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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBADE2 it is the complementary color #44521D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBADE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBADE2 shade: #C0ADDD, #D1BFF0, #E2D1FF, #F3E3FF and #FFF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBADE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBADE2 shade: #BBADE2, #AA9BCF, #9989BC, #8877A9 and #776596

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBADE2 shade: #BAACE2, #C9ACE2, #D7ACE2, #E2ACDE and #E2ACCF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBADE2 shade: #BAACE2 and #ACACE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBADE2 shade matches the following richer shades: #BAACE2, #B6A3EB, #B29AF4 and #AD91FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBADE2 shade: #BAACE2, #BEB5D9, #C3BED0, #C7C7C7 and #CBD0BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBADE2 shade: #ACBBE2, #ACADE2, #B9ACE2, #C8ACE2 and #D6ACE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBADE2 shade: #886FCC, #A18DD7, #BAACE2, #D3CBED and #EDE9F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBADE2 shade: #BBADE2, #E2ACCA and #B4E2AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBADE2 shade: #BBADE2, #E2B9AC and #ACE2B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBADE2 shade: #BBADE2, #E2ACCA, #D4E2AC and #ACE2C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBADE2 shade: #BBADE2, #E2ACB9, #D4E2AC and #ACE2D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 23 / 0 / 11

HEX #BBADE2

RGB 187 173 226

HSL 255.85, 0.48%, 0.78%

LAB 73.51, 15.55, -24.8

 

Complementary color

CMYK 17 / 0 / 65 / 68

HEX #44521D

RGB 68 82 29

HSL 75.85, 0.48%, 0.22%

LAB 32.6, -14.64, 28.62

 

CMYK 13 / 22 / 0 / 13

HEX #C0ADDD

RGB 192 173 221

HSL 263.75, 0.41%, 0.77%

LAB 73.75, 16.06, -21.67

 

CMYK 13 / 20 / 0 / 6

HEX #D1BFF0

RGB 209 191 240

HSL 262.04, 0.62%, 0.85%

LAB 80.24, 15.64, -21.95

 

CMYK 11 / 18 / 0 / 0

HEX #E2D1FF

RGB 226 209 255

HSL 262.17, 1%, 0.91%

LAB 86.5, 14.44, -20.32

 

CMYK 5 / 11 / 0 / 0

HEX #F3E3FF

RGB 243 227 255

HSL 274.29, 1%, 0.95%

LAB 92.23, 10.42, -11.58

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 17 / 23 / 0 / 11

HEX #BBADE2

RGB 187 173 226

HSL 255.85, 0.48%, 0.78%

LAB 73.51, 15.55, -24.8

 

CMYK 18 / 25 / 0 / 19

HEX #AA9BCF

RGB 170 155 207

HSL 257.31, 0.35%, 0.71%

LAB 66.9, 16.01, -24.6

 

CMYK 19 / 27 / 0 / 26

HEX #9989BC

RGB 153 137 188

HSL 258.82, 0.28%, 0.64%

LAB 60.15, 16.51, -24.42

 

CMYK 20 / 30 / 0 / 34

HEX #8877A9

RGB 136 119 169

HSL 260.4, 0.23%, 0.56%

LAB 53.27, 17.07, -24.27

 

CMYK 21 / 33 / 0 / 41

HEX #776596

RGB 119 101 150

HSL 262.04, 0.2%, 0.49%

LAB 46.22, 17.7, -24.15

 

CMYK 18 / 24 / 0 / 11

HEX #BAACE2

RGB 186 172 226

HSL 255.56, 0.48%, 0.78%

LAB 73.18, 15.79, -25.32

 

CMYK 11 / 24 / 0 / 11

HEX #C9ACE2

RGB 201 172 226

HSL 272.22, 0.48%, 0.78%

LAB 74.45, 20.53, -23.25

 

CMYK 5 / 24 / 0 / 11

HEX #D7ACE2

RGB 215 172 226

HSL 287.78, 0.48%, 0.78%

LAB 75.73, 25.05, -21.2

 

CMYK 0 / 24 / 2 / 11

HEX #E2ACDE

RGB 226 172 222

HSL 304.44, 0.48%, 0.78%

LAB 76.65, 27.9, -17.53

 

CMYK 0 / 24 / 8 / 11

HEX #E2ACCF

RGB 226 172 207

HSL 321.11, 0.48%, 0.78%

LAB 76.18, 25.26, -10.07

 

CMYK 18 / 24 / 0 / 11

HEX #BAACE2

RGB 186 172 226

HSL 255.56, 0.48%, 0.78%

LAB 73.18, 15.79, -25.32

 

CMYK 24 / 24 / 0 / 11

HEX #ACACE2

RGB 172 172 226

HSL 240, 0.48%, 0.78%

LAB 72.07, 11.49, -27.11

 

CMYK 18 / 24 / 0 / 11

HEX #BAACE2

RGB 186 172 226

HSL 255.56, 0.48%, 0.78%

LAB 73.18, 15.79, -25.32

 

CMYK 23 / 31 / 0 / 8

HEX #B6A3EB

RGB 182 163 235

HSL 255.83, 0.64%, 0.78%

LAB 70.97, 21.61, -33.66

 

CMYK 27 / 37 / 0 / 4

HEX #B29AF4

RGB 178 154 244

HSL 256, 0.8%, 0.78%

LAB 68.83, 27.62, -41.92

 

CMYK 32 / 43 / 0 / 1

HEX #AD91FD

RGB 173 145 253

HSL 255.56, 0.96%, 0.78%

LAB 66.69, 33.52, -50.23

 

CMYK 18 / 24 / 0 / 11

HEX #BAACE2

RGB 186 172 226

HSL 255.56, 0.48%, 0.78%

LAB 73.18, 15.79, -25.32

 

CMYK 12 / 17 / 0 / 15

HEX #BEB5D9

RGB 190 181 217

HSL 255, 0.32%, 0.78%

LAB 75.45, 10.19, -16.93

 

CMYK 6 / 9 / 0 / 18

HEX #C3BED0

RGB 195 190 208

HSL 256.67, 0.16%, 0.78%

LAB 77.87, 5.14, -8.4

 

CMYK 0 / 0 / 0 / 22

HEX #C7C7C7

RGB 199 199 199

HSL 0, 0%, 0.78%

LAB 80.24, 0, -0.01

 

CMYK 2 / 0 / 9 / 18

HEX #CBD0BE

RGB 203 208 190

HSL 76.67, 0.16%, 0.78%

LAB 82.66, -4.9, 8.34

 

CMYK 24 / 17 / 0 / 11

HEX #ACBBE2

RGB 172 187 226

HSL 223.33, 0.48%, 0.78%

LAB 75.95, 3.25, -21.19

 

CMYK 24 / 23 / 0 / 11

HEX #ACADE2

RGB 172 173 226

HSL 238.89, 0.48%, 0.78%

LAB 72.33, 10.94, -26.71

 

CMYK 18 / 24 / 0 / 11

HEX #B9ACE2

RGB 185 172 226

HSL 254.44, 0.48%, 0.78%

LAB 73.1, 15.48, -25.45

 

CMYK 12 / 24 / 0 / 11

HEX #C8ACE2

RGB 200 172 226

HSL 271.11, 0.48%, 0.78%

LAB 74.37, 20.22, -23.4

 

CMYK 5 / 24 / 0 / 11

HEX #D6ACE2

RGB 214 172 226

HSL 286.67, 0.48%, 0.78%

LAB 75.63, 24.72, -21.35

 

CMYK 33 / 46 / 0 / 20

HEX #886FCC

RGB 136 111 204

HSL 256.13, 0.48%, 0.62%

LAB 52.91, 30.59, -44.94

 

CMYK 25 / 34 / 0 / 16

HEX #A18DD7

RGB 161 141 215

HSL 256.22, 0.48%, 0.7%

LAB 62.96, 23.07, -35.2

 

CMYK 18 / 24 / 0 / 11

HEX #BAACE2

RGB 186 172 226

HSL 255.56, 0.48%, 0.78%

LAB 73.18, 15.79, -25.32

 

CMYK 11 / 14 / 0 / 7

HEX #D3CBED

RGB 211 203 237

HSL 254.12, 0.49%, 0.86%

LAB 83.27, 9.22, -15.75

 

CMYK 4 / 6 / 0 / 3

HEX #EDE9F7

RGB 237 233 247

HSL 257.14, 0.47%, 0.94%

LAB 93.01, 3.87, -6.29

 

CMYK 17 / 23 / 0 / 11

HEX #BBADE2

RGB 187 173 226

HSL 255.85, 0.48%, 0.78%

LAB 73.51, 15.55, -24.8

 

CMYK 0 / 24 / 11 / 11

HEX #E2ACCA

RGB 226 172 202

HSL 326.67, 0.48%, 0.78%

LAB 76.03, 24.41, -7.56

 

CMYK 20 / 0 / 24 / 11

HEX #B4E2AC

RGB 180 226 172

HSL 111.11, 0.48%, 0.78%

LAB 85.54, -24.94, 21.64

 

CMYK 17 / 23 / 0 / 11

HEX #BBADE2

RGB 187 173 226

HSL 255.85, 0.48%, 0.78%

LAB 73.51, 15.55, -24.8

 

CMYK 0 / 18 / 24 / 11

HEX #E2B9AC

RGB 226 185 172

HSL 14.44, 0.48%, 0.78%

LAB 78.37, 12.79, 12.14

 

CMYK 24 / 0 / 18 / 11

HEX #ACE2B9

RGB 172 226 185

HSL 134.44, 0.48%, 0.78%

LAB 85.34, -25.33, 14.5

 

CMYK 17 / 23 / 0 / 11

HEX #BBADE2

RGB 187 173 226

HSL 255.85, 0.48%, 0.78%

LAB 73.51, 15.55, -24.8

 

CMYK 0 / 24 / 11 / 11

HEX #E2ACCA

RGB 226 172 202

HSL 326.67, 0.48%, 0.78%

LAB 76.03, 24.41, -7.56

 

CMYK 6 / 0 / 24 / 11

HEX #D4E2AC

RGB 212 226 172

HSL 75.56, 0.48%, 0.78%

LAB 87.66, -13.67, 24.9

 

CMYK 24 / 0 / 13 / 11

HEX #ACE2C4

RGB 172 226 196

HSL 146.67, 0.48%, 0.78%

LAB 85.58, -23.28, 9.07

 

CMYK 17 / 23 / 0 / 11

HEX #BBADE2

RGB 187 173 226

HSL 255.85, 0.48%, 0.78%

LAB 73.51, 15.55, -24.8

 

CMYK 0 / 24 / 18 / 11

HEX #E2ACB9

RGB 226 172 185

HSL 345.56, 0.48%, 0.78%

LAB 75.56, 21.68, 1.03

 

CMYK 6 / 0 / 24 / 11

HEX #D4E2AC

RGB 212 226 172

HSL 75.56, 0.48%, 0.78%

LAB 87.66, -13.67, 24.9

 

CMYK 24 / 0 / 6 / 11

HEX #ACE2D4

RGB 172 226 212

HSL 164.44, 0.48%, 0.78%

LAB 85.96, -20.1, 1.2

 

Description

Color code: HEX #BBADE2 | qconv.com Color code: HEX #BBADE2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 173 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 173 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 23 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 23% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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