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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBCB3E it is the complementary color #4434C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBCB3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBCB3E shade: #C0CB39, #D1DD4C, #E2EF5F, #F3FF72 and #FFFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBCB3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBCB3E shade: #BBCB3E, #AAB92B, #99A718, #889505 and #778300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBCB3E shade: #BBCC3E, #CCB53E, #CC8F3E, #CC693E and #CC433E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBCB3E shade: #BBCC3E, #95CC3E, #6FCC3E, #49CC3E and #3ECC59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBCB3E shade matches the following richer shades: #BBCC3E, #CBDF2A and #DAF316

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBCB3E shade: #BBCC3E, #ACB851, #9DA465, #8E9079 and #7E7C8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBCB3E shade: #CC8E3E, #CCB43E, #BDCC3E, #98CC3E and #72CC3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBCB3E shade: #849026, #A2B12F, #BBCC3E, #C7D45E and #D2DD7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBCB3E shade: #BBCB3E, #3ECC68 and #A13ECC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBCB3E shade: #BBCB3E, #3EBDCC and #CC3EBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBCB3E shade: #BBCB3E, #3ECC68, #4C3ECC and #CC3EA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBCB3E shade: #BBCB3E, #3ECC93, #4C3ECC and #CC3E76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 69 / 20

HEX #BBCB3E

RGB 187 203 62

HSL 66.81, 0.58%, 0.52%

LAB 78.24, -23.22, 64.88

 

Complementary color

CMYK 65 / 73 / 0 / 24

HEX #4434C1

RGB 68 52 193

HSL 246.81, 0.58%, 0.48%

LAB 33, 47.99, -71.06

 

CMYK 5 / 0 / 72 / 20

HEX #C0CB39

RGB 192 203 57

HSL 64.52, 0.58%, 0.51%

LAB 78.59, -21.4, 67.12

 

CMYK 5 / 0 / 66 / 13

HEX #D1DD4C

RGB 209 221 76

HSL 64.97, 0.68%, 0.58%

LAB 84.89, -22.15, 66.85

 

CMYK 5 / 0 / 60 / 6

HEX #E2EF5F

RGB 226 239 95

HSL 65.42, 0.82%, 0.65%

LAB 91.11, -22.77, 66.2

 

CMYK 5 / 0 / 55 / 0

HEX #F3FF72

RGB 243 255 114

HSL 65.11, 1%, 0.72%

LAB 96.73, -22.33, 64.74

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 8 / 0 / 69 / 20

HEX #BBCB3E

RGB 187 203 62

HSL 66.81, 0.58%, 0.52%

LAB 78.24, -23.22, 64.88

 

CMYK 8 / 0 / 77 / 27

HEX #AAB92B

RGB 170 185 43

HSL 66.34, 0.62%, 0.45%

LAB 71.84, -22.42, 64.79

 

CMYK 8 / 0 / 86 / 35

HEX #99A718

RGB 153 167 24

HSL 65.87, 0.75%, 0.37%

LAB 65.34, -21.42, 63.76

 

CMYK 9 / 0 / 97 / 42

HEX #889505

RGB 136 149 5

HSL 65.42, 0.94%, 0.3%

LAB 58.73, -20.2, 61.26

 

CMYK 9 / 0 / 100 / 49

HEX #778300

RGB 119 131 0

HSL 65.5, 1%, 0.26%

LAB 52.01, -18.67, 56.44

 

CMYK 8 / 0 / 70 / 20

HEX #BBCC3E

RGB 187 204 62

HSL 67.18, 0.58%, 0.52%

LAB 78.52, -23.7, 65.15

 

CMYK 0 / 11 / 70 / 20

HEX #CCB53E

RGB 204 181 62

HSL 50.28, 0.58%, 0.52%

LAB 73.7, -4.89, 60.79

 

CMYK 0 / 30 / 70 / 20

HEX #CC8F3E

RGB 204 143 62

HSL 34.23, 0.58%, 0.52%

LAB 64.02, 15.47, 50.79

 

CMYK 0 / 49 / 70 / 20

HEX #CC693E

RGB 204 105 62

HSL 18.17, 0.58%, 0.52%

LAB 55.37, 35.9, 41.33

 

CMYK 0 / 67 / 70 / 20

HEX #CC433E

RGB 204 67 62

HSL 2.11, 0.58%, 0.52%

LAB 48.51, 53.75, 33.41

 

CMYK 8 / 0 / 70 / 20

HEX #BBCC3E

RGB 187 204 62

HSL 67.18, 0.58%, 0.52%

LAB 78.52, -23.7, 65.15

 

CMYK 27 / 0 / 70 / 20

HEX #95CC3E

RGB 149 204 62

HSL 83.24, 0.58%, 0.52%

LAB 76.02, -38.75, 61.83

 

CMYK 46 / 0 / 70 / 20

HEX #6FCC3E

RGB 111 204 62

HSL 99.3, 0.58%, 0.52%

LAB 74.13, -51.83, 59.29

 

CMYK 64 / 0 / 70 / 20

HEX #49CC3E

RGB 73 204 62

HSL 115.35, 0.58%, 0.52%

LAB 72.86, -61.76, 57.57

 

CMYK 70 / 0 / 56 / 20

HEX #3ECC59

RGB 62 204 89

HSL 131.41, 0.58%, 0.52%

LAB 72.85, -60.97, 45.94

 

CMYK 8 / 0 / 70 / 20

HEX #BBCC3E

RGB 187 204 62

HSL 67.18, 0.58%, 0.52%

LAB 78.52, -23.7, 65.15

 

CMYK 9 / 0 / 81 / 13

HEX #CBDF2A

RGB 203 223 42

HSL 66.63, 0.74%, 0.52%

LAB 84.81, -27.08, 77.53

 

CMYK 10 / 0 / 91 / 5

HEX #DAF316

RGB 218 243 22

HSL 66.79, 0.9%, 0.52%

LAB 91.26, -30.8, 86.96

 

CMYK 8 / 0 / 70 / 20

HEX #BBCC3E

RGB 187 204 62

HSL 67.18, 0.58%, 0.52%

LAB 78.52, -23.7, 65.15

 

CMYK 7 / 0 / 56 / 28

HEX #ACB851

RGB 172 184 81

HSL 66.99, 0.42%, 0.52%

LAB 71.99, -18.72, 49.97

 

CMYK 4 / 0 / 38 / 36

HEX #9DA465

RGB 157 164 101

HSL 66.67, 0.26%, 0.52%

LAB 65.48, -12.57, 31.86

 

CMYK 1 / 0 / 16 / 44

HEX #8E9079

RGB 142 144 121

HSL 65.22, 0.09%, 0.52%

LAB 59.05, -4.92, 11.99

 

CMYK 11 / 12 / 0 / 45

HEX #7E7C8D

RGB 126 124 141

HSL 247.06, 0.07%, 0.52%

LAB 52.7, 4.31, -8.92

 

CMYK 0 / 30 / 70 / 20

HEX #CC8E3E

RGB 204 142 62

HSL 33.8, 0.58%, 0.52%

LAB 63.78, 16.02, 50.53

 

CMYK 0 / 12 / 70 / 20

HEX #CCB43E

RGB 204 180 62

HSL 49.86, 0.58%, 0.52%

LAB 73.43, -4.37, 60.53

 

CMYK 7 / 0 / 70 / 20

HEX #BDCC3E

RGB 189 204 62

HSL 66.34, 0.58%, 0.52%

LAB 78.67, -22.88, 65.35

 

CMYK 25 / 0 / 70 / 20

HEX #98CC3E

RGB 152 204 62

HSL 81.97, 0.58%, 0.52%

LAB 76.2, -37.62, 62.06

 

CMYK 44 / 0 / 70 / 20

HEX #72CC3E

RGB 114 204 62

HSL 98.03, 0.58%, 0.52%

LAB 74.26, -50.9, 59.46

 

CMYK 8 / 0 / 74 / 44

HEX #849026

RGB 132 144 38

HSL 66.79, 0.58%, 0.36%

LAB 57.07, -18.35, 51.55

 

CMYK 8 / 0 / 73 / 31

HEX #A2B12F

RGB 162 177 47

HSL 66.92, 0.58%, 0.44%

LAB 68.99, -21.66, 60.59

 

CMYK 8 / 0 / 70 / 20

HEX #BBCC3E

RGB 187 204 62

HSL 67.18, 0.58%, 0.52%

LAB 78.52, -23.7, 65.15

 

CMYK 6 / 0 / 56 / 17

HEX #C7D45E

RGB 199 212 94

HSL 66.61, 0.58%, 0.6%

LAB 81.86, -20.57, 55.82

 

CMYK 5 / 0 / 43 / 13

HEX #D2DD7F

RGB 210 221 127

HSL 67.02, 0.58%, 0.68%

LAB 85.48, -17.57, 44.77

 

CMYK 8 / 0 / 69 / 20

HEX #BBCB3E

RGB 187 203 62

HSL 66.81, 0.58%, 0.52%

LAB 78.24, -23.22, 64.88

 

CMYK 70 / 0 / 49 / 20

HEX #3ECC68

RGB 62 204 104

HSL 137.75, 0.58%, 0.52%

LAB 73.03, -58.85, 38.97

 

CMYK 21 / 70 / 0 / 20

HEX #A13ECC

RGB 161 62 204

HSL 281.83, 0.58%, 0.52%

LAB 46.15, 62.08, -55.57

 

CMYK 8 / 0 / 69 / 20

HEX #BBCB3E

RGB 187 203 62

HSL 66.81, 0.58%, 0.52%

LAB 78.24, -23.22, 64.88

 

CMYK 70 / 7 / 0 / 20

HEX #3EBDCC

RGB 62 189 204

HSL 186.34, 0.58%, 0.52%

LAB 70.72, -29.3, -17.63

 

CMYK 0 / 70 / 7 / 20

HEX #CC3EBD

RGB 204 62 189

HSL 306.34, 0.58%, 0.52%

LAB 51.79, 68.93, -37.54

 

CMYK 8 / 0 / 69 / 20

HEX #BBCB3E

RGB 187 203 62

HSL 66.81, 0.58%, 0.52%

LAB 78.24, -23.22, 64.88

 

CMYK 70 / 0 / 49 / 20

HEX #3ECC68

RGB 62 204 104

HSL 137.75, 0.58%, 0.52%

LAB 73.03, -58.85, 38.97

 

CMYK 63 / 70 / 0 / 20

HEX #4C3ECC

RGB 76 62 204

HSL 245.92, 0.58%, 0.52%

LAB 36.63, 46.9, -71.48

 

CMYK 0 / 70 / 21 / 20

HEX #CC3EA1

RGB 204 62 161

HSL 318.17, 0.58%, 0.52%

LAB 50.52, 64.91, -23.12

 

CMYK 8 / 0 / 69 / 20

HEX #BBCB3E

RGB 187 203 62

HSL 66.81, 0.58%, 0.52%

LAB 78.24, -23.22, 64.88

 

CMYK 70 / 0 / 28 / 20

HEX #3ECC93

RGB 62 204 147

HSL 155.92, 0.58%, 0.52%

LAB 73.75, -50.85, 17.71

 

CMYK 63 / 70 / 0 / 20

HEX #4C3ECC

RGB 76 62 204

HSL 245.92, 0.58%, 0.52%

LAB 36.63, 46.9, -71.48

 

CMYK 0 / 70 / 42 / 20

HEX #CC3E76

RGB 204 62 118

HSL 336.34, 0.58%, 0.52%

LAB 49, 59.88, 0.38

 

Description

Color code: HEX #BBCB3E | qconv.com Color code: HEX #BBCB3E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 203 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 203 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 69 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 69% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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