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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBD324 it is the complementary color #442CDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBD324. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBD324 shade: #C0D31F, #D1E532, #E2F745, #F3FF58 and #FFFF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBD324. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBD324 shade: #BBD324, #AAC111, #99AF00, #889D00 and #778B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBD324 shade: #B9D123, #D1BA23, #D18B23, #D15D23 and #D12E23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBD324 shade: #B9D123, #8BD123, #5CD123, #2DD123 and #23D149

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBD324 shade matches the following richer shades: #B9D123 and #C8E510

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBD324 shade: #B9D123, #ABBD37, #9DAA4B, #8E965F and #808273

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBD324 shade: #D18C23, #D1BA23, #BAD123, #8CD123 and #5DD123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBD324 shade: #7B8B18, #9AAE1E, #B9D123, #C9DF40 and #D3E563

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBD324 shade: #BBD324, #23D15D and #A323D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBD324 shade: #BBD324, #23BAD1 and #D123BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBD324 shade: #BBD324, #23D15D, #3B23D1 and #D12397

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBD324 shade: #BBD324, #23D192, #3B23D1 and #D12363

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 83 / 17

HEX #BBD324

RGB 187 211 36

HSL 68.23, 0.71%, 0.48%

LAB 80.34, -28.15, 74.67

 

Complementary color

CMYK 69 / 80 / 0 / 14

HEX #442CDB

RGB 68 44 219

HSL 248.23, 0.71%, 0.52%

LAB 34.28, 59.75, -84.04

 

CMYK 9 / 0 / 85 / 17

HEX #C0D31F

RGB 192 211 31

HSL 66.33, 0.74%, 0.47%

LAB 80.68, -26.22, 76.2

 

CMYK 9 / 0 / 78 / 10

HEX #D1E532

RGB 209 229 50

HSL 66.7, 0.77%, 0.55%

LAB 86.91, -27.2, 77.45

 

CMYK 9 / 0 / 72 / 3

HEX #E2F745

RGB 226 247 69

HSL 67.08, 0.92%, 0.62%

LAB 93.07, -28.03, 77.85

 

CMYK 5 / 0 / 65 / 0

HEX #F3FF58

RGB 243 255 88

HSL 64.31, 1%, 0.67%

LAB 96.52, -24.05, 75.03

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6B

RGB 255 255 107

HSL 60, 1%, 0.71%

LAB 97.57, -18.11, 68.89

 

CMYK 11 / 0 / 83 / 17

HEX #BBD324

RGB 187 211 36

HSL 68.23, 0.71%, 0.48%

LAB 80.34, -28.15, 74.67

 

CMYK 12 / 0 / 91 / 24

HEX #AAC111

RGB 170 193 17

HSL 67.84, 0.84%, 0.41%

LAB 74.01, -27.07, 72.62

 

CMYK 13 / 0 / 100 / 31

HEX #99AF00

RGB 153 175 0

HSL 67.54, 1%, 0.34%

LAB 67.6, -25.81, 69.21

 

CMYK 13 / 0 / 100 / 38

HEX #889D00

RGB 136 157 0

HSL 68.03, 1%, 0.31%

LAB 61.09, -24.3, 63.79

 

CMYK 14 / 0 / 100 / 45

HEX #778B00

RGB 119 139 0

HSL 68.63, 1%, 0.27%

LAB 54.44, -22.77, 58.25

 

CMYK 11 / 0 / 83 / 18

HEX #B9D123

RGB 185 209 35

HSL 68.28, 0.71%, 0.48%

LAB 79.63, -28.05, 74.25

 

CMYK 0 / 11 / 83 / 18

HEX #D1BA23

RGB 209 186 35

HSL 52.07, 0.71%, 0.48%

LAB 75.32, -6.39, 71.37

 

CMYK 0 / 33 / 83 / 18

HEX #D18B23

RGB 209 139 35

HSL 35.86, 0.71%, 0.48%

LAB 63.46, 18.69, 61.29

 

CMYK 0 / 56 / 83 / 18

HEX #D15D23

RGB 209 93 35

HSL 20, 0.71%, 0.48%

LAB 53.5, 42.8, 52.61

 

CMYK 0 / 78 / 83 / 18

HEX #D12E23

RGB 209 46 35

HSL 3.79, 0.71%, 0.48%

LAB 46.49, 61.66, 46.31

 

CMYK 11 / 0 / 83 / 18

HEX #B9D123

RGB 185 209 35

HSL 68.28, 0.71%, 0.48%

LAB 79.63, -28.05, 74.25

 

CMYK 33 / 0 / 83 / 18

HEX #8BD123

RGB 139 209 35

HSL 84.14, 0.71%, 0.48%

LAB 76.81, -45.96, 70.7

 

CMYK 56 / 0 / 83 / 18

HEX #5CD123

RGB 92 209 35

HSL 100.34, 0.71%, 0.48%

LAB 74.82, -60.71, 68.19

 

CMYK 78 / 0 / 83 / 18

HEX #2DD123

RGB 45 209 35

HSL 116.55, 0.71%, 0.48%

LAB 73.73, -69.91, 66.79

 

CMYK 83 / 0 / 65 / 18

HEX #23D149

RGB 35 209 73

HSL 133.1, 0.71%, 0.48%

LAB 73.83, -68.14, 54.02

 

CMYK 11 / 0 / 83 / 18

HEX #B9D123

RGB 185 209 35

HSL 68.28, 0.71%, 0.48%

LAB 79.63, -28.05, 74.25

 

CMYK 13 / 0 / 93 / 10

HEX #C8E510

RGB 200 229 16

HSL 68.17, 0.87%, 0.48%

LAB 86.18, -31.69, 83.18

 

CMYK 11 / 0 / 83 / 18

HEX #B9D123

RGB 185 209 35

HSL 68.28, 0.71%, 0.48%

LAB 79.63, -28.05, 74.25

 

CMYK 10 / 0 / 71 / 26

HEX #ABBD37

RGB 171 189 55

HSL 68.06, 0.55%, 0.48%

LAB 73.11, -23.39, 61.97

 

CMYK 8 / 0 / 56 / 33

HEX #9DAA4B

RGB 157 170 75

HSL 68.21, 0.39%, 0.48%

LAB 66.84, -18.37, 46.6

 

CMYK 5 / 0 / 37 / 41

HEX #8E965F

RGB 142 150 95

HSL 68.73, 0.22%, 0.48%

LAB 60.24, -12.03, 28.07

 

CMYK 2 / 0 / 12 / 49

HEX #808273

RGB 128 130 115

HSL 68, 0.06%, 0.48%

LAB 53.81, -3.6, 7.87

 

CMYK 0 / 33 / 83 / 18

HEX #D18C23

RGB 209 140 35

HSL 36.21, 0.71%, 0.48%

LAB 63.7, 18.15, 61.5

 

CMYK 0 / 11 / 83 / 18

HEX #D1BA23

RGB 209 186 35

HSL 52.07, 0.71%, 0.48%

LAB 75.32, -6.39, 71.37

 

CMYK 11 / 0 / 83 / 18

HEX #BAD123

RGB 186 209 35

HSL 67.93, 0.71%, 0.48%

LAB 79.71, -27.64, 74.34

 

CMYK 33 / 0 / 83 / 18

HEX #8CD123

RGB 140 209 35

HSL 83.79, 0.71%, 0.48%

LAB 76.86, -45.6, 70.77

 

CMYK 56 / 0 / 83 / 18

HEX #5DD123

RGB 93 209 35

HSL 100, 0.71%, 0.48%

LAB 74.86, -60.45, 68.23

 

CMYK 12 / 0 / 83 / 45

HEX #7B8B18

RGB 123 139 24

HSL 68.35, 0.71%, 0.32%

LAB 54.81, -20.39, 53.82

 

CMYK 11 / 0 / 83 / 32

HEX #9AAE1E

RGB 154 174 30

HSL 68.33, 0.71%, 0.4%

LAB 67.45, -24.28, 64.14

 

CMYK 11 / 0 / 83 / 18

HEX #B9D123

RGB 185 209 35

HSL 68.28, 0.71%, 0.48%

LAB 79.63, -28.05, 74.25

 

CMYK 10 / 0 / 71 / 13

HEX #C9DF40

RGB 201 223 64

HSL 68.3, 0.71%, 0.56%

LAB 84.77, -27.01, 70.92

 

CMYK 8 / 0 / 57 / 10

HEX #D3E563

RGB 211 229 99

HSL 68.31, 0.71%, 0.64%

LAB 87.38, -23.63, 60.08

 

CMYK 11 / 0 / 83 / 17

HEX #BBD324

RGB 187 211 36

HSL 68.23, 0.71%, 0.48%

LAB 80.34, -28.15, 74.67

 

CMYK 83 / 0 / 56 / 18

HEX #23D15D

RGB 35 209 93

HSL 140, 0.71%, 0.48%

LAB 74.03, -65.7, 45.38

 

CMYK 22 / 83 / 0 / 18

HEX #A323D1

RGB 163 35 209

HSL 284.14, 0.71%, 0.48%

LAB 43.64, 72.47, -62.5

 

CMYK 11 / 0 / 83 / 17

HEX #BBD324

RGB 187 211 36

HSL 68.23, 0.71%, 0.48%

LAB 80.34, -28.15, 74.67

 

CMYK 83 / 11 / 0 / 18

HEX #23BAD1

RGB 35 186 209

HSL 187.93, 0.71%, 0.48%

LAB 69.53, -29.12, -22.22

 

CMYK 0 / 83 / 11 / 18

HEX #D123BA

RGB 209 35 186

HSL 307.93, 0.71%, 0.48%

LAB 49.86, 77.07, -38.77

 

CMYK 11 / 0 / 83 / 17

HEX #BBD324

RGB 187 211 36

HSL 68.23, 0.71%, 0.48%

LAB 80.34, -28.15, 74.67

 

CMYK 83 / 0 / 56 / 18

HEX #23D15D

RGB 35 209 93

HSL 140, 0.71%, 0.48%

LAB 74.03, -65.7, 45.38

 

CMYK 72 / 83 / 0 / 18

HEX #3B23D1

RGB 59 35 209

HSL 248.28, 0.71%, 0.48%

LAB 31.2, 60.08, -83.4

 

CMYK 0 / 83 / 28 / 18

HEX #D12397

RGB 209 35 151

HSL 320, 0.71%, 0.48%

LAB 48.25, 72.63, -20.58

 

CMYK 11 / 0 / 83 / 17

HEX #BBD324

RGB 187 211 36

HSL 68.23, 0.71%, 0.48%

LAB 80.34, -28.15, 74.67

 

CMYK 83 / 0 / 30 / 18

HEX #23D192

RGB 35 209 146

HSL 158.28, 0.71%, 0.48%

LAB 74.85, -56.21, 19.69

 

CMYK 72 / 83 / 0 / 18

HEX #3B23D1

RGB 59 35 209

HSL 248.28, 0.71%, 0.48%

LAB 31.2, 60.08, -83.4

 

CMYK 0 / 83 / 53 / 18

HEX #D12363

RGB 209 35 99

HSL 337.93, 0.71%, 0.48%

LAB 46.52, 67.68, 8.59

 

Description

Color code: HEX #BBD324 | qconv.com Color code: HEX #BBD324 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 211 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 211 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 83 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 83% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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