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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBA798 it is the complementary color #445867. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBA798. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBA798 shade: #C0A793, #D1B9A6, #E2CBB9, #F3DDCC and #FFEFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBA798. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBA798 shade: #BBA798, #AA9585, #998372, #88715F and #775F4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBA798 shade: #BAA697, #BA9C97 and #BA9797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBA798 shade: #BAA697, #BAAF97, #BAB997, #B1BA97 and #A8BA97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBA798 shade matches the following richer shades: #BAA697, #C8A489, #D6A27B, #E4A06D and #F29E5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBA798 shade: #BAA697, #ACA8A5, #9EAAB3, #90ACC1 and #82AECF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBA798 shade: #BA979B, #BA9C97, #BAA597, #BAAF97 and #BAB897

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBA798 shade: #987B66, #A9917E, #BAA697, #CABBB0 and #DBD0C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBA798 shade: #BBA798, #A4BA97 and #9897BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBA798 shade: #BBA798, #97BAA5 and #A597BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBA798 shade: #BBA798, #A4BA97, #97ABBA and #AC97BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBA798 shade: #BBA798, #9ABA97, #97ABBA and #B797BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 19 / 27

HEX #BBA798

RGB 187 167 152

HSL 25.71, 0.2%, 0.66%

LAB 69.8, 4.79, 10.4

 

Complementary color

CMYK 34 / 15 / 0 / 60

HEX #445867

RGB 68 88 103

HSL 205.71, 0.2%, 0.34%

LAB 36.34, -3.59, -11.1

 

CMYK 0 / 13 / 23 / 25

HEX #C0A793

RGB 192 167 147

HSL 26.67, 0.26%, 0.66%

LAB 70.14, 5.95, 13.69

 

CMYK 0 / 11 / 21 / 18

HEX #D1B9A6

RGB 209 185 166

HSL 26.51, 0.32%, 0.74%

LAB 76.68, 5.54, 12.77

 

CMYK 0 / 10 / 18 / 11

HEX #E2CBB9

RGB 226 203 185

HSL 26.34, 0.41%, 0.81%

LAB 83.12, 5.18, 11.9

 

CMYK 0 / 9 / 16 / 5

HEX #F3DDCC

RGB 243 221 204

HSL 26.15, 0.62%, 0.88%

LAB 89.45, 4.85, 11.08

 

CMYK 0 / 6 / 13 / 0

HEX #FFEFDF

RGB 255 239 223

HSL 30, 1%, 0.94%

LAB 95.3, 2.8, 9.66

 

CMYK 0 / 11 / 19 / 27

HEX #BBA798

RGB 187 167 152

HSL 25.71, 0.2%, 0.66%

LAB 69.8, 4.79, 10.4

 

CMYK 0 / 12 / 22 / 33

HEX #AA9585

RGB 170 149 133

HSL 25.95, 0.18%, 0.59%

LAB 63.12, 5.18, 11.31

 

CMYK 0 / 14 / 25 / 40

HEX #998372

RGB 153 131 114

HSL 26.15, 0.16%, 0.52%

LAB 56.31, 5.63, 12.29

 

CMYK 0 / 17 / 30 / 47

HEX #88715F

RGB 136 113 95

HSL 26.34, 0.18%, 0.45%

LAB 49.34, 6.16, 13.37

 

CMYK 0 / 20 / 36 / 53

HEX #775F4C

RGB 119 95 76

HSL 26.51, 0.22%, 0.38%

LAB 42.2, 6.79, 14.56

 

CMYK 0 / 11 / 19 / 27

HEX #BAA697

RGB 186 166 151

HSL 25.71, 0.2%, 0.66%

LAB 69.43, 4.8, 10.41

 

CMYK 0 / 16 / 19 / 27

HEX #BA9C97

RGB 186 156 151

HSL 8.57, 0.2%, 0.66%

LAB 66.86, 10.28, 6.75

 

CMYK 0 / 19 / 19 / 27

HEX #BA9797

RGB 186 151 151

HSL 0, 0.2%, 0.66%

LAB 65.6, 13.05, 4.93

 

CMYK 0 / 11 / 19 / 27

HEX #BAA697

RGB 186 166 151

HSL 25.71, 0.2%, 0.66%

LAB 69.43, 4.8, 10.41

 

CMYK 0 / 6 / 19 / 27

HEX #BAAF97

RGB 186 175 151

HSL 41.14, 0.2%, 0.66%

LAB 71.78, -0.07, 13.73

 

CMYK 0 / 1 / 19 / 27

HEX #BAB997

RGB 186 185 151

HSL 58.29, 0.2%, 0.66%

LAB 74.43, -5.38, 17.43

 

CMYK 5 / 0 / 19 / 27

HEX #B1BA97

RGB 177 186 151

HSL 75.43, 0.2%, 0.66%

LAB 74, -9.28, 16.72

 

CMYK 10 / 0 / 19 / 27

HEX #A8BA97

RGB 168 186 151

HSL 90.86, 0.2%, 0.66%

LAB 73.34, -12.59, 15.7

 

CMYK 0 / 11 / 19 / 27

HEX #BAA697

RGB 186 166 151

HSL 25.71, 0.2%, 0.66%

LAB 69.43, 4.8, 10.41

 

CMYK 0 / 18 / 32 / 22

HEX #C8A489

RGB 200 164 137

HSL 25.71, 0.36%, 0.66%

LAB 69.92, 9.31, 18.99

 

CMYK 0 / 24 / 43 / 16

HEX #D6A27B

RGB 214 162 123

HSL 25.71, 0.53%, 0.66%

LAB 70.57, 14.3, 27.73

 

CMYK 0 / 30 / 52 / 11

HEX #E4A06D

RGB 228 160 109

HSL 25.71, 0.69%, 0.66%

LAB 71.38, 19.67, 36.54

 

CMYK 0 / 35 / 61 / 5

HEX #F29E5F

RGB 242 158 95

HSL 25.71, 0.85%, 0.66%

LAB 72.33, 25.31, 45.31

 

CMYK 0 / 11 / 19 / 27

HEX #BAA697

RGB 186 166 151

HSL 25.71, 0.2%, 0.66%

LAB 69.43, 4.8, 10.41

 

CMYK 0 / 2 / 4 / 33

HEX #ACA8A5

RGB 172 168 165

HSL 25.71, 0.04%, 0.66%

LAB 69.11, 0.88, 2.05

 

CMYK 12 / 5 / 0 / 30

HEX #9EAAB3

RGB 158 170 179

HSL 205.71, 0.12%, 0.66%

LAB 68.95, -2.36, -6.07

 

CMYK 25 / 11 / 0 / 24

HEX #90ACC1

RGB 144 172 193

HSL 205.71, 0.28%, 0.66%

LAB 68.96, -4.83, -13.9

 

CMYK 37 / 16 / 0 / 19

HEX #82AECF

RGB 130 174 207

HSL 205.71, 0.45%, 0.66%

LAB 69.13, -6.5, -21.44

 

CMYK 0 / 19 / 17 / 27

HEX #BA979B

RGB 186 151 155

HSL 353.14, 0.2%, 0.66%

LAB 65.7, 13.69, 2.83

 

CMYK 0 / 16 / 19 / 27

HEX #BA9C97

RGB 186 156 151

HSL 8.57, 0.2%, 0.66%

LAB 66.86, 10.28, 6.75

 

CMYK 0 / 11 / 19 / 27

HEX #BAA597

RGB 186 165 151

HSL 24, 0.2%, 0.66%

LAB 69.17, 5.35, 10.04

 

CMYK 0 / 6 / 19 / 27

HEX #BAAF97

RGB 186 175 151

HSL 41.14, 0.2%, 0.66%

LAB 71.78, -0.07, 13.73

 

CMYK 0 / 1 / 19 / 27

HEX #BAB897

RGB 186 184 151

HSL 56.57, 0.2%, 0.66%

LAB 74.16, -4.86, 17.06

 

CMYK 0 / 19 / 33 / 40

HEX #987B66

RGB 152 123 102

HSL 25.2, 0.2%, 0.5%

LAB 53.81, 8.06, 15.73

 

CMYK 0 / 14 / 25 / 34

HEX #A9917E

RGB 169 145 126

HSL 26.51, 0.2%, 0.58%

LAB 61.82, 5.96, 13.41

 

CMYK 0 / 11 / 19 / 27

HEX #BAA697

RGB 186 166 151

HSL 25.71, 0.2%, 0.66%

LAB 69.43, 4.8, 10.41

 

CMYK 0 / 7 / 13 / 21

HEX #CABBB0

RGB 202 187 176

HSL 25.38, 0.2%, 0.74%

LAB 76.82, 3.45, 7.47

 

CMYK 0 / 5 / 9 / 14

HEX #DBD0C8

RGB 219 208 200

HSL 25.26, 0.21%, 0.82%

LAB 84.14, 2.43, 5.32

 

CMYK 0 / 11 / 19 / 27

HEX #BBA798

RGB 187 167 152

HSL 25.71, 0.2%, 0.66%

LAB 69.8, 4.79, 10.4

 

CMYK 12 / 0 / 19 / 27

HEX #A4BA97

RGB 164 186 151

HSL 97.71, 0.2%, 0.66%

LAB 73.05, -14.04, 15.26

 

CMYK 18 / 19 / 0 / 27

HEX #9897BA

RGB 152 151 186

HSL 241.71, 0.2%, 0.66%

LAB 63.63, 7.74, -17.99

 

CMYK 0 / 11 / 19 / 27

HEX #BBA798

RGB 187 167 152

HSL 25.71, 0.2%, 0.66%

LAB 69.8, 4.79, 10.4

 

CMYK 19 / 0 / 11 / 27

HEX #97BAA5

RGB 151 186 165

HSL 144, 0.2%, 0.66%

LAB 72.5, -16.03, 6.76

 

CMYK 11 / 19 / 0 / 27

HEX #A597BA

RGB 165 151 186

HSL 264, 0.2%, 0.66%

LAB 64.71, 12.03, -16.26

 

CMYK 0 / 11 / 19 / 27

HEX #BBA798

RGB 187 167 152

HSL 25.71, 0.2%, 0.66%

LAB 69.8, 4.79, 10.4

 

CMYK 12 / 0 / 19 / 27

HEX #A4BA97

RGB 164 186 151

HSL 97.71, 0.2%, 0.66%

LAB 73.05, -14.04, 15.26

 

CMYK 19 / 8 / 0 / 27

HEX #97ABBA

RGB 151 171 186

HSL 205.71, 0.2%, 0.66%

LAB 68.93, -3.69, -10.02

 

CMYK 8 / 19 / 0 / 27

HEX #AC97BA

RGB 172 151 186

HSL 276, 0.2%, 0.66%

LAB 65.32, 14.39, -15.28

 

CMYK 0 / 11 / 19 / 27

HEX #BBA798

RGB 187 167 152

HSL 25.71, 0.2%, 0.66%

LAB 69.8, 4.79, 10.4

 

CMYK 17 / 0 / 19 / 27

HEX #9ABA97

RGB 154 186 151

HSL 114.86, 0.2%, 0.66%

LAB 72.38, -17.6, 14.22

 

CMYK 19 / 8 / 0 / 27

HEX #97ABBA

RGB 151 171 186

HSL 205.71, 0.2%, 0.66%

LAB 68.93, -3.69, -10.02

 

CMYK 2 / 19 / 0 / 27

HEX #B797BA

RGB 183 151 186

HSL 294.86, 0.2%, 0.66%

LAB 66.33, 18.14, -13.66

 

Description

Color code: HEX #BBA798 | qconv.com Color code: HEX #BBA798 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 167 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 167 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 19 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 19% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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