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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBCBE5 it is the complementary color #44341A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBCBE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBCBE5 shade: #C0CBE0, #D1DDF3, #E2EFFF, #F3FFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBCBE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBCBE5 shade: #BBCBE5, #AAB9D2, #99A7BF, #8895AC and #778399

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBCBE5 shade: #BCCCE6, #BCC1E6, #C3BCE6, #CEBCE6 and #D9BCE6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBCBE5 shade: #BCCCE6, #BCC1E6 and #BCBCE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBCBE5 shade matches the following richer shades: #BCCCE6, #B5CAED, #AEC9F5 and #A6C7FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBCBE5 shade: #BCCCE6, #C4CEDE, #CBD0D7, #D3D1CF and #DAD3C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBCBE5 shade: #BCE2E6, #BCD7E6, #BCCCE6, #BCC1E6 and #C3BCE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBCBE5 shade: #819FCF, #9FB5DA, #BCCCE6, #DAE3F1 and #F8FAFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBCBE5 shade: #BBCBE5, #DEBCE6 and #DDE6BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBCBE5 shade: #BBCBE5, #E6BCCC and #CCE6BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBCBE5 shade: #BBCBE5, #DEBCE6, #E6D6BC and #C4E6BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBCBE5 shade: #BBCBE5, #E6BCE1, #E6D6BC and #BCE6C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 11 / 0 / 10

HEX #BBCBE5

RGB 187 203 229

HSL 217.14, 0.45%, 0.82%

LAB 81.26, -0.06, -14.69

 

Complementary color

CMYK 0 / 24 / 62 / 73

HEX #44341A

RGB 68 52 26

HSL 37.14, 0.45%, 0.18%

LAB 22.86, 3.44, 19.03

 

CMYK 14 / 9 / 0 / 12

HEX #C0CBE0

RGB 192 203 224

HSL 219.38, 0.34%, 0.82%

LAB 81.46, 0.46, -11.68

 

CMYK 14 / 9 / 0 / 5

HEX #D1DDF3

RGB 209 221 243

HSL 218.82, 0.59%, 0.89%

LAB 87.84, 0.31, -12.1

 

CMYK 11 / 6 / 0 / 0

HEX #E2EFFF

RGB 226 239 255

HSL 213.1, 1%, 0.94%

LAB 93.94, -1.22, -9.18

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243 255 255

HSL 180, 1%, 0.98%

LAB 99.14, -3.91, -1.37

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 18 / 11 / 0 / 10

HEX #BBCBE5

RGB 187 203 229

HSL 217.14, 0.45%, 0.82%

LAB 81.26, -0.06, -14.69

 

CMYK 19 / 12 / 0 / 18

HEX #AAB9D2

RGB 170 185 210

HSL 217.5, 0.31%, 0.75%

LAB 74.76, 0.1, -14.32

 

CMYK 20 / 13 / 0 / 25

HEX #99A7BF

RGB 153 167 191

HSL 217.89, 0.23%, 0.67%

LAB 68.15, 0.26, -13.95

 

CMYK 21 / 13 / 0 / 33

HEX #8895AC

RGB 136 149 172

HSL 218.33, 0.18%, 0.6%

LAB 61.4, 0.44, -13.59

 

CMYK 22 / 14 / 0 / 40

HEX #778399

RGB 119 131 153

HSL 218.82, 0.14%, 0.53%

LAB 54.51, 0.62, -13.24

 

CMYK 18 / 11 / 0 / 10

HEX #BCCCE6

RGB 188 204 230

HSL 217.14, 0.46%, 0.82%

LAB 81.61, -0.06, -14.68

 

CMYK 18 / 16 / 0 / 10

HEX #BCC1E6

RGB 188 193 230

HSL 232.86, 0.46%, 0.82%

LAB 78.78, 5.82, -18.95

 

CMYK 15 / 18 / 0 / 10

HEX #C3BCE6

RGB 195 188 230

HSL 250, 0.46%, 0.82%

LAB 78.04, 10.73, -20.02

 

CMYK 10 / 18 / 0 / 10

HEX #CEBCE6

RGB 206 188 230

HSL 265.71, 0.46%, 0.82%

LAB 78.93, 14.25, -18.59

 

CMYK 6 / 18 / 0 / 10

HEX #D9BCE6

RGB 217 188 230

HSL 281.43, 0.46%, 0.82%

LAB 79.86, 17.82, -17.09

 

CMYK 18 / 11 / 0 / 10

HEX #BCCCE6

RGB 188 204 230

HSL 217.14, 0.46%, 0.82%

LAB 81.61, -0.06, -14.68

 

CMYK 18 / 16 / 0 / 10

HEX #BCC1E6

RGB 188 193 230

HSL 232.86, 0.46%, 0.82%

LAB 78.78, 5.82, -18.95

 

CMYK 18 / 18 / 0 / 10

HEX #BCBCE6

RGB 188 188 230

HSL 240, 0.46%, 0.82%

LAB 77.5, 8.53, -20.88

 

CMYK 18 / 11 / 0 / 10

HEX #BCCCE6

RGB 188 204 230

HSL 217.14, 0.46%, 0.82%

LAB 81.61, -0.06, -14.68

 

CMYK 24 / 15 / 0 / 7

HEX #B5CAED

RGB 181 202 237

HSL 217.5, 0.61%, 0.82%

LAB 80.84, 0.41, -19.63

 

CMYK 29 / 18 / 0 / 4

HEX #AEC9F5

RGB 174 201 245

HSL 217.18, 0.78%, 0.82%

LAB 80.38, 0.76, -24.64

 

CMYK 34 / 21 / 0 / 1

HEX #A6C7FC

RGB 166 199 252

HSL 216.98, 0.93%, 0.82%

LAB 79.6, 1.31, -29.62

 

CMYK 18 / 11 / 0 / 10

HEX #BCCCE6

RGB 188 204 230

HSL 217.14, 0.46%, 0.82%

LAB 81.61, -0.06, -14.68

 

CMYK 12 / 7 / 0 / 13

HEX #C4CEDE

RGB 196 206 222

HSL 216.92, 0.28%, 0.82%

LAB 82.46, -0.25, -9.08

 

CMYK 6 / 3 / 0 / 16

HEX #CBD0D7

RGB 203 208 215

HSL 215, 0.13%, 0.82%

LAB 83.29, -0.38, -4.06

 

CMYK 0 / 1 / 2 / 17

HEX #D3D1CF

RGB 211 209 207

HSL 30, 0.04%, 0.82%

LAB 83.94, 0.33, 1.22

 

CMYK 0 / 3 / 8 / 15

HEX #DAD3C8

RGB 218 211 200

HSL 36.67, 0.2%, 0.82%

LAB 84.82, 0.51, 6.29

 

CMYK 18 / 2 / 0 / 10

HEX #BCE2E6

RGB 188 226 230

HSL 185.71, 0.46%, 0.82%

LAB 87.39, -11.49, -6.08

 

CMYK 18 / 7 / 0 / 10

HEX #BCD7E6

RGB 188 215 230

HSL 201.43, 0.46%, 0.82%

LAB 84.49, -5.83, -10.38

 

CMYK 18 / 11 / 0 / 10

HEX #BCCCE6

RGB 188 204 230

HSL 217.14, 0.46%, 0.82%

LAB 81.61, -0.06, -14.68

 

CMYK 18 / 16 / 0 / 10

HEX #BCC1E6

RGB 188 193 230

HSL 232.86, 0.46%, 0.82%

LAB 78.78, 5.82, -18.95

 

CMYK 15 / 18 / 0 / 10

HEX #C3BCE6

RGB 195 188 230

HSL 250, 0.46%, 0.82%

LAB 78.04, 10.73, -20.02

 

CMYK 38 / 23 / 0 / 19

HEX #819FCF

RGB 129 159 207

HSL 216.92, 0.45%, 0.66%

LAB 64.94, 1.53, -27.87

 

CMYK 27 / 17 / 0 / 15

HEX #9FB5DA

RGB 159 181 218

HSL 217.63, 0.44%, 0.74%

LAB 73.21, 0.74, -21.09

 

CMYK 18 / 11 / 0 / 10

HEX #BCCCE6

RGB 188 204 230

HSL 217.14, 0.46%, 0.82%

LAB 81.61, -0.06, -14.68

 

CMYK 10 / 6 / 0 / 5

HEX #DAE3F1

RGB 218 227 241

HSL 216.52, 0.45%, 0.9%

LAB 89.95, -0.34, -7.85

 

CMYK 2 / 1 / 0 / 1

HEX #F8FAFC

RGB 248 250 252

HSL 210, 0.4%, 0.98%

LAB 98.18, -0.3, -1.2

 

CMYK 18 / 11 / 0 / 10

HEX #BBCBE5

RGB 187 203 229

HSL 217.14, 0.45%, 0.82%

LAB 81.26, -0.06, -14.69

 

CMYK 3 / 18 / 0 / 10

HEX #DEBCE6

RGB 222 188 230

HSL 288.57, 0.46%, 0.82%

LAB 80.3, 19.47, -16.39

 

CMYK 4 / 0 / 18 / 10

HEX #DDE6BC

RGB 221 230 188

HSL 72.86, 0.46%, 0.82%

LAB 89.67, -10.07, 19.48

 

CMYK 18 / 11 / 0 / 10

HEX #BBCBE5

RGB 187 203 229

HSL 217.14, 0.45%, 0.82%

LAB 81.26, -0.06, -14.69

 

CMYK 0 / 18 / 11 / 10

HEX #E6BCCC

RGB 230 188 204

HSL 337.14, 0.46%, 0.82%

LAB 80.26, 17.57, -2.36

 

CMYK 11 / 0 / 18 / 10

HEX #CCE6BC

RGB 204 230 188

HSL 97.14, 0.46%, 0.82%

LAB 88.48, -16.06, 17.64

 

CMYK 18 / 11 / 0 / 10

HEX #BBCBE5

RGB 187 203 229

HSL 217.14, 0.45%, 0.82%

LAB 81.26, -0.06, -14.69

 

CMYK 3 / 18 / 0 / 10

HEX #DEBCE6

RGB 222 188 230

HSL 288.57, 0.46%, 0.82%

LAB 80.3, 19.47, -16.39

 

CMYK 0 / 7 / 18 / 10

HEX #E6D6BC

RGB 230 214 188

HSL 37.14, 0.46%, 0.82%

LAB 86.28, 1.36, 14.83

 

CMYK 15 / 0 / 18 / 10

HEX #C4E6BC

RGB 196 230 188

HSL 108.57, 0.46%, 0.82%

LAB 87.95, -18.81, 16.82

 

CMYK 18 / 11 / 0 / 10

HEX #BBCBE5

RGB 187 203 229

HSL 217.14, 0.45%, 0.82%

LAB 81.26, -0.06, -14.69

 

CMYK 0 / 18 / 2 / 10

HEX #E6BCE1

RGB 230 188 225

HSL 307.14, 0.46%, 0.82%

LAB 80.86, 21.2, -12.78

 

CMYK 0 / 7 / 18 / 10

HEX #E6D6BC

RGB 230 214 188

HSL 37.14, 0.46%, 0.82%

LAB 86.28, 1.36, 14.83

 

CMYK 18 / 0 / 16 / 10

HEX #BCE6C1

RGB 188 230 193

HSL 127.14, 0.46%, 0.82%

LAB 87.55, -20.63, 13.58

 

Description

Color code: HEX #BBCBE5 | qconv.com Color code: HEX #BBCBE5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 203 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 203 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 11 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 11% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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