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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBC4CE it is the complementary color #443B31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBC4CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBC4CE shade: #C0C4C9, #D1D6DC, #E2E8EF and #F3FAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBC4CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBC4CE shade: #BBC4CE, #AAB2BB, #99A0A8, #888E95 and #777C82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBC4CE shade: #BAC3CD, #BABECD, #BCBACD, #C1BACD and #C6BACD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBC4CE shade: #BAC3CD, #BABECD and #BABACD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBC4CE shade matches the following richer shades: #BAC3CD, #B1C3D7, #A7C2E0, #9EC2EA and #95C1F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBC4CE shade: #BAC3CD, #C4C4C4, #CDC4BA, #D7C5B1 and #E0C5A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBC4CE shade: #BACDCD, #BAC9CD, #BAC4CD, #BABFCD and #BBBACD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBC4CE shade: #8B9AAB, #A3AFBC, #BAC3CD, #D2D8DF and #EAEDF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBC4CE shade: #BBC4CE, #C8BACD and #CBCDBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBC4CE shade: #BBC4CE, #CDBAC4 and #C4CDBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBC4CE shade: #BBC4CE, #C8BACD, #CDC4BA and #C0CDBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBC4CE shade: #BBC4CE, #CDBACD, #CDC4BA and #BACDBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 5 / 0 / 19

HEX #BBC4CE

RGB 187 196 206

HSL 211.58, 0.16%, 0.77%

LAB 78.75, -1.13, -6.07

 

Complementary color

CMYK 0 / 13 / 28 / 73

HEX #443B31

RGB 68 59 49

HSL 31.58, 0.16%, 0.23%

LAB 25.5, 2.04, 7.64

 

CMYK 4 / 2 / 0 / 21

HEX #C0C4C9

RGB 192 196 201

HSL 213.33, 0.08%, 0.77%

LAB 78.99, -0.43, -2.99

 

CMYK 5 / 3 / 0 / 14

HEX #D1D6DC

RGB 209 214 220

HSL 212.73, 0.14%, 0.84%

LAB 85.41, -0.57, -3.55

 

CMYK 5 / 3 / 0 / 6

HEX #E2E8EF

RGB 226 232 239

HSL 212.31, 0.29%, 0.91%

LAB 91.74, -0.7, -4.1

 

CMYK 5 / 2 / 0 / 0

HEX #F3FAFF

RGB 243 250 255

HSL 205, 1%, 0.98%

LAB 97.89, -1.39, -3.2

 

CMYK 9 / 5 / 0 / 19

HEX #BBC4CE

RGB 187 196 206

HSL 211.58, 0.16%, 0.77%

LAB 78.75, -1.13, -6.07

 

CMYK 9 / 5 / 0 / 27

HEX #AAB2BB

RGB 170 178 187

HSL 211.76, 0.11%, 0.7%

LAB 72.21, -1, -5.55

 

CMYK 9 / 5 / 0 / 34

HEX #99A0A8

RGB 153 160 168

HSL 212, 0.08%, 0.63%

LAB 65.55, -0.87, -5.02

 

CMYK 9 / 5 / 0 / 42

HEX #888E95

RGB 136 142 149

HSL 212.31, 0.06%, 0.56%

LAB 58.74, -0.74, -4.47

 

CMYK 8 / 5 / 0 / 49

HEX #777C82

RGB 119 124 130

HSL 212.73, 0.04%, 0.49%

LAB 51.78, -0.6, -3.91

 

CMYK 9 / 5 / 0 / 20

HEX #BAC3CD

RGB 186 195 205

HSL 211.58, 0.16%, 0.77%

LAB 78.39, -1.13, -6.07

 

CMYK 9 / 7 / 0 / 20

HEX #BABECD

RGB 186 190 205

HSL 227.37, 0.16%, 0.77%

LAB 77.09, 1.54, -8.01

 

CMYK 8 / 9 / 0 / 20

HEX #BCBACD

RGB 188 186 205

HSL 246.32, 0.16%, 0.77%

LAB 76.2, 4.36, -9.3

 

CMYK 6 / 9 / 0 / 20

HEX #C1BACD

RGB 193 186 205

HSL 262.11, 0.16%, 0.77%

LAB 76.6, 6.04, -8.68

 

CMYK 3 / 9 / 0 / 20

HEX #C6BACD

RGB 198 186 205

HSL 277.89, 0.16%, 0.77%

LAB 77, 7.73, -8.03

 

CMYK 9 / 5 / 0 / 20

HEX #BAC3CD

RGB 186 195 205

HSL 211.58, 0.16%, 0.77%

LAB 78.39, -1.13, -6.07

 

CMYK 9 / 7 / 0 / 20

HEX #BABECD

RGB 186 190 205

HSL 227.37, 0.16%, 0.77%

LAB 77.09, 1.54, -8.01

 

CMYK 9 / 9 / 0 / 20

HEX #BABACD

RGB 186 186 205

HSL 240, 0.16%, 0.77%

LAB 76.05, 3.69, -9.55

 

CMYK 9 / 5 / 0 / 20

HEX #BAC3CD

RGB 186 195 205

HSL 211.58, 0.16%, 0.77%

LAB 78.39, -1.13, -6.07

 

CMYK 18 / 9 / 0 / 16

HEX #B1C3D7

RGB 177 195 215

HSL 211.58, 0.32%, 0.77%

LAB 78.04, -1.96, -12.06

 

CMYK 25 / 13 / 0 / 12

HEX #A7C2E0

RGB 167 194 224

HSL 211.58, 0.48%, 0.77%

LAB 77.39, -2.49, -17.96

 

CMYK 32 / 17 / 0 / 8

HEX #9EC2EA

RGB 158 194 234

HSL 211.58, 0.64%, 0.77%

LAB 77.16, -2.69, -23.75

 

CMYK 39 / 21 / 0 / 5

HEX #95C1F3

RGB 149 193 243

HSL 211.91, 0.8%, 0.77%

LAB 76.68, -2.3, -29.37

 

CMYK 9 / 5 / 0 / 20

HEX #BAC3CD

RGB 186 195 205

HSL 211.58, 0.16%, 0.77%

LAB 78.39, -1.13, -6.07

 

CMYK 0 / 0 / 0 / 23

HEX #C4C4C4

RGB 196 196 196

HSL 0, 0%, 0.77%

LAB 79.16, 0, -0.01

 

CMYK 0 / 4 / 9 / 20

HEX #CDC4BA

RGB 205 196 186

HSL 31.58, 0.16%, 0.77%

LAB 79.62, 1.41, 6.13

 

CMYK 0 / 8 / 18 / 16

HEX #D7C5B1

RGB 215 197 177

HSL 31.58, 0.32%, 0.77%

LAB 80.49, 3.08, 12.31

 

CMYK 0 / 12 / 25 / 12

HEX #E0C5A7

RGB 224 197 167

HSL 31.58, 0.48%, 0.77%

LAB 81.05, 4.98, 18.55

 

CMYK 9 / 0 / 0 / 20

HEX #BACDCD

RGB 186 205 205

HSL 180, 0.16%, 0.77%

LAB 81.02, -6.39, -2.2

 

CMYK 9 / 2 / 0 / 20

HEX #BAC9CD

RGB 186 201 205

HSL 192.63, 0.16%, 0.77%

LAB 79.97, -4.3, -3.75

 

CMYK 9 / 4 / 0 / 20

HEX #BAC4CD

RGB 186 196 205

HSL 208.42, 0.16%, 0.77%

LAB 78.65, -1.66, -5.69

 

CMYK 9 / 7 / 0 / 20

HEX #BABFCD

RGB 186 191 205

HSL 224.21, 0.16%, 0.77%

LAB 77.35, 1.01, -7.62

 

CMYK 9 / 9 / 0 / 20

HEX #BBBACD

RGB 187 186 205

HSL 243.16, 0.16%, 0.77%

LAB 76.12, 4.02, -9.43

 

CMYK 19 / 10 / 0 / 33

HEX #8B9AAB

RGB 139 154 171

HSL 211.88, 0.16%, 0.61%

LAB 62.96, -1.61, -10.66

 

CMYK 13 / 7 / 0 / 26

HEX #A3AFBC

RGB 163 175 188

HSL 211.2, 0.16%, 0.69%

LAB 70.92, -1.51, -8.06

 

CMYK 9 / 5 / 0 / 20

HEX #BAC3CD

RGB 186 195 205

HSL 211.58, 0.16%, 0.77%

LAB 78.39, -1.13, -6.07

 

CMYK 6 / 3 / 0 / 13

HEX #D2D8DF

RGB 210 216 223

HSL 212.31, 0.17%, 0.85%

LAB 86.08, -0.71, -4.15

HEX #D2D8DF

CMYK 3 / 1 / 0 / 6

HEX #EAEDF0

RGB 234 237 240

HSL 210, 0.17%, 0.93%

LAB 93.6, -0.45, -1.81

HEX #EAEDF0

CMYK 9 / 5 / 0 / 19

HEX #BBC4CE

RGB 187 196 206

HSL 211.58, 0.16%, 0.77%

LAB 78.75, -1.13, -6.07

 

CMYK 2 / 9 / 0 / 20

HEX #C8BACD

RGB 200 186 205

HSL 284.21, 0.16%, 0.77%

LAB 77.16, 8.41, -7.77

 

CMYK 1 / 0 / 9 / 20

HEX #CBCDBA

RGB 203 205 186

HSL 66.32, 0.16%, 0.77%

LAB 81.79, -4.02, 9.22

 

CMYK 9 / 5 / 0 / 19

HEX #BBC4CE

RGB 187 196 206

HSL 211.58, 0.16%, 0.77%

LAB 78.75, -1.13, -6.07

 

CMYK 0 / 9 / 4 / 20

HEX #CDBAC4

RGB 205 186 196

HSL 328.42, 0.16%, 0.77%

LAB 77.33, 8.48, -2.6

 

CMYK 4 / 0 / 9 / 20

HEX #C4CDBA

RGB 196 205 186

HSL 88.42, 0.16%, 0.77%

LAB 81.26, -6.5, 8.4

 

CMYK 9 / 5 / 0 / 19

HEX #BBC4CE

RGB 187 196 206

HSL 211.58, 0.16%, 0.77%

LAB 78.75, -1.13, -6.07

 

CMYK 2 / 9 / 0 / 20

HEX #C8BACD

RGB 200 186 205

HSL 284.21, 0.16%, 0.77%

LAB 77.16, 8.41, -7.77

 

CMYK 0 / 4 / 9 / 20

HEX #CDC4BA

RGB 205 196 186

HSL 31.58, 0.16%, 0.77%

LAB 79.62, 1.41, 6.13

 

CMYK 6 / 0 / 9 / 20

HEX #C0CDBA

RGB 192 205 186

HSL 101.05, 0.16%, 0.77%

LAB 80.97, -7.9, 7.94

 

CMYK 9 / 5 / 0 / 19

HEX #BBC4CE

RGB 187 196 206

HSL 211.58, 0.16%, 0.77%

LAB 78.75, -1.13, -6.07

 

CMYK 0 / 9 / 0 / 20

HEX #CDBACD

RGB 205 186 205

HSL 300, 0.16%, 0.77%

LAB 77.58, 10.12, -7.11

 

CMYK 0 / 4 / 9 / 20

HEX #CDC4BA

RGB 205 196 186

HSL 31.58, 0.16%, 0.77%

LAB 79.62, 1.41, 6.13

 

CMYK 9 / 0 / 9 / 20

HEX #BACDBB

RGB 186 205 187

HSL 123.16, 0.16%, 0.77%

LAB 80.57, -9.8, 6.77

 

Description

Color code: HEX #BBC4CE | qconv.com Color code: HEX #BBC4CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 196 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 196 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 5 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 5% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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