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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBE2CF it is the complementary color #441D30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBE2CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBE2CF shade: #C0E2CA, #D1F4DD, #E2FFF0, #F3FFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBE2CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBE2CF shade: #BBE2CF, #AAD0BC, #99BEA9, #88AC96 and #779A83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBE2CF shade: #BBE2CF, #BBE2C5, #BCE2BB, #C7E2BB and #D1E2BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBE2CF shade: #BBE2CF, #BBE2D9, #BBE0E2, #BBD5E2 and #BBCBE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBE2CF shade matches the following richer shades: #BBE2CF, #B3EACF, #ABF2CF and #A4F9D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBE2CF shade: #BBE2CF, #C3DACF, #CBD2CF, #D3CACE and #DBC3CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBE2CF shade: #BCE2BB, #BBE2C4, #BBE2CF, #BBE2D9 and #BBE1E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBE2CF shade: #81C9A6, #9ED6BB, #BBE2CF, #D8EEE3 and #F5FBF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBE2CF shade: #BBE2CF, #BBC7E2 and #E2BFBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBE2CF shade: #BBE2CF, #CFBBE2 and #E2CFBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBE2CF shade: #BBE2CF, #BBC7E2, #E2BBCF and #E2D6BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBE2CF shade: #BBE2CF, #BBBBE2, #E2BBCF and #E2E2BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 8 / 11

HEX #BBE2CF

RGB 187 226 207

HSL 150.77, 0.4%, 0.81%

LAB 86.73, -16.41, 5.06

 

Complementary color

CMYK 0 / 57 / 29 / 73

HEX #441D30

RGB 68 29 48

HSL 330.77, 0.4%, 0.19%

LAB 17.09, 21.42, -3.8

 

CMYK 15 / 0 / 11 / 11

HEX #C0E2CA

RGB 192 226 202

HSL 137.65, 0.37%, 0.82%

LAB 86.93, -15.71, 8.02

 

CMYK 14 / 0 / 9 / 4

HEX #D1F4DD

RGB 209 244 221

HSL 140.57, 0.61%, 0.89%

LAB 93.22, -15.64, 7.29

 

CMYK 11 / 0 / 6 / 0

HEX #E2FFF0

RGB 226 255 240

HSL 148.97, 1%, 0.94%

LAB 97.62, -12.13, 3.98

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243 255 255

HSL 180, 1%, 0.98%

LAB 99.14, -3.91, -1.37

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 17 / 0 / 8 / 11

HEX #BBE2CF

RGB 187 226 207

HSL 150.77, 0.4%, 0.81%

LAB 86.73, -16.41, 5.06

 

CMYK 18 / 0 / 10 / 18

HEX #AAD0BC

RGB 170 208 188

HSL 148.42, 0.29%, 0.74%

LAB 80.34, -16.51, 5.78

 

CMYK 19 / 0 / 11 / 25

HEX #99BEA9

RGB 153 190 169

HSL 145.95, 0.22%, 0.67%

LAB 73.85, -16.64, 6.52

 

CMYK 21 / 0 / 13 / 33

HEX #88AC96

RGB 136 172 150

HSL 143.33, 0.18%, 0.6%

LAB 67.23, -16.78, 7.31

 

CMYK 23 / 0 / 15 / 40

HEX #779A83

RGB 119 154 131

HSL 140.57, 0.15%, 0.54%

LAB 60.49, -16.95, 8.15

 

CMYK 17 / 0 / 8 / 11

HEX #BBE2CF

RGB 187 226 207

HSL 150.77, 0.4%, 0.81%

LAB 86.73, -16.41, 5.06

 

CMYK 17 / 0 / 13 / 11

HEX #BBE2C5

RGB 187 226 197

HSL 135.38, 0.4%, 0.81%

LAB 86.5, -18.27, 9.98

 

CMYK 17 / 0 / 17 / 11

HEX #BCE2BB

RGB 188 226 187

HSL 118.46, 0.4%, 0.81%

LAB 86.34, -19.71, 15.01

 

CMYK 12 / 0 / 17 / 11

HEX #C7E2BB

RGB 199 226 187

HSL 101.54, 0.4%, 0.81%

LAB 87.06, -15.96, 16.12

 

CMYK 8 / 0 / 17 / 11

HEX #D1E2BB

RGB 209 226 187

HSL 86.15, 0.4%, 0.81%

LAB 87.74, -12.47, 17.18

 

CMYK 17 / 0 / 8 / 11

HEX #BBE2CF

RGB 187 226 207

HSL 150.77, 0.4%, 0.81%

LAB 86.73, -16.41, 5.06

 

CMYK 17 / 0 / 4 / 11

HEX #BBE2D9

RGB 187 226 217

HSL 166.15, 0.4%, 0.81%

LAB 86.98, -14.45, 0.16

 

CMYK 17 / 1 / 0 / 11

HEX #BBE0E2

RGB 187 224 226

HSL 183.08, 0.4%, 0.81%

LAB 86.69, -11.61, -5.02

 

CMYK 17 / 6 / 0 / 11

HEX #BBD5E2

RGB 187 213 226

HSL 200, 0.4%, 0.81%

LAB 83.78, -5.95, -9.32

 

CMYK 17 / 10 / 0 / 11

HEX #BBCBE2

RGB 187 203 226

HSL 215.38, 0.4%, 0.81%

LAB 81.16, -0.7, -13.22

 

CMYK 17 / 0 / 8 / 11

HEX #BBE2CF

RGB 187 226 207

HSL 150.77, 0.4%, 0.81%

LAB 86.73, -16.41, 5.06

 

CMYK 24 / 0 / 12 / 8

HEX #B3EACF

RGB 179 234 207

HSL 150.55, 0.57%, 0.81%

LAB 88.42, -22.89, 7.43

 

CMYK 29 / 0 / 14 / 5

HEX #ABF2CF

RGB 171 242 207

HSL 150.42, 0.73%, 0.81%

LAB 90.17, -29.16, 9.88

 

CMYK 34 / 0 / 16 / 2

HEX #A4F9D0

RGB 164 249 208

HSL 151.06, 0.88%, 0.81%

LAB 91.77, -34.27, 11.6

 

CMYK 17 / 0 / 8 / 11

HEX #BBE2CF

RGB 187 226 207

HSL 150.77, 0.4%, 0.81%

LAB 86.73, -16.41, 5.06

 

CMYK 11 / 0 / 5 / 15

HEX #C3DACF

RGB 195 218 207

HSL 151.3, 0.24%, 0.81%

LAB 85.12, -9.74, 2.8

 

CMYK 3 / 0 / 1 / 18

HEX #CBD2CF

RGB 203 210 207

HSL 154.29, 0.07%, 0.81%

LAB 83.6, -2.93, 0.65

 

CMYK 0 / 4 / 2 / 17

HEX #D3CACE

RGB 211 202 206

HSL 333.33, 0.09%, 0.81%

LAB 82.13, 3.83, -0.88

 

CMYK 0 / 11 / 6 / 14

HEX #DBC3CE

RGB 219 195 206

HSL 332.5, 0.25%, 0.81%

LAB 81.04, 10.32, -2.41

 

CMYK 17 / 0 / 17 / 11

HEX #BCE2BB

RGB 188 226 187

HSL 118.46, 0.4%, 0.81%

LAB 86.34, -19.71, 15.01

 

CMYK 17 / 0 / 13 / 11

HEX #BBE2C4

RGB 187 226 196

HSL 133.85, 0.4%, 0.81%

LAB 86.48, -18.45, 10.47

 

CMYK 17 / 0 / 8 / 11

HEX #BBE2CF

RGB 187 226 207

HSL 150.77, 0.4%, 0.81%

LAB 86.73, -16.41, 5.06

 

CMYK 17 / 0 / 4 / 11

HEX #BBE2D9

RGB 187 226 217

HSL 166.15, 0.4%, 0.81%

LAB 86.98, -14.45, 0.16

 

CMYK 17 / 0 / 0 / 11

HEX #BBE1E2

RGB 187 225 226

HSL 181.54, 0.4%, 0.81%

LAB 86.95, -12.12, -4.62

 

CMYK 36 / 0 / 17 / 21

HEX #81C9A6

RGB 129 201 166

HSL 150.83, 0.4%, 0.65%

LAB 75.57, -30.21, 10.43

 

CMYK 26 / 0 / 13 / 16

HEX #9ED6BB

RGB 158 214 187

HSL 151.07, 0.41%, 0.73%

LAB 81.26, -23.53, 7.54

 

CMYK 17 / 0 / 8 / 11

HEX #BBE2CF

RGB 187 226 207

HSL 150.77, 0.4%, 0.81%

LAB 86.73, -16.41, 5.06

 

CMYK 9 / 0 / 5 / 7

HEX #D8EEE3

RGB 216 238 227

HSL 150, 0.39%, 0.89%

LAB 92.26, -9.26, 2.84

 

CMYK 2 / 0 / 1 / 2

HEX #F5FBF8

RGB 245 251 248

HSL 150, 0.43%, 0.97%

LAB 98.11, -2.5, 0.73

 

CMYK 17 / 0 / 8 / 11

HEX #BBE2CF

RGB 187 226 207

HSL 150.77, 0.4%, 0.81%

LAB 86.73, -16.41, 5.06

 

CMYK 17 / 12 / 0 / 11

HEX #BBC7E2

RGB 187 199 226

HSL 221.54, 0.4%, 0.81%

LAB 80.12, 1.43, -14.78

 

CMYK 0 / 15 / 17 / 11

HEX #E2BFBB

RGB 226 191 187

HSL 6.15, 0.4%, 0.81%

LAB 80.19, 11.82, 6.65

 

CMYK 17 / 0 / 8 / 11

HEX #BBE2CF

RGB 187 226 207

HSL 150.77, 0.4%, 0.81%

LAB 86.73, -16.41, 5.06

 

CMYK 8 / 17 / 0 / 11

HEX #CFBBE2

RGB 207 187 226

HSL 270.77, 0.4%, 0.81%

LAB 78.63, 14.31, -16.87

 

CMYK 0 / 8 / 17 / 11

HEX #E2CFBB

RGB 226 207 187

HSL 30.77, 0.4%, 0.81%

LAB 84.16, 3.39, 12.32

 

CMYK 17 / 0 / 8 / 11

HEX #BBE2CF

RGB 187 226 207

HSL 150.77, 0.4%, 0.81%

LAB 86.73, -16.41, 5.06

 

CMYK 17 / 12 / 0 / 11

HEX #BBC7E2

RGB 187 199 226

HSL 221.54, 0.4%, 0.81%

LAB 80.12, 1.43, -14.78

 

CMYK 0 / 17 / 8 / 11

HEX #E2BBCF

RGB 226 187 207

HSL 329.23, 0.4%, 0.81%

LAB 79.74, 17.21, -4.8

 

CMYK 0 / 5 / 17 / 11

HEX #E2D6BB

RGB 226 214 187

HSL 41.54, 0.4%, 0.81%

LAB 85.93, -0.25, 14.82

 

CMYK 17 / 0 / 8 / 11

HEX #BBE2CF

RGB 187 226 207

HSL 150.77, 0.4%, 0.81%

LAB 86.73, -16.41, 5.06

 

CMYK 17 / 17 / 0 / 11

HEX #BBBBE2

RGB 187 187 226

HSL 240, 0.4%, 0.81%

LAB 77.04, 7.89, -19.43

 

CMYK 0 / 17 / 8 / 11

HEX #E2BBCF

RGB 226 187 207

HSL 329.23, 0.4%, 0.81%

LAB 79.74, 17.21, -4.8

 

CMYK 0 / 0 / 17 / 11

HEX #E2E2BB

RGB 226 226 187

HSL 60, 0.4%, 0.81%

LAB 88.99, -6.4, 19.11

 

Description

Color code: HEX #BBE2CF | qconv.com Color code: HEX #BBE2CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 226 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 226 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 8 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 8% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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