

HSL 118.04, 0.62%, 0.71%

LAB 82.96, -44.75, 36.72

 

CMYK 30 / 0 / 68 / 17

HEX #94D344

RGB 148 211 68

HSL 86.43, 0.62%, 0.55%

LAB 78.05, -41.8, 61.62

 

CMYK 24 / 0 / 53 / 14

HEX #A7DB66

RGB 167 219 102

HSL 86.67, 0.62%, 0.63%

LAB 81.75, -35.53, 51.5

 

CMYK 18 / 0 / 41 / 11

HEX #BAE387

RGB 186 227 135

HSL 86.74, 0.62%, 0.71%

LAB 85.57, -28.61, 40.59

 

CMYK 13 / 0 / 28 / 8

HEX #CDEBA9

RGB 205 235 169

HSL 87.27, 0.62%, 0.79%

LAB 89.51, -21.06, 28.87

 

CMYK 7 / 0 / 17 / 5

HEX #E1F3CA

RGB 225 243 202

HSL 86.34, 0.63%, 0.87%

LAB 93.61, -12.98, 17.8

 

CMYK 18 / 0 / 40 / 11

HEX #BBE389

RGB 187 227 137

HSL 86.67, 0.62%, 0.71%

LAB 85.66, -28, 39.73

 

CMYK 41 / 0 / 15 / 11

HEX #87E3C1

RGB 135 227 193

HSL 157.83, 0.62%, 0.71%

LAB 83.93, -35.12, 8.05

 

CMYK 0 / 41 / 1 / 11

HEX #E387E0

RGB 227 135 224

HSL 301.96, 0.62%, 0.71%

LAB 68.78, 48.16, -30.63

 

CMYK 18 / 0 / 40 / 11

HEX #BBE389

RGB 187 227 137

HSL 86.67, 0.62%, 0.71%

LAB 85.66, -28, 39.73

 

CMYK 41 / 18 / 0 / 11

HEX #87BBE3

RGB 135 187 227

HSL 206.09, 0.62%, 0.71%

LAB 73.7, -6.93, -25.37

 

CMYK 0 / 41 / 18 / 11

HEX #E387BB

RGB 227 135 187

HSL 326.09, 0.62%, 0.71%

LAB 67.46, 42.02, -12.03

 

CMYK 18 / 0 / 40 / 11

HEX #BBE389

RGB 187 227 137

HSL 86.67, 0.62%, 0.71%

LAB 85.66, -28, 39.73

 

CMYK 41 / 0 / 15 / 11

HEX #87E3C1

RGB 135 227 193

HSL 157.83, 0.62%, 0.71%

LAB 83.93, -35.12, 8.05

 

CMYK 23 / 41 / 0 / 11

HEX #AF87E3

RGB 175 135 227

HSL 266.09, 0.62%, 0.71%

LAB 63.33, 33.39, -41.2

 

CMYK 0 / 41 / 26 / 11

HEX #E387A9

RGB 227 135 169

HSL 337.83, 0.62%, 0.71%

LAB 66.92, 39.39, -2.72

 

CMYK 18 / 0 / 40 / 11

HEX #BBE389

RGB 187 227 137

HSL 86.67, 0.62%, 0.71%

LAB 85.66, -28, 39.73

 

CMYK 41 / 0 / 3 / 11

HEX #87E3DD

RGB 135 227 221

HSL 176.09, 0.62%, 0.71%

LAB 84.64, -28.81, -5.7

 

CMYK 23 / 41 / 0 / 11

HEX #AF87E3

RGB 175 135 227

HSL 266.09, 0.62%, 0.71%

LAB 63.33, 33.39, -41.2

 

CMYK 0 / 41 / 38 / 11

HEX #E3878D

RGB 227 135 141

HSL 356.09, 0.62%, 0.71%

LAB 66.2, 35.82, 12.03

 

Description

Color code: HEX #BBE389 | qconv.com Color code: HEX #BBE389 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 227 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 227 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 40 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 40% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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