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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBE0E5 it is the complementary color #441F1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBE0E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBE0E5 shade: #C0E0E0, #D1F2F3, #E2FFFF, #F3FFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBE0E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBE0E5 shade: #BBE0E5, #AACED2, #99BCBF, #88AAAC and #779899

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBE0E5 shade: #BCE1E6, #BCD6E6, #BCCBE6, #BCBFE6 and #C5BCE6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBE0E5 shade: #BCE1E6, #BCD6E6, #BCCBE6, #BCBFE6 and #BCBCE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBE0E5 shade matches the following richer shades: #BCE1E6, #B5E6ED, #AEECF5 and #A6F2FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBE0E5 shade: #BCE1E6, #C4DBDE, #CBD6D7, #D3D0CF and #DACAC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBE0E5 shade: #BCE6D5, #BCE6E0, #BCE1E6, #BCD6E6 and #BCCBE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBE0E5 shade: #81C6CF, #9FD3DA, #BCE1E6, #DAEEF1 and #F8FCFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBE0E5 shade: #BBE0E5, #CABCE6 and #E6DABC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBE0E5 shade: #BBE0E5, #E6BCE1 and #E1E6BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBE0E5 shade: #BBE0E5, #CABCE6, #E6C1BC and #D9E6BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBE0E5 shade: #BBE0E5, #D6BCE6, #E6C1BC and #CCE6BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 2 / 0 / 10

HEX #BBE0E5

RGB 187 224 229

HSL 187.14, 0.45%, 0.82%

LAB 86.77, -10.99, -6.48

 

Complementary color

CMYK 0 / 54 / 62 / 73

HEX #441F1A

RGB 68 31 26

HSL 7.14, 0.45%, 0.18%

LAB 16.91, 17.21, 11.54

 

CMYK 14 / 0 / 0 / 12

HEX #C0E0E0

RGB 192 224 224

HSL 180, 0.34%, 0.82%

LAB 86.95, -10.46, -3.54

 

CMYK 14 / 0 / 0 / 5

HEX #D1F2F3

RGB 209 242 243

HSL 181.76, 0.59%, 0.89%

LAB 93.25, -10.45, -4.09

 

CMYK 11 / 0 / 0 / 0

HEX #E2FFFF

RGB 226 255 255

HSL 180, 1%, 0.94%

LAB 98, -9.32, -3.18

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243 255 255

HSL 180, 1%, 0.98%

LAB 99.14, -3.91, -1.37

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 18 / 2 / 0 / 10

HEX #BBE0E5

RGB 187 224 229

HSL 187.14, 0.45%, 0.82%

LAB 86.77, -10.99, -6.48

 

CMYK 19 / 2 / 0 / 18

HEX #AACED2

RGB 170 206 210

HSL 186, 0.31%, 0.75%

LAB 80.37, -11.01, -5.95

 

CMYK 20 / 2 / 0 / 25

HEX #99BCBF

RGB 153 188 191

HSL 184.74, 0.23%, 0.67%

LAB 73.87, -11.04, -5.42

 

CMYK 21 / 1 / 0 / 33

HEX #88AAAC

RGB 136 170 172

HSL 183.33, 0.18%, 0.6%

LAB 67.25, -11.09, -4.87

 

CMYK 22 / 1 / 0 / 40

HEX #779899

RGB 119 152 153

HSL 181.76, 0.14%, 0.53%

LAB 60.5, -11.15, -4.29

 

CMYK 18 / 2 / 0 / 10

HEX #BCE1E6

RGB 188 225 230

HSL 187.14, 0.46%, 0.82%

LAB 87.12, -10.98, -6.47

 

CMYK 18 / 7 / 0 / 10

HEX #BCD6E6

RGB 188 214 230

HSL 202.86, 0.46%, 0.82%

LAB 84.22, -5.31, -10.77

 

CMYK 18 / 12 / 0 / 10

HEX #BCCBE6

RGB 188 203 230

HSL 218.57, 0.46%, 0.82%

LAB 81.36, 0.47, -15.07

 

CMYK 18 / 17 / 0 / 10

HEX #BCBFE6

RGB 188 191 230

HSL 235.71, 0.46%, 0.82%

LAB 78.27, 6.9, -19.72

 

CMYK 14 / 18 / 0 / 10

HEX #C5BCE6

RGB 197 188 230

HSL 252.86, 0.46%, 0.82%

LAB 78.2, 11.36, -19.76

 

CMYK 18 / 2 / 0 / 10

HEX #BCE1E6

RGB 188 225 230

HSL 187.14, 0.46%, 0.82%

LAB 87.12, -10.98, -6.47

 

CMYK 18 / 7 / 0 / 10

HEX #BCD6E6

RGB 188 214 230

HSL 202.86, 0.46%, 0.82%

LAB 84.22, -5.31, -10.77

 

CMYK 18 / 12 / 0 / 10

HEX #BCCBE6

RGB 188 203 230

HSL 218.57, 0.46%, 0.82%

LAB 81.36, 0.47, -15.07

 

CMYK 18 / 17 / 0 / 10

HEX #BCBFE6

RGB 188 191 230

HSL 235.71, 0.46%, 0.82%

LAB 78.27, 6.9, -19.72

 

CMYK 18 / 18 / 0 / 10

HEX #BCBCE6

RGB 188 188 230

HSL 240, 0.46%, 0.82%

LAB 77.5, 8.53, -20.88

 

CMYK 18 / 2 / 0 / 10

HEX #BCE1E6

RGB 188 225 230

HSL 187.14, 0.46%, 0.82%

LAB 87.12, -10.98, -6.47

 

CMYK 24 / 3 / 0 / 7

HEX #B5E6ED

RGB 181 230 237

HSL 187.5, 0.61%, 0.82%

LAB 88.22, -14.12, -8.57

 

CMYK 29 / 4 / 0 / 4

HEX #AEECF5

RGB 174 236 245

HSL 187.61, 0.78%, 0.82%

LAB 89.66, -17.36, -10.66

 

CMYK 34 / 4 / 0 / 1

HEX #A6F2FC

RGB 166 242 252

HSL 186.98, 0.93%, 0.82%

LAB 91.07, -20.89, -12.26

 

CMYK 18 / 2 / 0 / 10

HEX #BCE1E6

RGB 188 225 230

HSL 187.14, 0.46%, 0.82%

LAB 87.12, -10.98, -6.47

 

CMYK 12 / 1 / 0 / 13

HEX #C4DBDE

RGB 196 219 222

HSL 186.92, 0.28%, 0.82%

LAB 85.84, -7.03, -4.08

 

CMYK 6 / 0 / 0 / 16

HEX #CBD6D7

RGB 203 214 215

HSL 185, 0.13%, 0.82%

LAB 84.84, -3.51, -1.79

 

CMYK 0 / 1 / 2 / 17

HEX #D3D0CF

RGB 211 208 207

HSL 15, 0.04%, 0.82%

LAB 83.69, 0.85, 0.85

 

CMYK 0 / 7 / 8 / 15

HEX #DACAC8

RGB 218 202 200

HSL 6.67, 0.2%, 0.82%

LAB 82.55, 5.23, 3

 

CMYK 18 / 0 / 7 / 10

HEX #BCE6D5

RGB 188 230 213

HSL 155.71, 0.46%, 0.82%

LAB 88.01, -16.93, 3.77

 

CMYK 18 / 0 / 3 / 10

HEX #BCE6E0

RGB 188 230 224

HSL 171.43, 0.46%, 0.82%

LAB 88.29, -14.75, -1.6

 

CMYK 18 / 2 / 0 / 10

HEX #BCE1E6

RGB 188 225 230

HSL 187.14, 0.46%, 0.82%

LAB 87.12, -10.98, -6.47

 

CMYK 18 / 7 / 0 / 10

HEX #BCD6E6

RGB 188 214 230

HSL 202.86, 0.46%, 0.82%

LAB 84.22, -5.31, -10.77

 

CMYK 18 / 12 / 0 / 10

HEX #BCCBE6

RGB 188 203 230

HSL 218.57, 0.46%, 0.82%

LAB 81.36, 0.47, -15.07

 

CMYK 38 / 4 / 0 / 19

HEX #81C6CF

RGB 129 198 207

HSL 186.92, 0.45%, 0.66%

LAB 75.8, -19.4, -11.38

 

CMYK 27 / 3 / 0 / 15

HEX #9FD3DA

RGB 159 211 218

HSL 187.12, 0.44%, 0.74%

LAB 81.3, -15.12, -8.92

 

CMYK 18 / 2 / 0 / 10

HEX #BCE1E6

RGB 188 225 230

HSL 187.14, 0.46%, 0.82%

LAB 87.12, -10.98, -6.47

 

CMYK 10 / 1 / 0 / 5

HEX #DAEEF1

RGB 218 238 241

HSL 187.83, 0.45%, 0.9%

LAB 92.75, -5.98, -3.71

 

CMYK 2 / 0 / 0 / 1

HEX #F8FCFC

RGB 248 252 252

HSL 180, 0.4%, 0.98%

LAB 98.67, -1.31, -0.47

 

CMYK 18 / 2 / 0 / 10

HEX #BBE0E5

RGB 187 224 229

HSL 187.14, 0.45%, 0.82%

LAB 86.77, -10.99, -6.48

 

CMYK 12 / 18 / 0 / 10

HEX #CABCE6

RGB 202 188 230

HSL 260, 0.46%, 0.82%

LAB 78.6, 12.96, -19.12

 

CMYK 0 / 5 / 18 / 10

HEX #E6DABC

RGB 230 218 188

HSL 42.86, 0.46%, 0.82%

LAB 87.29, -0.71, 16.25

 

CMYK 18 / 2 / 0 / 10

HEX #BBE0E5

RGB 187 224 229

HSL 187.14, 0.45%, 0.82%

LAB 86.77, -10.99, -6.48

 

CMYK 0 / 18 / 2 / 10

HEX #E6BCE1

RGB 230 188 225

HSL 307.14, 0.46%, 0.82%

LAB 80.86, 21.2, -12.78

 

CMYK 2 / 0 / 18 / 10

HEX #E1E6BC

RGB 225 230 188

HSL 67.14, 0.46%, 0.82%

LAB 89.97, -8.63, 19.94

 

CMYK 18 / 2 / 0 / 10

HEX #BBE0E5

RGB 187 224 229

HSL 187.14, 0.45%, 0.82%

LAB 86.77, -10.99, -6.48

 

CMYK 12 / 18 / 0 / 10

HEX #CABCE6

RGB 202 188 230

HSL 260, 0.46%, 0.82%

LAB 78.6, 12.96, -19.12

 

CMYK 0 / 16 / 18 / 10

HEX #E6C1BC

RGB 230 193 188

HSL 7.14, 0.46%, 0.82%

LAB 81.07, 12.37, 7.42

 

CMYK 6 / 0 / 18 / 10

HEX #D9E6BC

RGB 217 230 188

HSL 78.57, 0.46%, 0.82%

LAB 89.38, -11.49, 19.04

 

CMYK 18 / 2 / 0 / 10

HEX #BBE0E5

RGB 187 224 229

HSL 187.14, 0.45%, 0.82%

LAB 86.77, -10.99, -6.48

 

CMYK 7 / 18 / 0 / 10

HEX #D6BCE6

RGB 214 188 230

HSL 277.14, 0.46%, 0.82%

LAB 79.6, 16.84, -17.51

 

CMYK 0 / 16 / 18 / 10

HEX #E6C1BC

RGB 230 193 188

HSL 7.14, 0.46%, 0.82%

LAB 81.07, 12.37, 7.42

 

CMYK 11 / 0 / 18 / 10

HEX #CCE6BC

RGB 204 230 188

HSL 97.14, 0.46%, 0.82%

LAB 88.48, -16.06, 17.64

 

Description

Color code: HEX #BBE0E5 | qconv.com Color code: HEX #BBE0E5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 224 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 224 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 2 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 2% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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