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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBBCD6 it is the complementary color #444329. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBBCD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBBCD6 shade: #C0BCD1, #D1CEE4, #E2E0F7, #F3F2FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBBCD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBBCD6 shade: #BBBCD6, #AAAAC3, #9998B0, #88869D and #77748A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBBCD6 shade: #BCBDD7, #C2BCD7, #CABCD7, #D1BCD7 and #D7BCD6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBBCD6 shade: #BCBDD7 and #BCBCD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBBCD6 shade matches the following richer shades: #BCBDD7, #B3B5E0, #ABADE8, #A2A5F1 and #999DF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBBCD6 shade: #BCBDD7, #C5C5CE, #CDCDC6, #D6D5BD and #DFDDB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBBCD6 shade: #BCCCD7, #BCC5D7, #BCBDD7, #C2BCD7 and #C9BCD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBBCD6 shade: #888AB8, #A2A4C7, #BCBDD7, #D6D6E6 and #F0F0F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBBCD6 shade: #BBBCD6, #D7BCD3 and #C8D7BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBBCD6 shade: #BBBCD6, #D7BCBD and #BDD7BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBBCD6 shade: #BBBCD6, #D7BCD3, #D7D5BC and #BCD7C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBBCD6 shade: #BBBCD6, #D7BCCB, #D7D5BC and #BCD7C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 12 / 0 / 16

HEX #BBBCD6

RGB 187 188 214

HSL 237.78, 0.25%, 0.79%

LAB 76.91, 4.79, -13.13

 

Complementary color

CMYK 0 / 1 / 40 / 73

HEX #444329

RGB 68 67 41

HSL 57.78, 0.25%, 0.21%

LAB 27.85, -4.32, 15.96

 

CMYK 8 / 10 / 0 / 18

HEX #C0BCD1

RGB 192 188 209

HSL 251.43, 0.19%, 0.78%

LAB 77.15, 5.42, -10.03

 

CMYK 8 / 10 / 0 / 11

HEX #D1CEE4

RGB 209 206 228

HSL 248.18, 0.29%, 0.85%

LAB 83.6, 5.18, -10.48

 

CMYK 9 / 9 / 0 / 3

HEX #E2E0F7

RGB 226 224 247

HSL 245.22, 0.59%, 0.92%

LAB 89.95, 4.96, -10.93

 

CMYK 5 / 5 / 0 / 0

HEX #F3F2FF

RGB 243 242 255

HSL 244.62, 1%, 0.97%

LAB 95.91, 2.68, -6.13

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 13 / 12 / 0 / 16

HEX #BBBCD6

RGB 187 188 214

HSL 237.78, 0.25%, 0.79%

LAB 76.91, 4.79, -13.13

 

CMYK 13 / 13 / 0 / 24

HEX #AAAAC3

RGB 170 170 195

HSL 240, 0.17%, 0.72%

LAB 70.34, 5.03, -12.74

 

CMYK 13 / 14 / 0 / 31

HEX #9998B0

RGB 153 152 176

HSL 242.5, 0.13%, 0.64%

LAB 63.64, 5.28, -12.35

 

CMYK 13 / 15 / 0 / 38

HEX #88869D

RGB 136 134 157

HSL 245.22, 0.11%, 0.57%

LAB 56.8, 5.55, -11.96

 

CMYK 14 / 16 / 0 / 46

HEX #77748A

RGB 119 116 138

HSL 248.18, 0.09%, 0.5%

LAB 49.8, 5.86, -11.58

 

CMYK 13 / 12 / 0 / 16

HEX #BCBDD7

RGB 188 189 215

HSL 237.78, 0.25%, 0.79%

LAB 77.28, 4.78, -13.12

 

CMYK 10 / 13 / 0 / 16

HEX #C2BCD7

RGB 194 188 215

HSL 253.33, 0.25%, 0.79%

LAB 77.48, 7.29, -12.76

 

CMYK 6 / 13 / 0 / 16

HEX #CABCD7

RGB 202 188 215

HSL 271.11, 0.25%, 0.79%

LAB 78.13, 9.94, -11.73

 

CMYK 3 / 13 / 0 / 16

HEX #D1BCD7

RGB 209 188 215

HSL 286.67, 0.25%, 0.79%

LAB 78.71, 12.28, -10.8

 

CMYK 0 / 13 / 0 / 16

HEX #D7BCD6

RGB 215 188 214

HSL 302.22, 0.25%, 0.79%

LAB 79.2, 14.13, -9.48

 

CMYK 13 / 12 / 0 / 16

HEX #BCBDD7

RGB 188 189 215

HSL 237.78, 0.25%, 0.79%

LAB 77.28, 4.78, -13.12

 

CMYK 13 / 13 / 0 / 16

HEX #BCBCD7

RGB 188 188 215

HSL 240, 0.25%, 0.79%

LAB 77.02, 5.32, -13.5

 

CMYK 13 / 12 / 0 / 16

HEX #BCBDD7

RGB 188 189 215

HSL 237.78, 0.25%, 0.79%

LAB 77.28, 4.78, -13.12

 

CMYK 20 / 19 / 0 / 12

HEX #B3B5E0

RGB 179 181 224

HSL 237.33, 0.42%, 0.79%

LAB 74.83, 8.22, -21.75

 

CMYK 26 / 25 / 0 / 9

HEX #ABADE8

RGB 171 173 232

HSL 238.03, 0.57%, 0.79%

LAB 72.48, 12.06, -29.76

 

CMYK 33 / 32 / 0 / 5

HEX #A2A5F1

RGB 162 165 241

HSL 237.72, 0.74%, 0.79%

LAB 70.14, 16.2, -38.34

 

CMYK 39 / 37 / 0 / 2

HEX #999DF9

RGB 153 157 249

HSL 237.5, 0.89%, 0.79%

LAB 67.82, 20.44, -46.38

 

CMYK 13 / 12 / 0 / 16

HEX #BCBDD7

RGB 188 189 215

HSL 237.78, 0.25%, 0.79%

LAB 77.28, 4.78, -13.12

 

CMYK 4 / 4 / 0 / 19

HEX #C5C5CE

RGB 197 197 206

HSL 240, 0.08%, 0.79%

LAB 79.76, 1.69, -4.5

 

CMYK 0 / 0 / 3 / 20

HEX #CDCDC6

RGB 205 205 198

HSL 60, 0.07%, 0.79%

LAB 82.23, -1.25, 3.47

 

CMYK 0 / 0 / 12 / 16

HEX #D6D5BD

RGB 214 213 189

HSL 57.6, 0.23%, 0.79%

LAB 84.77, -3.75, 11.99

 

CMYK 0 / 1 / 19 / 13

HEX #DFDDB4

RGB 223 221 180

HSL 57.21, 0.4%, 0.79%

LAB 87.34, -5.98, 20.42

 

CMYK 13 / 5 / 0 / 16

HEX #BCCCD7

RGB 188 204 215

HSL 204.44, 0.25%, 0.79%

LAB 81.17, -3.21, -7.31

 

CMYK 13 / 8 / 0 / 16

HEX #BCC5D7

RGB 188 197 215

HSL 220, 0.25%, 0.79%

LAB 79.35, 0.5, -10.03

 

CMYK 13 / 12 / 0 / 16

HEX #BCBDD7

RGB 188 189 215

HSL 237.78, 0.25%, 0.79%

LAB 77.28, 4.78, -13.12

 

CMYK 10 / 13 / 0 / 16

HEX #C2BCD7

RGB 194 188 215

HSL 253.33, 0.25%, 0.79%

LAB 77.48, 7.29, -12.76

 

CMYK 7 / 13 / 0 / 16

HEX #C9BCD7

RGB 201 188 215

HSL 268.89, 0.25%, 0.79%

LAB 78.05, 9.6, -11.86

 

CMYK 26 / 25 / 0 / 28

HEX #888AB8

RGB 136 138 184

HSL 237.5, 0.25%, 0.63%

LAB 58.86, 9.62, -24.27

 

CMYK 19 / 18 / 0 / 22

HEX #A2A4C7

RGB 162 164 199

HSL 236.76, 0.25%, 0.71%

LAB 68.28, 6.62, -18.11

 

CMYK 13 / 12 / 0 / 16

HEX #BCBDD7

RGB 188 189 215

HSL 237.78, 0.25%, 0.79%

LAB 77.28, 4.78, -13.12

 

CMYK 7 / 7 / 0 / 10

HEX #D6D6E6

RGB 214 214 230

HSL 240, 0.24%, 0.87%

LAB 86.06, 3, -7.85

 

CMYK 2 / 2 / 0 / 4

HEX #F0F0F6

RGB 240 240 246

HSL 240, 0.25%, 0.95%

LAB 94.95, 1.08, -2.9

 

CMYK 13 / 12 / 0 / 16

HEX #BBBCD6

RGB 187 188 214

HSL 237.78, 0.25%, 0.79%

LAB 76.91, 4.79, -13.13

 

CMYK 0 / 13 / 2 / 16

HEX #D7BCD3

RGB 215 188 211

HSL 308.89, 0.25%, 0.79%

LAB 79.11, 13.58, -7.99

 

CMYK 7 / 0 / 13 / 16

HEX #C8D7BC

RGB 200 215 188

HSL 93.33, 0.25%, 0.79%

LAB 84.23, -9.9, 11.61

 

CMYK 13 / 12 / 0 / 16

HEX #BBBCD6

RGB 187 188 214

HSL 237.78, 0.25%, 0.79%

LAB 76.91, 4.79, -13.13

 

CMYK 0 / 13 / 12 / 16

HEX #D7BCBD

RGB 215 188 189

HSL 357.78, 0.25%, 0.79%

LAB 78.51, 9.76, 3.02

 

CMYK 12 / 0 / 13 / 16

HEX #BDD7BC

RGB 189 215 188

HSL 117.78, 0.25%, 0.79%

LAB 83.47, -13.7, 10.42

 

CMYK 13 / 12 / 0 / 16

HEX #BBBCD6

RGB 187 188 214

HSL 237.78, 0.25%, 0.79%

LAB 76.91, 4.79, -13.13

 

CMYK 0 / 13 / 2 / 16

HEX #D7BCD3

RGB 215 188 211

HSL 308.89, 0.25%, 0.79%

LAB 79.11, 13.58, -7.99

 

CMYK 0 / 1 / 13 / 16

HEX #D7D5BC

RGB 215 213 188

HSL 55.56, 0.25%, 0.79%

LAB 84.83, -3.55, 12.61

 

CMYK 13 / 0 / 11 / 16

HEX #BCD7C0

RGB 188 215 192

HSL 128.89, 0.25%, 0.79%

LAB 83.49, -13.33, 8.33

 

CMYK 13 / 12 / 0 / 16

HEX #BBBCD6

RGB 187 188 214

HSL 237.78, 0.25%, 0.79%

LAB 76.91, 4.79, -13.13

 

CMYK 0 / 13 / 6 / 16

HEX #D7BCCB

RGB 215 188 203

HSL 326.67, 0.25%, 0.79%

LAB 78.88, 12.14, -4

 

CMYK 0 / 1 / 13 / 16

HEX #D7D5BC

RGB 215 213 188

HSL 55.56, 0.25%, 0.79%

LAB 84.83, -3.55, 12.61

 

CMYK 13 / 0 / 7 / 16

HEX #BCD7C8

RGB 188 215 200

HSL 146.67, 0.25%, 0.79%

LAB 83.69, -11.85, 4.36

 

Description

Color code: HEX #BBBCD6 | qconv.com Color code: HEX #BBBCD6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 188 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 188 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 12 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 12% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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