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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBC9F94C it is the complementary color #4436064C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBC9F94C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBC9F94C shade: #C0C9F44C, #D1DBFF4C, #E2EDFF4C, #F3FFFF4C and #FFFFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBC9F94C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBC9F94C shade: #BBC9F94C, #AAB7E64C, #99A5D34C, #8893C04C and #7781AD4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBC9F94C shade: #B9C7F9, #BBB9F9, #CDB9F9, #DEB9F9 and #EFB9F9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBC9F94C shade: #B9C7F9 and #B9B9F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBC9F94C shade matches the following richer shades: #B9C7F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBC9F94C shade: #B9C7F9, #BFCBF3, #C5CEED, #CBD1E6 and #D1D5E0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBC9F94C shade: #B9EAF9, #B9D9F9, #B9C8F9, #BBB9F9 and #CCB9F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBC9F94C shade: #6D8BF2, #93A9F6, #B9C7F9, #DFE5FC and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBC9F94C shade: #BBC9F9, #F7B9F9 and #E1F9B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBC9F94C shade: #BBC9F9, #F9B9C8 and #C8F9B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBC9F94C shade: #BBC9F9, #F7B9F9, #F9EAB9 and #BBF9B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBC9F94C shade: #BBC9F9, #F9B9E8, #F9EAB9 and #B9F9CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 6 / 0 / 1

HEX #BBC9F94C

RGBA 187 201 249 0.3

HSLA 226.45, 0.84%, 0.85%, 0.3

LABA 81.39, 5.48, -25.16, 0.3

 

Complementary color

CMYK 0 / 6 / 27 / 22

HEX #4436064C

RGBA 68 54 6 0.3

HSLA 46.45, 0.84%, 0.15%, 0.3

LABA 23.27, 0.73, 29.76, 0.3

 

CMYK 6 / 5 / 0 / 1

HEX #C0C9F44C

RGBA 192 201 244 0.3

HSLA 229.62, 0.7%, 0.85%, 0.3

LABA 81.57, 5.84, -22.19, 0.3

 

CMYK 5 / 4 / 0 / 0

HEX #D1DBFF4C

RGBA 209 219 255 0.3

HSLA 226.96, 1%, 0.91%, 0.3

LABA 87.7, 3.86, -18.63, 0.3

 

CMYK 3 / 2 / 0 / 0

HEX #E2EDFF4C

RGBA 226 237 255 0.3

HSLA 217.24, 1%, 0.94%, 0.3

LABA 93.43, -0.2, -9.92, 0.3

 

CMYK 1 / 0 / 0 / 0

HEX #F3FFFF4C

RGBA 243 255 255 0.3

HSLA 180, 1%, 0.98%, 0.3

LABA 99.14, -3.91, -1.37, 0.3

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF4C

RGBA 255 255 255 0.3

HSLA 0, 0%, 1%, 0.3

LABA 100, 0.01, -0.01, 0.3

 

CMYK 7 / 6 / 0 / 1

HEX #BBC9F94C

RGBA 187 201 249 0.3

HSLA 226.45, 0.84%, 0.85%, 0.3

LABA 81.39, 5.48, -25.16, 0.3

 

CMYK 8 / 6 / 0 / 3

HEX #AAB7E64C

RGBA 170 183 230 0.3

HSLA 227, 0.55%, 0.78%, 0.3

LABA 74.9, 5.77, -24.96, 0.3

 

CMYK 8 / 7 / 0 / 5

HEX #99A5D34C

RGBA 153 165 211 0.3

HSLA 227.59, 0.4%, 0.71%, 0.3

LABA 68.3, 6.09, -24.77, 0.3

 

CMYK 9 / 7 / 0 / 7

HEX #8893C04C

RGBA 136 147 192 0.3

HSLA 228.21, 0.31%, 0.64%, 0.3

LABA 61.57, 6.44, -24.62, 0.3

 

CMYK 9 / 8 / 0 / 10

HEX #7781AD4C

RGBA 119 129 173 0.3

HSLA 228.89, 0.25%, 0.57%, 0.3

LABA 54.7, 6.84, -24.49, 0.3

 

CMYK 26 / 20 / 0 / 2

HEX #B9C7F9

RGB 185 199 249

HSL 226.88, 0.84%, 0.85%

LAB 80.74, 5.97, -26.17

 

CMYK 25 / 26 / 0 / 2

HEX #BBB9F9

RGB 187 185 249

HSL 241.88, 0.84%, 0.85%

LAB 77.34, 14.17, -31.36

 

CMYK 18 / 26 / 0 / 2

HEX #CDB9F9

RGB 205 185 249

HSL 258.75, 0.84%, 0.85%

LAB 78.76, 19.56, -29.06

 

CMYK 11 / 26 / 0 / 2

HEX #DEB9F9

RGB 222 185 249

HSL 274.69, 0.84%, 0.85%

LAB 80.22, 24.82, -26.71

 

CMYK 4 / 26 / 0 / 2

HEX #EFB9F9

RGB 239 185 249

HSL 290.63, 0.84%, 0.85%

LAB 81.78, 30.17, -24.18

 

CMYK 26 / 20 / 0 / 2

HEX #B9C7F9

RGB 185 199 249

HSL 226.88, 0.84%, 0.85%

LAB 80.74, 5.97, -26.17

 

CMYK 26 / 26 / 0 / 2

HEX #B9B9F9

RGB 185 185 249

HSL 240, 0.84%, 0.85%

LAB 77.19, 13.59, -31.61

 

CMYK 26 / 20 / 0 / 2

HEX #B9C7F9

RGB 185 199 249

HSL 226.88, 0.84%, 0.85%

LAB 80.74, 5.97, -26.17

 

CMYK 26 / 20 / 0 / 2

HEX #B9C7F9

RGB 185 199 249

HSL 226.88, 0.84%, 0.85%

LAB 80.74, 5.97, -26.17

 

CMYK 21 / 16 / 0 / 5

HEX #BFCBF3

RGB 191 203 243

HSL 226.15, 0.68%, 0.85%

LAB 81.98, 4.25, -21.04

 

CMYK 17 / 13 / 0 / 7

HEX #C5CEED

RGB 197 206 237

HSL 226.5, 0.53%, 0.85%

LAB 82.98, 3.19, -16.29

 

CMYK 12 / 9 / 0 / 10

HEX #CBD1E6

RGB 203 209 230

HSL 226.67, 0.35%, 0.85%

LAB 83.97, 2.05, -11.04

 

CMYK 7 / 5 / 0 / 12

HEX #D1D5E0

RGB 209 213 224

HSL 224, 0.19%, 0.85%

LAB 85.26, 0.72, -5.89

 

CMYK 26 / 6 / 0 / 2

HEX #B9EAF9

RGB 185 234 249

HSL 194.06, 0.84%, 0.85%

LAB 89.86, -12.35, -12.4

 

CMYK 26 / 13 / 0 / 2

HEX #B9D9F9

RGB 185 217 249

HSL 210, 0.84%, 0.85%

LAB 85.39, -3.59, -19.1

 

CMYK 26 / 20 / 0 / 2

HEX #B9C8F9

RGB 185 200 249

HSL 225.94, 0.84%, 0.85%

LAB 81, 5.43, -25.78

 

CMYK 25 / 26 / 0 / 2

HEX #BBB9F9

RGB 187 185 249

HSL 241.88, 0.84%, 0.85%

LAB 77.34, 14.17, -31.36

 

CMYK 18 / 26 / 0 / 2

HEX #CCB9F9

RGB 204 185 249

HSL 257.81, 0.84%, 0.85%

LAB 78.68, 19.26, -29.19

 

CMYK 55 / 43 / 0 / 5

HEX #6D8BF2

RGB 109 139 242

HSL 226.47, 0.84%, 0.69%

LAB 60, 18.66, -55.09

 

CMYK 40 / 31 / 0 / 4

HEX #93A9F6

RGB 147 169 246

HSL 226.67, 0.85%, 0.77%

LAB 70.34, 11.26, -40.82

 

CMYK 26 / 20 / 0 / 2

HEX #B9C7F9

RGB 185 199 249

HSL 226.88, 0.84%, 0.85%

LAB 80.74, 5.97, -26.17

 

CMYK 12 / 9 / 0 / 1

HEX #DFE5FC

RGB 223 229 252

HSL 227.59, 0.83%, 0.93%

LAB 91.12, 2.39, -11.82

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 25 / 19 / 0 / 2

HEX #BBC9F9

RGB 187 201 249

HSL 226.45, 0.84%, 0.85%

LAB 81.39, 5.48, -25.16

 

CMYK 1 / 26 / 0 / 2

HEX #F7B9F9

RGB 247 185 249

HSL 298.13, 0.84%, 0.85%

LAB 82.55, 32.72, -22.94

 

CMYK 10 / 0 / 26 / 2

HEX #E1F9B9

RGB 225 249 185

HSL 82.5, 0.84%, 0.85%

LAB 94.85, -18.48, 28.2

 

CMYK 25 / 19 / 0 / 2

HEX #BBC9F9

RGB 187 201 249

HSL 226.45, 0.84%, 0.85%

LAB 81.39, 5.48, -25.16

 

CMYK 0 / 26 / 20 / 2

HEX #F9B9C8

RGB 249 185 200

HSL 345.94, 0.84%, 0.85%

LAB 81.3, 25.26, 1.53

 

CMYK 20 / 0 / 26 / 2

HEX #C8F9B9

RGB 200 249 185

HSL 105.94, 0.84%, 0.85%

LAB 93.25, -27.12, 25.75

 

CMYK 25 / 19 / 0 / 2

HEX #BBC9F9

RGB 187 201 249

HSL 226.45, 0.84%, 0.85%

LAB 81.39, 5.48, -25.16

 

CMYK 1 / 26 / 0 / 2

HEX #F7B9F9

RGB 247 185 249

HSL 298.13, 0.84%, 0.85%

LAB 82.55, 32.72, -22.94

 

CMYK 0 / 6 / 26 / 2

HEX #F9EAB9

RGB 249 234 185

HSL 45.94, 0.84%, 0.85%

LAB 92.79, -2.32, 25.68

 

CMYK 25 / 0 / 26 / 2

HEX #BBF9B9

RGB 187 249 185

HSL 118.13, 0.84%, 0.85%

LAB 92.49, -31.41, 24.6

 

CMYK 25 / 19 / 0 / 2

HEX #BBC9F9

RGB 187 201 249

HSL 226.45, 0.84%, 0.85%

LAB 81.39, 5.48, -25.16

 

CMYK 0 / 26 / 7 / 2

HEX #F9B9E8

RGB 249 185 232

HSL 315.94, 0.84%, 0.85%

LAB 82.2, 30.37, -14.35

 

CMYK 0 / 6 / 26 / 2

HEX #F9EAB9

RGB 249 234 185

HSL 45.94, 0.84%, 0.85%

LAB 92.79, -2.32, 25.68

 

CMYK 26 / 0 / 19 / 2

HEX #B9F9CA

RGB 185 249 202

HSL 135.94, 0.84%, 0.85%

LAB 92.72, -29.14, 16.19

 

Description

Color code: HEX #BBC9F94C | qconv.com Color code: HEX #BBC9F94C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 201 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 201 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 6 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 6% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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