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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBABFE3F it is the complementary color #4454013F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBABFE3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBABFE3F shade: #C0ABF93F, #D1BDFF3F, #E2CFFF3F, #F3E1FF3F and #FFF3FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBABFE3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBABFE3F shade: #BBABFE3F, #AA99EB3F, #9987D83F, #8875C53F and #7763B23F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBABFE3F shade: #BAA9FE, #D0A9FE, #E7A9FE, #FEA9FE and #FEA9E7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBABFE3F shade: #BAA9FE and #A9A9FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBABFE3F shade matches the following richer shades: #BAA9FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBABFE3F shade: #BAA9FE, #BEB0F7, #C2B7F0, #C6BEE9 and #CBC5E2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBABFE3F shade: #A9C7FE, #A9B0FE, #B9A9FE, #CFA9FE and #E6A9FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBABFE3F shade: #7757FD, #9980FE, #BAA9FE, #DBD2FF and #FCFBFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBABFE3F shade: #BBABFE, #FEA9DE and #BCFEA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBABFE3F shade: #BBABFE, #FEB9A9 and #A9FEB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBABFE3F shade: #BBABFE, #FEA9DE, #EFFEA9 and #A9FECA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBABFE3F shade: #BBABFE, #FEA9C4, #EFFEA9 and #A9FEE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 8 / 0 / 0

HEX #BBABFE3F

RGBA 187 171 254 0.25

HSLA 251.57, 0.98%, 0.83%, 0.25

LABA 74.09, 23.08, -39.09, 0.25

 

Complementary color

CMYK 5 / 0 / 25 / 17

HEX #4454013F

RGBA 68 84 1 0.25

HSLA 71.57, 0.98%, 0.17%, 0.25

LABA 33.07, -17.44, 40.14, 0.25

 

CMYK 6 / 8 / 0 / 1

HEX #C0ABF93F

RGBA 192 171 249 0.25

HSLA 256.15, 0.87%, 0.82%, 0.25

LABA 74.3, 23.35, -36.03, 0.25

 

CMYK 5 / 6 / 0 / 0

HEX #D1BDFF3F

RGBA 209 189 255 0.25

HSLA 258.18, 1%, 0.87%, 0.25

LABA 80.28, 19.91, -29.92, 0.25

 

CMYK 3 / 5 / 0 / 0

HEX #E2CFFF3F

RGBA 226 207 255 0.25

HSLA 263.75, 1%, 0.91%, 0.25

LABA 86.01, 15.5, -21.05, 0.25

 

CMYK 1 / 3 / 0 / 0

HEX #F3E1FF3F

RGBA 243 225 255 0.25

HSLA 276, 1%, 0.94%, 0.25

LABA 91.74, 11.47, -12.31, 0.25

 

CMYK 0 / 1 / 0 / 0

HEX #FFF3FF3F

RGBA 255 243 255 0.25

HSLA 300, 1%, 0.98%, 0.25

LABA 97.06, 6.1, -4.32, 0.25

 

CMYK 7 / 8 / 0 / 0

HEX #BBABFE3F

RGBA 187 171 254 0.25

HSLA 251.57, 0.98%, 0.83%, 0.25

LABA 74.09, 23.08, -39.09, 0.25

 

CMYK 7 / 9 / 0 / 2

HEX #AA99EB3F

RGBA 170 153 235 0.25

HSLA 252.44, 0.67%, 0.76%, 0.25

LABA 67.52, 23.72, -39.09, 0.25

 

CMYK 7 / 9 / 0 / 4

HEX #9987D83F

RGBA 153 135 216 0.25

HSLA 253.33, 0.51%, 0.69%, 0.25

LABA 60.83, 24.44, -39.13, 0.25

 

CMYK 8 / 10 / 0 / 6

HEX #8875C53F

RGBA 136 117 197 0.25

HSLA 254.25, 0.41%, 0.62%, 0.25

LABA 54.01, 25.24, -39.21, 0.25

 

CMYK 8 / 11 / 0 / 8

HEX #7763B23F

RGBA 119 99 178 0.25

HSLA 255.19, 0.34%, 0.54%, 0.25

LABA 47.05, 26.14, -39.33, 0.25

 

CMYK 27 / 33 / 0 / 0

HEX #BAA9FE

RGB 186 169 254

HSL 252, 0.98%, 0.83%

LAB 73.53, 23.9, -39.97

 

CMYK 18 / 33 / 0 / 0

HEX #D0A9FE

RGB 208 169 254

HSL 267.53, 0.98%, 0.83%

LAB 75.41, 30.29, -36.89

 

CMYK 9 / 33 / 0 / 0

HEX #E7A9FE

RGB 231 169 254

HSL 283.76, 0.98%, 0.83%

LAB 77.59, 37.18, -33.35

 

CMYK 0 / 33 / 0 / 0

HEX #FEA9FE

RGB 254 169 254

HSL 300, 0.98%, 0.83%

LAB 79.96, 44.19, -29.51

 

CMYK 0 / 33 / 9 / 0

HEX #FEA9E7

RGB 254 169 231

HSL 316.24, 0.98%, 0.83%

LAB 79.17, 40.23, -18.32

 

CMYK 27 / 33 / 0 / 0

HEX #BAA9FE

RGB 186 169 254

HSL 252, 0.98%, 0.83%

LAB 73.53, 23.9, -39.97

 

CMYK 33 / 33 / 0 / 0

HEX #A9A9FE

RGB 169 169 254

HSL 240, 0.98%, 0.83%

LAB 72.21, 19.18, -42.13

 

CMYK 27 / 33 / 0 / 0

HEX #BAA9FE

RGB 186 169 254

HSL 252, 0.98%, 0.83%

LAB 73.53, 23.9, -39.97

 

CMYK 27 / 33 / 0 / 0

HEX #BAA9FE

RGB 186 169 254

HSL 252, 0.98%, 0.83%

LAB 73.53, 23.9, -39.97

 

CMYK 23 / 29 / 0 / 3

HEX #BEB0F7

RGB 190 176 247

HSL 251.83, 0.82%, 0.83%

LAB 75.27, 19.54, -33.46

 

CMYK 19 / 24 / 0 / 6

HEX #C2B7F0

RGB 194 183 240

HSL 251.58, 0.66%, 0.83%

LAB 77.06, 15.32, -26.91

 

CMYK 15 / 18 / 0 / 9

HEX #C6BEE9

RGB 198 190 233

HSL 251.16, 0.49%, 0.83%

LAB 78.88, 11.23, -20.34

 

CMYK 10 / 13 / 0 / 11

HEX #CBC5E2

RGB 203 197 226

HSL 252.41, 0.33%, 0.83%

LAB 80.81, 7.62, -13.64

 

CMYK 33 / 22 / 0 / 0

HEX #A9C7FE

RGB 169 199 254

HSL 218.82, 0.98%, 0.83%

LAB 79.86, 2.63, -30.27

 

CMYK 33 / 31 / 0 / 0

HEX #A9B0FE

RGB 169 176 254

HSL 235.06, 0.98%, 0.83%

LAB 73.96, 15.27, -39.4

 

CMYK 27 / 33 / 0 / 0

HEX #B9A9FE

RGB 185 169 254

HSL 251.29, 0.98%, 0.83%

LAB 73.45, 23.62, -40.11

 

CMYK 19 / 33 / 0 / 0

HEX #CFA9FE

RGB 207 169 254

HSL 266.82, 0.98%, 0.83%

LAB 75.32, 29.99, -37.04

 

CMYK 9 / 33 / 0 / 0

HEX #E6A9FE

RGB 230 169 254

HSL 283.06, 0.98%, 0.83%

LAB 77.49, 36.88, -33.51

 

CMYK 53 / 66 / 0 / 1

HEX #7757FD

RGB 119 87 253

HSL 251.57, 0.98%, 0.67%

LAB 49.29, 54.2, -78.45

 

CMYK 40 / 50 / 0 / 0

HEX #9980FE

RGB 153 128 254

HSL 251.9, 0.98%, 0.75%

LAB 61.1, 38.39, -59.76

 

CMYK 27 / 33 / 0 / 0

HEX #BAA9FE

RGB 186 169 254

HSL 252, 0.98%, 0.83%

LAB 73.53, 23.9, -39.97

 

CMYK 14 / 18 / 0 / 0

HEX #DBD2FF

RGB 219 210 255

HSL 252, 1%, 0.91%

LAB 86.19, 11.71, -20.83

 

CMYK 1 / 2 / 0 / 0

HEX #FCFBFF

RGB 252 251 255

HSL 255, 1%, 0.99%

LAB 98.79, 1.04, -1.8

 

CMYK 26 / 33 / 0 / 0

HEX #BBABFE

RGB 187 171 254

HSL 251.57, 0.98%, 0.83%

LAB 74.09, 23.08, -39.09

 

CMYK 0 / 33 / 13 / 0

HEX #FEA9DE

RGB 254 169 222

HSL 322.59, 0.98%, 0.83%

LAB 78.88, 38.76, -13.88

 

CMYK 26 / 0 / 33 / 0

HEX #BCFEA9

RGB 188 254 169

HSL 106.59, 0.98%, 0.83%

LAB 93.64, -35.85, 34.23

 

CMYK 26 / 33 / 0 / 0

HEX #BBABFE

RGB 187 171 254

HSL 251.57, 0.98%, 0.83%

LAB 74.09, 23.08, -39.09

 

CMYK 0 / 27 / 33 / 0

HEX #FEB9A9

RGB 254 185 169

HSL 11.29, 0.98%, 0.83%

LAB 81.09, 22.89, 17.97

 

CMYK 33 / 0 / 27 / 0

HEX #A9FEB9

RGB 169 254 185

HSL 131.29, 0.98%, 0.83%

LAB 92.94, -39.3, 25.05

 

CMYK 26 / 33 / 0 / 0

HEX #BBABFE

RGB 187 171 254

HSL 251.57, 0.98%, 0.83%

LAB 74.09, 23.08, -39.09

 

CMYK 0 / 33 / 13 / 0

HEX #FEA9DE

RGB 254 169 222

HSL 322.59, 0.98%, 0.83%

LAB 78.88, 38.76, -13.88

 

CMYK 6 / 0 / 33 / 0

HEX #EFFEA9

RGB 239 254 169

HSL 70.59, 0.98%, 0.83%

LAB 96.86, -17.95, 39.07

 

CMYK 33 / 0 / 20 / 0

HEX #A9FECA

RGB 169 254 202

HSL 143.29, 0.98%, 0.83%

LAB 93.27, -36.27, 16.84

 

CMYK 26 / 33 / 0 / 0

HEX #BBABFE

RGB 187 171 254

HSL 251.57, 0.98%, 0.83%

LAB 74.09, 23.08, -39.09

 

CMYK 0 / 33 / 23 / 0

HEX #FEA9C4

RGB 254 169 196

HSL 340.94, 0.98%, 0.83%

LAB 78.13, 34.84, -0.86

 

CMYK 6 / 0 / 33 / 0

HEX #EFFEA9

RGB 239 254 169

HSL 70.59, 0.98%, 0.83%

LAB 96.86, -17.95, 39.07

 

CMYK 33 / 0 / 11 / 0

HEX #A9FEE3

RGB 169 254 227

HSL 160.94, 0.98%, 0.83%

LAB 93.82, -31.36, 4.77

 

Description

Color code: HEX #BBABFE3F | qconv.com Color code: HEX #BBABFE3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 171 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 171 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 8 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 8% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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