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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBCB4A it is the complementary color #4434B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBCB4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBCB4A shade: #C0CB45, #D1DD58, #E2EF6B, #F3FF7E and #FFFF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBCB4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBCB4A shade: #BBCB4A, #AAB937, #99A724, #889511 and #778300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBCB4A shade: #BACA49, #CAB749, #CA9549, #CA7249 and #CA4F49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBCB4A shade: #BACA49, #97CA49, #75CA49, #52CA49 and #49CA63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBCB4A shade matches the following richer shades: #BACA49, #C8DD36 and #D7F023

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBCB4A shade: #BACA49, #ACB75C, #9EA46F, #8F9182 and #817E95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBCB4A shade: #CA9449, #CAB749, #BBCA49, #99CA49 and #76CA49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBCB4A shade: #88952B, #A5B535, #BACA49, #C6D369 and #D2DD89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBCB4A shade: #BBCB4A, #49CA72 and #A649CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBCB4A shade: #BBCB4A, #49BBCA and #CA49BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBCB4A shade: #BBCB4A, #49CA72, #5849CA and #CA49A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBCB4A shade: #BBCB4A, #49CA99, #5849CA and #CA497B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 64 / 20

HEX #BBCB4A

RGB 187 203 74

HSL 67.44, 0.55%, 0.54%

LAB 78.33, -22.5, 60.3

 

Complementary color

CMYK 62 / 71 / 0 / 29

HEX #4434B5

RGB 68 52 181

HSL 247.44, 0.55%, 0.46%

LAB 31.85, 44.23, -65.85

 

CMYK 5 / 0 / 66 / 20

HEX #C0CB45

RGB 192 203 69

HSL 64.93, 0.56%, 0.53%

LAB 78.66, -20.75, 62.77

 

CMYK 5 / 0 / 60 / 13

HEX #D1DD58

RGB 209 221 88

HSL 65.41, 0.66%, 0.61%

LAB 84.98, -21.38, 62.1

 

CMYK 5 / 0 / 55 / 6

HEX #E2EF6B

RGB 226 239 107

HSL 65.91, 0.8%, 0.68%

LAB 91.22, -21.89, 61.21

 

CMYK 5 / 0 / 51 / 0

HEX #F3FF7E

RGB 243 255 126

HSL 65.58, 1%, 0.75%

LAB 96.85, -21.36, 59.58

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 8 / 0 / 64 / 20

HEX #BBCB4A

RGB 187 203 74

HSL 67.44, 0.55%, 0.54%

LAB 78.33, -22.5, 60.3

 

CMYK 8 / 0 / 70 / 27

HEX #AAB937

RGB 170 185 55

HSL 66.92, 0.54%, 0.47%

LAB 71.91, -21.84, 60.76

 

CMYK 8 / 0 / 78 / 35

HEX #99A724

RGB 153 167 36

HSL 66.41, 0.65%, 0.4%

LAB 65.39, -21.01, 60.59

 

CMYK 9 / 0 / 89 / 42

HEX #889511

RGB 136 149 17

HSL 65.91, 0.8%, 0.33%

LAB 58.76, -19.96, 59.29

 

CMYK 9 / 0 / 100 / 49

HEX #778300

RGB 119 131 0

HSL 65.5, 1%, 0.26%

LAB 52.01, -18.67, 56.44

 

CMYK 8 / 0 / 64 / 21

HEX #BACA49

RGB 186 202 73

HSL 67.44, 0.55%, 0.54%

LAB 77.97, -22.48, 60.31

 

CMYK 0 / 9 / 64 / 21

HEX #CAB749

RGB 202 183 73

HSL 51.16, 0.55%, 0.54%

LAB 74.13, -6.16, 56.62

 

CMYK 0 / 26 / 64 / 21

HEX #CA9549

RGB 202 149 73

HSL 35.35, 0.55%, 0.54%

LAB 65.38, 12, 47.01

 

CMYK 0 / 44 / 64 / 21

HEX #CA7249

RGB 202 114 73

HSL 19.07, 0.55%, 0.54%

LAB 57.15, 31.01, 37.47

 

CMYK 0 / 61 / 64 / 21

HEX #CA4F49

RGB 202 79 73

HSL 2.79, 0.55%, 0.54%

LAB 50.25, 48.53, 29.07

 

CMYK 8 / 0 / 64 / 21

HEX #BACA49

RGB 186 202 73

HSL 67.44, 0.55%, 0.54%

LAB 77.97, -22.48, 60.31

 

CMYK 25 / 0 / 64 / 21

HEX #97CA49

RGB 151 202 73

HSL 83.72, 0.55%, 0.54%

LAB 75.64, -36.32, 57.12

 

CMYK 42 / 0 / 64 / 21

HEX #75CA49

RGB 117 202 73

HSL 99.53, 0.55%, 0.54%

LAB 73.87, -48.24, 54.69

 

CMYK 59 / 0 / 64 / 21

HEX #52CA49

RGB 82 202 73

HSL 115.81, 0.55%, 0.54%

LAB 72.57, -58.02, 52.89

 

CMYK 64 / 0 / 51 / 21

HEX #49CA63

RGB 73 202 99

HSL 132.09, 0.55%, 0.54%

LAB 72.6, -56.82, 40.94

 

CMYK 8 / 0 / 64 / 21

HEX #BACA49

RGB 186 202 73

HSL 67.44, 0.55%, 0.54%

LAB 77.97, -22.48, 60.31

 

CMYK 10 / 0 / 76 / 13

HEX #C8DD36

RGB 200 221 54

HSL 67.54, 0.71%, 0.54%

LAB 84.1, -26.92, 73.5

 

CMYK 10 / 0 / 85 / 6

HEX #D7F023

RGB 215 240 35

HSL 67.32, 0.87%, 0.54%

LAB 90.27, -30.37, 84

 

CMYK 8 / 0 / 64 / 21

HEX #BACA49

RGB 186 202 73

HSL 67.44, 0.55%, 0.54%

LAB 77.97, -22.48, 60.31

 

CMYK 6 / 0 / 50 / 28

HEX #ACB75C

RGB 172 183 92

HSL 67.25, 0.39%, 0.54%

LAB 71.83, -17.23, 44.56

 

CMYK 4 / 0 / 32 / 36

HEX #9EA46F

RGB 158 164 111

HSL 66.79, 0.23%, 0.54%

LAB 65.72, -10.9, 26.85

 

CMYK 1 / 0 / 10 / 43

HEX #8F9182

RGB 143 145 130

HSL 68, 0.06%, 0.54%

LAB 59.62, -3.54, 7.71

 

CMYK 13 / 15 / 0 / 42

HEX #817E95

RGB 129 126 149

HSL 247.83, 0.1%, 0.54%

LAB 53.77, 5.98, -11.95

 

CMYK 0 / 27 / 64 / 21

HEX #CA9449

RGB 202 148 73

HSL 34.88, 0.55%, 0.54%

LAB 65.13, 12.55, 46.73

 

CMYK 0 / 9 / 64 / 21

HEX #CAB749

RGB 202 183 73

HSL 51.16, 0.55%, 0.54%

LAB 74.13, -6.16, 56.62

 

CMYK 7 / 0 / 64 / 21

HEX #BBCA49

RGB 187 202 73

HSL 66.98, 0.55%, 0.54%

LAB 78.04, -22.07, 60.41

 

CMYK 24 / 0 / 64 / 21

HEX #99CA49

RGB 153 202 73

HSL 82.79, 0.55%, 0.54%

LAB 75.76, -35.56, 57.29

 

CMYK 42 / 0 / 64 / 21

HEX #76CA49

RGB 118 202 73

HSL 99.07, 0.55%, 0.54%

LAB 73.92, -47.92, 54.75

 

CMYK 9 / 0 / 71 / 42

HEX #88952B

RGB 136 149 43

HSL 67.36, 0.55%, 0.38%

LAB 58.88, -18.9, 51.54

 

CMYK 9 / 0 / 71 / 29

HEX #A5B535

RGB 165 181 53

HSL 67.5, 0.55%, 0.46%

LAB 70.39, -22.07, 59.87

 

CMYK 8 / 0 / 64 / 21

HEX #BACA49

RGB 186 202 73

HSL 67.44, 0.55%, 0.54%

LAB 77.97, -22.48, 60.31

 

CMYK 6 / 0 / 50 / 17

HEX #C6D369

RGB 198 211 105

HSL 67.36, 0.55%, 0.62%

LAB 81.63, -19.53, 50.47

 

CMYK 5 / 0 / 38 / 13

HEX #D2DD89

RGB 210 221 137

HSL 67.86, 0.55%, 0.7%

LAB 85.62, -16.47, 39.99

 

CMYK 8 / 0 / 64 / 20

HEX #BBCB4A

RGB 187 203 74

HSL 67.44, 0.55%, 0.54%

LAB 78.33, -22.5, 60.3

 

CMYK 64 / 0 / 44 / 21

HEX #49CA72

RGB 73 202 114

HSL 139.07, 0.55%, 0.54%

LAB 72.81, -54.49, 33.73

 

CMYK 18 / 64 / 0 / 21

HEX #A649CA

RGB 166 73 202

HSL 283.26, 0.55%, 0.54%

LAB 48.43, 57.99, -50.73

 

CMYK 8 / 0 / 64 / 20

HEX #BBCB4A

RGB 187 203 74

HSL 67.44, 0.55%, 0.54%

LAB 78.33, -22.5, 60.3

 

CMYK 64 / 7 / 0 / 21

HEX #49BBCA

RGB 73 187 202

HSL 186.98, 0.55%, 0.54%

LAB 70.33, -27.28, -17.09

 

CMYK 0 / 64 / 7 / 21

HEX #CA49BB

RGB 202 73 187

HSL 306.98, 0.55%, 0.54%

LAB 52.85, 64.02, -34.73

 

CMYK 8 / 0 / 64 / 20

HEX #BBCB4A

RGB 187 203 74

HSL 67.44, 0.55%, 0.54%

LAB 78.33, -22.5, 60.3

 

CMYK 64 / 0 / 44 / 21

HEX #49CA72

RGB 73 202 114

HSL 139.07, 0.55%, 0.54%

LAB 72.81, -54.49, 33.73

 

CMYK 56 / 64 / 0 / 21

HEX #5849CA

RGB 88 73 202

HSL 246.98, 0.55%, 0.54%

LAB 39.76, 41.76, -65.17

 

CMYK 0 / 64 / 20 / 21

HEX #CA49A1

RGB 202 73 161

HSL 319.07, 0.55%, 0.54%

LAB 51.72, 60.15, -21.3

 

CMYK 8 / 0 / 64 / 20

HEX #BBCB4A

RGB 187 203 74

HSL 67.44, 0.55%, 0.54%

LAB 78.33, -22.5, 60.3

 

CMYK 64 / 0 / 24 / 21

HEX #49CA99

RGB 73 202 153

HSL 157.21, 0.55%, 0.54%

LAB 73.52, -46.87, 14.22

 

CMYK 56 / 64 / 0 / 21

HEX #5849CA

RGB 88 73 202

HSL 246.98, 0.55%, 0.54%

LAB 39.76, 41.76, -65.17

 

CMYK 0 / 64 / 39 / 21

HEX #CA497B

RGB 202 73 123

HSL 336.74, 0.55%, 0.54%

LAB 50.4, 55.43, -0.64

 

Description

Color code: HEX #BBCB4A | qconv.com Color code: HEX #BBCB4A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 203 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 203 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 64 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 64% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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