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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBC128 it is the complementary color #443ED7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBC128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBC128 shade: #C0C123, #D1D336, #E2E549, #F3F75C and #FFFF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBC128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBC128 shade: #BBC128, #AAAF15, #999D02, #888B00 and #777900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBC128 shade: #BDC328, #C39F28, #C37528, #C34C28 and #C32828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBC128 shade: #BDC328, #93C328, #69C328, #3FC328 and #28C33A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBC128 shade matches the following richer shades: #BDC328, #CED615 and #E0E902

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBC128 shade: #BDC328, #ABB03B, #9A9D4E, #888A61 and #777774

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBC128 shade: #C37528, #C39F28, #BEC328, #94C328 and #6BC328

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBC128 shade: #7A7E1A, #9BA021, #BDC328, #D1D73D and #D9DE5F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBC128 shade: #BBC128, #28C34C and #8A28C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBC128 shade: #BBC128, #28BEC3 and #C328BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBC128 shade: #BBC128, #28C34C, #2D28C3 and #C3289F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBC128 shade: #BBC128, #28C37A, #2D28C3 and #C32870

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 79 / 24

HEX #BBC128

RGB 187 193 40

HSL 62.35, 0.66%, 0.46%

LAB 75.36, -19.28, 69.34

 

Complementary color

CMYK 68 / 71 / 0 / 16

HEX #443ED7

RGB 68 62 215

HSL 242.35, 0.66%, 0.54%

LAB 37.08, 49.41, -77.13

 

CMYK 1 / 0 / 82 / 24

HEX #C0C123

RGB 192 193 35

HSL 60.38, 0.69%, 0.45%

LAB 75.74, -17.3, 71.15

 

CMYK 1 / 0 / 74 / 17

HEX #D1D336

RGB 209 211 54

HSL 60.76, 0.64%, 0.52%

LAB 82.06, -18.36, 71.86

 

CMYK 1 / 0 / 68 / 10

HEX #E2E549

RGB 226 229 73

HSL 61.15, 0.75%, 0.59%

LAB 88.3, -19.25, 71.84

 

CMYK 2 / 0 / 63 / 3

HEX #F3F75C

RGB 243 247 92

HSL 61.55, 0.91%, 0.66%

LAB 94.46, -20.01, 71.36

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF6F

RGB 255 255 111

HSL 60, 1%, 0.72%

LAB 97.6, -17.84, 67.25

 

CMYK 3 / 0 / 79 / 24

HEX #BBC128

RGB 187 193 40

HSL 62.35, 0.66%, 0.46%

LAB 75.36, -19.28, 69.34

 

CMYK 3 / 0 / 88 / 31

HEX #AAAF15

RGB 170 175 21

HSL 61.95, 0.79%, 0.38%

LAB 68.94, -18.13, 67.89

 

CMYK 3 / 0 / 99 / 38

HEX #999D02

RGB 153 157 2

HSL 61.55, 0.97%, 0.31%

LAB 62.42, -16.76, 65.08

 

CMYK 2 / 0 / 100 / 45

HEX #888B00

RGB 136 139 0

HSL 61.29, 1%, 0.27%

LAB 55.79, -15.1, 59.86

 

CMYK 2 / 0 / 100 / 53

HEX #777900

RGB 119 121 0

HSL 60.99, 1%, 0.24%

LAB 49, -13.36, 54.22

 

CMYK 3 / 0 / 79 / 24

HEX #BDC328

RGB 189 195 40

HSL 62.32, 0.66%, 0.46%

LAB 76.07, -19.42, 70.02

 

CMYK 0 / 18 / 79 / 24

HEX #C39F28

RGB 195 159 40

HSL 46.06, 0.66%, 0.46%

LAB 66.94, 1.86, 62.11

 

CMYK 0 / 40 / 79 / 24

HEX #C37528

RGB 195 117 40

HSL 29.81, 0.66%, 0.46%

LAB 56.56, 24.8, 52.59

 

CMYK 0 / 61 / 79 / 24

HEX #C34C28

RGB 195 76 40

HSL 13.94, 0.66%, 0.46%

LAB 48.16, 45.8, 44.52

 

CMYK 0 / 79 / 79 / 24

HEX #C32828

RGB 195 40 40

HSL 0, 0.66%, 0.46%

LAB 43.17, 59.42, 39.52

 

CMYK 3 / 0 / 79 / 24

HEX #BDC328

RGB 189 195 40

HSL 62.32, 0.66%, 0.46%

LAB 76.07, -19.42, 70.02

 

CMYK 25 / 0 / 79 / 24

HEX #93C328

RGB 147 195 40

HSL 78.58, 0.66%, 0.46%

LAB 73.15, -36.66, 66.3

 

CMYK 46 / 0 / 79 / 24

HEX #69C328

RGB 105 195 40

HSL 94.84, 0.66%, 0.46%

LAB 71, -51.58, 63.55

 

CMYK 68 / 0 / 79 / 24

HEX #3FC328

RGB 63 195 40

HSL 111.1, 0.66%, 0.46%

LAB 69.64, -62.39, 61.79

 

CMYK 79 / 0 / 70 / 24

HEX #28C33A

RGB 40 195 58

HSL 126.97, 0.66%, 0.46%

LAB 69.32, -64.74, 55.19

 

CMYK 3 / 0 / 79 / 24

HEX #BDC328

RGB 189 195 40

HSL 62.32, 0.66%, 0.46%

LAB 76.07, -19.42, 70.02

 

CMYK 4 / 0 / 90 / 16

HEX #CED615

RGB 206 214 21

HSL 62.49, 0.82%, 0.46%

LAB 82.52, -22.02, 79.87

 

CMYK 4 / 0 / 99 / 9

HEX #E0E902

RGB 224 233 2

HSL 62.34, 0.98%, 0.46%

LAB 88.98, -23.86, 87.27

 

CMYK 3 / 0 / 79 / 24

HEX #BDC328

RGB 189 195 40

HSL 62.32, 0.66%, 0.46%

LAB 76.07, -19.42, 70.02

 

CMYK 3 / 0 / 66 / 31

HEX #ABB03B

RGB 171 176 59

HSL 62.56, 0.5%, 0.46%

LAB 69.49, -16.67, 56.8

 

CMYK 2 / 0 / 50 / 38

HEX #9A9D4E

RGB 154 157 78

HSL 62.28, 0.34%, 0.46%

LAB 62.96, -12.63, 40.55

 

CMYK 1 / 0 / 30 / 46

HEX #888A61

RGB 136 138 97

HSL 62.93, 0.17%, 0.46%

LAB 56.36, -7.73, 21.77

 

CMYK 0 / 0 / 3 / 53

HEX #777774

RGB 119 119 116

HSL 60, 0.01%, 0.46%

LAB 49.95, -0.59, 1.64

 

CMYK 0 / 40 / 79 / 24

HEX #C37528

RGB 195 117 40

HSL 29.81, 0.66%, 0.46%

LAB 56.56, 24.8, 52.59

 

CMYK 0 / 18 / 79 / 24

HEX #C39F28

RGB 195 159 40

HSL 46.06, 0.66%, 0.46%

LAB 66.94, 1.86, 62.11

 

CMYK 3 / 0 / 79 / 24

HEX #BEC328

RGB 190 195 40

HSL 61.94, 0.66%, 0.46%

LAB 76.15, -19, 70.12

 

CMYK 24 / 0 / 79 / 24

HEX #94C328

RGB 148 195 40

HSL 78.19, 0.66%, 0.46%

LAB 73.21, -36.27, 66.38

 

CMYK 45 / 0 / 79 / 24

HEX #6BC328

RGB 107 195 40

HSL 94.06, 0.66%, 0.46%

LAB 71.08, -50.95, 63.65

 

CMYK 3 / 0 / 79 / 51

HEX #7A7E1A

RGB 122 126 26

HSL 62.4, 0.66%, 0.3%

LAB 50.84, -13.93, 49.63

 

CMYK 3 / 0 / 79 / 37

HEX #9BA021

RGB 155 160 33

HSL 62.36, 0.66%, 0.38%

LAB 63.52, -16.7, 59.88

 

CMYK 3 / 0 / 79 / 24

HEX #BDC328

RGB 189 195 40

HSL 62.32, 0.66%, 0.46%

LAB 76.07, -19.42, 70.02

 

CMYK 3 / 0 / 72 / 16

HEX #D1D73D

RGB 209 215 61

HSL 62.34, 0.66%, 0.54%

LAB 83.17, -20.02, 70.61

 

CMYK 2 / 0 / 57 / 13

HEX #D9DE5F

RGB 217 222 95

HSL 62.36, 0.66%, 0.62%

LAB 85.92, -18.14, 60.31

 

CMYK 3 / 0 / 79 / 24

HEX #BBC128

RGB 187 193 40

HSL 62.35, 0.66%, 0.46%

LAB 75.36, -19.28, 69.34

 

CMYK 79 / 0 / 61 / 24

HEX #28C34C

RGB 40 195 76

HSL 133.94, 0.66%, 0.46%

LAB 69.47, -62.84, 47.84

 

CMYK 29 / 79 / 0 / 24

HEX #8A28C3

RGB 138 40 195

HSL 277.94, 0.66%, 0.46%

LAB 39.35, 64.15, -61.52

 

CMYK 3 / 0 / 79 / 24

HEX #BBC128

RGB 187 193 40

HSL 62.35, 0.66%, 0.46%

LAB 75.36, -19.28, 69.34

 

CMYK 79 / 3 / 0 / 24

HEX #28BEC3

RGB 40 190 195

HSL 181.94, 0.66%, 0.46%

LAB 70.33, -34.96, -13.33

 

CMYK 0 / 79 / 3 / 24

HEX #C328BE

RGB 195 40 190

HSL 301.94, 0.66%, 0.46%

LAB 48.05, 73.75, -44.12

 

CMYK 3 / 0 / 79 / 24

HEX #BBC128

RGB 187 193 40

HSL 62.35, 0.66%, 0.46%

LAB 75.36, -19.28, 69.34

 

CMYK 79 / 0 / 61 / 24

HEX #28C34C

RGB 40 195 76

HSL 133.94, 0.66%, 0.46%

LAB 69.47, -62.84, 47.84

 

CMYK 77 / 79 / 0 / 24

HEX #2D28C3

RGB 45 40 195

HSL 241.94, 0.66%, 0.46%

LAB 29.45, 52.75, -78.14

 

CMYK 0 / 79 / 18 / 24

HEX #C3289F

RGB 195 40 159

HSL 313.94, 0.66%, 0.46%

LAB 46.48, 69.32, -28.32

 

CMYK 3 / 0 / 79 / 24

HEX #BBC128

RGB 187 193 40

HSL 62.35, 0.66%, 0.46%

LAB 75.36, -19.28, 69.34

 

CMYK 79 / 0 / 37 / 24

HEX #28C37A

RGB 40 195 122

HSL 151.74, 0.66%, 0.46%

LAB 70.1, -55.5, 25.9

 

CMYK 77 / 79 / 0 / 24

HEX #2D28C3

RGB 45 40 195

HSL 241.94, 0.66%, 0.46%

LAB 29.45, 52.75, -78.14

 

CMYK 0 / 79 / 43 / 24

HEX #C32870

RGB 195 40 112

HSL 332.13, 0.66%, 0.46%

LAB 44.65, 63.96, -2.51

 

Description

Color code: HEX #BBC128 | qconv.com Color code: HEX #BBC128 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 193 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 193 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 79 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 79% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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