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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBC7DA it is the complementary color #443825. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBC7DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBC7DA shade: #C0C7D5, #D1D9E8, #E2EBFB, #F3FDFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBC7DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBC7DA shade: #BBC7DA, #AAB5C7, #99A3B4, #8891A1 and #777F8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBC7DA shade: #B9C6DA, #B9BDDA, #BEB9DA, #C7B9DA and #D0B9DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBC7DA shade: #B9C6DA, #B9BDDA and #B9B9DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBC7DA shade matches the following richer shades: #B9C6DA, #B1C4E2, #A8C2EB, #9FC0F4 and #97BEFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBC7DA shade: #B9C6DA, #C2C8D1, #CBCAC8, #D3CCC0 and #DCCEB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBC7DA shade: #B9D7DA, #B9CFDA, #B9C6DA, #B9BEDA and #BEB9DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBC7DA shade: #849ABD, #9FB0CB, #B9C6DA, #D4DCE8 and #EFF2F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBC7DA shade: #BBC7DA, #D3B9DA and #D3DAB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBC7DA shade: #BBC7DA, #DAB9C6 and #C6DAB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBC7DA shade: #BBC7DA, #D3B9DA, #DACDB9 and #C0DAB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBC7DA shade: #BBC7DA, #DAB9D6, #DACDB9 and #B9DABD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 9 / 0 / 15

HEX #BBC7DA

RGB 187 199 218

HSL 216.77, 0.3%, 0.79%

LAB 79.88, -0.27, -10.85

 

Complementary color

CMYK 0 / 18 / 46 / 73

HEX #443825

RGB 68 56 37

HSL 36.77, 0.3%, 0.21%

LAB 24.29, 2.13, 13.85

 

CMYK 10 / 7 / 0 / 16

HEX #C0C7D5

RGB 192 199 213

HSL 220, 0.2%, 0.79%

LAB 80.1, 0.33, -7.8

 

CMYK 10 / 6 / 0 / 9

HEX #D1D9E8

RGB 209 217 232

HSL 219.13, 0.33%, 0.86%

LAB 86.51, 0.19, -8.28

 

CMYK 10 / 6 / 0 / 2

HEX #E2EBFB

RGB 226 235 251

HSL 218.4, 0.76%, 0.94%

LAB 92.82, 0.05, -8.76

 

CMYK 5 / 1 / 0 / 0

HEX #F3FDFF

RGB 243 253 255

HSL 190, 1%, 0.98%

LAB 98.64, -2.9, -2.1

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 14 / 9 / 0 / 15

HEX #BBC7DA

RGB 187 199 218

HSL 216.77, 0.3%, 0.79%

LAB 79.88, -0.27, -10.85

 

CMYK 15 / 9 / 0 / 22

HEX #AAB5C7

RGB 170 181 199

HSL 217.24, 0.21%, 0.72%

LAB 73.36, -0.13, -10.41

 

CMYK 15 / 9 / 0 / 29

HEX #99A3B4

RGB 153 163 180

HSL 217.78, 0.15%, 0.65%

LAB 66.72, 0.02, -9.98

 

CMYK 16 / 10 / 0 / 37

HEX #8891A1

RGB 136 145 161

HSL 218.4, 0.12%, 0.58%

LAB 59.94, 0.18, -9.54

 

CMYK 16 / 11 / 0 / 44

HEX #777F8E

RGB 119 127 142

HSL 219.13, 0.09%, 0.51%

LAB 53.01, 0.34, -9.1

 

CMYK 15 / 9 / 0 / 15

HEX #B9C6DA

RGB 185 198 218

HSL 216.36, 0.31%, 0.79%

LAB 79.48, -0.38, -11.46

 

CMYK 15 / 13 / 0 / 15

HEX #B9BDDA

RGB 185 189 218

HSL 232.73, 0.31%, 0.79%

LAB 77.14, 4.45, -14.96

 

CMYK 13 / 15 / 0 / 15

HEX #BEB9DA

RGB 190 185 218

HSL 249.09, 0.31%, 0.79%

LAB 76.5, 8.22, -15.89

 

CMYK 9 / 15 / 0 / 15

HEX #C7B9DA

RGB 199 185 218

HSL 265.45, 0.31%, 0.79%

LAB 77.22, 11.16, -14.74

 

CMYK 5 / 15 / 0 / 15

HEX #D0B9DA

RGB 208 185 218

HSL 281.82, 0.31%, 0.79%

LAB 77.98, 14.14, -13.53

 

CMYK 15 / 9 / 0 / 15

HEX #B9C6DA

RGB 185 198 218

HSL 216.36, 0.31%, 0.79%

LAB 79.48, -0.38, -11.46

 

CMYK 15 / 13 / 0 / 15

HEX #B9BDDA

RGB 185 189 218

HSL 232.73, 0.31%, 0.79%

LAB 77.14, 4.45, -14.96

 

CMYK 15 / 15 / 0 / 15

HEX #B9B9DA

RGB 185 185 218

HSL 240, 0.31%, 0.79%

LAB 76.11, 6.61, -16.51

 

CMYK 15 / 9 / 0 / 15

HEX #B9C6DA

RGB 185 198 218

HSL 216.36, 0.31%, 0.79%

LAB 79.48, -0.38, -11.46

 

CMYK 22 / 13 / 0 / 11

HEX #B1C4E2

RGB 177 196 226

HSL 216.73, 0.46%, 0.79%

LAB 78.65, -0.08, -17.07

 

CMYK 29 / 17 / 0 / 8

HEX #A8C2EB

RGB 168 194 235

HSL 216.72, 0.63%, 0.79%

LAB 77.82, 0.4, -23.22

 

CMYK 35 / 21 / 0 / 4

HEX #9FC0F4

RGB 159 192 244

HSL 216.71, 0.79%, 0.79%

LAB 77.04, 1.17, -29.3

 

CMYK 40 / 25 / 0 / 1

HEX #97BEFC

RGB 151 190 252

HSL 216.83, 0.94%, 0.79%

LAB 76.34, 2.23, -34.73

 

CMYK 15 / 9 / 0 / 15

HEX #B9C6DA

RGB 185 198 218

HSL 216.36, 0.31%, 0.79%

LAB 79.48, -0.38, -11.46

 

CMYK 7 / 4 / 0 / 18

HEX #C2C8D1

RGB 194 200 209

HSL 216, 0.14%, 0.79%

LAB 80.39, -0.33, -5.2

 

CMYK 0 / 0 / 1 / 20

HEX #CBCAC8

RGB 203 202 200

HSL 40, 0.03%, 0.79%

LAB 81.35, -0.01, 1.11

 

CMYK 0 / 3 / 9 / 17

HEX #D3CCC0

RGB 211 204 192

HSL 37.89, 0.18%, 0.79%

LAB 82.29, 0.35, 6.83

 

CMYK 0 / 6 / 17 / 14

HEX #DCCEB7

RGB 220 206 183

HSL 37.3, 0.35%, 0.79%

LAB 83.32, 1.11, 13.19

 

CMYK 15 / 1 / 0 / 15

HEX #B9D7DA

RGB 185 215 218

HSL 185.45, 0.31%, 0.79%

LAB 83.95, -9.28, -4.82

 

CMYK 15 / 5 / 0 / 15

HEX #B9CFDA

RGB 185 207 218

HSL 200, 0.31%, 0.79%

LAB 81.84, -5.13, -7.95

 

CMYK 15 / 9 / 0 / 15

HEX #B9C6DA

RGB 185 198 218

HSL 216.36, 0.31%, 0.79%

LAB 79.48, -0.38, -11.46

 

CMYK 15 / 13 / 0 / 15

HEX #B9BEDA

RGB 185 190 218

HSL 230.91, 0.31%, 0.79%

LAB 77.4, 3.91, -14.58

 

CMYK 13 / 15 / 0 / 15

HEX #BEB9DA

RGB 190 185 218

HSL 249.09, 0.31%, 0.79%

LAB 76.5, 8.22, -15.89

 

CMYK 30 / 19 / 0 / 26

HEX #849ABD

RGB 132 154 189

HSL 216.84, 0.3%, 0.63%

LAB 63.09, 0.51, -20.64

 

CMYK 22 / 13 / 0 / 20

HEX #9FB0CB

RGB 159 176 203

HSL 216.82, 0.3%, 0.71%

LAB 71.37, -0.04, -15.67

 

CMYK 15 / 9 / 0 / 15

HEX #B9C6DA

RGB 185 198 218

HSL 216.36, 0.31%, 0.79%

LAB 79.48, -0.38, -11.46

 

CMYK 9 / 5 / 0 / 9

HEX #D4DCE8

RGB 212 220 232

HSL 216, 0.3%, 0.87%

LAB 87.49, -0.4, -6.8

 

CMYK 3 / 2 / 0 / 4

HEX #EFF2F6

RGB 239 242 246

HSL 214.29, 0.28%, 0.95%

LAB 95.37, -0.27, -2.28

 

CMYK 14 / 9 / 0 / 15

HEX #BBC7DA

RGB 187 199 218

HSL 216.77, 0.3%, 0.79%

LAB 79.88, -0.27, -10.85

 

CMYK 3 / 15 / 0 / 15

HEX #D3B9DA

RGB 211 185 218

HSL 287.27, 0.31%, 0.79%

LAB 78.23, 15.14, -13.12

 

CMYK 3 / 0 / 15 / 15

HEX #D3DAB9

RGB 211 218 185

HSL 72.73, 0.31%, 0.79%

LAB 85.75, -8.03, 15.46

 

CMYK 14 / 9 / 0 / 15

HEX #BBC7DA

RGB 187 199 218

HSL 216.77, 0.3%, 0.79%

LAB 79.88, -0.27, -10.85

 

CMYK 0 / 15 / 9 / 15

HEX #DAB9C6

RGB 218 185 198

HSL 336.36, 0.31%, 0.79%

LAB 78.28, 13.94, -2.16

 

CMYK 9 / 0 / 15 / 15

HEX #C6DAB9

RGB 198 218 185

HSL 96.36, 0.31%, 0.79%

LAB 84.82, -12.63, 14

 

CMYK 14 / 9 / 0 / 15

HEX #BBC7DA

RGB 187 199 218

HSL 216.77, 0.3%, 0.79%

LAB 79.88, -0.27, -10.85

 

CMYK 3 / 15 / 0 / 15

HEX #D3B9DA

RGB 211 185 218

HSL 287.27, 0.31%, 0.79%

LAB 78.23, 15.14, -13.12

 

CMYK 0 / 6 / 15 / 15

HEX #DACDB9

RGB 218 205 185

HSL 36.36, 0.31%, 0.79%

LAB 82.95, 1.21, 11.57

 

CMYK 12 / 0 / 15 / 15

HEX #C0DAB9

RGB 192 218 185

HSL 107.27, 0.31%, 0.79%

LAB 84.41, -14.71, 13.37

 

CMYK 14 / 9 / 0 / 15

HEX #BBC7DA

RGB 187 199 218

HSL 216.77, 0.3%, 0.79%

LAB 79.88, -0.27, -10.85

 

CMYK 0 / 15 / 2 / 15

HEX #DAB9D6

RGB 218 185 214

HSL 307.27, 0.31%, 0.79%

LAB 78.73, 16.76, -10.15

 

CMYK 0 / 6 / 15 / 15

HEX #DACDB9

RGB 218 205 185

HSL 36.36, 0.31%, 0.79%

LAB 82.95, 1.21, 11.57

 

CMYK 15 / 0 / 13 / 15

HEX #B9DABD

RGB 185 218 189

HSL 127.27, 0.31%, 0.79%

LAB 84.03, -16.39, 10.66

 

Description

Color code: HEX #BBC7DA | qconv.com Color code: HEX #BBC7DA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 199 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 199 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 9 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 9% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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