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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBA71C it is the complementary color #4458E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBA71C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBA71C shade: #C0A717, #D1B92A, #E2CB3D, #F3DD50 and #FFEF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBA71C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBA71C shade: #BBA71C, #AA9509, #998300, #887100 and #775F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBA71C shade: #BAA61C, #BA7C1C, #BA511C, #BA261C and #BA1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBA71C shade: #BAA61C, #A4BA1C, #79BA1C, #4EBA1C and #23BA1C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBA71C shade matches the following richer shades: #BAA61C and #CCB30B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBA71C shade: #BAA61C, #A9992D, #988C3F, #868050 and #757361

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBA71C shade: #BA511C, #BA7B1C, #BAA51C, #A5BA1C and #7BBA1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBA71C shade: #736611, #968616, #BAA61C, #DEC622 and #E3CF45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBA71C shade: #BBA71C, #1CBA26 and #661CBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBA71C shade: #BBA71C, #1CBAA5 and #A51CBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBA71C shade: #BBA71C, #1CBA26, #1C31BA and #BA1CB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBA71C shade: #BBA71C, #1CBA56, #1C31BA and #BA1C80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 85 / 27

HEX #BBA71C

RGB 187 167 28

HSL 52.45, 0.74%, 0.42%

LAB 68.23, -6.32, 66.39

 

Complementary color

CMYK 70 / 61 / 0 / 11

HEX #4458E3

RGB 68 88 227

HSL 232.45, 0.74%, 0.58%

LAB 43.88, 38, -72.83

 

CMYK 0 / 13 / 88 / 25

HEX #C0A717

RGB 192 167 23

HSL 51.12, 0.79%, 0.42%

LAB 68.68, -4.22, 68.09

 

CMYK 0 / 11 / 80 / 18

HEX #D1B92A

RGB 209 185 42

HSL 51.38, 0.67%, 0.49%

LAB 75.09, -5.66, 69.24

 

CMYK 0 / 10 / 73 / 11

HEX #E2CB3D

RGB 226 203 61

HSL 51.64, 0.74%, 0.56%

LAB 81.41, -6.88, 69.41

 

CMYK 0 / 9 / 67 / 5

HEX #F3DD50

RGB 243 221 80

HSL 51.9, 0.87%, 0.63%

LAB 87.65, -7.93, 69

 

CMYK 0 / 6 / 61 / 0

HEX #FFEF63

RGB 255 239 99

HSL 53.85, 1%, 0.69%

LAB 93.4, -10.85, 67.68

 

CMYK 0 / 11 / 85 / 27

HEX #BBA71C

RGB 187 167 28

HSL 52.45, 0.74%, 0.42%

LAB 68.23, -6.32, 66.39

 

CMYK 0 / 12 / 95 / 33

HEX #AA9509

RGB 170 149 9

HSL 52.17, 0.9%, 0.35%

LAB 61.71, -4.75, 64.23

 

CMYK 0 / 14 / 100 / 40

HEX #998300

RGB 153 131 0

HSL 51.37, 1%, 0.3%

LAB 55.08, -2.89, 60.06

 

CMYK 0 / 17 / 100 / 47

HEX #887100

RGB 136 113 0

HSL 49.85, 1%, 0.27%

LAB 48.32, -0.81, 54.48

 

CMYK 0 / 20 / 100 / 53

HEX #775F00

RGB 119 95 0

HSL 47.9, 1%, 0.23%

LAB 41.38, 1.38, 48.76

 

CMYK 0 / 11 / 85 / 27

HEX #BAA61C

RGB 186 166 28

HSL 52.41, 0.74%, 0.42%

LAB 67.87, -6.24, 66.05

 

CMYK 0 / 33 / 85 / 27

HEX #BA7C1C

RGB 186 124 28

HSL 36.46, 0.74%, 0.42%

LAB 57.02, 16.65, 56.98

 

CMYK 0 / 56 / 85 / 27

HEX #BA511C

RGB 186 81 28

HSL 20.13, 0.74%, 0.42%

LAB 47.51, 39.65, 48.87

 

CMYK 0 / 80 / 85 / 27

HEX #BA261C

RGB 186 38 28

HSL 3.8, 0.74%, 0.42%

LAB 41.07, 57, 43.25

 

CMYK 0 / 85 / 85 / 27

HEX #BA1C1C

RGB 186 28 28

HSL 0, 0.74%, 0.42%

LAB 40.17, 59.56, 42.45

 

CMYK 0 / 11 / 85 / 27

HEX #BAA61C

RGB 186 166 28

HSL 52.41, 0.74%, 0.42%

LAB 67.87, -6.24, 66.05

 

CMYK 12 / 0 / 85 / 27

HEX #A4BA1C

RGB 164 186 28

HSL 68.35, 0.74%, 0.42%

LAB 71.62, -25.97, 68.46

 

CMYK 35 / 0 / 85 / 27

HEX #79BA1C

RGB 121 186 28

HSL 84.68, 0.74%, 0.42%

LAB 68.94, -43.01, 65.11

 

CMYK 58 / 0 / 85 / 27

HEX #4EBA1C

RGB 78 186 28

HSL 101.01, 0.74%, 0.42%

LAB 67.14, -56.53, 62.84

 

CMYK 81 / 0 / 85 / 27

HEX #23BA1C

RGB 35 186 28

HSL 117.34, 0.74%, 0.42%

LAB 66.18, -64.67, 61.61

 

CMYK 0 / 11 / 85 / 27

HEX #BAA61C

RGB 186 166 28

HSL 52.41, 0.74%, 0.42%

LAB 67.87, -6.24, 66.05

 

CMYK 0 / 12 / 95 / 20

HEX #CCB30B

RGB 204 179 11

HSL 52.23, 0.9%, 0.42%

LAB 72.96, -5.4, 73.81

 

CMYK 0 / 11 / 85 / 27

HEX #BAA61C

RGB 186 166 28

HSL 52.41, 0.74%, 0.42%

LAB 67.87, -6.24, 66.05

 

CMYK 0 / 9 / 73 / 34

HEX #A9992D

RGB 169 153 45

HSL 52.26, 0.58%, 0.42%

LAB 62.85, -6.28, 55.61

 

CMYK 0 / 8 / 59 / 40

HEX #988C3F

RGB 152 140 63

HSL 51.91, 0.41%, 0.42%

LAB 57.84, -5.68, 41.97

 

CMYK 0 / 4 / 40 / 47

HEX #868050

RGB 134 128 80

HSL 53.33, 0.25%, 0.42%

LAB 53.04, -5.25, 26.87

 

CMYK 0 / 2 / 17 / 54

HEX #757361

RGB 117 115 97

HSL 54, 0.09%, 0.42%

LAB 48.14, -2.57, 10.25

 

CMYK 0 / 56 / 85 / 27

HEX #BA511C

RGB 186 81 28

HSL 20.13, 0.74%, 0.42%

LAB 47.51, 39.65, 48.87

 

CMYK 0 / 34 / 85 / 27

HEX #BA7B1C

RGB 186 123 28

HSL 36.08, 0.74%, 0.42%

LAB 56.77, 17.2, 56.77

 

CMYK 0 / 11 / 85 / 27

HEX #BAA51C

RGB 186 165 28

HSL 52.03, 0.74%, 0.42%

LAB 67.6, -5.71, 65.83

 

CMYK 11 / 0 / 85 / 27

HEX #A5BA1C

RGB 165 186 28

HSL 67.97, 0.74%, 0.42%

LAB 71.69, -25.55, 68.55

 

CMYK 34 / 0 / 85 / 27

HEX #7BBA1C

RGB 123 186 28

HSL 83.92, 0.74%, 0.42%

LAB 69.05, -42.28, 65.24

 

CMYK 0 / 11 / 85 / 55

HEX #736611

RGB 115 102 17

HSL 52.04, 0.74%, 0.26%

LAB 43.05, -4.21, 45.36

 

CMYK 0 / 11 / 85 / 41

HEX #968616

RGB 150 134 22

HSL 52.5, 0.74%, 0.34%

LAB 55.68, -5.5, 56.04

 

CMYK 0 / 11 / 85 / 27

HEX #BAA61C

RGB 186 166 28

HSL 52.41, 0.74%, 0.42%

LAB 67.87, -6.24, 66.05

 

CMYK 0 / 11 / 85 / 13

HEX #DEC622

RGB 222 198 34

HSL 52.34, 0.74%, 0.5%

LAB 79.63, -6.96, 75.68

 

CMYK 0 / 9 / 70 / 11

HEX #E3CF45

RGB 227 207 69

HSL 52.41, 0.74%, 0.58%

LAB 82.59, -8.12, 67.66

 

CMYK 0 / 11 / 85 / 27

HEX #BBA71C

RGB 187 167 28

HSL 52.45, 0.74%, 0.42%

LAB 68.23, -6.32, 66.39

 

CMYK 85 / 0 / 80 / 27

HEX #1CBA26

RGB 28 186 38

HSL 123.8, 0.74%, 0.42%

LAB 66.14, -64.87, 58.85

 

CMYK 45 / 85 / 0 / 27

HEX #661CBA

RGB 102 28 186

HSL 268.1, 0.74%, 0.42%

LAB 32.26, 60.73, -68.02

 

CMYK 0 / 11 / 85 / 27

HEX #BBA71C

RGB 187 167 28

HSL 52.45, 0.74%, 0.42%

LAB 68.23, -6.32, 66.39

 

CMYK 85 / 0 / 11 / 27

HEX #1CBAA5

RGB 28 186 165

HSL 172.03, 0.74%, 0.42%

LAB 68.08, -42.79, -0.2

 

CMYK 11 / 85 / 0 / 27

HEX #A51CBA

RGB 165 28 186

HSL 292.03, 0.74%, 0.42%

LAB 41.81, 70.32, -52.06

 

CMYK 0 / 11 / 85 / 27

HEX #BBA71C

RGB 187 167 28

HSL 52.45, 0.74%, 0.42%

LAB 68.23, -6.32, 66.39

 

CMYK 85 / 0 / 80 / 27

HEX #1CBA26

RGB 28 186 38

HSL 123.8, 0.74%, 0.42%

LAB 66.14, -64.87, 58.85

 

CMYK 85 / 74 / 0 / 27

HEX #1C31BA

RGB 28 49 186

HSL 232.03, 0.74%, 0.42%

LAB 29.38, 43.84, -72.97

 

CMYK 0 / 85 / 5 / 27

HEX #BA1CB0

RGB 186 28 176

HSL 303.8, 0.74%, 0.42%

LAB 44.81, 72.57, -41.15

 

CMYK 0 / 11 / 85 / 27

HEX #BBA71C

RGB 187 167 28

HSL 52.45, 0.74%, 0.42%

LAB 68.23, -6.32, 66.39

 

CMYK 85 / 0 / 54 / 27

HEX #1CBA56

RGB 28 186 86

HSL 142.03, 0.74%, 0.42%

LAB 66.55, -59.82, 39.68

 

CMYK 85 / 74 / 0 / 27

HEX #1C31BA

RGB 28 49 186

HSL 232.03, 0.74%, 0.42%

LAB 29.38, 43.84, -72.97

 

CMYK 0 / 85 / 31 / 27

HEX #BA1C80

RGB 186 28 128

HSL 322.03, 0.74%, 0.42%

LAB 42.5, 66.31, -15.78

 

Description

Color code: HEX #BBA71C | qconv.com Color code: HEX #BBA71C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 167 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 167 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 85 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 85% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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