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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBC6E100 it is the complementary color #44391E00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBC6E100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBC6E100 shade: #C0C6DC00, #D1D8EF00, #E2EAFF00 and #F3FCFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBC6E100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBC6E100 shade: #BBC6E100, #AAB4CE00, #99A2BB00, #8890A800 and #777E9500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBC6E100 shade: #BCC7E1, #BCBCE1, #C5BCE1, #CFBCE1 and #D9BCE1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBC6E100 shade: #BCC7E1 and #BCBCE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBC6E100 shade matches the following richer shades: #BCC7E1, #B4C3E9, #ACC0F1 and #A4BDF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBC6E100 shade: #BCC7E1, #C3CADA, #CBCDD2, #D3D0CA and #DBD4C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBC6E100 shade: #BCDBE1, #BCD1E1, #BCC7E1, #BCBDE1 and #C4BCE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBC6E100 shade: #8297C8, #9FAFD5, #BCC7E1, #D8DFEE and #F5F7FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBC6E100 shade: #BBC6E1, #DEBCE1 and #D6E1BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBC6E100 shade: #BBC6E1, #E1BCC7 and #C7E1BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBC6E100 shade: #BBC6E1, #DEBCE1, #E1D6BC and #BFE1BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBC6E100 shade: #BBC6E1, #E1BCDA, #E1D6BC and #BCE1C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #BBC6E100

RGBA 187 198 225 0

HSLA 222.63, 0.39%, 0.81%, 0

LABA 79.83, 1.74, -14.68, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #44391E00

RGBA 68 57 30 0

HSLA 42.63, 0.39%, 0.19%, 0

LABA 24.48, 0.62, 18.53, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C0C6DC00

RGBA 192 198 220 0

HSLA 227.14, 0.29%, 0.81%, 0

LABA 80.05, 2.29, -11.64, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D1D8EF00

RGBA 209 216 239 0

HSLA 226, 0.48%, 0.88%, 0

LABA 86.45, 2.11, -12.06, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E2EAFF00

RGBA 226 234 255 0

HSLA 223.45, 1%, 0.94%, 0

LABA 92.68, 1.35, -11.05, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F3FCFF00

RGBA 243 252 255 0

HSLA 195, 1%, 0.98%, 0

LABA 98.39, -2.4, -2.47, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BBC6E100

RGBA 187 198 225 0

HSLA 222.63, 0.39%, 0.81%, 0

LABA 79.83, 1.74, -14.68, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AAB4CE00

RGBA 170 180 206 0

HSLA 223.33, 0.27%, 0.74%, 0

LABA 73.31, 1.93, -14.31, 0

 

CMYK 0 / 0 / 0 / 0

HEX #99A2BB00

RGBA 153 162 187 0

HSLA 224.12, 0.2%, 0.67%, 0

LABA 66.67, 2.12, -13.95, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8890A800

RGBA 136 144 168 0

HSLA 225, 0.16%, 0.6%, 0

LABA 59.9, 2.33, -13.59, 0

 

CMYK 0 / 0 / 0 / 0

HEX #777E9500

RGBA 119 126 149 0

HSLA 226, 0.12%, 0.53%, 0

LABA 52.96, 2.56, -13.25, 0

 

CMYK 16 / 12 / 0 / 12

HEX #BCC7E1

RGB 188 199 225

HSL 222.16, 0.38%, 0.81%

LAB 80.17, 1.53, -14.18

 

CMYK 16 / 16 / 0 / 12

HEX #BCBCE1

RGB 188 188 225

HSL 240, 0.38%, 0.81%

LAB 77.34, 7.44, -18.43

 

CMYK 12 / 16 / 0 / 12

HEX #C5BCE1

RGB 197 188 225

HSL 254.59, 0.38%, 0.81%

LAB 78.04, 10.32, -17.31

 

CMYK 8 / 16 / 0 / 12

HEX #CFBCE1

RGB 207 188 225

HSL 270.81, 0.38%, 0.81%

LAB 78.85, 13.56, -16

 

CMYK 4 / 16 / 0 / 12

HEX #D9BCE1

RGB 217 188 225

HSL 287.03, 0.38%, 0.81%

LAB 79.7, 16.86, -14.64

 

CMYK 16 / 12 / 0 / 12

HEX #BCC7E1

RGB 188 199 225

HSL 222.16, 0.38%, 0.81%

LAB 80.17, 1.53, -14.18

 

CMYK 16 / 16 / 0 / 12

HEX #BCBCE1

RGB 188 188 225

HSL 240, 0.38%, 0.81%

LAB 77.34, 7.44, -18.43

 

CMYK 16 / 12 / 0 / 12

HEX #BCC7E1

RGB 188 199 225

HSL 222.16, 0.38%, 0.81%

LAB 80.17, 1.53, -14.18

 

CMYK 23 / 16 / 0 / 9

HEX #B4C3E9

RGB 180 195 233

HSL 223.02, 0.55%, 0.81%

LAB 78.82, 2.95, -20.55

 

CMYK 29 / 20 / 0 / 5

HEX #ACC0F1

RGB 172 192 241

HSL 222.61, 0.71%, 0.81%

LAB 77.77, 4.08, -26.5

 

CMYK 34 / 24 / 0 / 2

HEX #A4BDF9

RGB 164 189 249

HSL 222.35, 0.88%, 0.81%

LAB 76.76, 5.44, -32.4

 

CMYK 16 / 12 / 0 / 12

HEX #BCC7E1

RGB 188 199 225

HSL 222.16, 0.38%, 0.81%

LAB 80.17, 1.53, -14.18

 

CMYK 11 / 7 / 0 / 15

HEX #C3CADA

RGB 195 202 218

HSL 221.74, 0.24%, 0.81%

LAB 81.24, 0.73, -8.77

 

CMYK 3 / 2 / 0 / 18

HEX #CBCDD2

RGB 203 205 210

HSL 222.86, 0.07%, 0.81%

LAB 82.39, 0.25, -2.73

 

CMYK 0 / 1 / 4 / 17

HEX #D3D0CA

RGB 211 208 202

HSL 40, 0.09%, 0.81%

LAB 83.56, -0.03, 3.33

 

CMYK 0 / 3 / 11 / 14

HEX #DBD4C2

RGB 219 212 194

HSL 43.2, 0.26%, 0.81%

LAB 85.02, -0.64, 9.75

 

CMYK 16 / 3 / 0 / 12

HEX #BCDBE1

RGB 188 219 225

HSL 189.73, 0.38%, 0.81%

LAB 85.4, -8.95, -6.38

 

CMYK 16 / 7 / 0 / 12

HEX #BCD1E1

RGB 188 209 225

HSL 205.95, 0.38%, 0.81%

LAB 82.77, -3.76, -10.28

 

CMYK 16 / 12 / 0 / 12

HEX #BCC7E1

RGB 188 199 225

HSL 222.16, 0.38%, 0.81%

LAB 80.17, 1.53, -14.18

 

CMYK 16 / 16 / 0 / 12

HEX #BCBDE1

RGB 188 189 225

HSL 238.38, 0.38%, 0.81%

LAB 77.59, 6.9, -18.05

 

CMYK 13 / 16 / 0 / 12

HEX #C4BCE1

RGB 196 188 225

HSL 252.97, 0.38%, 0.81%

LAB 77.96, 9.99, -17.44

 

CMYK 35 / 25 / 0 / 22

HEX #8297C8

RGB 130 151 200

HSL 222, 0.39%, 0.65%

LAB 62.55, 4.48, -27.64

 

CMYK 25 / 18 / 0 / 16

HEX #9FAFD5

RGB 159 175 213

HSL 222.22, 0.39%, 0.73%

LAB 71.44, 2.83, -21.04

 

CMYK 16 / 12 / 0 / 12

HEX #BCC7E1

RGB 188 199 225

HSL 222.16, 0.38%, 0.81%

LAB 80.17, 1.53, -14.18

 

CMYK 9 / 6 / 0 / 7

HEX #D8DFEE

RGB 216 223 238

HSL 220.91, 0.39%, 0.89%

LAB 88.71, 0.5, -8.13

 

CMYK 2 / 2 / 0 / 2

HEX #F5F7FB

RGB 245 247 251

HSL 220, 0.43%, 0.97%

LAB 97.19, 0.06, -2.16

 

CMYK 17 / 12 / 0 / 12

HEX #BBC6E1

RGB 187 198 225

HSL 222.63, 0.39%, 0.81%

LAB 79.83, 1.74, -14.68

 

CMYK 1 / 16 / 0 / 12

HEX #DEBCE1

RGB 222 188 225

HSL 295.14, 0.38%, 0.81%

LAB 80.14, 18.52, -13.93

 

CMYK 5 / 0 / 16 / 12

HEX #D6E1BC

RGB 214 225 188

HSL 77.84, 0.38%, 0.81%

LAB 87.86, -10.04, 16.88

 

CMYK 17 / 12 / 0 / 12

HEX #BBC6E1

RGB 187 198 225

HSL 222.63, 0.39%, 0.81%

LAB 79.83, 1.74, -14.68

 

CMYK 0 / 16 / 12 / 12

HEX #E1BCC7

RGB 225 188 199

HSL 342.16, 0.38%, 0.81%

LAB 79.67, 14.98, -0.59

 

CMYK 12 / 0 / 16 / 12

HEX #C7E1BC

RGB 199 225 188

HSL 102.16, 0.38%, 0.81%

LAB 86.81, -15.3, 15.25

 

CMYK 17 / 12 / 0 / 12

HEX #BBC6E1

RGB 187 198 225

HSL 222.63, 0.39%, 0.81%

LAB 79.83, 1.74, -14.68

 

CMYK 1 / 16 / 0 / 12

HEX #DEBCE1

RGB 222 188 225

HSL 295.14, 0.38%, 0.81%

LAB 80.14, 18.52, -13.93

 

CMYK 0 / 5 / 16 / 12

HEX #E1D6BC

RGB 225 214 188

HSL 42.16, 0.38%, 0.81%

LAB 85.87, -0.46, 14.2

 

CMYK 15 / 0 / 16 / 12

HEX #BFE1BC

RGB 191 225 188

HSL 115.14, 0.38%, 0.81%

LAB 86.28, -18.03, 14.43

 

CMYK 17 / 12 / 0 / 12

HEX #BBC6E1

RGB 187 198 225

HSL 222.63, 0.39%, 0.81%

LAB 79.83, 1.74, -14.68

 

CMYK 0 / 16 / 3 / 12

HEX #E1BCDA

RGB 225 188 218

HSL 311.35, 0.38%, 0.81%

LAB 80.2, 18.25, -10.05

 

CMYK 0 / 5 / 16 / 12

HEX #E1D6BC

RGB 225 214 188

HSL 42.16, 0.38%, 0.81%

LAB 85.87, -0.46, 14.2

 

CMYK 16 / 0 / 13 / 12

HEX #BCE1C3

RGB 188 225 195

HSL 131.35, 0.38%, 0.81%

LAB 86.25, -17.81, 10.68

 

Description

Color code: HEX #BBC6E100 | qconv.com Color code: HEX #BBC6E100 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 198 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 198 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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