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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBA9CF it is the complementary color #445630. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBA9CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BBA9CF: #C0A9CA, #D1BBDD, #E2CDF0, #F3DFFF and #FFF1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBA9CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BBA9CF: #BBA9CF, #AA97BC, #9985A9, #887396 and #776183

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 18 / 0 / 19

HEX #BBA9CF

RGB 187 169 207

HSL 268.42, 0.28%, 0.74%

LAB 71.86, 13.71, -16.92

 

Complementary color

CMYK 21 / 0 / 44 / 66

HEX #445630

RGB 68 86 48

HSL 88.42, 0.28%, 0.26%

LAB 34.19, -14.56, 19.87

 

CMYK 5 / 16 / 0 / 21

HEX #C0A9CA

RGB 192 169 202

HSL 281.82, 0.24%, 0.73%

LAB 72.13, 14.37, -13.73

 

CMYK 5 / 15 / 0 / 13

HEX #D1BBDD

RGB 209 187 221

HSL 278.82, 0.33%, 0.8%

LAB 78.65, 13.98, -14.14

 

CMYK 6 / 15 / 0 / 6

HEX #E2CDF0

RGB 226 205 240

HSL 276, 0.54%, 0.87%

LAB 85.06, 13.61, -14.54

 

CMYK 5 / 13 / 0 / 0

HEX #F3DFFF

RGB 243 223 255

HSL 277.5, 1%, 0.94%

LAB 91.26, 12.51, -13.03

 

CMYK 0 / 5 / 0 / 0

HEX #FFF1FF

RGB 255 241 255

HSL 300, 1%, 0.97%

LAB 96.57, 7.12, -5.04

 

CMYK 10 / 18 / 0 / 19

HEX #BBA9CF

RGB 187 169 207

HSL 268.42, 0.28%, 0.74%

LAB 71.86, 13.71, -16.92

 

CMYK 10 / 20 / 0 / 26

HEX #AA97BC

RGB 170 151 188

HSL 270.81, 0.22%, 0.66%

LAB 65.21, 14.13, -16.58

 

CMYK 9 / 21 / 0 / 34

HEX #9985A9

RGB 153 133 169

HSL 273.33, 0.17%, 0.59%

LAB 58.43, 14.59, -16.25

 

CMYK 9 / 23 / 0 / 41

HEX #887396

RGB 136 115 150

HSL 276, 0.14%, 0.52%

LAB 51.49, 15.09, -15.92

 

CMYK 9 / 26 / 0 / 49

HEX #776183

RGB 119 97 131

HSL 278.82, 0.15%, 0.45%

LAB 44.39, 15.65, -15.6

 

CMYK 10 / 18 / 0 / 19

HEX #BBA9CF

RGB 187 169 207

HSL 268.42, 0.28%, 0.74%

LAB 71.86, 13.71, -16.92

 

CMYK 7 / 18 / 0 / 19

HEX #C1AACF

RGB 193 170 207

HSL 277.3, 0.28%, 0.74%

LAB 72.62, 15.15, -15.72

 

CMYK 4 / 18 / 0 / 19

HEX #C7AACF

RGB 199 170 207

HSL 287.03, 0.28%, 0.74%

LAB 73.15, 17.16, -14.87

 

CMYK 0 / 18 / 0 / 19

HEX #CEAACF

RGB 206 170 207

HSL 298.38, 0.28%, 0.74%

LAB 73.79, 19.52, -13.84

 

CMYK 0 / 18 / 2 / 19

HEX #CFAACA

RGB 207 170 202

HSL 308.11, 0.28%, 0.74%

LAB 73.73, 18.93, -11.19

 

CMYK 10 / 18 / 0 / 19

HEX #BBA9CF

RGB 187 169 207

HSL 268.42, 0.28%, 0.74%

LAB 71.86, 13.71, -16.92

 

CMYK 0 / 33 / 0 / 99

HEX #030203

RGB 3 2 3

HSL 300, 0.2%, 0.01%

LAB 0.63, 0.4, -0.29

 

CMYK 9 / 19 / 0 / 79

HEX #312C36

RGB 49 44 54

HSL 270, 0.1%, 0.19%

LAB 18.89, 4.65, -5.58

 

CMYK 10 / 18 / 0 / 59

HEX #5F5669

RGB 95 86 105

HSL 268.42, 0.1%, 0.37%

LAB 38.04, 7.73, -9.57

 

CMYK 10 / 19 / 0 / 39

HEX #8D7F9C

RGB 141 127 156

HSL 268.97, 0.13%, 0.55%

LAB 55.32, 11.12, -13.57

 

CMYK 10 / 18 / 0 / 19

HEX #BBA9CF

RGB 187 169 207

HSL 268.42, 0.28%, 0.74%

LAB 71.86, 13.71, -16.92

 

CMYK 0 / 18 / 12 / 19

HEX #CFAAB6

RGB 207 170 182

HSL 340.54, 0.28%, 0.74%

LAB 73.15, 15.42, -1.06

 

CMYK 18 / 0 / 17 / 19

HEX #AACFAC

RGB 170 207 172

HSL 123.24, 0.28%, 0.74%

LAB 79.7, -18.98, 13.39

 

CMYK 10 / 18 / 0 / 19

HEX #BBA9CF

RGB 187 169 207

HSL 268.42, 0.28%, 0.74%

LAB 71.86, 13.71, -16.92

 

CMYK 0 / 10 / 18 / 19

HEX #CFBBAA

RGB 207 187 170

HSL 27.57, 0.28%, 0.74%

LAB 77.11, 4.34, 11.18

 

CMYK 18 / 0 / 10 / 19

HEX #AACFBB

RGB 170 207 187

HSL 147.57, 0.28%, 0.74%

LAB 80.04, -16.2, 5.88

 

CMYK 10 / 18 / 0 / 19

HEX #BBA9CF

RGB 187 169 207

HSL 268.42, 0.28%, 0.74%

LAB 71.86, 13.71, -16.92

 

CMYK 0 / 18 / 12 / 19

HEX #CFAAB6

RGB 207 170 182

HSL 340.54, 0.28%, 0.74%

LAB 73.15, 15.42, -1.06

 

CMYK 9 / 0 / 18 / 19

HEX #BDCFAA

RGB 189 207 170

HSL 89.19, 0.28%, 0.74%

LAB 80.93, -12.69, 16.37

 

CMYK 18 / 0 / 6 / 19

HEX #AACFC2

RGB 170 207 194

HSL 158.92, 0.28%, 0.74%

LAB 80.22, -14.83, 2.39

 

CMYK 10 / 18 / 0 / 19

HEX #BBA9CF

RGB 187 169 207

HSL 268.42, 0.28%, 0.74%

LAB 71.86, 13.71, -16.92

 

CMYK 0 / 18 / 17 / 19

HEX #CFAAAB

RGB 207 170 171

HSL 358.38, 0.28%, 0.74%

LAB 72.86, 13.64, 4.56

 

CMYK 9 / 0 / 18 / 19

HEX #BDCFAA

RGB 189 207 170

HSL 89.19, 0.28%, 0.74%

LAB 80.93, -12.69, 16.37

 

CMYK 18 / 0 / 0 / 19

HEX #AACFCE

RGB 170 207 206

HSL 178.38, 0.28%, 0.74%

LAB 80.53, -12.37, -3.58

 

Description

Color code: HEX #BBA9CF | qconv.com Color code: HEX #BBA9CF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 169 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 169 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 18 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 18% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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