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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBA7F14C it is the complementary color #44580E4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBA7F14C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBA7F14C shade: #C0A7EC4C, #D1B9FF4C, #E2CBFF4C, #F3DDFF4C and #FFEFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBA7F14C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBA7F14C shade: #BBA7F14C, #AA95DE4C, #9983CB4C, #8871B84C and #775FA54C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBA7F14C shade: #BBA7F1, #CFA7F1, #E3A7F1, #F1A7EB and #F1A7D7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBA7F14C shade: #BBA7F1 and #A7A7F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBA7F14C shade matches the following richer shades: #BBA7F1 and #B79FF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBA7F14C shade: #BBA7F1, #BFAFE9, #C2B7E1, #C6C0D8 and #CAC8D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBA7F14C shade: #A7BBF1, #A7A7F1, #BBA7F1, #CEA7F1 and #E2A7F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBA7F14C shade: #845FE6, #9F83EC, #BBA7F1, #D6CAF7 and #F2EEFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBA7F14C shade: #BBA7F1, #F1A7CE and #B1F1A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBA7F14C shade: #BBA7F1, #F1BBA7 and #A7F1BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBA7F14C shade: #BBA7F1, #F1A7CE, #DDF1A7 and #A7F1CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBA7F14C shade: #BBA7F1, #F1A7B8, #DDF1A7 and #A7F1E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 9 / 0 / 2

HEX #BBA7F14C

RGBA 187 167 241 0.3

HSLA 256.22, 0.73%, 0.8%, 0.3

LABA 72.6, 22.25, -34.37, 0.3

 

Complementary color

CMYK 7 / 0 / 25 / 20

HEX #44580E4C

RGBA 68 88 14 0.3

HSLA 76.22, 0.73%, 0.2%, 0.3

LABA 34.48, -19.01, 37.12, 0.3

 

CMYK 6 / 9 / 0 / 2

HEX #C0A7EC4C

RGBA 192 167 236 0.3

HSLA 261.74, 0.64%, 0.79%, 0.3

LABA 72.83, 22.62, -31.26, 0.3

 

CMYK 5 / 8 / 0 / 0

HEX #D1B9FF4C

RGBA 209 185 255 0.3

HSLA 260.57, 1%, 0.86%, 0.3

LABA 79.31, 22.08, -31.4, 0.3

 

CMYK 3 / 6 / 0 / 0

HEX #E2CBFF4C

RGBA 226 203 255 0.3

HSLA 266.54, 1%, 0.9%, 0.3

LABA 85.05, 17.63, -22.51, 0.3

 

CMYK 1 / 4 / 0 / 0

HEX #F3DDFF4C

RGBA 243 221 255 0.3

HSLA 278.82, 1%, 0.93%, 0.3

LABA 90.77, 13.55, -13.75, 0.3

 

CMYK 0 / 2 / 0 / 0

HEX #FFEFFF4C

RGBA 255 239 255 0.3

HSLA 300, 1%, 0.97%, 0.3

LABA 96.09, 8.15, -5.76, 0.3

 

CMYK 7 / 9 / 0 / 2

HEX #BBA7F14C

RGBA 187 167 241 0.3

HSLA 256.22, 0.73%, 0.8%, 0.3

LABA 72.6, 22.25, -34.37, 0.3

 

CMYK 7 / 10 / 0 / 4

HEX #AA95DE4C

RGBA 170 149 222 0.3

HSLA 257.26, 0.53%, 0.73%, 0.3

LABA 65.99, 22.86, -34.31, 0.3

 

CMYK 7 / 11 / 0 / 6

HEX #9983CB4C

RGBA 153 131 203 0.3

HSLA 258.33, 0.41%, 0.65%, 0.3

LABA 59.27, 23.53, -34.28, 0.3

 

CMYK 8 / 12 / 0 / 8

HEX #8871B84C

RGBA 136 113 184 0.3

HSLA 259.44, 0.33%, 0.58%, 0.3

LABA 52.4, 24.27, -34.28, 0.3

 

CMYK 8 / 13 / 0 / 11

HEX #775FA54C

RGBA 119 95 165 0.3

HSLA 260.57, 0.28%, 0.51%, 0.3

LABA 45.39, 25.11, -34.32, 0.3

 

CMYK 22 / 31 / 0 / 5

HEX #BBA7F1

RGB 187 167 241

HSL 256.22, 0.73%, 0.8%

LAB 72.6, 22.25, -34.37

 

CMYK 14 / 31 / 0 / 5

HEX #CFA7F1

RGB 207 167 241

HSL 272.43, 0.73%, 0.8%

LAB 74.35, 28.29, -31.51

 

CMYK 6 / 31 / 0 / 5

HEX #E3A7F1

RGB 227 167 241

HSL 288.65, 0.73%, 0.8%

LAB 76.26, 34.48, -28.41

 

CMYK 0 / 31 / 2 / 5

HEX #F1A7EB

RGB 241 167 235

HSL 304.86, 0.73%, 0.8%

LAB 77.48, 37.78, -23.17

 

CMYK 0 / 31 / 11 / 5

HEX #F1A7D7

RGB 241 167 215

HSL 321.08, 0.73%, 0.8%

LAB 76.83, 34.35, -13.3

 

CMYK 22 / 31 / 0 / 5

HEX #BBA7F1

RGB 187 167 241

HSL 256.22, 0.73%, 0.8%

LAB 72.6, 22.25, -34.37

 

CMYK 31 / 31 / 0 / 5

HEX #A7A7F1

RGB 167 167 241

HSL 240, 0.73%, 0.8%

LAB 71.01, 16.47, -36.95

 

CMYK 22 / 31 / 0 / 5

HEX #BBA7F1

RGB 187 167 241

HSL 256.22, 0.73%, 0.8%

LAB 72.6, 22.25, -34.37

 

CMYK 27 / 36 / 0 / 2

HEX #B79FF9

RGB 183 159 249

HSL 256, 0.88%, 0.8%

LAB 70.67, 27.43, -41.75

 

CMYK 22 / 31 / 0 / 5

HEX #BBA7F1

RGB 187 167 241

HSL 256.22, 0.73%, 0.8%

LAB 72.6, 22.25, -34.37

 

CMYK 18 / 25 / 0 / 9

HEX #BFAFE9

RGB 191 175 233

HSL 256.55, 0.57%, 0.8%

LAB 74.58, 17.24, -26.93

 

CMYK 14 / 19 / 0 / 12

HEX #C2B7E1

RGB 194 183 225

HSL 255.71, 0.41%, 0.8%

LAB 76.54, 12.07, -19.59

 

CMYK 8 / 11 / 0 / 15

HEX #C6C0D8

RGB 198 192 216

HSL 255, 0.24%, 0.8%

LAB 78.85, 6.65, -11.23

 

CMYK 3 / 4 / 0 / 18

HEX #CAC8D0

RGB 202 200 208

HSL 255, 0.08%, 0.8%

LAB 80.97, 2.17, -3.74

 

CMYK 31 / 22 / 0 / 5

HEX #A7BBF1

RGB 167 187 241

HSL 223.78, 0.73%, 0.8%

LAB 76.13, 5.37, -29.04

 

CMYK 31 / 31 / 0 / 5

HEX #A7A7F1

RGB 167 167 241

HSL 240, 0.73%, 0.8%

LAB 71.01, 16.47, -36.95

 

CMYK 22 / 31 / 0 / 5

HEX #BBA7F1

RGB 187 167 241

HSL 256.22, 0.73%, 0.8%

LAB 72.6, 22.25, -34.37

 

CMYK 15 / 31 / 0 / 5

HEX #CEA7F1

RGB 206 167 241

HSL 271.62, 0.73%, 0.8%

LAB 74.26, 27.98, -31.66

 

CMYK 6 / 31 / 0 / 5

HEX #E2A7F1

RGB 226 167 241

HSL 287.84, 0.73%, 0.8%

LAB 76.17, 34.16, -28.57

 

CMYK 43 / 59 / 0 / 10

HEX #845FE6

RGB 132 95 230

HSL 256.44, 0.73%, 0.64%

LAB 50.46, 45.81, -63.62

 

CMYK 33 / 44 / 0 / 7

HEX #9F83EC

RGB 159 131 236

HSL 256, 0.73%, 0.72%

LAB 61.36, 33.45, -49.4

 

CMYK 22 / 31 / 0 / 5

HEX #BBA7F1

RGB 187 167 241

HSL 256.22, 0.73%, 0.8%

LAB 72.6, 22.25, -34.37

 

CMYK 13 / 18 / 0 / 3

HEX #D6CAF7

RGB 214 202 247

HSL 256, 0.74%, 0.88%

LAB 83.58, 12.76, -20.59

 

CMYK 4 / 6 / 0 / 1

HEX #F2EEFC

RGB 242 238 252

HSL 257.14, 0.7%, 0.96%

LAB 94.76, 3.85, -6.27

 

CMYK 22 / 31 / 0 / 5

HEX #BBA7F1

RGB 187 167 241

HSL 256.22, 0.73%, 0.8%

LAB 72.6, 22.25, -34.37

 

CMYK 0 / 31 / 15 / 5

HEX #F1A7CE

RGB 241 167 206

HSL 328.38, 0.73%, 0.8%

LAB 76.55, 32.9, -8.8

 

CMYK 27 / 0 / 31 / 5

HEX #B1F1A7

RGB 177 241 167

HSL 111.89, 0.73%, 0.8%

LAB 89.42, -33.81, 29.47

 

CMYK 22 / 31 / 0 / 5

HEX #BBA7F1

RGB 187 167 241

HSL 256.22, 0.73%, 0.8%

LAB 72.6, 22.25, -34.37

 

CMYK 0 / 22 / 31 / 5

HEX #F1BBA7

RGB 241 187 167

HSL 16.22, 0.73%, 0.8%

LAB 80.2, 16.69, 17.6

 

CMYK 31 / 0 / 22 / 5

HEX #A7F1BB

RGB 167 241 187

HSL 136.22, 0.73%, 0.8%

LAB 89.26, -33.64, 18.92

 

CMYK 22 / 31 / 0 / 5

HEX #BBA7F1

RGB 187 167 241

HSL 256.22, 0.73%, 0.8%

LAB 72.6, 22.25, -34.37

 

CMYK 0 / 31 / 15 / 5

HEX #F1A7CE

RGB 241 167 206

HSL 328.38, 0.73%, 0.8%

LAB 76.55, 32.9, -8.8

 

CMYK 8 / 0 / 31 / 5

HEX #DDF1A7

RGB 221 241 167

HSL 76.22, 0.73%, 0.8%

LAB 92.16, -18.49, 33.63

 

CMYK 31 / 0 / 16 / 5

HEX #A7F1CA

RGB 167 241 202

HSL 148.38, 0.73%, 0.8%

LAB 89.58, -30.84, 11.6

 

CMYK 22 / 31 / 0 / 5

HEX #BBA7F1

RGB 187 167 241

HSL 256.22, 0.73%, 0.8%

LAB 72.6, 22.25, -34.37

 

CMYK 0 / 31 / 24 / 5

HEX #F1A7B8

RGB 241 167 184

HSL 346.22, 0.73%, 0.8%

LAB 75.95, 29.59, 2.33

 

CMYK 8 / 0 / 31 / 5

HEX #DDF1A7

RGB 221 241 167

HSL 76.22, 0.73%, 0.8%

LAB 92.16, -18.49, 33.63

 

CMYK 31 / 0 / 7 / 5

HEX #A7F1E0

RGB 167 241 224

HSL 166.22, 0.73%, 0.8%

LAB 90.09, -26.38, 0.9

 

Description

Color code: HEX #BBA7F14C | qconv.com Color code: HEX #BBA7F14C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 167 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 167 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 9 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 9% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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